Book Read Free

Andy Warhol

Page 14

by Arthur C. Danto

Ronald Feldman Gallery, 127–128, 131

  sidney Janis Gallery, New York City, xvi, 38

  Sonnabend Gallery, Paris, xi

  Stable Gallery first show, x, 38, 39, 41, 44, 45, 47

  Stable Gallery second show, x, xiii, xvii, 45, 53, 64, 66–67, 70, 74, 136

  success of, 44

  “Exploding Plastic Inevitable” multimedia event (Warhol), 8, 110

  Factory, The, 48, 59, 61, 72, 92–93, 102–103, 120–121, 122, 123, 124–125

  businesslike operation of, 100, 121

  cardboard grocery boxes created at, 60–61

  demographics of, 49, 80, 140

  Empire film and, 79

  end of, 100

  mechanical/industrial production at, 49–51, 58–59, 60, 61, 62, 73, 93, 114

  movies and videos shot at, 82–84, 122

  permissive atmosphere of, 49

  productive capabilities of, 82, 89

  silver painting of, 59, 92–94, 100

  social scene at, 74–75, 82, 84–85, 88, 91, 93–96

  television produced at, 90

  transvestites at, 112

  value scheme at, 99

  Factory Diaries, The (Warhol), 84–85

  Factory-Made: Warhol and the Sixties (Watson), 101

  fan magazines, 17

  Fauvism, 6

  Feldman, Morton, 30

  feminism, 101–102, 103

  fifteen minutes of fame concept, 87–88

  Fight video (Warhol), 86–87

  Film Culture magazine, 76, 82

  films and videos, 78–79

  art, 26

  underground, 76, 92, 104, 122

  films and videos by Warhol, 65, 74–75, 76–77, 79–80, 81, 82–87, 96–97, 98, 99, 100, 102, 106, 111, 112, 122–123, 145

