The Architecture of the Screen

by Graham Cairns

  Lemagny, Jean-Claude. Visionary Architects: Boullée, Ledoux, Lequeu, Hennessey & Ingalls, California, 2002.

  Los, Sergio. Carlo Scarpa – An Architectural Guide, Arsenale Editrice, Verona, 1995.

  Lyon, David. (ed.). Theorizing Surveillance: The Panopticon and Beyond, William Publishing, Devon, 2006.

  Madec, Phillipe. Boullée (Spanish), Akal, Madrid, 1996.

  Majer O’sickley, Ingeborg. “Whatever Lola Wants, Lola Gets (Or Does She?): Time and Desire in Tom Tykwer’s Run Lola Run”. Quarterly Review of Film & Video. Vol. 19, 2002.

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  Márquez Cecilia, Fernando and Levene, Richard (eds). “Omnilife Offices Complex”, El Croquis, 1994–2002, Jean Nouvel, El Croquis Editorial, Madrid, 2002.

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  Murphy, Richard. Carlo Scarpa and the Castelvehio, Architectural Press, London, 1991.

  Murphy, Richard. Querini Stampalia Foundation. Carlo Scarpa: Architecture in Detail, Phaidon, London, 1993.

  Neuman, Dietrich (ed.). Film Architecture: Set Designs from Metropolis to Blade Runner, Prestel, London, 1996.

  Neupert, Richard. A History of the French New Wave Cinema (2nd edition), University of Wisconsin Press, Wisconsin, 2007.

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  Ostwald, Michel. “Rising from the Ruins: Interpreting the Missing Formal Device Within the Belly of an Architect”. In: Paula Willoquet-Maricondi and Mary Alemany-Galway (eds), Peter Greenaway’s Postmodern/Poststructuralist Cinema, Scarecrow Press, Rowman and Littlefield, Maryland, 2008.

  Pascoe, David. Peter Greenaway: Museums and Moving Images, Reaktion Books, London, 1997.

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  Perry, Ted (ed.). Antonioni: The Poet of Images, Cambridge University Press, New York, 1998.

  Resnais, Alain. Last Year at Marienbad: Text for the Film by Alain Resnais, Grove Press, New York, 1962.

  Resnais, Alain. Sacha Vierny ou l’elegance. Positif-Paris. Issue 488, 2001.

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  Virilio, Paul. The Aesthetic of Disappearance, Semiotext(e), New York, 1991.

  Virilio, Paul. The Vision Machine, Indiana University Press, Indiana, 1994.

  Wagstaff, Christopher. Italian Neorealist Cinema, University of Toronto Press, Toronto. 2007

  Whalen, Tom. “Run Lola Run by Tom Tykwer”. Film Quarterly. Vol. 53, No. 3, 2000.

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  Willoquet-Maricondi, Paula and Alemany-Galway, Mary. Peter Greenaway’s Postmodern/Poststructuralist Cinema, Scarecrow Press, Plymouth, 2008.

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  Wines, James. “Narrative Architecture”. Architecture and Urbanism. E.8612, Tokyo, December, 1986.

  Wines, James. SITE: Identity in Density, Images Publishing Dist Ac, New York, 2006.

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  Wrigley, Richard (ed.). Cinematic Rome, Troubador, Leicester, 2008.

  Zimbardo, Philip and Musen, Ken. Quiet Rage: The Stanford Prison Experiment, Documentary film, Stanford University, California, 1992.

  PART II

  Andrew, Dudley, J. The Major Film Theories: An Introduction, Oxford University Press, Oxford, 1976.

  Armstrong, Gary and Norris, Clive. The Maximum Surveillance Society: The Rise of CCTV, Berg Publishers, London, 1999.

  Bazin, André. Jean Renoir, Da Capo Press, New York, 1973.

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  Cousins, Mark. The Story of Film, Pavilion, London, 2011.

  Damrau, Karin. “Fantastic Spatial Combinations in Film”. Architectural Design: Architecture and Film II. Vol. 70, No. 1, 2000.

