Royal Highness

by Thomas Mann

  The Swiss governess was the widow of a Calvanistic minister and was in charge of both children, each of whom had two lady’s maids as well. She was black and white throughout: her cap was white and her dress black, her face was white, with white warts on one cheek, and her smooth hair had a mixed black-and-white metallic sheen. She was very precise and easily put out. When things happened which, though quite without danger, could not be allowed, she clasped her white hands and turned her eyes up to heaven. But her quietest and severest mode of punishment for serious occasions was to “look sadly” at the children—implying that they had lost their self-respect. On a fixed day she began, on a hint from higher quarters, to address Klaus Heinrich and Ditlinde as “Grand Ducal Highness,” and from that day she was more easily put out than before.…

  But Albrecht was called “Royal Highness.” Aunt Catherine’s children were members of the family only on the distaff side, and so were of less importance. But Albrecht was Crown Prince and Heir Apparent, so that it was not at all unfitting that he should look so pale and distant and keep so much to his bed. He wore Austrian coats with flap pockets and cut long behind. His head had a big bump at the back and narrow temples, and he had a long face. While still quite young he had come through a serious illness, which, in the opinion of Surgeon-General Eschrich, was the reason for his heart having “shifted over to the right.” However that might be, he had seen Death face to face, a fact which had probably intensified the shy dignity which was natural to him. He seemed to be extremely standoffish, cold from embarrassment, and proud from lack of graciousness. He lisped a little and then blushed at doing so, because he was always criticizing himself. His shoulder-blades were a little uneven. One of his eyes had some weakness or other, so that he used glasses for writing his exercises, which helped to make him look old and wise.… Albrecht’s tutor, Doctor Veit, a man with hanging mud-coloured moustaches, hollow cheeks, and wan eyes unnaturally far apart, was always at his left hand. Doctor Veit was always dressed in black, and carried a book dangling down his thigh, with his index-finger thrust between its leaves.

  Klaus Heinrich felt that Albrecht did not care much for him, and he saw that it was not only because of his inferiority in years. He himself was tender-hearted and prone to tears, that was his nature. He cried, when anybody “looked sadly” at him, and when he knocked his forehead against a corner of the nursery table, so that it bled, he howled from sympathy with his forehead. But Albrecht had faced Death, yet never cried on any condition. He stuck his short, rounded underlip a little forward, and sucked it lightly against the upper one—that was all. He was most superior. The Swiss governess referred in so many words to him in matters of comme il faut as a model. He had never allowed himself to converse with the gorgeous creatures who belonged to the court, not exactly men and human beings, but lackeys—as Klaus Heinrich had sometimes done in unguarded moments. For Albrecht was not curious. The look in his eyes was that of a lonely boy, who had no wish to let the world intrude upon him. Klaus Heinrich, on the contrary, chatted with the lackeys from that same wish, and from an urgent though perhaps dangerous and improper desire to feel some contact with what lay outside the charmed circle. But the lackeys, young and old, at the doors, in the corridors and the passage-rooms, with their sand-coloured gaiters and brown coats, on the red-gold lace of which the same little crown as on the carriage doors was repeated again and again—they straightened their knees when Klaus Heinrich chatted to them, laid their great hands on the seams of the thick velvet breeches, bent a little forward towards him, so that the aiguillettes dangled from their shoulders, and returned various, highly proper answers, the most important part of which was the address “Grand Ducal Highness,” and smiled as they did so with an expression of cautious sympathy, which recalled the words of the old song, “The lad that is born to be king.” Sometimes when he got the chance, Klaus Heinrich went on voyages of discovery in uninhabited parts of the schloss, with Ditlinde, his sister, when she was old enough.

