Eldritch Tales

by H. P. Lovecraft

  It was the mind and character of Arthur Jermyn which atoned for his aspect. Gifted and learned, he took highest honours at Oxford and seemed likely to redeem the intellectual fame of his family. Though of poetic rather than scientific temperament, he planned to continue the work of his forefathers in African ethnology and antiquities, utilising the truly wonderful though strange collection of Sir Wade. With his fanciful mind he thought often of the prehistoric civilisation in which the mad explorer had so implicitly believed, and would weave tale after tale about the silent jungle city mentioned in the latter’s wilder notes and paragraphs. For the nebulous utterances concerning a nameless, unsuspected race of jungle hybrids he had a peculiar feeling of mingled terror and attraction; speculating on the possible basis of such a fancy, and seeking to obtain light among the more recent data gleaned by his great-grandfather and Samuel Seaton amongst the Ongas.

  In 1911, after the death of his mother, Sir Arthur Jermyn determined to pursue his investigations to the utmost extent. Selling a portion of his estate to obtain the requisite money, he outfitted an expedition and sailed for the Congo. Arranging with the Belgian authorities for a party of guides, he spent a year in the Onga and Kaliri country, finding data beyond the highest of his expectations. Among the Kaliris was an aged chief called Mwanu, who possessed not only a highly retentive memory, but a singular degree of intelligence and interest in old legends. This ancient confirmed every tale which Jermyn had heard, adding his own account of the stone city and the white apes as it had been told to him.

  According to Mwanu, the grey city and the hybrid creatures were no more, having been annihilated by the warlike N’bangus many years ago. This tribe, after destroying most of the edifices and killing the live beings, had carried off the stuffed goddess which had been the object of their quest; the white ape-goddess which the strange beings worshipped, and which was held by Congo tradition to be the form of one who had reigned as a princess among those beings. Just what the white ape-like creatures could have been, Mwanu had no idea, but he thought they were the builders of the ruined city. Jermyn could form no conjecture, but by close questioning obtained a very picturesque legend of the stuffed goddess.

  The ape-princess, it was said, became the consort of a great white god who had come out of the West. For a long time they had reigned over the city together, but when they had a son all three went away. Later the god and the princess had returned, and upon the death of the princess her divine husband had mummified the body and enshrined it in a vast house of stone, where it was worshipped. Then he had departed alone. The legend here seemed to present three variants. According to one story nothing further happened save that the stuffed goddess became a symbol of supremacy for whatever tribe might possess it. It was for this reason that the N’bangus carried it off. A second story told of the god’s return and death at the feet of his enshrined wife. A third told of the return of the son, grown to manhood – or apehood or godhood, as the case might be – yet unconscious of his identity. Surely the imaginative blacks had made the most of whatever events might lie behind the extravagant legendry.

  Of the reality of the jungle city described by old Sir Wade, Arthur Jermyn had no further doubt; and was hardly astonished when early in 1912 he came upon what was left of it. Its size must have been exaggerated, yet the stones lying about proved that it was no mere Negro village. Unfortunately no carvings could be found, and the small size of the expedition prevented operations toward clearing the one visible passageway that seemed to lead down into the system of vaults which Sir Wade had mentioned. The white apes and the stuffed goddess were discussed with all the native chiefs of the region, but it remained for a European to improve on the data offered by old Mwanu. M. Verhaeren, Belgian agent at a trading-post on the Congo, believed that he could not only locate but obtain the stuffed goddess, of which he had vaguely heard; since the once mighty N’bangus were now the submissive servants of King Albert’s government, and with but little persuasion could be induced to part with the gruesome deity they had carried off. When Jermyn sailed for England, therefore, it was with the exultant probability that he would within a few months receive a priceless ethnological relic confirming the wildest of his great-great-great-grandfather’s narratives – that is, the wildest which he had ever heard. Countrymen near Jermyn House had perhaps heard wilder tales handed down from ancestors who had listened to Sir Wade around the tables of the Knight’s Head.

