Medusa's Coil (lovecraft mythos)

by Howard Philips Lovecraft

  “I suppose she thought he was fabulously rich; for he had the air of a patrician, and people of a certain class think all aristocratic Americans are wealthy. In any case, she probably thought this a rare chance to contract a genuine right-handed alliance with a really eligible young man. By the time my nervousness burst into open advice, it was too late. The boy had lawfully married her, and wrote that he was dropping his studies and bringing the woman home to Riverside . He said she had made a great sacrifice and resigned her leadership of the magical cult, and that henceforward she would be merely a private gentlewoman – the future mistress of Riverside , and mother of de Russys to come.

  “Well, sir, I took it the best way I could. I knew that sophisticated Continentals have different standards from our old American ones – and anyway, I really knew nothing against the woman. A charlatan, perhaps, but why necessarily any worse? I suppose I tried to keep as naГЇve as possible about such things in those days, for the boy’s sake. Clearly, there was nothing for a man of sense to do but let Denis alone so long as his new wife conformed to de Russy ways. Let her have a chance to prove herself – perhaps she wouldn’t hurt the family as much as some might fear. So I didn’t raise any objections or ask any penitence. The thing was done, and I stood ready to welcome the boy back, whatever he brought with him.

  “They got here three weeks after the telegram telling of marriage. Marceline was beautiful – there was no denying that – and I could see how the boy might very well get foolish about her. She did have an air of breeding, and I think to this day she must have had some strains of good blood in her. She was apparently not much over twenty; of medium size, fairly slim, and as graceful as a tigress in posture and motion. Her complexion was a deep olive – like old ivory – and her eyes were large and very dark. She had small, classically regular features – though not quite clean-cut enough to suit my taste – and the most singular braid of jet black hair that I ever saw.

  “I didn’t wonder that she had dragged the subject of hair into her magical cult, for with that heavy profusion of it the idea must have occurred to her naturally. Coiled up, it made her look like some Oriental princess in a drawing of Aubrey Beardsley’s. Hanging down her back, it came well below her knees and shone in the light as if it had possessed some separate, unholy vitality of its own. I would almost have thought of Medusa or Berenice myself – without having such things suggested to me – upon seeing and studying that hair.

  “Sometimes I thought it moved slightly of itself, and tended to arrange itself in distinct ropes or strands, but this may have been sheer illusion. She braided it incessantly, and seemed to use some sort of preparation on it. I got the notion once – a curious, whimsical notion – that it was a living being which she had to feed in some strange way. All nonsense – but it added to my feeling of constraint about her and her hair.

  “For I can’t deny that I failed to like her wholly, no matter how hard I tried. I couldn’t tell what the trouble was, but it was there. Something about her repelled me very subtly, and I could not help weaving morbid and macabre associations about everything connected with her. Her complexion called up thoughts of Babylon, Atlantis, Lemuria, and the terrible forgotten dominations of an elder world; her eyes struck me sometimes as the eyes of some unholy forest creature or animal goddess too immeasurably ancient to be fully human; and her hair – that dense, exotic, overnourished growth of oily inkiness – made one shiver as a great black python might have done. There was no doubt but that she realised my involuntary attitude – though I tried to hide it, and she tried to hide the fact that she noticed it.

  “Yet the boy’s infatuation lasted. He positively fawned on her, and overdid all the little gallantries of daily life to a sickening degree. She appeared to return the feeling, though I could see it took a conscious effort to make her duplicate his enthusiasms and extravagances. For one thing, I think she was piqued to learn we weren’t as wealthy as she had expected.

  “It was a bad business all told. I could see that sad undercurrents were arising. Denis was half-hypnotised with puppy-love, and began to grow away from me as he felt my shrinking from his wife. This kind of thing went on for months, and I saw that I was losing my only son – the boy who had formed the centre of all my thoughts and acts for the past quarter century. I’ll own that I felt bitter about it – what father wouldn’t? And yet I could do nothing.

  “Marceline seemed to be a good wife enough in those early months, and our friends received her without any quibbling or questioning. I was always nervous, though, about what some of the young fellows in Paris might write home to their relatives after the news of the marriage spread around. Despite the woman’s love of secrecy, it couldn’t remain hidden forever – indeed, Denis had written a few of his closest friends, in strict confidence, as soon as he was settled with her at Riverside .

  “I got to staying alone in my room more and more, with my failing health as an excuse. It was about that time that my present spinal neuritis began to develop – which made the excuse a pretty good one. Denis didn’t seem to notice the trouble, or take any interest in me and my habits and affairs; and it hurt me to see how callous he was getting. I began to get sleepless, and often racked my brain in the night to try to find out what made my new daughter-in-law so repulsive and even dimly horrible to me. It surely wasn’t her old mystical nonsense, for she had left all the past behind her and never mentioned it once. She didn’t even do any painting, although I understood that she had once dabbled in art.

