Diary of a Drug Fiend
Page 51
He went to his laboratory, took out the Tarot card XVI and set it up on the altar. He lighted the fire upon the tripod, and he kindled the incense of dragon’s blood that stood ready in the iron censer. He then put upon his head the steel crown of Mars, thorny with its four flashing pentagrams, and he took in his hands the heavy sword, as long as himself, with a two-edged blade tapering from a width, at the junction of the hilt, of no less than five inches.
Chanting the terrible conjurations of Mars, fierce war-songs of the olden peoples of the world, invocations of mighty deities throned upon the thunder – “He sent out his arrows and scattered them; he sent forth his lightnings, and consumed them” – Brother Onofrio began the war-dance of the Serpent, the invoking dance of Mars. Close coiled about the altar at first, he took gradually a wider sweep, constantly revolving on himself but his feet tracing a complex spiral curve. On reaching the door of the room, he allowed the “Serpent” to stretch out its length, and, ever twisting on himself, came out upon the terrace.
Gates was still at his post upon the campanile; he had been about to go, but this new feature of the routine of the house riveted him to his place. This was just what Douglas needed to know! He leant upon the parapet of the tower, watching with infinite eagerness and minuteness the convolutions of the adept.
Once upon the terrace, Brother Onofrio proceeded to coil up his “Serpent” after him, diminishing the sweep of his spirals until he was at zero, merely rotating on himself.
Then he began the second part of his work, the Dance of the Sword.
Slowly he began to cause his feet to trace a pentagram, and he allowed the Sword to leave his body as he quickened his pace, just as one sees the weights of the ball-governor of a steam-engine fly outwards as pressure and speed leap higher.
Gates was altogether fascinated by the sight. In the sunlight, this scarlet figure with lights darting from every brilliance of its steel was a magnificent spectacle, almost bewildering in its intensity.
Faster and faster whirled the adept, his sword swaying about him like a garment of light; and his voice, louder and fiercer with every turn, assumed the very majesty of thunder.
Gates watched with open mouth; he was learning much from this man. He began to perceive the primaeval energy of the universe, under a veil, the magical clang and rush of blazing stars in the blind emptiness of space. And suddenly Brother Onofrio stopped dead; his voice snapped short into a silence far more terrible than any word; and his long sword was still, fearfully still, stretched out like a shaft of murderous light – the point towards the tower.
Gates was suddenly aware that he had all along been the object of the dance; and then his brain began to reel. Had the whirling flashes hypnotised him? He could not think; the world went black for him. Automatically he clutched at the parapet; but he pitched headlong over it, and crashed upon the ground a hundred feet below.
On the terrace Brother Onofrio was beginning the banishing spirals of Mars, with songs of triumph into which stole, as if surreptitiously, some hint of that joy of love which, from the beginning of time, has welcomed the victorious soldier.
Chapter XIII
OF THE PROGRESS OF THE GREAT EXPERIMENT;
NOT FORGETTING OUR FRIENDS LAST SEEN IN PARIS, ABOUT WHOSE WELFARE MUCH ANXIETY MUST HAVE BEEN FELT
EARLY in January Cyril Grey received a letter from Lord Antony Bowling. “My good Grey,” it began, “may the New Year bring you courage to break your resolutions early! My own plan is to swear off every kind of virtue, so that I triumph even when I fail!
“Morningside is off to America with his New Discovery in Science. It is that all crime is due to breathing. Statistics show (a) that all convicts are guilty of this disgusting habit; (b) it is characteristic of all the inmates of our insane asylums.
“On the other hand, neither crime nor insanity has ever been proved against any person who was not an habitual breather. The case, as you see, is complete. Morningside has gone even further, and shown that breathing is akin to drug-habits; he has made numerous experiments upon addicts, and finds that suppression leads to mental and physical distress of an even more acute type than that which follows the removal of morphia or cocaine from their slaves. There is little doubt that Congress will take immediate action to penalise this filthy vice as it deserves, and Fresh Air will be included among the drugs to which the Harrison Law applies. Hot Air, as the natural food of the People, will of course be permitted.