  Arthur Jermyn waited very patiently for the expected box from M. Verhaeren, meanwhile studying with increased diligence the manuscripts left by his mad ancestor. He began to feel closely akin to Sir Wade, and to seek relics of the latter’s personal life in England as well as of his African exploits. Oral accounts of the mysterious and secluded wife had been numerous, but no tangible relic of her stay at Jermyn House remained. Jermyn wondered what circumstance had prompted or permitted such an effacement, and decided that the husband’s insanity was the prime cause. His great-great-great-grandmother, he recalled, was said to have been the daughter of a Portuguese trader in Africa. No doubt her practical heritage and superficial knowledge of the Dark Continent had caused her to flout Sir Wade’s talk of the interior, a thing which such a man would not be likely to forgive. She had died in Africa, perhaps dragged thither by a husband determined to prove what he had told. But as Jermyn indulged in these reflections he could not but smile at their futility, a century and a half after the death of both of his strange progenitors.

  In June, 1913, a letter arrived from M. Verhaeren, telling of the finding of the stuffed goddess. It was, the Belgian averred, a most extraordinary object; an object quite beyond the power of a layman to classify. Whether it was human or simian only a scientist could determine, and the process of determination would be greatly hampered by its imperfect condition. Time and the Congo climate are not kind to mummies; especially when their preparation is as amateurish as seemed to be the case here. Around the creature’s neck had been found a golden chain bearing an empty locket on which were armorial designs; no doubt some hapless traveller’s keepsake, taken by the N’bangus and hung upon the goddess as a charm. In commenting on the contour of the mummy’s face, M. Verhaeren suggested a whimsical comparison; or rather, expressed a humorous wonder just how it would strike his correspondent, but was too much interested scientifically to waste many words in levity. The stuffed goddess, he wrote, would arrive duly packed about a month after receipt of the letter.

  The boxed object was delivered at Jermyn House on the afternoon of August 3, 1913, being conveyed immediately to the large chamber which housed the collection of African specimens as arranged by Sir Robert and Arthur. What ensued can best be gathered from the tales of servants and from things and papers later examined. Of the various tales that of aged Soames, the family butler, is most ample and coherent.

  According to this trustworthy man, Sir Arthur Jermyn dismissed everyone from the room before opening the box, though the instant sound of hammer and chisel shewed that he did not delay the operation. Nothing was heard for some time; just how long Soames cannot exactly estimate; but it was certainly less than a quarter of an hour later that the horrible scream, undoubtedly in Jermyn’s voice, was heard. Immediately afterward Jermyn emerged from the room, rushing frantically toward the front of the house as if pursued by some hideous enemy. The expression on his face, a face ghastly enough in repose, was beyond description. When near the front door he seemed to think of something, and turned back in his flight, finally disappearing down the stairs to the cellar. The servants were utterly dumbfounded, and watched at the head of the stairs, but their master did not return. A smell of oil was all that came up from the regions below. After dark a rattling was heard at the door leading from the cellar into the courtyard; and a stable-boy saw Arthur Jermyn, glistening from head to foot with oil and redolent of that fluid, steal furtively out and vanish on the black moor surrounding the house. Then, in an exaltation of supreme horror, everyone saw the end. A spark appeared on the moor, a flame a
rose, and a pillar of human fire reached to the heavens. The house of Jermyn no longer existed.

  The reason why Arthur Jermyn’s charred fragments were not collected and buried lies in what was found afterward, principally the thing in the box. The stuffed goddess was a nauseous sight, withered and eaten away, but it was clearly a mummified white ape of some unknown species, less hairy than any recorded variety, and infinitely nearer mankind – quite shockingly so. Detailed description would be rather unpleasant, but two salient particulars must be told, for they fit in revoltingly with certain notes of Sir Wade Jermyn’s African expeditions and with the Congolese legends of the white god and the ape-princess. The two particulars in question are these: the arms on the golden locket about the creature’s neck were the Jermyn arms, and the jocose suggestion of M. Verhaeren about a certain resemblance as connected with the shrivelled face applied with vivid, ghastly, and unnatural horror to none other than the sensitive Arthur Jermyn, great-great-great-grandson of Sir Wade Jermyn and an unknown wife. Members of the Royal Anthropological Institute burned the thing and threw the locket into a well, and some of them do not admit that Arthur Jermyn ever existed.