  “Oddly, the only ones who seemed to share my uneasiness were the servants. The darkies around the house seemed very sullen in their attitude toward her, and in a few weeks all save the few who were strongly attached to our family had left. These few – old Scipio and his wife Sarah, the cook Delilah, and Mary, Scipio’s daughter – were as civil as possible; but plainly revealed that their new mistress commanded their duty rather than their affection. They stayed in their own remote part of the house as much as possible. McCabe, our white chauffeur, was insolently admiring rather than hostile; and another exception was a very old Zulu woman, said to have been a sort of leader in her small cabin as a kind of family pensioner. Old Sophonisba always shewed reverence whenever Marceline came near her, and one time I saw her kiss the ground where her mistress had walked. Blacks are superstitious animals, and I wondered whether Marceline had been talking any of her mystical nonsense to our hands in order to overcome their evident dislike.”

  Part III

  “Well, that’s how we went on for nearly half a year. Then, in the summer of 1916, things began to happen. Toward the middle of June Denis got a note from his old friend Frank Marsh, telling of a sort of nervous breakdown which made him want to take a rest in the country. It was postmarked New Orleans – for Marsh had gone home from Paris when he felt the collapse coming on – and seemed a very plain though polite bid for an invitation from us. Marsh, of course, knew that Marceline was here; and asked very courteously after her. Denis was sorry to hear of his trouble and told him at once to come along for an indefinite visit.

  “Marsh came – and I was shocked to notice how he had changed since I had seen him in his earlier days. He was a smallish, lightish fellow, with blue eyes and an undecided chin; and now I could see the effects of drink and I don’t know what else in his puffy eyelids, enlarged nose-pores, and heavy lines around the mouth. I reckon he had taken his dose of decadence pretty seriously, and set out to be as much of a Rimbaud, Baudelaire, or Lautreamont as he could. And yet he was delightful to talk to – for like all decadents he was exquisitely sensitive to the color and atmosphere and names of things; admirably, thoroughly alive, and with whole records of conscious experience in obscure, shadowy fields of living and feeling which most of us pass over without knowing they exist. Poor young devil – if only his father had lived longer and taken him in hand! There was great stuff in the boy!

  “I was glad of the visit, for I felt it would help to set up a normal atmosphere in the house again. And
that’s what it really seemed to do at first; for as I said, Marsh was a delight to have around. He was as sincere and profound an artist as I ever saw in my life, and I certainly believe that nothing on earth mattered to him except the perception and expression of beauty. When he saw an exquisite thing, or was creating one, his eyes would dilate until the light irises were nearly out of sight – leaving two mystical black pits in that weak, delicate, chalk-like face; black pits opening on strange worlds which none of us could guess about.

  “When he reached here, though, he didn’t have many chances to shew this tendency; for he had, as he told Denis, gone quite stale. It seems he had been very successful as an artist of a bizarre kind – like Fuseli or Goya or Sime or Clark Ashton Smith – but had suddenly become played out. The world of ordinary things around him had ceased to hold anything he could recognize as beauty – beauty, that is, of enough force and poignancy to arouse his creative faculty. He had often been this way before – all decadents are – but this time he could not invent any new, strange, or outré sensation or experience which would supply the needed illusion of fresh beauty or stimulatingly adventurous expectancy. He was like a Durtal or a des Esseintes at the most jaded point of his curious orbit.

  “Marceline was away when Marsh arrived. She hadn’t been enthusiastic about his coming, and had refused to decline an invitation from some of our friends in St. Louis which came about that time for her and Denis. Denis, of course, stayed to receive his guest; but Marceline had gone on alone. It was the first time they had ever been separated, and I hoped the interval would help to dispel the daze that was making such a fool of the boy. Marceline shewed no hurry to get back, but seemed to me to prolong her absence as much as she could. Denis stood it better than one would have expected from such a doting husband, and seemed more like his old self as he talked over other days with Marsh and tried to cheer the listless aesthete up.

  “It was Marsh who seemed most impatient to see the woman; perhaps because he thought her strange beauty, or some phase of the mysticism which had gone into her one-time magical cult, might help to reawaken his interest in things and give him another start toward artistic creation. That there was no baser reason, I was absolutely certain from what I knew of Marsh’s character. With all his weaknesses, he was a gentleman – and it had indeed relieved me when I first learned that he wanted to come here because his willingness to accept Denis’ hospitality proved that there was no reason why he shouldn’t.

  “When, at last, Marceline did return, I could see that Marsh was tremendously affected. He did not attempt to make her talk of the bizarre thing which she had so definitely abandoned, but was unable to hide a powerful admiration which kept his eyes – now dilated in that curious way for the first time during his visit – riveted to her every moment she was in the room. She, however, seemed uneasy rather than pleased by his steady scrutiny – that is, she seemed so at first, though this feeling of hers wore away in a few days, and left the two on a basis of the most cordial and voluble congeniality. I could see Marsh studying her constantly when he thought no one was watching; and I wondered how long it would be that only the artist, and not the primitive man, would be aroused by her mysterious graces.