“I saw Sister Cybele the other day. She was passing through London to visit friends in Scotland. I tried to alleviate that dreadful destiny by asking her to dinner, and we had an amusing seance with my new toy, a youth named Roger Blunt, who is controlled by a spirit called Wooloo, has eight secondary personalities, and causes pencils to adhere to walls. It cannot be that this is varnish, or surface tension, or a little of both; it would be too, too cruel!
“The Mahathera Phang has vanished from our gaze; he has probably gone to the Equator to correct the obliquity of the Ecliptic in the interest of the Law of Righteousness. I’m sorry; I believe in that man; I know he’s got something that I haven’t, and I want it. However, Simple Simon has been nice to me; only he won’t talk Phenomena – says that, like a certain Pope, he has seen too many miracles to believe in them. Which is my own case, only he is referring to genuine ones. Hence difficulty in comprehension of his attitude.
“I hope you’re having a great time with the devil; I envy your blue skies; London is wrapped in fog, and even on fine days I have to go to the War Office. But isn’t it a pity those wicked bad naughty men know where you are? I have my doubts about magick; but I know Balloch, and he’s the rottenest egg in London. I gather he’s at the back of it. Some blackmailing articles on you, again; but as Morningside would say, you should worry. Come along and see me before, in a moment of madness and despair, you plunge into Vesuvius in the hope of exciting a future Mathew Arnold to immortalise you.
“Well, here’s the best to you! – ANTONY BOWLING.”
There was a brief note, too, from Simon Iff. “It’s to be supposed all’s well; rumours of disaster to enemy offensive current in Paris. You had better worry along on your own now; there’s other fish frying in this kitchen. An old man may possibly drop in on you early in August; you may recognise him – with a strong pair of glasses – as your old friend – SIMON IFF.”
Simple Simon never spoke of himself as “I” in a letter; he only used the pronoun in conversation as a concession to custom.
The Black Commissioners had also heard from headquarters; Gates was replaced, as quick as rail could carry, by a man of superior advancement in the Black Lodge.
This was the celebrated Dr. Victor Vesquit, the most famous necromancer of his age. There was really little harm in the man beyond his extraordinary perversion in the matter of corpses. His house in Hampden Road was not only a rendezvous of spiritualists, but a Home for Lost Mummies. He based all his magical operations upon dead bodies, or detached portions of the same, believing that to endow dead matter with life – the essential of nearly all magick, as he quite rightly saw – it was best to choose matter in which life had recently been manifest. An obvious corollary is that the best bodies are those that have met a violent death, rather than those which have been subjected to illness and decay. Also, it followed that the best corpses of all were those of executed murderers, whose vitality may be assumed as very great – though on this last point Cyril Grey, for one, would have disagreed with him, saying that the most vital people would have too much respect for the principle of life to commit murder in cold blood.
However, Dr Vesquit had obtained an appointment as coroner in the most murderous district of London; and uncanny were the rumours that circulated among occult sympathisers. His career had nearly been ruined on two occasions by scandal. The notorious Diana Vaughan, it had been said, was his mistress; and he had become her accomplice in the introduction of the frightful
sect of the Palladists.
The rumour was not widespread, and Vesquit need not have suffered; but he took alarm, and had the unlucky thought of employing Arthwait to write a book clearing him from all suspicion, by which it naturally was fixed on him for ever.
The second trouble was his little quarrel with Douglas. Vesquit was Senior in the Black Lodge, and Douglas overthrew him by “carelessly” leaving, in a hansom cab, some documents belonging to the Lodge, with Vesquit’s name and address attached to them, which made some exceedingly grim revelations of the necromantic practices carried on in Hampden Road.