  THE CRAWLING CHAOS

  (with Winifred Virginia Jackson)

  OF THE PLEASURES and pains of opium much has been written. The ecstasies and horrors of De Quincey and the paradis artificiels of Baudelaire are preserved and interpreted with an art which makes them immortal, and the world knows well the beauty, the terror and the mystery of those obscure realms into which the inspired dreamer is transported. But much as has been told, no man has yet dared intimate the nature of the phantasms thus unfolded to the mind, or hint at the direction of the unheard-of roads along whose ornate and exotic course the partaker of the drug is so irresistibly borne. De Quincey was drawn back into Asia, that teeming land of nebulous shadows whose hideous antiquity is so impressive that ‘the vast age of the race and name overpowers the sense of youth in the individual,’ but farther than that he dared not go. Those who have gone farther seldom returned, and even when they have, they have been either silent or quite mad. I took opium but once – in the year of the plague, when doctors sought to deaden the agonies they could not cure. There was an overdose – my physician was worn out with horror and exertion – and I travelled very far indeed. In the end I returned and lived, but my nights are filled with strange memories, nor have I ever permitted a doctor to give me opium again.

  The pain and pounding in my head had been quite unendurable when the drug was administered. Of the future I had no heed; to escape, whether by cure, unconsciousness, or death, was all that concerned me. I was partly delirious, so that it is hard to place the exact moment of transition, but I think the effect must have begun shortly before the pounding ceased to be painful. As I have said, there was an overdose; so my reactions were probably far from normal. The sensation of falling, curiously dissociated from the idea of gravity or direction, was paramount; though there was subsidiary impression of unseen throngs in incalculable profusion, throngs of infinitely diverse nature, but all more or less related to me. Sometimes it seemed less as though I were falling, than as though the universe or the ages were falling past me. Suddenly my pain ceased, and I began to associate the pounding with an external rather than internal force. The falling had ceased also, giving place to a sensation of uneasy, temporary rest; and when I listened closely, I fancied the pounding was that of the vast, inscrutable sea as its sinister, colossal breakers lacerated some desolate shore after a storm of titanic magnitude. Then I opened my eyes.

  For a moment my surroundings seemed confused, like a projected image hopelessly out of focus, but gradually I realised my solitary presence in a strange and beautiful room lighted by many windows. Of the exact nature of the apartment I could form no idea, for my thoughts were still far from settled, but I noticed varicoloured rugs and draperies, elaborately fashioned tables, chairs, ottomans, and divans, and delicate vases and ornaments which conveyed a suggestion of the exotic without being actually alien. These things I noticed, yet they were not long uppermost in my mind. Slowly but inexorably crawling upon my consciousness and rising above every other impression, came a dizzying fear of the unknown; a fear all the greater because I could not analyse it, and seeming to concern a stealthily approaching menace; not death, but some nameless, unheard-of thing inexpressibly more ghastly and abhorrent.

  Presently I realised that the direct symbol and excitant of my fear was the hideous pounding whose incessant reverberations throbbed maddeningly against my exhausted brain. It seemed to come from a point outside and below the edifice in which I stood, and to associate itself with the most terrifying mental images. I felt that some horrible scene or object lurked beyond the silk-hung walls, and shrank from glancing through the arched, latticed windows that opened so bewilderingly on every hand. Perceiving shutters attached to these windows, I closed them all, averting my eyes from the exterior as I did so. Then, employing a flint and steel which I found on one of the small tables, I lit the many candles reposing about the walls in arabesque sconces. The added sense of security brought by closed shutters and artificial light calmed my nerves to some degree, but I could not shut out the monotonous pounding. Now that I was calmer, the sound became as fascinating as it was fearful, and I felt a contradictory desire to seek out its source despite my still powerful shrinking. Opening a portiere at the side of the room nearest the pounding, I beheld a small and richly draped corridor ending in a cavern door and large oriel window. To this window I was irresistibly drawn, though my ill-defined apprehensions seemed almost equally bent on holding me back. As I approached it I could see a chaotic whirl of waters in the distance. Then, as I attained it and glanced out on all sides, the stupendous picture of my surroundings burst upon me with full and devastating force.