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  Eco, Umberto. A Theory of Semiotics, Indiana University Press, Indiana, 1973.

  Eco, Umberto. The Role of the Reader, Indiana University Press, Indiana, 1979.

  Eisenstein, Sergei. “Montage and Architecture”. Assemblage, No. 10 December 1989.

  Eisenstein, Sergei. The Psychology of Composition, Methuen, London, 1988.

  Freeland, Cynthia and Townsend, Chris. The Art of Bill Viola, Thames & Hudson, London, 2004.

  Friedlberg, Anne. “The Virtual Window”. In: D. Thornburn and H. Jenckins (eds), Rethinking Media Change: The Aesthetics of Transition, MIT Press, Massachusetts, 2003.

  Gibbs, John. Mise-en-scène: Film Style and Interpretation, Wallflower Press, New York, 2002.

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p; Hallam, Julia, Koeck, Richard, Kronenburg, Robert and Roberts, Les (eds). Cities in Film: Architecture, Urban Space and the Moving Image, University of Liverpool, Liverpool, 2008.

  Hanson, Eric. “Digital Fiction: New Realism in Film Architecture”. Architectural Design: Architecture and Film II. Vol. 70, No. 1, 2000.

  Helsing Almass, Ingerid. “Is It Reality There?”. In: P. Schöning, J. Löffler and R. Azevedo (eds), Cinematic Architecture, AA Publications, London 2004. p. 20.

  Incerti, Guido, Ricchi, Daria and Simpson, Deane. Diller + Scofidio (+ Renfro). The Ciliary Function: Works and Projects 1979–2007, Skira, Boston, 2008.

  Kaye, Nick. Multi-Media: Video-Installation-Performance, Routledge, London, 2007.

  Kaye, Nick. Site-Specific Art: Performance, Place and Documentation, Routledge, London, 2000.

  Kozloff, Sarah. Overhearing Film Dialogue, University of California Press, Los Angeles, 2000.

  Lewallen, Constance, M. (ed.). A Rose Has No Teeth: Bruce Nauman in the 1960s, University of California Press, Los Angeles, 2007.

  Mackintosh, Iain. Architecture, Actor and Audience, Routledge, London, 1993.

  Marshall, Herbert (ed.). The Battleship Potemkin: The Greatest Film Ever Made, Avon Books, New York, 1978.

  Meigh-Andrews, Chris. A History of Video Art: The Development of Form and Function, Berg, Oxford, 2006.

  Morgan, Robert (ed.). Bruce Nauman, John Hopkins University Press, Balitmore, 2002.

  Morgan, Stuart, Sparrow, Felicity and Viola, Bill. Bill Viola – The Messenger, Chaplaincy to the Arts & Recreation in North East England, Durham, 1996.

  Moure, Gloria and Graham, Dan. Dan Graham: Works, and Collected Writings, Ediciones Poligrafa, Barcelona, 2009.

  Murch, Walter. In the Bink of an Eye: A Perspective on Film Editing, Silman-James Press, Los Angeles, 2001.

  Murdoch, Kate. Screens: Viewing Media Installation Art, University of Minnesota Press, Minnesota, 2010.

  Neumann, Dietrich. “Introduction”. Film Architecture: Set Designs from Metropolis to Blade Runner, Prestel, London, 1996.

  O’Herily, Lorcan. “Architecture and Film”. Architectural Design: Architecture and Film. Vol. 64, No. 1, 1994.

  Pelech, Jim and Pieper, Gail. The Comprehensive Handbook of Constructivist Teaching: From Theory to Practice, Information Age Publishing, North Carolina, 2010.

  Pelzer, Birgit. Dan Graham, Phaidon Press, London, 2001.

  Penz, François. “Introduction: What Is Urban Cinematics?”. In: F. Penz and A. Lu (ed.), Urban Cinematics: Understanding Urban Phenomena Through the Moving Image, Intellect Publishing, Bristol, 2011.

  Penz, François and Lu, Andong (eds). Urban Cinematics: Film, City and Narrative, University of Cambridge Press, Cambridge, 2009.