The honest cabby had turned over the papers to Scotland Yard, as his duty was; and the police had sent them on to those in authority over coroners; and Vesquit received, with his documents, an intimation that he must drop that sort of thing at once. To be chief in the Lodge seemed less than to be always in a Paradise of corpses; so he resigned office, and Douglas pushed his advantage by making him an abject tool, under the perpetual threat of exposure.
No sooner did Douglas learn of the death of Gates than he telegraphed to Arthwait to get the inquest adjourned “so that the relatives of the deceased in England might attend, and take possession of the body”, and to Vesquit to attend the same. On this occasion the coroner needed no threat – the job was after his own heart.
Douglas met him in Paris in high glee, for he was not sorry to be rid of Gates; and, on the other hand, the man had died in full tide of battle, and should be the very corpse that Vesquit most needed; as Douglas himself said, with a certain grim humour in which he excelled, he was, morally speaking, an executed criminal; while, being in actual magical contact with Grey and his friends, so much so that he had evidently been killed by them, he was an ideal magical link.
Vesquit’s task was, if possible, to learn from Gates exactly what had happened, and so expert a necromancer had no fear of the result. He was also to create a semi-material ghost of Gates from the remains, and send it to the person who had dealt out death to that unlucky wizard.
On his arrival at Naples, there was no difficulty in the way of the Black Lodge; the authorities were only too glad to return a formal verdict of death by misadventure, and to hand over the corpse to the rejoicing Vesquit.
Gates had fortunately left memoranda, a rough diary of the various procedures hitherto adopted; so that Vesquit was not committed to the task of acquiring information from Arthwait, which might easily have occupied a season; and from these notes the old necromancer came to the conclusion that the enemy was to be respected. Gates had done pretty well in the matter of the pigeons, at first; his procedure was not to be compared with his colleague’s pedantic idiocies; but the first touch of riposte had been indeed deadly. Gates had been the clairvoyant of the party; he had gauged clearly enough the result of his operation; but naturally he had left no note of the last act, and neither Arthwait nor Abdul Bey had been able to do anything. Arthwait had been scared badly until his pompous vanity came to the rescue, and showed him that accidents of that kind must be expected when one is handicapped with an assistant of inferior ability.
Vesquit decided that the battle should be properly prepared, and no trouble spared to make it a success. His fondness for corpses had not gone to the length of desiring to become one.
In him there had been the makings of a fairly strong man; and, with Douglas to push him on, he was still capable of acting with spirit and determination. Also, he had the habit of authority. He set Arthwait to work on the Grimoire; for, in an operation of this importance, one must make all one’s instruments.
Beginning with a magic knife, which one is allowed to buy, one cuts the magic wand from a hazel, the magic quill from a goose, and so on. The idea is to confirm the will to perform the operation by a long series of acts ad hoc. It is even desirable to procure parchment by killing a consecrated animal with the magic knife, and making ready the skin with similarly prepared utensils; one might for instance, cut and consecrate even the pegs which stretched the skin. However, in this case Arthwait had plenty of “Virgin parchment” in stock, with quills of a black vulture, and ink made by burning human bones, and mixing the carbonised products with the soot of the magic dark-lantern, whose candles were prepared with human fat.
But the Grimoire of any great operation must be thought out and composed; according to elaborate rules, indeed, but with the purpose of the work constantly in mind. Even when all this is done, the Grimoire is hardly begun; for it must be copied out in the way above indicated; and it should be illuminated with every kind of appropriate design. This was an ideal task for Arthwait; he was able to wallow in dog-Latin and corrupt Greek-Coptic; he made sentences so complicated that the complete works of George Meredith, Thomas Carlyle, and Henry James, tangled together, would have seemed in comparison like a word of three letters.
His Grimoire was in reality excellent for its purpose; for the infernal hierarchy delights in unintelligible images, in every kind of confusion and obscurity. This particular lucubration was calculated to drag the Archdemon of Bad Syntax himself from the most remote corner of his lair.
