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A Man Called Destruction: The Life and Music of Alex Chilton, From Box Tops to Big Star to Backdoor Man

Page 45

by George-Warren, Holly


  “We joked”: HGW interview with Cecelia Chilton.

  “Daddy started playing music again”: ibid.

  “When I was ten”: Keith Spera, “Alex Chilton,” Offbeat, May 1, 1995.

  “summer get-togethers for musician friends”: HGW interview with Adele Brown Tyler.

  “he kind of raised himself”: ibid.

  “I became a fan”: Robert Gordon, It Came from Memphis.

  “He’d come home from work”: Bruce Eaton interview with AC.

  “We didn’t have a place to stay”: HGW interview with Rosa Eggleston.

  “Sidney and Mary Evelyn ‘were some of my closest friends’”: Gordon, It Came from Memphis.

  “Eggleston was a fixture”: Eaton interview with AC.

  “When he told me that”: HGW e-mail interview with Louise Leffler.

  “he was real eccentric and delightful”: HGW interview with Cecelia Chilton.

  “He would just pontificate about various things”: HGW interview with Calvin Turley.

  “By the time he showed up”: HGW interview with Adele Brown Tyler.

  “There was lots of music in the house”: Eaton interview with AC.

  “my father was the most unbigoted person”: HGW interview with Cecelia Chilton.

  “Sidney was rooting for the Army”: HGW interview with Dale Tuttle.

  “a gathering of mutual friends”: HGW interview with William Eggleston.

  “Lee was a fun person”: HGW interview with Rosa Eggleston.

  “Alex’s mother”: HGW interview with Adele Brown Tyler.

  “They were laid-back parents”: HGW interview with Tuttle.

  “There wasn’t a whole lot of structure”: HGW interview with Turley.

  “I don’t remember a cooked meal”: HGW interview with Tuttle.

  “I think Alex liked my family”: HGW interview with Adele Brown Tyler.

  “We’d go over to Alex’s house”: HGW interview with Tuttle.

  “I was given a copy”: Gordon, It Came from Memphis.

  “When I got to be 11 or 12”: ibid.

  “They’d be playing”: HGW interview with Tuttle.

  “He was playing”: ibid.

  “Though he was thin”: ibid.

  “All the girls were standing”: HGW interview with Carole Ruleman Manning.

  “nice Catholic girl”: HGW e-mail interview with Leffler.

  “His legs were really highly developed”: HGW interview with Carole Ruleman Manning.

  “Alex and I were prone”: HGW interview with Tuttle.

  Chapter 4: Thirteen

  “When the Beatles came along”: Cub Koda, “Alex Chilton: My Dinner with Alex,” Goldmine.

  “There were maybe half a dozen high schools”: HGW interview with Russ Caccamisi.

  “We’d usually walk to Pop Tunes”: HGW interview with Dale Tuttle.

  “My musical taste and knowledge”: HGW interview with Paul Jobe.

  “Duke Ellington and Count Basie fan”: Bruce Eaton interview with AC.

  “When I was twelve or thirteen”: ibid.

  “Mother would call upstairs”: HGW e-mail interview with Louise Leffler.

  “It said, ‘Love and Kisses’”: ibid.

  “We’d sit on the couch”: ibid.

  “There was quite the extravagant”: Eaton interview with AC.

  “my brother was driving”: HGW interview with Carole Ruleman Manning.

  “When you’re a young teenager”: HGW interview with Jobe.

  “They had some really good music”: ibid.

  “It all seemed really complex”: Koda, “My Dinner with Alex.”

  “One of my dad’s musician buddies”: Bruce Eaton, interview with AC.

  “Alex kinda took control”: HGW interview with Jobe.

  “I really wasn’t getting anywhere”: Koda, “My Dinner with Alex.”

  “He was a moody guy”: HGW interview with Jobe.

  “All the other boys”: HGW interview with Adele Brown Tyler.

  “Alex was nothing like”: O’Brien, written remembrance of AC.

  “Alex had a big four-poster bed”: HGW interview with Bill Buffett.

  “We stayed up all night”: HGW interview with Jobe.

  “Alex was the person”: ibid.

  “He had the kids”: HGW interview with George Klein.

  “He was trying really hard”: HGW interview with Carole Ruleman Manning.

  “Alex and I were amorous”: HGW interview with Leffler.