  I beheld such a sight as I had never beheld before, and which no living person can have seen save in the delirium of fever or the inferno of opium. The building stood on a narrow point of land – or what was now a narrow point of land – fully three hundred feet above what must lately have been a seething vortex of mad waters. On either side of the house there fell a newly washed-out precipice of red earth, whilst ahead of me the hideous waves were still rolling in frightfully, eating away the land with ghastly monotony and deliberation. Out a mile or more there rose and fell menacing breakers at least fifty feet in height, and on the far horizon ghoulish black clouds of grotesque contour were resting and brooding like unwholesome vultures. The waves were dark and purplish, almost black, and clutched at the yielding red mud of the bank as if with uncouth, greedy hands. I could not but feel that some noxious marine mind had declared a war of extermination upon all the solid ground, perhaps abetted by the angry sky.

  Recovering at length from the stupor into which this unnatural spectacle had thrown me, I realised that my actual physical danger was acute. Even whilst I gazed, the bank had lost many feet, and it could not be long before the house would fall undermined into the awful pit of lashing waves. Accordingly I hastened to the opposite side of the edifice, and finding a door, emerged at once, locking it after me with a curious key which had hung inside. I now beheld more of the strange region about me, and marked a singular division which seemed to exist in the hostile ocean and firmament. On each side of the jutting promontory different conditions held sway. At my left as I faced inland was a gently heaving sea with great green waves rolling peacefully in under a brightly shining sun. Something about that sun’s nature and position made me shudder, but I could not then tell, and cannot tell now, what it was. At my right also was the sea, but it was blue, calm, and only gently undulating, while the sky above it was darker and the washed-out bank more nearly white than reddish.

  I now turned my attention to the land, and found occasion for fresh surprise; for the vegetation resembled nothing I had ever seen or read about. It was apparently tropical or at least sub-tropical – a conclusion borne out by the intense heat of the air. Sometimes I thought I could trace stra
nge analogies with the flora of my native land, fancying that the well-known plants and shrubs might assume such forms under a radical change of climate; but the gigantic and omnipresent palm trees were plainly foreign. The house I had just left was very small – hardly more than a cottage – but its material was evidently marble, and its architecture was weird and composite, involving a quaint fusion of Western and Eastern forms. At the corners were Corinthian columns, but the red tile roof was like that of a Chinese pagoda. From the door inland there stretched a path of singularly white sand, about four feet wide, and lined on either side with stately palms and unidentifiable flowering shrubs and plants. It lay toward the side of the promontory where the sea was blue and the bank rather whitish. Down this path I felt impelled to flee, as if pursued by some malignant spirit from the pounding ocean. At first it was slightly uphill, then I reached a gentle crest. Behind me I saw the scene I had left; the entire point with the cottage and the black water, with the green sea on one side and the blue sea on the other, and a curse unnamed and unnameable lowering over all. I never saw it again, and often wonder . . . After this last look I strode ahead and surveyed the inland panorama before me.

  The path, as I have intimated, ran along the right-hand shore as one went inland. Ahead and to the left I now viewed a magnificent valley comprising thousands of acres, and covered with a swaying growth of tropical grass higher than my head. Almost at the limit of vision was a colossal palm tree which seemed to fascinate and beckon me. By this time wonder and escape from the imperilled peninsula had largely dissipated my fear, but as I paused and sank fatigued to the path, idly digging with my hands into the warm, whitish-golden sand, a new and acute sense of danger seized me. Some terror in the swishing tall grass seemed added to that of the diabolically pounding sea, and I started up crying aloud and disjointedly, ‘Tiger? Tiger? Is it Tiger? Beast? Beast? Is it a Beast that I am afraid of?’ My mind wandered back to an ancient and classical story of tigers which I had read; I strove to recall the author, but had difficulty. Then in the midst of my fear I remembered that the tale was by Rudyard Kipling; nor did the grotesqueness of deeming him an ancient author occur to me; I wished for the volume containing this story, and had almost started back toward the doomed cottage to procure it when my better sense and the lure of the palm prevented me.