  “Denis naturally felt some irritation at this turn of affairs; though he realised that his guest was a man of honour and that, as kindred mystics and aesthetes, Marceline and Marsh would naturally have things and interests to discuss in which a more or less conventional person could have no part. He didn’t hold anything against anybody, but merely regretted that his own imagination was too limited and traditional to let him talk with Marceline as Marsh talked. At this stage of things I began to see more of the boy. With his wife otherwise busy, he had time to remember that he had a father – and a father who was ready to help him in any sort of perplexity or difficulty.

  “We often sat together on the veranda watching Marsh and Marceline as they rode up or down the drive on horseback, or played tennis on the court that used to stretch south of the house. They talked mostly in French, which Marsh, though he hadn’t more than a quarter-portion of French blood, handled more glibly than either Denis or I could speak it. Marceline’s English, always academically correct, was rapidly improving in accent; but it was plain that she relished dropping back into her mother-tongue. As we looked at the congenial couple they made, I could see the boy’s cheek and throat muscles tighten – though he wasn’t a whit less ideal a host to Marsh, or a whit less considerate husband to Marceline.

  “All this was generally in the afternoon; for Marceline rose very late, had breakfast in bed, and took an immense amount of time preparing to come downstairs. I never knew of anyone so wrapped up in cosmetics, beauty exercises, hair-oils, unguents, and everything of that kind. It was in these morning hours that Denis and Marsh did their real visiting, and exchanged the close confidences which kept their friendship up despite the strain that jealousy imposed.

  “Well, it was in one of those morning talks on the veranda that Marsh made the proposition which brought on the end. I was laid up with some of my neuritis, but had managed to get downstairs and stretch out on the front parlour sofa near the long window. Denis and Marsh were just outside; so I couldn’t help hearing all they said. They had been talking about art, and the curious, capricious elements needed to jolt an artist into producing the real article, when Marsh suddenly swerved from abstractions to the personal application he must have had in mind from the start.

  “‘I suppose,’ he was saying, ‘that nobody can tell just what it is in some scenes or objects that makes them aesthetic stimuli for certain individuals. Basically, of course, it must have some reference to each man’s background of stored-up mental associations, for no two people have the same scale of sensitiveness and responses. We decadents are artists for whom all ordinary things have ceased to have any emotional or imaginative significance, but no one of us responds in the same way to exactly the same extraordinary. Now take me, for instance…’”

  “He paused and resumed.

  “‘I know, Denny, that I can say these things to you because you such a preternaturally unspoiled mind –clean, fine, direct, objective, and all that. You won’t misunderstand as an oversubtilised, effete man of the world might.’”

  “He paused once more.

  “‘The fact is, I think I know what’s needed to set my imagination working again. I’ve had a dim idea of it ever since we were in Paris , but I’m sure now. It’s Marceline, old chap – that face and that hair, and the train of shadowy images they bring up. Not merely visible beauty – though God knows there’s enough of that – but something peculiar and individualised, that can’t exactly be explained. Do you know, in the last few days I’ve felt the existence of such a stimulus so keenly that I honestly think I could outdo myself –break into the real masterpiece class if I could get ahold of paint and canvas at just the time when her face and hair set my fancy stirring and weaving. There’s something weird and other-worldly about it –something joined up with the dim ancient thing Marceline represents. I don’t know how much she’s told you about that side of her, but I can assure you there’s plenty of it. She has some marvellous links with the outside…’

  “Some change in Denis’ expression must have halted the speaker here, for there was a considerable spell of silence before the words went on. I was utterly taken aback, for I’d expected no such overt development like this; and I wondered what my son could be thinking. My heart began to pound violently, and I strained my ears in the frankest of intentional eavesdropping. Then Marsh resumed.

  “‘Of course you’re jealous – I know how a speech like mine must sound – but I can swear to you that you needn’t be.’

  “Denis did not answer, and Marsh went on.

  ”’ To tell the truth, I could never be in love with Marceline – I couldn’t even be a cordial friend of hers in the warmest sense. Why, damn it all, I felt like a hypocrite talking with her these days as I’ve been doing.

  “‘The ca
se simply is, that one of her phase of her half hyponotises me in a certain way – a very strange, fantastic, and dimly terrible way – just as another phase half hypnotises you in a much more normal way. I see something in her – or to be psychologically exact, something through her or beyond her – that you didn’t see at all. Something that brings up a vast pageantry of shapes from forgotten abysses, and makes me want to paint incredible things whose outlines vanish the instant I try to envisage them clearly. Don’t mistake, