Doctor Pascal

by Эмиль Золя

  One sultry night toward the end of September, Pascal found himself unable to sleep. He opened one of the windows of his room; the sky was dark, some storm must be passing in the distance, for there was a continuous rumbling of thunder. He could distinguish vaguely the dark mass of the plane trees, which occasional flashes of lightning detached, in a dull green, from the darkness. His soul was full of anguish; he lived over again the last unhappy days, days of fresh quarrels, of torture caused by acts of treachery, by suspicions, which grew stronger every day, when a sudden recollection made him start. In his fear of being robbed, he had finally adopted the plan of carrying the key of the large press in his pocket. But this afternoon, oppressed by the heat, he had taken off his jacket, and he remembered having seen Clotilde hang it up on a nail in the study. A sudden pang of terror shot through him, sharp and cold as a steel point; if she had felt the key in the pocket she had stolen it. He hastened to search the jacket which he had a little before thrown upon a chair; the key was not here. At this very moment he was being robbed; he had the clear conviction of it. Two o'clock struck. He did not again dress himself, but, remaining in his trousers only, with his bare feet thrust into slippers, his chest bare under his unfastened nightshirt, he hastily pushed open the door, and rushed into the workroom, his candle in his hand.

  "Ah! I knew it," he cried. "Thief! Assassin!"

  It was true; Clotilde was there, undressed like himself, her bare feet covered by canvas slippers, her legs bare, her arms bare, her shoulders bare, clad only in her chemise and a short skirt. Through caution, she had not brought a candle. She had contented herself with opening one of the window shutters, and the continual lightning flashes of the storm which was passing southward in the dark sky, sufficed her, bathing everything in a livid phosphorescence. The old press, with its broad sides, was wide open. Already she had emptied the top shelf, taking down the papers in armfuls, and throwing them on the long table in the middle of the room, where they lay in a confused heap. And with feverish haste, fearing lest she should not have the time to burn them, she was making them up into bundles, intending to hide them, and send them afterward to her grandmother, when the sudden flare of the candle, lighting up the room, caused her to stop short in an attitude of surprise and resistance.

  "You rob me; you assassinate me!" repeated Pascal furiously.

  She still held one of the bundles in her bare arms. He wished to take it away from her, but she pressed it to her with all her strength, obstinately resolved upon her work of destruction, without showing confusion or repentance, like a combatant who has right upon his side. Then, madly, blindly, he threw himself upon her, and they struggled together. He clutched her bare flesh so that he hurt her.

  "Kill me!" she gasped. "Kill me, or I shall destroy everything!"

  He held her close to him, with so rough a grasp that she could scarcely breathe, crying:

  "When a child steals, it is punished!"

  A few drops of blood appeared and trickled down her rounded shoulder, where an abrasion had cut the delicate satin skin. And, on the instant, seeing her so breathless, so divine, in her virginal slender height, with her tapering limbs, her supple arms, her slim body with its slender, firm throat, he released her. By a last effort he tore the package from her.

  "And you shall help me to put them all up there again, by Heaven! Come here: begin by arranging them on the table. Obey me, do you hear?"

  "Yes, master!"

  She approached, and helped him to arrange the papers, subjugated, crushed by this masculine grasp, which had entered into her flesh, as it were. The candle which flared up in the heavy night air, lighted them; and the distant rolling of the thunder still continued, the window facing the storm seeming on fire.

  V.

  For an instant Pascal looked at the papers, the heap of which seemed enormous, lying thus in disorder on the long table that stood in the middle of the room. In the confusion several of the blue paper envelopes had burst open, and their contents had fallen out-letters, newspaper clippings, documents on stamped paper, and manuscript notes.

  He was already mechanically beginning to seek out the names written on the envelopes in large characters, to classify the packages again, when, with an abrupt gesture, he emerged from the somber meditation into which he had fallen. And turning to Clotilde who stood waiting, pale, silent, and erect, he said:

  "Listen to me; I have always forbidden you to read these papers, and I know that you have obeyed me. Yes, I had scruples of delicacy. It is not that you are an ignorant girl, like so many others, for I have allowed you to learn everything concerning man and woman, which is assuredly bad only for bad natures. But to what end disclose to you too early these terrible truths of human life? I have therefore spared you the history of our family, which is the history of every family, of all humanity; a great deal of evil and a great deal of good."

  He paused as if to confirm himself in his resolution and then resumed quite calmly and with supreme energy:

  "You are twenty-five years old; you ought to know. And then the life we are leading is no longer possible. You live and you make me live in a constant nightmare, with your ecstatic dreams. I prefer to show you the reality, however execrable it may be. Perhaps the blow which it will inflict upon you will make of you the woman you ought to be. We will classify these papers again together, and read them, and learn from them a terrible lesson of life!"

  Then, as she still continued motionless, he resumed:

  "Come, we must be able to see well. Light those other two candles there."

  He was seized by a desire for light, a flood of light; he would have desired the blinding light of the sun; and thinking that the light of the three candles was not sufficient, he went into his room for a pair of three-branched candelabra which were there. The nine candles were blazing, yet neither of them, in their disorder-he with his chest bare, she with her left shoulder stained with blood, her throat and arms bare-saw the other. It was past two o'clock, but neither of them had any consciousness of the hour; they were going to spend the night in this eager desire for knowledge, without feeling the need of sleep, outside time and space. The mutterings of the storm, which, through the open window, they could see gathering, grew louder and louder.

  Clotilde had never before seen in Pascal's eyes the feverish light which burned in them now. He had been overworking himself for some time past, and his mental sufferings made him at times abrupt, in spite of his good-natured complacency. But it seemed as if an infinite tenderness, trembling with fraternal pity, awoke within him, now that he was about to plunge into the painful truths of existence; and it was something emanating from himself, something very great and very good which was to render innocuous the terrible avalanche of facts which was impending. He was determined that he would reveal everything, since it was necessary that he should do so in order to remedy everything. Was not this an unanswerable, a final argument for evolution, the story of these beings who were so near to them? Such was life, and it must be lived. Doubtless she would emerge from it like the steel tempered by the fire, full of tolerance and courage.

  "They are setting you against me," he resumed; "they are making you commit abominable acts, and I wish to restore your conscience to you. When you know, you will judge and you will act. Come here, and read with me."

  She obeyed. But these papers, about which her grandmother had spoken so angrily, frightened her a little; while a curiosity that grew with every moment awoke within her. And then, dominated though she was by the virile authority which had just constrained and subjugated her, she did not yet yield. But might she not listen to him, read with him? Did she not retain the right to refuse or to give herself afterward? He spoke at last.

  "Will you come?"

  "Yes, master, I will."

  He showed her first the genealogical tree of the Rougon-Macquarts. He did not usually lock it in the press, but kept it in the desk in his room, from which he had taken it when he went there for the candelabra. For more than twent
y years past he had kept it up to date, inscribing the births, deaths, marriages, and other important events that had taken place in the family, making brief notes in each case, in accordance with his theory of heredity.

  It was a large sheet of paper, yellow with age, with folds cut by wear, on which was drawn boldly a symbolical tree, whose branches spread and subdivided into five rows of broad leaves; and each leaf bore a name, and contained, in minute handwriting, a biography, a hereditary case.

  A scientist's joy took possession of the doctor at sight of this labor of twenty years, in which the laws of heredity established by him were so clearly and so completely applied.

  "Look, child! You know enough about the matter, you have copied enough of my notes to understand. Is it not beautiful? A document so complete, so conclusive, in which there is not a gap? It is like an experiment made in the laboratory, a problem stated and solved on the blackboard. You see below, the trunk, the common stock, Aunt Dide; then the three branches issuing from it, the legitimate branch, Pierre Rougon, and the two illegitimate branches, Ursule Macquart and Antoine Macquart; then, new branches arise, and ramify, on one side, Maxime, Clotilde, and Victor, the three children of Saccard, and Angelique, the daughter of Sidonie Rougon; on the other, Pauline, the daughter of Lisa Macquart, and Claude, Jacques, Etienne, and Anna, the four children of Gervaise, her sister; there, at the extremity, is Jean, their brother, and here in the middle, you see what I call the knot, the legitimate issue and the illegitimate issue, uniting in Marthe Rougon and her cousin Francois Mouret, to give rise to three new branches, Octave, Serge, and Desiree Mouret; while there is also the issue of Ursule and the hatter Mouret; Silvere, whose tragic death you know; Helene and her daughter Jean; finally, at the top are the latest offshoots, our poor Charles, your brother Maxime's son, and two other children, who are dead, Jacques Louis, the son of Claude Lantier, and Louiset, the son of Anna Coupeau. In all five generations, a human tree which, for five springs already, five springtides of humanity, has sent forth shoots, at the impulse of the sap of eternal life."

