Selected Stories

by Alice Munro

  “Mercantile empire” was a rather grand way of putting it. Patrick’s family owned a chain of department stores in British Columbia. All Patrick had said to Rose was that his father owned some stores. When she said two different worlds to him she was thinking that he probably lived in some substantial house like the houses in Dr. Henshawe’s neighborhood. She was thinking of the most prosperous merchants in Hanratty. She could not realize what a coup she had made because it would have been a coup for her if the butcher’s son had fallen for her, or the jeweller’s; people would say she had done well.

  She had a look at that painting. She looked it up in an art book in the library. She studied the Beggar Maid, meek and voluptuous, with her shy white feet. The milky surrender of her, the helplessness and gratitude. Was that how Patrick saw Rose? Was that how she could be? She would need that king, sharp and swarthy as he looked, even in his trance of passion, clever and barbaric. He could make a puddle of her, with his fierce desire. There would be no apologizing with him, none of that flinching, that lack of faith, that seemed to be revealed in all transactions with Patrick.

  She could not turn Patrick down. She could not do it. It was not the amount of money but the amount of love he offered that she could not ignore; she believed that she felt sorry for him, that she had to help him out. It was as if he had come up to her in a crowd carrying a large, simple, dazzling object—a huge egg, maybe, of solid silver, something of doubtful use and punishing weight—and was offering it to her, in fact thrusting it at her, begging her to take some of the weight of it off him. If she thrust it back, how could he bear it? But that explanation left something out. It left out her own appetite, which was not for wealth but for worship. The size, the weight, the shine, of what he said was love (and she did not doubt him) had to impress her, even though she had never asked for it. It did not seem likely such an offering would come her way again. Patrick himself, though worshipful, did in some oblique way acknowledge her luck.

  She had always thought this would happen, that somebody would look at her and love her totally and helplessly. At the same time she had thought that nobody would, nobody would want her at all, and up until now nobody had. What made you wanted was nothing you did, it was something you had, and how could you ever tell whether you had it? She would look at herself in the glass and think: Wife, sweetheart. Those mild lovely words. How could they apply to her? It was a miracle; it was a mistake. It was what she had dreamed of; it was not what she wanted.

  She grew very tired, irritable, sleepless. She tried to think admiringly of Patrick. His lean, fair-skinned face was really very handsome. He must know a number of things. He graded papers, presided at examinations, he was finishing his thesis. There was a smell of pipe tobacco and rough wool about him that she liked. He was twenty-four. No other girl she knew who had a boyfriend had one as old as that.

  Then without warning she thought of him saying, “I suppose I don’t seem very manly.” She thought of him saying, “Do you love me? Do you really love me?” He would look at her in a scared and threatening way. Then when she said yes he said how lucky he was, how lucky they were; he mentioned friends of his and their girls, comparing their love affairs unfavorably to his and Rose’s. Rose would shiver with irritation and misery. She was sick of herself as much as him, she was sick of the picture they made at this moment, walking across a snowy downtown park, her bare hand snuggled in Patrick’s, in his pocket. Some outrageous and cruel things were being shouted inside her. She had to do something, to keep them from getting out. She started tickling and teasing him.

  Outside Dr. Henshawe’s back door, in the snow, she kissed him, tried to make him open his mouth, she did scandalous things to him. When he kissed her his lips were soft; his tongue was shy; he collapsed over rather than held her, she could not find any force in him.

  “You’re lovely. You have lovely skin. Such fair eyebrows. You’re so delicate.”

  She was pleased to hear that, anybody would be. But she said warningly, “I’m not so delicate, really. I’m quite large.”

  “You don’t know how I love you. There’s a book I have called The White Goddess. Every time I look at the title it reminds me of you.”

  She wriggled away from him. She bent down and got a handful of snow from the drift by the steps and clapped it on his head.

  “My White God.”

  He shook the snow out. She scooped up some more and threw it at him. He didn’t laugh; he was surprised and alarmed. She brushed the snow off his eyebrows and licked it off his ears. She was laughing, though she felt desperate rather than merry. She didn’t know what made her do this.