  photomat shots, 115

  screen tests, 80, 82, 83, 115

  sex portrayed in, 141–142

  shot in Italy, 124, 125

  Film Stills (Sherman), 78

  Finnegan’s Wake (Joyce), 83, 98

  Fischl, Eric, 107

  Flanner, Janet, 39

  Flavin, Dan, 133

  Fluxus movement, 30

  Ford, John, 104

  Frankenstein film (Warhol), 114, 124

  Freedom Riders, 7

  Fremont, Vincent, 83, 86, 89, 90

  French Revolution, 29

  Fried, Michael, 45

  Friedan, Betty, 103

  Fry, Roger, 139

  Galerie Daniel Templon, Paris, 116, 117

  Garland, Judy, 94

  Geldzahler, Henry, 22, 41

  General Electric logo, 143

  Germany, xii, 30

  Giorno, John, 75–76

  Gluck, Nathan, 56, 70

  Goddard, Paulette, 117–118

  Green, Sam, 5

  Greenberg, Clement, 109

  Green Car Crash (Warhol), 113

  Green Gallery, xvi

  guns, 130–131

  Guston, Philip, 30

  Hackett, Pat, 73

  Hacklin, Allan, 107

  Haircut film (Warhol), 99

  Hamburger Bahnhof Museum for Contemporary Art, 20

  Hammer and Sickle paintings (Warhol), 116–118, 123–124, 131

  Handel, George Frideric, 140

  “Hand Painted Pop” proposed retrospective, 106

  Hard-Edged Abstraction, 9–10, 28

  Harvey, James, xiv, 64

  Heartney, Eleanor, 140

  Hegel, Georg, 97–98, 139

  Herko, Freddie, 98–99

  Hirst, Damien, 33, 54

  Hitler, Adolf, xii

  Hofer, Evelyn, 147

  Hollywood films, 122, 127

  Hollywood movies, 26, 82

  Holy Grail, 136–138, 144, 147

  Holy Spirit, 143

  Holy Terror (Colacello), 89–90

  homosexuality, 7, 11–12, 75–76, 81, 102

  in New York City, 94

  Hopper, Dennis, 84

  Howdy Doody, 128–129

  Hughes, Fred, 100, 103, 121, 124–125, 130

  Hulten, Pontus, 52, 53

  I, a Man film (Warhol), 102

  I. Miller shoes, 12

  Impressionism, 61–62

  Independent Film Award, 82

  Indiana, Robert, 35

  installations of art, 67, 68

  Institute of Contemporary Art (ICA), University of Pennsylvania, 5, 6

  Institutional Theory of Art (Dickie), 69

  Internal Revenue Service, 73

  Interview magazine, 84

  Iolas, Alexandre, 142

  Italy, 30, 117, 124, 142–143, 144

  Jagger, Mick, 84

  Janovich, Tama, 91–92

  Jarry, Alfred, 6

  Jefferson, Thomas, 129

  Jesus Christ, 23, 136–139, 140, 144

  Johns, Jasper, 10, 11, 24, 25, 70

  Joyce, James, 83, 96–97

  Judd, Donald, 54, 133

  junk mail, 17

  Kaprow, Allen, 68

  Karp, Ivan, 14, 15, 22, 25, 70

  Kennedy, Bobby, 104

  Kennedy, Jackie, 81, 88, 144

  King, Martin Luther, Jr., 104

  Kiss, The (Lichtenstein), xiii, 22, 28

  Komar, Vitaly, 73

  Koons, Jeff, 54

  Krasner, Lee, 108–109

  Ladies and Gentlemen (Warhol), 117

  language game, 60–61

  Large Coca-Cola (Warhol), 18

  Last Sacrament of Saint Jerome, The (Domenichino), 143

  Last Supper, 136–137, 145, 147

  Last Supper, The (Da Vinci), 142–143

  Last Supper(s), The (Warhol), 37, 134, 142–143, 144, 145, 147

  Latow, Muriel, 32, 33, 35, 37

  lecture tour, 65

  Léger, Fernand, 110

  L.H.O.O.Q. (Duchamp), 29

  Lichtenstein, Roy, 4, 6, 16, 22, 28, 33, 45, 125

  comic book images, 13, 27, 28

  exhibition at Castelli Gallery, 28

  paint quality, 13

  as Pop artist, xiii, 39

  subject matter of works, 14–15

  Linich, Billy (a.k.a. Billy Name), 59, 60, 67, 82, 93, 95, 99, 100, 105

  social scene at the Silver Factory and, 94–95

  Lisanby, Charles, 36

  “Little Boxes” song (Reynolds), 57, 58

  Little King, The, 13, 20, 26

  Lonesome Cowboys film (Warhol), 80–81, 100, 104, 122

  Louis Napoleon, 5–6

  Love Boat, The television show, 86

  MacDarrah, Fred, 61, 63

  machisimo, 108

  Mako, Chris, 112

  Malanga, Gerard, 32, 50, 54, 56, 59, 93, 100, 114

  Empire film and, 79

  on reception of Warhol’s film Blow Job, 77

  at the Silver Factory, 60

  social scene at the Factory and, 94

  Manet, Edouard, 6

  Mantegna, Andrea, 139

  Mao paintings (Warhol), 111–112, 113–114, 116, 123–124

  Mao Tse Tung, 111–112, 113–114, 116, 123–124

  Mapplethorpe, Robert, 126, 141

  Marcos, Imelda, 117

  Marie Antoinette, 73

  Marilyn Diptych (Warhol), 41, 42–43

  Marilyn (Warhol), 45–46

  Maris, Roger, 39

  Marisol (Marisol Escobar), 35

  Martha Jackson Gallery, 68

  Martin, Agnes, 30

  Marxist critics, 72–73

  mass-media popular culture, x, 26

  mass production, 14, 50, 73, 93, 114, 147

  Matisse, Henri, 6, 115, 143

  Mekas, Jonas, 76, 79

  Melamid, Alexander, 73

 
Messianic Secret, 139

  Metropolitan Museum of Art, 22, 41

  Mexican muralists, 110

  Michaels, Lorne, 90

  Mickey Mouse, 13, 128

  Midnight Cowboy film, 104

  Miller, Henry, xv

  Minimalism, 6, 54, 84, 125

  Modernist art, 5–6, 29–30, 31, 38, 52, 110

  “Modernist Painting” (Greenberg), 109

  Mole People, 94–96, 99, 100, 140

  Mona Lisa (da Vinci), 81

  Mona Lisa (Duchamp), 143

  Monogram (Rauschenberg), 11

  Monroe, Don, 89

  Monroe, Marilyn, xii, 36, 39, 40–41, 45, 81, 88, 100, 143, 144

  Moral Majority, 141

  Morrissey, Paul, 121, 124, 125

  Motherwell, Robert, 9, 35, 141

  movie stars. See celebrities

  Mudd Club, The, 87

  Museum of Art, Richmond, Virginia, 140

  Museum of Modern Art, New York City, 55, 108–109

  Sixteen Americans exhibition, 30

  Name, Billy. See Linich, Billy (a.k.a. Billy Name)

  Nancy comic book character, 14, 23, 26

  Nation, The, ix

  National Endowment for the Arts, 141

  National Gallery, Berlin, 20

  National Gallery of Canada, 69

  National Organization for Women (NOW), 101, 103

  National Socialism, xii

  Neel, Alice, 104

  Nevelson, Louise, 68

  Newman, Barnett, 140–141

  “New Realists, The” group show, Sidney Janis Gallery, 38

  New Realists movement, 38

  New School for Social Research, 30

  newspaper advertising, 16–17, 20, 23.