  He became more and more animated, pointing out each case on the sheet of old yellow paper, as if it were an anatomical chart.

  "And as I have already said, everything is here. You see in direct heredity, the differentiations, that of the mother, Silvere, Lisa, Desiree, Jacques, Louiset, yourself; that of the father, Sidonie, Francois, Gervaise, Octave, Jacques, Louis. Then there are the three cases of crossing: by conjugation, Ursule, Aristide, Anna, Victor; by dissemination, Maxime, Serge, Etienne; by fusion, Antoine, Eugene, Claude. I even noted a fourth case, a very remarkable one, an even cross, Pierre and Pauline; and varieties are established, the differentiation of the mother, for example, often accords with the physical resemblance of the father; or, it is the contrary which takes place, so that, in the crossing, the physical and mental predominance remains with one parent or the other, according to circumstances. Then here is indirect heredity, that of the collateral branches. I have but one well established example of this, the striking personal resemblance of Octave Mouret to his uncle Eugene Rougon. I have also but one example of transmission by influence, Anna, the daughter of Gervaise and Coupeau, who bore a striking resemblance, especially in her childhood, to Lantier, her mother's first lover. But what I am very rich in is in examples of reversion to the original stock-the three finest cases, Marthe, Jeanne, and Charles, resembling Aunt Dide; the resemblance thus passing over one, two, and three generations. This is certainly exceptional, for I scarcely believe in atavism; it seems to me that the new elements brought by the partners, accidents, and the infinite variety of crossings must rapidly efface particular characteristics, so as to bring back the individual to the general type. And there remains variation-Helene, Jean, Angelique. This is the combination, the chemical mixture in which the physical and mental characteristics of the parents are blended, without any of their traits seeming to reappear in the new being."

  There was silence for a moment. Clotilde had listened to him with profound attention, wishing to understand. And he remained absorbed in thought, his eyes still fixed on the tree, in the desire to judge his work impartially. He then continued in a low tone, as if speaking to himself:

  "Yes, that is as scientific as possible. I have placed there only the members of the family, and I had to give an equal part to the partners, to the fathers and mothers come from outside, whose blood has mingled with ours, and therefore modified it. I had indeed made a mathematically exact tree, the father and the mother bequeathing themselves, by halves, to the child, from generation to generation, so that in Charles, for example, Aunt Dide's part would have been only a twelfth-which would be absurd, since the physical resemblance is there complete. I have therefore thought it sufficient to indicate the elements come from elsewhere, taking into account marriages and the new factor which each introduced. Ah! these sciences that are yet in their infancy, in which hypothesis speaks stammeringly, and imagination rules, these are the domain of the poet as much as of the scientist. Poets go as pioneers in the advance guard, and they often discover new countries, suggesting solutions. There is there a borderland which belongs to them, between the conquered, the definitive truth, and the unknown, whence the truth of to-morrow will be torn. What an immense fresco there is to be painted, what a stupendous human tragedy, what a comedy there is to be written with heredity, which is the very genesis of families, of societies, and of the world!"

  His eyes fixed on vacancy, he remained for a time lost in thought. Then, with an abrupt movement, he came back to the envelopes and, pushing the tree aside, said:

  "We will take it up again presently; for, in order that you may understand now, it is necessary that events should pass in review before you, and that you should see in action all these actors ticketed here, each one summed up in a brief note. I will call for the envelopes, you will hand them to me one by one, and I will show you the papers in each, and tell you their contents, before putting it away again up there on the shelf. I will not follow the alphabetical order, but the order of events themselves. I have long wished to make this classification. Come, look for the names on the envelopes; Aunt Dide first."