  Penz, François and Lu, Andong (eds). Urban Cinematics: Understanding Urban Phenomena Through the Moving Image, Intellect Books, Bristol, 2012.

  Quasha, George and Stein, Charles. Tall Ships: Gary Hill’s Projective Installations, Station Hill of Barrytown, New York, 1997.

  Rattenbury, Kester. “Echo and Narcissus”. Architectural Design: Architecture and Film. Vol. 64, No. 1, 1994.

  Ray, William. Literary Meaning: From Phenomenology to Deconstruction, Basil Blackwell, London, 1984.

  Richie, Donald. Ozu, University of California Press, Berkeley, 1974.

  Rush, Michael. Video Art, Thames and Hudson, London, 2003.

  Schon, Donald. The Reflective Practioner: How Professionals Think in Action, Ashgate Publishing Limited, London, 1991.

  Schöning, Pascal. Manifesto for a Cinematic Architecture, Architectural Association, London, 2006.

  Sesonske, Alexander. Jean Renoir, the French Films 1924–1939, Harvard University Press, New York, 1980.

  Sjöberg, Patrick. “I Am Here, on the Art of Getting Lost: Patrick Keiller and the New City Symphony”. In: François Penz and Andong Lu (eds), Urban Cinematics: Film, City and Narrative, University of Cambridge Press, Cambridge, 2009.

  Taylor, Richard. The Battleship Potemkin, I.B. Tauris, London, 2000.

  Vilder, Anthony. “The Explosion of Space: Architecture and the Filmic Imaginary”. Assemblage. No. 21, MIT Press, 1993.

  Virilio, Paul. Open Sky, Verso, London, 1997.

  Virilio, Paul. Polar Inertia, SAGE Publications, New York, 2000.

  Virilio, Paul. The Aesthetic of Disappearance, Semiotext(e), New York, 1991.

  Virilio, Paul. The Vision Machine, Indiana University Press, Indiana, 1994.

  Virilio, Paul. War and Cinema, Verso, London, 1989.

  Wadsworth, Barry, J. Piaget’s Theory of Cognitive and Affective Development, Allyn and Bacon Classics Edition, Foundations of Constructivism, Pearson, London, 2003.

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  Willis, Holly. New Digital Cinema: Reinventing the Moving Image, Wallflower Press, New York, 2005.

  Winter, Judith (ed.). Tony Sniden: Everything Must Go (Installation, Video and Film), University of Sunderland Reg Vardy Gallery, Sunderland, 2003.

  PART III

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  Ames-Lewis, Francis. The Intellectual Life of the Early Renaissance Artist, Yale University Press, New Haven, 2000.

  Anderson, J. and Richie, D. The Japanese Film; Art and Industry, Princeton University Press, New York, 1982.

  Andrew, J. The Major Film Theories, Oxford University Press, Oxford, 1976.

  Baker, Geoffrey, H. Le Corbusier: An Analysis of Form, Van Nostrand Reinhold, London, 1984.

  Baker, Geoffrey, H. The Creative Search, E&FN Spon, London, 1996.

  Ballantyne, Andrew. Deleuze and Guattari for Architects, Routledge, London, 2007.

  Barbara, Gioacchino. Antonello Da Messina: Sicily’s Renaissance Master, Metropolitan Museum of Art Publications, New York, 2006.

  Baudrillard, Jean. The Gulf War Did Not Take Place, Power Publications, Sydney, 1995.

  Bazin, André. Jean Renoir, Da Capo Press, New York, 1973.

  Bazin, André. What Is Cinema? University of California Press, Los Angeles, 2004.

  Benton, Tim. The Villas of Le Corbusier, Yale University Press, New Haven, 1987.

  Benton, Tim. “Villa Savoye and the Architect’s Practice”. In: H.A. Brooks (ed.), Le Corbusier, Princeton University Press, New Jersey, 1987.

  Bertin, Célia. Jean Renoir – a Life in Pictures, The John Hopkins University Press, London, 1991.