  “Dr. Henshawe,” Patrick hissed at her. The tender poetic voice he used for rhapsodizing about her could entirely disappear, could change to remonstrance, exasperation, with no steps at all between.

  “Dr. Henshawe will hear you!”

  “Dr. Henshawe says you are an honorable young man,” Rose said dreamily. “I think she’s in love with you.” It was true; Dr. Henshawe had said that. And it was true that he was. He couldn’t bear the way Rose was talking. She blew at the snow in his hair. “Why don’t you go in and deflower her? I’m sure she’s a virgin. That’s her window. Why don’t you?” She rubbed his hair, then slipped her hand inside his overcoat and rubbed the front of his pants. “You’re hard!” she said triumphantly. “Oh, Patrick! You’ve got a hard on for Dr. Henshawe!” She had never said anything like this before, never come near behaving like this.

  “Shut up!” said Patrick, tormented. But she couldn’t. She raised her head and in a loud whisper pretended to call toward an upstairs window, “Dr. Henshawe! Come and see what Patrick’s got for you!” Her bullying hand went for his fly.

  To stop her, to keep her quiet, Patrick had to struggle with her. He got a hand over her mouth, with the other hand beat her away from his zipper. The big loose sleeves of his overcoat beat at her like floppy wings. As soon as he started to fight she was relieved—that was what she wanted from him, some sort of action. But she had to keep resisting, until he really proved himself stronger. She was afraid he might not be able to.

  But he was. He forced her down, down, to her knees, face down in the snow. He pulled her arms back and rubbed her face in the snow. Then he let her go, and almost spoiled it.

  “Are you all right? Are you? I’m sorry. Rose?”

  She staggered up and shoved her snowy face into his. He backed off.

  “Kiss me! Kiss the snow! I love you!”

  “Do you?” he said plaintively, and brushed the snow from a corner of her mouth and kissed her, with understandable bewilderment. “Do you?”

  Then the light came on, flooding them and the trampled snow, and Dr. Henshawe was calling over their heads.

  “Rose! Rose!”

  She called in a patient, encouraging voice, as if Rose was lost in a fog nearby, and needed directing home.

  “DO YOU love him, Rose?” said Dr. Henshawe. “No, think about it. Do you?” Her voice was full of doubt and seriousness. Rose took a deep breath and answered as if filled with calm emotion, “Yes, I do.”

  “Well, then.”

  In the middle of the night Rose woke up and ate chocolate bars. She craved sweets. Often in class or in the middle of a movie she started thinking about fudge cupcakes, brownies, some kind of cake Dr. Henshawe bought at the European Bakery; it was filled with dollops of rich bitter chocolate that ran out on the plate. Whenever she tried to think about herself and Patrick, whenever she made up her mind to decide what she really felt, these cravings intervened.

  She was putting on weight, and had developed a nest of pimples between her eyebrows.

  Her bedroom was cold, being over the garage, with windows on three sides. Otherwise it was pleasant. Over the bed hung framed photographs of Greek skies and ruins, taken by Dr. Henshawe herself on her Mediterranean trip.

  She was writing an essay on Yeats’s plays. In one of the plays a young bride is lured away by the fairies from her sensible unbeara
ble marriage.

  “Come away, O human child …” Rose read, and her eyes filled up with tears for herself, as if she was that shy elusive virgin, too fine for the bewildered peasants who have entrapped her. In actual fact she was the peasant, shocking high-minded Patrick, but he did not look for escape.

  She took down one of those Greek photographs and defaced the wallpaper, writing the start of a poem which had come to her while she ate chocolate bars in bed and the wind from Gibbons Park banged at the garage walls.

  Heedless in my dark womb

  I bear a madman’s child …

  She never wrote any more if it, and wondered sometimes if she had meant headless. She never tried to rub it out, either.