  At that time he was having lessons from Schulrat Dröge, Rector of the city schools, who was chosen to be his first tutor. Schulrat Dröge was a born pedagogue. His index-finger, with its folds of dry skin and gold stoneless signetring, followed the line of print when Klaus Heinrich read, waiting before going on to the next word until the preceding one had been read. He came in a frock-coat and white waistcoat, with the ribbon of some inferior order in his button-hole, and in broad shiny boots with brown upper-leathers. He wore a pointed grey beard, and bushy grey hair grew out of his big, broad ears. His brown hair was brushed up into points on his temples, and so precisely parted as to show clearly his yellow dry scalp, which was full of holes like canvas. But thin grey hair was visible under the strong brown hair behind and at the sides. He bowed slightly to the lackeys who opened the door for him to the big schoolroom at whose table Klaus Heinrich sat waiting for him. But to Klaus Heinrich he did not confine himself to a superficial bow as he entered the room, but made a pronounced and deliberate bow before he came up to him, and waited for his exalted pupil to offer him his hand. This Klaus Heinrich did; and the fact that he did so twice, not only when he greeted him, but also when he took his departure, just in the graceful and winning way in which he had seen his father give his hand to those who expected it, seemed to him far more important and essential than all the instruction which came between the two ceremonies.

  After Schulrat Dröge had come and gone any number of times, Klaus Heinrich had imperceptibly gained a knowledge of all sorts of practical things: to everybody’s surprise he was quite at home in every kind of reading, writing, and arithmetic, and could reel off to order the names of the towns in the Grand Duchy pretty well without an omission. But, as has been said, this was not what was in his opinion really necessary and essential for him. From time to time, when he was inattentive at his lessons, the Schulrat rebuked him with a reference to his exalted calling. “Your exalted calling requires you …” he would say or: “You owe it to your exalted calling.…” What was his calling, and how was it exalted? Why did the lackeys smile as if to say, “The lad that is born to be king,” and why was his governess so much put out when he let himself go a little in speech or action? He looked round him, and at times, when he looked steadily and long and forced himself to probe the essence of the phenomena around him, a dim apprehension arose in him of the “aloofness” of his position.

  He was standing in one of the “gala rooms,” the Silver Hall, in which, as he knew, his father the Grand Duke received solemn deputations—he happened to have wandered into it by himself and he took stock of his surroundings.

  It was winter-time and cold, his little shoes were reflected in the glass-clear yellow squares of the parquet which spread like a sheet of ice before him. The ceiling, covered with silvered arabesque-work, was so high that a long metal shaft was necessary to allow the many-armed silver chandelier with its forest of tall white candles to swing in the middle of the great space. Below the ceiling came silver-framed coats-of-arms in faded colours. The walls were edged with silver, and hung with white silk with yellow spots, not to mention a split here and there. A sort of monumental baldachin, resting on two strong silver columns and decorated in front with a silver garland, broken in two places, from the top of which looked down a portrait of a deceased, powdered ancestress draped in imitation ermine, formed the chimney-piece. On each side of the fireplace were broad silvered arm-chairs upholstered in torn white silk. On the side walls opposite each other towered enormous silver-framed mirrors, whose glass was covered with blind spots, and on each side of whose broad white marble ledges stood two candelabra which carried big white candles like the sconces on the walls all round, and like the four silver candlesticks which stood in the corners. Before the high windows to the right, looking over the Albrechtsplatz, whose outer ledges were covered with snow, white silk curtains, yellow spotted, with silver cords and trimmed with lace, fell in rich, and heavy folds to the floor. In the middle of the room, under the chandelier, a modera
te-sized table, with a pedestal made like a knobby silver tree-stump and a top made of eight triangles of opaque mother-of-pearl, stood useless, as there were no chairs round it, and it could only serve, and be meant to serve, at the very best, as a support for your Highness, when the lackeys opened the doors and ushered in the solemn figures in Court dress who came to present their respects to you.…

  Klaus Heinrich looked round the hall, and clearly saw that there was nothing here which reminded him of the realities which Schulrat Dröge, for all his bows, was always impressing upon him. Here all was Sunday and solemnity, just as in church, where also he would have felt the calls made on him by his tutor out of place. Everything here was severe and empty show and a formal symmetry, self-sufficient, pointless, and uncomfortable—whose functions were obviously to create an atmosphere of awe and tension, not of freedom and ease, to inculcate an attitude of decorum and discreet self-obliteration towards an unnamed object. And it was cold in the silver hall—cold as in the halls of the snow-king, where the children’s hearts froze stiff.