  “I was renting a tiny”: HGW interview with Buffett.

  “I kind of had a crush”: HGW interview with Adele Brown Tyler.

  Chapter 5: From Moondog to Deville

  “The first time I ever saw Alex”: HGW interview with Gary Talley.

  “Ronnie was incredibly arrogant”: HGW interview with Russ Caccamisi.

  “black as hell”: Cub Koda, “Alex Chilton: My Dinner with Alex,” Goldmine.

  “There was a dress code”: Jud Cost, The Letter liner notes.

  “I didn’t care for”: Bruce Eaton interview with AC.

  “We were as much wooing”: HGW interview with Caccamisi.

  “enormous macho guys”: New Music News, n.d.

  “There was probably a group”: HGW interview with Pat Rainer.

  “an explosive temper”: HGW interview with Danny Smythe.

  “There were cliques”: HGW e-mail interview with Dixie Thompson.

  “I was getting laid”: Koda, ”My Dinner with Alex.”

  “We told Alex”: HGW interview with Caccamisi.

  “due to his talent for gambling”: Jim Dickinson, The Search for Blind Lemon.

  “Everything I ever knew”: HGW interview with Wayne Carson Thompson.

  “I wanted to produce a hit record”: HGW interview with Dan Penn.

  “We worked out the chords”: Koda, “My Dinner with Alex.”

  “I was a little hung over”: ibid.

  “He was the darnedest thing”: Cost, The Letter liner notes.

  “We had a big room”: HGW interview with Penn.

  “We set up”: Koda, “My Dinner with Alex.”

  “The guitar player”: HGW interview with Penn.

  “After Dan got all the instruments”: Koda, “My Dinner with Alex.”

  “Alex was one of the few”: HGW interview with Penn.

  Chapter 6: America’s Youngest Hitmaker

  “I guess my life”: Gina Arnold, “Ex Box Top Bounces Back as Rock Legend,” San Francisco Chronicle.

  “When we cut it”: HGW interview with Dan Penn.

  “The Memphis Strings were a little sloppy”: Roben Jones, Memphis Boys: The Story of American Studios.

  “That was a big part”: HGW interview with Penn.

  “We hadn’t really worked up”: HGW interview with Russ Caccamisi.

  “never had to crack a book”: Cub Koda, “Alex Chilton: My Dinner with Alex,” Goldmine.

  “We worried”: HGW interview with Caccamisi.

  “Somewhere around that time frame”: HGW interview with Paul Jobe.

  “I think he paid us $900”: Jones, Memphis Boys.

  “Our manager”: Koda, “My Dinner with Alex.”

  “We were talking about”: HGW interview with Caccamisi.

  “I went in again”: Koda, “My Dinner with Alex.”

  “Nobody was happy”: HGW interview with Caccamisi.

  “My dad said”: Koda, “My Dinner with Alex.”

  “We weren’t too happy”: HGW interview with Danny Smythe.

  Management “was scared”: HGW interview with George Klein.

  “It had a great feel”: ibid.

  “We were driving”: Jud Cost, The Letter liner notes.

  “D
an got pissed off”: Robert Gordon, It Came from Memphis.

  “Dan was just very frustrated”: Koda, “My Dinner with Alex.”

  “Tommy was a great guy”: Jim Dickinson, The Search for Blind Lemon.

  “My dad had played some gigs”: Koda, “My Dinner with Alex.”

  “I was right up close”: HGW interview with Bill Buffett.

  “I remember thinking”: HGW interview with Adele Brown Tyler.

  “Sometime in August”: Bruce Eaton interview with AC.

  Chapter 7: On the Road

  “I liked the Box Tops”: HGW interview with Jerry Blavat.

  “keeping me a little bit in line”: Parke Puterbaugh interview with AC, 1987.

  “thought it was a regional hit”: HGW interview with Gary Talley.

  “I’d never met any hippies”: ibid.

  “He had a fifth of booze”: ibid.

  “Jim Morrison turned around”: HGW interview with Danny Smythe.

  “Suzi was a sweetheart”: HGW interview with Marc Benno.

  “Suzi was part of the hippie commune”: HGW interview with Talley.

  “This was my backdrop”: HGW e-mail interview with Chris Paul.