  PATRICK shared an apartment with two other graduate students. He lived plainly, did not own a car or belong to a fraternity. His clothes had an ordinary academic shabbiness. His friends were the sons of teachers and ministers. He said his father had all but disowned him for becoming an intellectual. He said he would never go into business.

  They came back to the apartment in the early afternoon when they knew both the other students would be out. The apartment was cold. They undressed quickly and got into Patrick’s bed. Now was the time. They clung together, shivering and giggling. Rose was doing the giggling. She felt a need to be continually playful. She was terrified that they would not manage it, that there was a great humiliation in store, a great exposure of their poor deceits and stratagems. But the deceits and stratagems were only hers. Patrick was never a fraud; he managed, in spite of gigantic embarrassment, apologies; he passed through some amazed pantings and flounderings, to peace. Rose was no help, presenting instead of an honest passivity much twisting and fluttering eagerness, unpracticed counterfeit of passion. She was pleased when it was accomplished; she did not have to counterfeit that. They had done what others did, they had done what lovers did. She thought of celebration. What occurred to her was something delicious to eat, a sundae at Boomers, apple pie with hot cinnamon sauce. She was not at all prepared for Patrick’s idea, which was to stay where they were and try again.

  When pleasure presented itself, the fifth or sixth time they were together, she was thrown out of gear entirely, her passionate carrying-on was silenced.

  Patrick said, “What’s the matter?”

  “Nothing!” Rose said, turning herself radiant and attentive once more. But she kept forgetting, the new developments interfered, and she had finally to give in to that struggle, more or less ignoring Patrick. When she could take note of him again she overwhelmed him with gratitude; she was really grateful now, and she wanted to be forgiven, though she could not say so, for all her pretended gratitude, her patronizing, her doubts.

  Why should she doubt so much, she thought, lying comfortably in the bed while Patrick went to make some instant coffee. Might it not be possible, to feel as she pretended? If this sexual surprise was possible, wasn’t anything? Patrick was not much help; his chivalry and self-abasement, next door to his scoldings, did discourage her. But wasn’t the real fault hers? Her conviction that anyone who could fall in love with her must be hopelessly lacking, must finally be revealed as a fool? So she took note of anything that was foolish about Patrick, even though she thought she was looking for things that were masterful, admirable. At this moment, in his bed, in his room, surrounded by his books and clothes, his shoe brushes and typewriter, some tacked-up cartoons—she sat up in bed to look at them, and they really were quite funny, he must allow things to be funny when she was not here—she could see him as a likable, intelligent, even humorous person; no hero; no fool. Perhaps they could be ordinary. If only, when he came back in, he would not start thanking and fondling and worshipping her. She didn’t like worship, really; it was only the idea of it she liked. On the other hand, she didn’t like it when he started to correct and criticize her. There was much he planned to change.

  Patrick loved her. What did he love? Not her accent, which he was trying hard to alter, though she was often mutinous and unreasonable, declaring in the face of all evidence that she did not have a country accent, everybody talked the way she did. Not her jittery sexual boldness (his relief at her virginity matched hers at his competence). She could make him flinch at a vulgar word, a drawling tone. All the time, moving and speaking, she was destroying herself for him, yet he looked right through her, through all the distractions she was creating, and loved some obedient image that she herself could not see. And his hopes were high. Her accent could be eliminated, her friends could be discredited and removed, her vulgarity could be discouraged.

  What about all the rest of her? Energy, laziness, vanity, discontent, ambition? She concealed all that. He had no idea. For all her doubts about him, she never wanted him to fall out of love with her.

  They made two trips.

  They went to British Columbia, on the train, during the Easter holidays. His parents sent Patrick money for his ticket. He paid for Rose, using up what he had in the bank and borrowing from one of his roommates. He told her not to reveal to his parents that she had not paid for her own ticket. She saw that he meant to conceal that she was poor. He knew nothing about women’s clothes, or he would not have thought that possible. Though she had done the best she could. She had borrowed Dr. Henshawe’s raincoat for the coastal weather. It was a bit long, but otherwise all right, due to Dr. Henshawe’s classically youthful tastes. She had sold more blood and bought a fuzzy angora sweater, peach-colored, which was extremely messy and looked like a small-town girl’s idea of dressing up. She always realized things like that as soon as a purchase was made, not before.