  See also subject matter of Warhol’s works: newspaper advertising

  New York Post newspaper, 105

  New York School, xi, xii, 10

  Niagara film, 40

  Nierendorf Gallery, 68

  Nietzsche, Friedrich, 28

  Nixon, Richard, 73, 111

  Not Andy Warhol (Bidlo), 53

  Nude Descending a Staircase (Duchamp), 32

  Nureyev, Rudolph, 94

  Obitrol drug, 105

  Oldenburg, Claes, 4, 6, 31–32, 45

  Olivo, Bob (a.k.a. Ondine), 82, 83, 95, 96–97, 98, 99

  Ondine. See Olivo, Bob (a.k.a. Ondine)

  127 Die (Warhol), 39–40

  129 Die (Warhol), 39–40

  original art concept, 54–55

  Orion, the witch, 95

  “painting by the numbers,” 39

  Palermo, Blinky, 133

  Palmer, John, 79

  Pasadena Art Museum, 53, 106, 122, 126

  Pepsi-Cola, 17

  Phenomenology of Mind (Hegel), 97–98

  Philosophy of Andy Warhol: From A to B and Back Again (Warhol), 119, 123

  Philosophy of Arthur Danto, The, xvii

  photography, 116, 126

  Picasso, Pablo, 48, 75

  Piss Christ (Serrano), 140

  Plato, 77

  Podber, Dorothy, 99–100

  Point of order film (de Antonio), 15

  Pollock, Jackson, 10, 108, 132–133

  Ponti, Carlo, 124

  Pop art movement, xi, 4, 5, 6, 13, 22, 23, 26–28, 34, 73, 125

  Abstract Expressionism and, xii, 27–28

  American spirit of, 38–39

  bond between artist and viewer, 9

  Campbell’s soup and Coca-Cola images in, 24, 39

  criticism of, 27

  criticism of American culture in, xi

  as cultural craze, 47

  in Europe, xi, xii, 38

  hand-painted Pop, 106, 113

  Modernist art and, 31

  nature of, 28

  paint quality, 28.

  See also comic books and characters

  Pope, the, 95

  Popeye, 13, 14, 20, 23, 26

  Postmodern art, 31

  Postmodern Heretics (Heartney), 140

  Presley, Elvis, xii, 39, 81, 88, 143, 144

  Princess Gloria von Thurn und Taxis (Clemente), 115–116

  pulp comics, xv, 17

  “Queen’s Diary, The,” 73

  Rabelais, François, 48–49

  racial and ethnic art, 109, 117

  Rambouillet, Château de, 73

  Rameau’s Nephew (Diderot), 97

  Rauschenberg, Robert, 10, 11, 25, 30–31, 35, 70

  “readymade” objects of art, 51–52, 55, 66

  Red Elvis (Warhol), 39, 81

  Reed, Lou, 84

  religious objects, 136, 139

  Republic, The (Plato), 78

  Restany, Pierre, 38

  retinal art concept, 56, 66

  Reynolds, Malvina, 57

  Rockwell, Norman, 127

  Rodchenko, Aleksandr, 29, 30

  Romanticism, 7, 29

  Ronald Feldman Gallery, 128–129, 131

  Rose, Barbara, 108

  Rosenquist, James, 4, 22, 33, 45

  Rothko, Mark, 10

  Rotten Rita, 95

  Rubin, William, 109

  Russian Revolution, 110

  Rydell, Charles, 86

  Ryman, Robert, 133

  Sacra Cáliz, 136, 137

  Sacre de Printemps, Le (Stravinsky), 6

  Saint-Laurent, Yves, 84

  Salon de Refusés (1863), 5–6

  Salon of 1905, Paris, 6

  Sandbeck, Fred, 133

  S&H Green Stamps (Warhol), 81

  Santa Claus, 128

  Saturday Night Live television program, 90

  Schiele, Egon, 115

  Schjeldahl, Peter, 71

  Schlesinger, John, 104

  sculptures/three-dimensional objects by Warhol, 58–59, 110. See also Brillo Box(es) (Warhol)

  SCUM (“Society for Cutting Up Men”), 101

  Sedgwick, Edie, 5, 49, 82

  Seeger, Pete, 57

  Serrano, Andres, 140, 141

  sexual revolution of the 60s, 142

  Shadow, the, 128

  Shadow paintings (Warhol), 131–132, 133–134

  Shah of Iran, 117

  Sherman, Cindy, 78, 126

  Sidney Janis Gallery, New York City, xvi, 38, 133

  Slaves of New York (Janovich), 91–92

  Sleep film (Warhol), 75, 76

  sleepwatchers, 75, 76

  Socialist Realism, 72

  Society of Independent Artists, 51

  Socrates, 69–70, 77–78, 79

  Soho, New York City, xvi, 116, 117, 118

  Solanas, Valerie, xviii, 100, 101–104, 120, 121, 123, 125, 130

  Sonnabend, Ileana/Sonnabend Gallery, Paris, xi, 71, 81

  Soviet Russia, xii

  Soviet Union, 73, 110

  Stable Gallery, New York City, xvi, 35.