  “We would tape it on Saturday”: Sarah Crump, “Noted Rock Agent, Radio DJ David Spero Shares Memories of His Entertainment Career,” Cleveland.com.

  “a giant cereal bowl”: Cost liner notes, Nonstop.

  “I remember the first gig”: Cub Koda, “Alex Chilton: My Dinner with Alex,” Goldmine.

  “The Beach Boys liked us”: Parke Puterbaugh interview with AC, 1987.

  “the recordings were so manipulated”: Koda, “My Dinner with Alex.”

  “I didn’t go for that material”: ibid.

  “As we were pulling away”: HGW interview with Talley.

  “The phone rang at our hotel”: HGW interview with Louise Leffler.

  “We discovered”: HGW interview with Smythe.

  “We did all three”: ibid.

  “We stayed in different motels”: HGW interview with Talley.

  “The thing about Alex”: HGW interview with Smythe.

  “Though Alex was the youngest”: HGW interview with Talley.

  “By the time I quit”: HGW interview with Smythe.

  Chapter 8: Nonstop

  “People talk about 1968”: Bruce Eaton interview with AC.

  “‘The Letter’ was upbeat”: HGW interview with Dan Penn.

  “Dan called me one day”: HGW interview with Spooner Oldham.

  “Alex and the musicians”: HGW interview with Penn.

  “I was frustrated”: HGW interview with Oldham.

  “It was laying around”: HGW interview with Reggie Young.

  “When they got a real good song”: HGW interview with Penn.

  “Ardent had a brighter sound”: Roben Jones, Memphis Boys: The Story of American Studios.

  “a certain yearning bluesy quality”: Lester Bangs, “The Box Tops: Dimensions, Nonstop, Super Hits,” Rolling Stone.

  “Memphis pop production at its best”: Jim Dickinson, The Search for Blind Lemon.

  “At American, there was no clock”: HGW interview with Young.

  “Whatever I asked him to do”: HGW interview with Penn.

  “Dan didn’t have his finger”: Cub Koda, “Alex Chilton: My Dinner with Alex,” Goldmine.

  “He and I always got along”: Jones, Memphis Boys.

  “Dick Clark seemed really interested”: HGW interview with Gary Talley.

  “They placed him”: Jud Cost, Cry Like a Baby liner notes (2000).

  “The Box Tops”: Mark Lindsay, Cry Like a Baby original LP liner notes (1968).

  “For years I tried to cut a song”: HGW interview with Mark Lindsay.

  “I was just too busy for 1968”: Eaton interview with AC.

  Chapter 9: “I Slept with Charlie Manson”

  “Here I am at the top”: Gina Arnold, “Ex Box Top Bounces Back as Rock Legend,” San Francisco Chronicle.

  “I remember being amazed”: Michael O’Brien written remembrance of AC.

  “I don’t know that anybody’s prepared to handle fame”: Parke Puterbaugh interview with AC, 1987.

  “We’d get together”: HGW interview with Paul Jobe.

  “It became the main hangout”: HGW interview with Gordon Alexander.

  “I’d only known Alex”: ibid.

  “This was when I was really starting to get serious”: Cub Koda, “Alex Chilton: My Dinner with Alex,” Goldmine.

  Alex told one friend: Bruce Eaton interview with AC.

  “I’d never seen that many groupies”: Puterbaugh interview with Thomas Boggs.

  “I stayed at Dennis’s house”: Koda, “My Dinner with Alex.”

  “the whole Manson family moved in”: ibid.

  “got wind of that”: Neil Strauss, Everyone Loves You When You’re Dead.

  “Suzi was laid-back”: HGW interview with Jobe.

  “I never saw or heard them argue”: HGW interview with Alexander.

  “Chips Moman came in”: Puterbaugh interview with AC, 1987.

  “He loved this . . . Dylan song”: HGW interview with Wayne Carson Thompson.

  “I think Chips saw that I had some potential”: HGW interview with Gary Talley.

  “My biggest disappointment”: ibid.

  “I’d visit”: HGW interview with Alexander.

  Chapter 10: 1969

  “It was a real volatile thing”: HGW interview with Gary Talley.

  “not the husband or dad type”: HGW interview with Paul Jobe.

  “I don’t remember the details”: HGW interview with Talley.

  “The morale was lousy”: Cub Koda, “Alex Chilton: My Dinner with Alex,” Goldmine.