  Klaus Heinrich walked over the glassy floor and stood at the table in the middle. He laid his right hand lightly on the mother-of-pearl table, and placed the left hand on his hip, so far behind that it rested almost in the small of his back, and was not visible from in front, for it was an ugly sight, brown and wrinkled, and had not kept pace with the right in its growth. He stood resting on one leg, with the other a little advanced, and kept his eyes fixed on the silver ornaments of the door. It was not the place nor the attitude for dreaming, and yet he dreamed.

  He saw his father, and looked at him as he looked at the hall, to try to grasp his meaning. He saw the dull haughtiness of his blue eyes, the furrows which, proudly and morosely, ran from nostril down to his beard, and were often deepened or accentuated by weariness and boredom.… Nobody dared to address him or to go freely up to him and speak to him unasked—not even the children: it was forbidden, it was dangerous. He answered, it is true: but he answered distantly and coldly, a look of helplessness, of gêne, passed over his face, which Klaus Heinrich was quite able to understand.

  Papa made a speech and sent his petitioners away; that is what always happened. He gave an audience at the beginning of the Court ball, and at the end of the dinner with which the winter began. He went with mamma through the rooms and halls, in which the members of the Court were gathered, went through the Marble Hall and the Gala Rooms, through the Picture Gallery, the Hall of the Knights, the Hall of the Twelve Months, the Audience Chamber, and the Ball-room—went not only in a fixed direction, but along a fixed path which bustling Herr von Bühl kept free for him, and addressed a few words to the assembled throng. Whoever was addressed by him bowed low, left a space of parquet between himself and papa, and answered soberly and with signs of gratification. Thereupon papa greeted them over the intervening space, from the stronghold of precise regulations which prescribed the others’ movements and warranted his own attitude, greeted them smilingly and lightly and passed on. Smilingly and lightly.… Of course, of course, Klaus Heinrich quite understood it, the look of helplessness which passed for one moment over papa’s face when anybody was impetuous enough to address him unasked—understood it, and shared his feeling of gêne! It wounded something, some soft, virgin envelope of our existence which was so essential to it that we stood helpless when anybody roughly broke through it. And yet it was this same something which made our eyes so dull, and gave us those deep furrows of boredom.…

  Klaus Heinrich stood and saw—he saw his mother and her beauty, which was famed and extolled far and wide. He saw her standing en robe de ceremonie, in front of her great candle-lighted glass, for sometimes, on solemn occasions, he was allowed to be present when the Court hairdresser and the bed-chamber women put the last touches to her toilette. Herr von Knobelsdorff also was present when mamma put on jewels from the Crown regalia, watched and noted down the stones which she decided to use. With all the wrinkles at the corners of his eyes showing, he would make mamma laugh with his droll remarks, so that her soft cheeks filled with lovely little dimples. But her laugh was full of art and grace, and she looked in the glass as she laughed, as if she were practising it.

  People said that Slav blood flowed in her veins, and that it was that which gave the sweet radiance to her deep-blue eyes and the night of her raven hair. Klaus Heinrich was like her, so he heard people say, in that he too had steel-blue eyes with dark hair, while Albrecht and Ditlinde were fair, just as papa had been before his hair turned grey. But he was far from handsome, owing to the breadth of his cheek-bones, and especially to his left hand, which mamma was always reminding him to hide adroitly, in the side-pocket of his coat, behind his back, or under the breast of his jacket—especially when his affectionate impulses prompted him to throw both his arms round her. Her look was cold when she bade him mind his hand.