  Patrick’s parents lived on Vancouver Island, near Sidney. About half an acre of clipped green lawn—green in the middle of winter; March seemed like the middle of winter to Rose—sloped down to a stone wall and a narrow pebbly beach and salt water. The house was half stone, half stucco-and-timber. It was built in the Tudor style, and others. The windows of the living room, the dining room, the den, all faced the sea, and because of the strong winds that sometimes blew onshore, they were made of thick glass, plate glass Rose supposed, like the windows of the automobile showroom in Hanratty. The seaward wall of the dining room was all windows, curving out in a gentle bay; you looked through the thick curved glass as through the bottom of a bottle. The sideboard too had a curving, gleaming belly, and seemed as big as a boat. Size was noticeable everywhere and particularly thickness. Thickness of towels and rugs and handles of knives and forks, and silences. There was a terrible amount of luxury and unease. After a day or so there Rose became so discouraged that her wrists and ankles felt weak. Picking up her knife and fork was a chore; cutting and chewing the perfect roast beef was almost beyond her; she got short of breath climbing the stairs. She had never known before how some places could choke you off, choke off your very life. She had not known this in spite of a number of very unfriendly places she had been in.

  The first morning, Patrick’s mother took her for a walk on the grounds, pointing out the greenhouse, the cottage where “the couple” lived: a charming, ivied, shuttered cottage, bigger than Dr. Henshawe’s house. The couple, the servants, were more gentle-spoken, more discreet and dignified, than anyone Rose could think of in Hanratty, and indeed they were superior in these ways to Patrick’s family.

  Patrick’s mother showed her the rose garden, the kitchen garden. There were many low stone walls.

  “Patrick built them,” said his mother. She explained anything with an indifference that bordered on distaste. “He built all these walls.”

  Rose’s voice came out full of false assurance, eager and inappropriately enthusiastic.

  “He must be a true Scot,” she said. Patrick was a Scot, in spite of his name. The Blatchfords had come from Glasgow. “Weren’t the best stonemasons always Scotsmen?” (She had learned quite recently not to say “Scotch.”) “Maybe he had stonemason ancestors.”

  She cringed afterward, thinking of these efforts, the pretense of ease and gaiety, as cheap and imitat
ive as her clothes.

  “No,” said Patrick’s mother. “No. I don’t think they were stonemasons.” Something like fog went out from her: affront, disapproval, dismay. Rose thought that perhaps she had been offended by the suggestion that her husband’s family might have worked with their hands. When she got to know her better—or had observed her longer; it was impossible to get to know her—she understood that Patrick’s mother disliked anything fanciful, speculative, abstract, in conversation. She would also, of course, dislike Rose’s chatty tone. Any interest beyond the factual consideration of the matter at hand—food, weather, invitations, furniture, servants—seemed to her sloppy, ill-bred, and dangerous. It was all right to say, “This is a warm day,” but not, “This day reminds me of when we used to—” She hated people being reminded.

  She was the only child of one of the early lumber barons of Vancouver Island. She had been born in a vanished northern settlement. But whenever Patrick tried to get her to talk about the past, whenever he asked her for the simplest sort of information—what steamers went up the coast, what year was the settlement abandoned, what was the route of the first logging railway—she would say irritably, “I don’t know. How would I know about that?” This irritation was the strongest note that ever got into her words.

  Neither did Patrick’s father care for this concern about the past. Many things, most things, about Patrick seemed to strike him as bad signs.

  “What do you want to know all that for?” he shouted down the table. He was a short square-shouldered man, red-faced, astonishingly belligerent. Patrick looked like his mother, who was tall, fair, and elegant in the most muted way possible, as if her clothes, her makeup, her style, were chosen with an ideal neutrality in mind.