  “There were personnel conflicts”: Colin Escott, “The Box Tops,” unpublished article accessed via Rocksbackpages.com.

  “Alex was getting twice as much”: HGW interview with Talley.

  “I don’t want to put Roy Mack”: HGW interview with Wayne Carson Thompson.

  “Management totally mistreated the band”: Parke Puterbaugh interview with Thomas Boggs.

  “Ardent was the only place”: Robert Gordon, It Came from Memphis.

  “Fry had better equipment”: Jim Dickinson, The Search for Blind Lemon.

  “We were incredible Anglophiles”: HGW interview with Terry Manning.

  “I first met Alex”: HGW interview with John Fry.

  “Alex and I became friends”: Daniel Coston interview with Terry Manning.

  “in a less snobbish era”: Ellen Willis. “Rock, Etc.” New Yorker, August 9, 1969.

  “There was little pre-production”: Coston interview with Manning.

  “It was really just the three of us”: Barney Hoskyns interview with Richard Rosebrough.

  “Alex was on a learning curve”: ibid.

  “I’d learned to do things very meticulously”: Dave Hoekstra, “The Star of Alex Chilton.”

  “There were all these rules”: Mike Boehm, “Alex Chilton’s Following Is a Cult Above,” Los Angeles Times.

  “He was kind of subdued”: Hoskyns interview with Rosebrough.

  “Alex was around a lot”: HGW interview with Fry.

  “the highest kind of rock-and-roll”: Robert Christgau, “Esquire review as quoted in Box Tops press release, Bell Records.

  “Those yokel hacks”: Lester Bangs, “The Box Tops: Dimensions, Nonstop, Super Hits,” Rolling Stone.

  “We debated”: Gary Talley,“The Box Tops: Setting the Record Straight.”

  “I remember hearing him say”: HGW e-mail interview with Swain Schaefer.

  Chapter 11: Free Again

  “I was trying to learn to write”: Bruce Eaton interview with AC.

  �
��He had started ‘The EMI Song’”: Coston interview with Terry Manning.

  “a family thing”: HGW interview with Terry Manning.

  “Alex and I’d get loaded”: HGW interview with Swain Schaeffer.

  “teenybopper, bubblegum stuff”: Barney Hoskyns interview with Richard Rosebrough.

  “I really wanted to quit”: Gordon Alexander, “So You Want to Be a Rock and Roll Star,” Dixie Flyer.

  “He spent a couple of days”: Michael O’Brien written remembrance of AC.

  “There was no point”: HGW interview with Gary Talley.

  “In 1970, when I left the group”: Eaton, interview with AC.

  “a hell of a song”: HGW interview with Wayne Carson Thompson.

  “I wanted to exploit”: HGW interview with Terry Manning.

  “crazy rock & roll [pedal] steel guitar leads”: ibid.

  “Parsons was a very expressive”: Martin Aston, “Alex’s Wild Years,” 1985.

  “had so many meanings”: HGW interview with Terry Manning.

  “Although it was largely recorded”: HGW interview with John Fry.

  “Jerry offered a deal”: Bob Mehr, Free Again: The 1970 Sessions liner notes.

  “They loved it”: ibid.

  “As kids who went to this”: HGW interview with Vera Ellis Poag.

  “I would spend a lot of time”: ibid.

  “With a summer job”: O’Brien written remembrance of AC.

  “Alex was really involved”: HGW interview with Vera Ellis Poag.

  “He was always real nervous”: ibid.

  “I seemed to hang around”: Eaton interview with AC.

  “Todd Rundgren had made his first”: ibid.

  “Alex and I started hanging out”: HGW interview with Keith Sykes.

  “I was sick of bands”: Robert Gordon, It Came from Memphis.

  “Alex had so many influences”: HGW interview with Vera Ellis Poag.

  “struggling like all of us to develop our cultural voice”: Jefferson Siegel, “Stars Remember Karin Berg,”

  “He looked like”: Barney Hoskyns interview with Bud Scoppa.

  “Roger McGuinn called me”: ibid.

  Chapter 12: Big Star Ascends

  “an old married couple”: HGW interview with Vera Ellis Poag.

  “Steve and me and Chris”: Daniel Coston interview with Terry Manning.

  “He was real excited”: Barney Hoskyns interview with Richard Rosebrough.

 

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