  At this moment the edge of the storm which lighted up the sky caught La Souleiade slantingly, and burst over the house in a deluge of rain. But they did not even close the window. They heard neither the peals of thunder nor the ceaseless beating of the rain upon the roof. She handed him the envelope bearing the name of Aunt Dide in large characters; and he took from it papers of all sorts, notes taken by him long ago, which he proceeded to read.

  "Hand me Pierre Rougon. Hand me Ursule Macquart. Hand me Antoine Macquart."

  Silently she obeyed him, her heart oppressed by a dreadful anguish at all she was hearing. And the envelopes were passed on, displayed their contents, and were piled up again in the press.

  First was the foundress of the family, Adelaide Fouque, the tall, crazy girl, the first nervous lesion giving rise to the legitimate branch, Pierre Rougon, and to the two illegitimate branches, Ursule and Antoine Macquart, all that bourgeois and sanguinary tragedy, with the coup d'etat of December, 1854, for a background, the Rougons, Pierre and Felicite, preserving order at Plassans, bespattering with the blood of Silvere their rising fortunes, while Adelaide, grown old, the miserable Aunt Dide, was shut up in the Tulettes, like a specter of expiation and of waiting.

  Then like a pack of hounds, the appetites were let loose. The supreme appetite of power in Eugene Rougon, the great man, the disdainful genius of the family, free from base interests, loving power for its own sake, conquering Paris in old boots with the adventurers of the coming Empire, rising from the legislative body to the senate, passing from the presidency of the council of state to the portfolio of minister; made by his party, a hungry crowd of followers, who at the same time supported and devoured him; conquered for an instant by a woman, the beautiful Clorinde, with whom he had been imbecile enough to fall in love, but having so strong a will, and burning with so vehement a
desire to rule, that he won back power by giving the lie to his whole life, marching to his triumphal sovereignty of vice emperor.

  With Aristide Saccard, appetite ran to low pleasures, the whole hot quarry of money, luxury, women-a devouring hunger which left him homeless, at the time when millions were changing hands, when the whirlwind of wild speculation was blowing through the city, tearing down everywhere to construct anew, when princely fortunes were made, squandered, and remade in six months; a greed of gold whose ever increasing fury carried him away, causing him, almost before the body of his wife Angele was cold in death, to sell his name, in order to have the first indispensable thousand francs, by marrying Renee. And it was Saccard, too, who, a few years later, put in motion the immense money-press of the Banque Universelle. Saccard, the never vanquished; Saccard, grown more powerful, risen to be the clever and daring grand financier, comprehending the fierce and civilizing role that money plays, fighting, winning, and losing battles on the Bourse, like Napoleon at Austerlitz and Waterloo; engulfing in disaster a world of miserable people; sending forth into the unknown realms of crime his natural son Victor, who disappeared, fleeing through the dark night, while he himself, under the impassable protection of unjust nature, was loved by the adorable Mme. Caroline, no doubt in recompense of all the evil he had done.

  Here a tall, spotless lily had bloomed in this compost, Sidonie Rougon, the sycophant of her brother, the go-between in a hundred suspicious affairs, giving birth to the pure and divine Angelique, the little embroiderer with fairylike fingers who worked into the gold of the chasubles the dream of her Prince Charming, so happy among her companions the saints, so little made for the hard realities of life, that she obtained the grace of dying of love, on the day of her marriage, at the first kiss of Felicien de Hautecoeur, in the triumphant peal of bells ringing for her splendid nuptials.

  The union of the two branches, the legitimate and the illegitimate, took place then, Marthe Rougon espousing her cousin Francois Mouret, a peaceful household slowly disunited, ending in the direst catastrophes -a sad and gentle woman taken, made use of, and crushed in the vast machine of war erected for the conquest of a city; her three children torn from her, she herself leaving her heart in the rude grasp of the Abbe Faujas. And the Rougons saved Plassans a second time, while she was dying in the glare of the conflagration in which her husband was being consumed, mad with long pent-up rage and the desire for revenge.