  See also exhibitions of Warhol’s work: Stable Gallery

  Stalin, Josef, xii

  Steinberg, Leo, 75

  Steinberg, sol, 118

  Stonewall Riots, 7

  “Store, The” (Oldenburg), 31

  Storm Door (Warhol), 58

  Stravinsky, Igor, 6

  student riots, 7, 104

  Studio 54, 87

  style of Warhol’s works: enlargement of images, 1, 2, 22

  in films, 115

  machine-made effect of, 33–34, 37, 50–51, 55, 106

  paint quality, 8, 13–14, 59–60, 62, 114

  portraiture, 112, 114–115

  repetition of images (serial works), 33, 34–35, 37–38, 39, 40–41, 55, 59, 64, 106, 113, 143

  silk screen works, 3, 34, 39, 40, 41, 42–43, 59, 64, 93, 142, 144

  transition from commercial art to avant-garde art, 2–4

  use
of blank monochrome canvas, 44

  use of color, 8, 12, 41, 44, 45, 116, 133

  subject matter of Warhol’s works, 13

  athletes, 134

  Brillo cartons, 52–53, 59, 61, 62–64, 78, 137

  Campbell Soup cans, x, xi, 25, 32, 33, 36–37, 38, 39, 55, 65, 86, 105, 106, 114, 127–128, 143

  cardboard grocery boxes/shipping cartons, xiii–xiv, 49–50, 51, 52, 53–54, 55, 56, 64, 66, 70–71, 73, 74, 106, 114, 126

  Coca Cola bottles, 16, 17–20, 38, 39, 131

  comic book characters, 13, 14, 19, 20, 27, 32

  Death and Disaster paintings, xi, 37, 39–40, 41 44, 46, 55, 71, 81, 106, 113, 124, 126, 130, 144

  dollar bills/money, 35, 39, 65, 81, 127, 129–130

  Elizabeth Taylor, 81, 88, 128, 144

  Elvis Presley, xii, 39, 81, 88, 143, 144

  endangered species, 134

  flowers, 39, 40, 71, 81, 106

  Heinz Tomato Ketchup boxes, 56

  images from popular culture, 128

  Jackie Kennedy, 88, 144

  Jesus Christ, 37, 144, 147

  Kellogg’s Corn Flakes boxes, 56, 64, 66

  Mao Tse Tung, 111–112, 113–114, 116

  Marilyn Monroe, 36, 39, 40–41, 42–43, 45–46, 81, 88, 100, 143, 144

  Mott’s Apple Juice boxes, 56, 64

  newspaper advertising, 1–3, 6, 12, 14–15, 16–17, 17–20, 22, 24–25, 32, 146

  portraits (general discussion), 34, 36, 100, 106, 118, 124–125, 134

  Richard Nixon, 73, 111

  Roger Maris, 39

  self-portrait, 144

  shadows, 131–132, 133

  S&H green stamps, 127

  universal quality of, 37–38

  Superman, 13, 20, 26

  Superstars at the Factory, 5, 49, 80, 98

  Suzuki, D. T., 30

  swastika, 118

  Swimming Underground: My Years in the Warhol Factory (Woronov), 95–96

  Switzerland, 29

  Synoptic Gospels, 138

  tabloids, 17

  Tanager Gallery, New York City, 141–142

  Taylor, Elizabeth, 81, 88, 124, 128, 144

  Therrien, Robert, 54

  Thomas, Dylan, 44

  Time magazine, 35

  To the People of New York City (Palermo), 133

  Transfiguration, 138, 139

  Transfiguration of the Commonplace, The (Danto), x, xv–xvi

  transvestism, 84, 112, 117

  Tunnel, the, 87

  Twombly, Cy, 10, 11, 30, 35

  Ubu Roi (Jarry), 6

  Ultra Violet, 84

  Ulysses (Joyce), 96–97

  Uncle Sam, 128, 129

  Velvet Underground, The, rock group, 7–8, 77

  Vietnam war, 124

  Vile, Ronnie, 95–96

  Viva, 80, 84, 104, 141

  von Thurn und Taxis, Princess Gloria, 115–116

  Ward, Eleanor, 35, 70–71

  Warhol (Bockris), 1, 6

  Warhol, Andy, 1, 63;

  Abstract Expressionism and, 8–9, 14, 58

 

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