For Arthwait could not speak with becoming unintelligibility; to knot a sentence up properly it has to be thought out carefully, and revised. New phrases have to be put in; sudden changes of subject must be introduced; verbs must be shifted to unsuspected localities; short words must be excised with ruthless hand; archaisms must be sprinkled like sugar-plums upon the concoction; the fatal human tendency to say things straightforwardly must be detected and defeated by adroit reversals; and, if a glimmer of meaning yet remain under close scrutiny, it must be removed by replacing all the principal verbs by paraphrases in some dead language.
This is not to be achieved in a moment; it is not enough to write disconnected nonsense; it must be possible for anyone acquainted with the tortuosities of the author’s mind to resolve the sentence into its elements, and reproduce – not the meaning, for there is none, but the same mental fog from which he was originally suffering. An illustration is appended.
Pneumaticals Omnient
(spirits) (all)
Tabernacular Subinfractically
(dwelling) (Below)
Homotopic hermeneutical
(this) (magic)
Ru-volvolimperipunct, suprorientalise,
(circle) (arise)
factote kinematodrastically,
(move) (soon)
overplus phenomenise!
(and) (appear)
Upon this skeleton, a fair example of his earlier manner, for no man attains the summit of an art in a day, he would build a superstructure by the deft introduction of parentheses, amplifying each word until the original coherence of the paragraph was diluted to such an extent that the true trail was undiscoverable. The effect upon his public was to impress them with the universality of his learning.
Arthwait being thus well out of harm’s way, Vesquit and Abdul set to work on the less arduous of the preparations. Four black cats were needed for the four points of the compass, and it was desirable to massacre a goat upon the altar, which would be no less than the corpse itself. Vesquit, declaring that the body was to be sent to England, had a dummy shipped off in a coffin, and kept Gates on ice, which may or may not have been a great comfort to him.
Abdul had no difficulty in procuring the cats which, much to their dissatisfaction, were caged in Arthwait’s study, and fed on human flesh, which Vesquit easily procured from the dissecting-rooms of the local hospitals.
But the goat was a more serious matter. An ordinary goat will not do; it had to qualify in certain respects; Abdul succeeded in his quest only after a series of intrigues with the lowest ruffians in Naples, which brought him into more vulgar and unpleasant dangers than he had contemplated “when he first put that uniform on”. It was, however, at least temporarily, a very amusing situation for the goat. The requisite bat, which must be fed on a woman’s blood, was easily arr
anged for, a courageous country girl offering to accommodate with a toe, for a consideration. The nails from a suicide’s coffin, and the skull of the parricide, were of course no trouble; for Vesquit never travelled without these household requisites.
There were many other details to arrange; the consideration of a proper place for the operation gave rise to much mental labour. It is, generally speaking, desirable to choose the locality of a recent battle; and the greater the number of slain the better. (There should be some very desirable spots in the vicinity of Verdun for black magicians who happen to flourish after the vulgar year 1917.) But the Grimoires were written in other times with other manners; now-a-days there is risk of disturbance if one sets up one’s paraphernalia of goats and cats at a cross-roads, in the hope of helping oneself out with a recently-interred suicide, or a ceremonially annihilated vampire; where the peasant of the fourteenth century would have fled shrieking, the motorist of the twentieth century stops to observe, or, more likely, runs you over; so that unless your property includes a private battlefield, it is a point of valour to choose a more retired site for one’s necromancy than the stricken field of the Marne. Cross-roads, again, are not so thickly planted with suicides and vampires as in happier days. Reflecting solidly and ably upon these points of modern degeneracy, Vesquit made up his mind to compromise, and accept the most agreeable substitute, a profaned chapel; it was easy to rent a villa with a chapel attached, and, to a man of Vesquit’s ability, the work of a moment to profane it.
This he accordingly arranged through Abdul Bey.