  He saw her as she was in the picture in the Marble Hall: in a short silk dress with lace flounces and long gloves, which showed only a glimpse of her ivory arm under her puffed sleeves, a diadem in the night of her hair, her stately form erect, a smile of cool perfection on her strangely hard lips—and behind her the metallic-blue wheel of a peacock’s tail. Her face was soft, but its beauty made it stern, and it was easy to see that her heart too was stern and absorbed in her beauty. She slept far into the day when a ball or party was in prospect, and ate only yolks of eggs, so as not to overload herself. Then in the evening she was radiant as she walked on papa’s arm along the prescribed path through the halls—grey-haired dignitaries blushed when they were addressed by her, and the Courier reported that it was not only because of her exalted rank that her Royal Highness had been the queen of the ball. Yes, people felt happier for the sight of her, whether it was at the Court or outside in the streets, or in the afternoon driving or riding in the park—and their cheeks kindled. Flowers and cheers met her, all hearts went out to her, and it was clear that the people in cheering her were cheering themselves, and that their glad cries meant that they were cheered and elevated by the sight of her. But Klaus Heinrich knew well that mamma had spent long, anxious hours on her beauty, that there was practice and method in her smiles and greetings, and that her own pulse beat never the quicker for anything or anyone.

  Did she love anyone—himself, Klaus Heinrich, for instance, for all his likeness to her? Why, of course she did, when she had time to, even when she coldly reminded him of his hand. But it seemed as if she reserved any expression or sign of her tender feelings for occasions when lookers-on were present who were likely to be edified by them. Klaus Heinrich and Ditlinde did not often come into contact with their mother, chiefly because they, unlike Albrecht, the Heir Apparent, for some time past, did not have their meals at their parents’ table, but apart with the Swiss governess; and when they were summoned to mamma’s boudoir, which happened once a week, the interview consisted in a few casual questions and polite answers—giving no scope for displays of feeling, while its whole drift seemed to be the proper way to sit in an arm-chair with a teacup full of milk.

  But at the concerts which took place in the Marble Hall every other Thursday under the name of “The Grand Duchess’s Thursdays,” and were so arranged that the Court sat at little gilt-legged velvet-covered tables, while the leading tenor Schramm from the Court Theatre, accompanied by an orchestra, sang so lustily that the veins swelled on his bald temples—at the concerts Klaus Heinrich and Ditlinde, in their best clothes, were sometimes allowed in the Hall for one song and the succeeding pause, when mamma showed how fond she was of them, showed it to them and to everybody else in so heartfelt and expressive a way that nobody could have any doubt about it. She summoned them to the table at which she sat, and told them with a happy smile to sit beside her, laid their cheeks on her shoulders or bosom, looked at them with a soft, soulful look in her eyes and kissed them both on forehead and mouth. Then the ladies bent their heads and their eyelids quivered, while the men slowly nodded and bit their lips in order, in manly wise, to re
strain their emotions.… Yes, it was beautiful, and the children felt they had their share in the effect, which was greater than anything Schramm the singer could procure with his most inspired notes, and nestled close to mamma. For Klaus Heinrich at last realized that it was in the nature of things, no business of ours, to have a simple feeling and to be made happy by it, but that it was our duty to make our tenderness visible to the Hall and to exhibit it, that the hearts of our guests might swell.

  Occasionally the people outside in the town and park also were allowed to see that mamma loved us. For while Albrecht drove or rode—bad rider though he was—with the Grand Duke early in the morning, Klaus Heinrich and Ditlinde had from time to time to take turns at accompanying mamma on her drives, which took place in the spring and autumn at the time of the afternoon promenade, with Baroness von Schulenburg-Tressen in attendance. Klaus Heinrich was a little excited and feverish before these drives, to which unfortunately no enjoyment, but on the contrary a great deal of trouble and effort attached. For, directly the open carriage came out through the Lions Gate on to the Albrechtsplatz, past the grenadiers at the “present,” there were a lot of people collected, waiting for it—men, women, and children, who shouted and stared full of curiosity; and that meant pulling oneself together, sitting up erect, smiling, hiding the left hand, and saluting in such a way as to make the people happy. And so it went on right through the city and the fields. Other vehicles were obliged to keep away from ours; the police looked to that. But the foot-passengers stood on the kerb, the women curtseyed, the men took off their hats and looked with eyes full of devotion and importunate curiosity,—and this was the impression Klaus Heinrich got: that they all were there just to be there and to stare, while he was there to show himself and to be stared at; and his was far the harder part. He kept his left hand in his coat-pocket and smiled as mamma wished him to, while he felt that his cheeks were aglow. But the Courier reported that the rosy redness of our little duke’s cheeks showed what a healthy boy he was.