  Boissière, Oliver. Jean Nouvel Studio, Patmos Verlag GmbH & Co KG, Ostfildern, 1992.

  Boissière, Oliver. Jean Nouvel, Terrail, Paris, 1997.

  Bordwell, David and Thompson, Kristen. Film Art: An Introduction, McGraw Hill, New York, 2001.

  Brentano, Franz. Philosophical Investigations on Time, Space and the Continuum, Routledge, London. 2009.

  Brentano, Franz. The True and the Evident, Routledge, London. 2009.

  Brookes, Rod. “The Olympic Games”. In: G. Creeber (ed.), Fifty Key Television Programmes, Arnold Publishers, Bath, 2004.

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  Bruno, Guilia. “Site-seeing: Architecture and the Moving Image”. In: Wide Angle. Vol. 19, No.4, Ohio University School of Film, 1997.

  Bruno, Guiliana. Atlas of Emotion: Journeys in Art, Architecture and Film, Verso, London, 2002.

  Cardullo, Bert. Bazin at Work: Major Essays and Reviews from the Forties and Fifties, Routledge, London, 1997.

  Casebier, Allan. Film and Phenomenology, Cambridge University Press, Cambridge, 1992.

  Close, Paul, Askew, David and Xin, Xu. The Beijing Olympiad: The Political
Economy of a Sporting Mega Event, Routledge, London, 2007.

  Cohen, Jean-Luis. Le Corbusier and the Mystique of the USSR: Theories and Projects for Moscow, 1928–1936, Princeton University Press, New Jersey, 1992.

  Colebrook, Claire. Gilles Deleuze, Routledge, London, 2002.

  Colomina, Beatriz. Privacy and Publicity; Modern Architecture as Mass Media, MIT Press, Massachusetts, 1996.

  Colomina, Beatriz. “Vers une architecture médiatique”. In: von Vegesack (ed.), Le Corbuiser; The Art of Architecture, Vitra Design Museum, Weil am Rhein. 2007.

  Cooper-Chen, Anne (ed.). Global Entertainment media: Content, Audiences, Issues, Lawrence Erlbaum Associates, London, 2005.

  Cousins, Mark. The Story of Film, Pavilion, London, 2001. p. 116–121.

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  Curtis, William. “Le Corbusier: Nature and Tradition”. In: M. Raeburn (ed.), Le Corbusier: Architect of the Century, Arts Council of Britain, London, 1987.

  Damisch, Hubert. The Origin of Perspective, MIT Press, Massachusetts, 1994.

  D’Andrea, Jeanne. The Avant-garde in Russia 1920–1930, Los Angeles County Museum of Art, Los Angeles, 1980.

  Dargis, Manohla. “Portrait of the Artist as a Global Soccer Star”. New York Times: Culture. Film Review, October 23, 2008.

  Díaz Morneo, Cristina and García Grinda, Efrén (eds). El Croquis, 1994–2002, Jean Nouvel, El Croquis Editorial, Madrid, 2002.

  Debord, Guy. The Society of the Spectacle and Other Films, Rebel Press, London, 1992.

  Deleuze, Gilles. Cinema 2: The Time-Image, The Athlone Press, London, 1989.

  Deleuze, Gilles. “Montage – The American School of the Soviet School”. In: A. Vacche (ed.), The Visual Turn. Classic Film Theory and Art History, Rutgers, New York, 2003.

  Deleuze, G. and Guattari, F. A Thousand Palteaus; Capitalism and Schizophrenia, Continuum, London, 1988.

  Deriu, David. “Montage and Modern Architecture: Giedion’s Implicit Manifesto”. Architectural Theory Review. Vol. 12, Issue 1, 2007.

  Derrida, Jacques. “Deconstruction and the Other” (Interview with Richard Kearney). In: Kearny, R. (ed.), Dialogues with Contemporary Continental Thinkers, Manchester University Press, Manchester, 1984.

  Drew, Philip. Frei Otto: Form and Structure, Crosby, Lockwood, Staples, London, 1976.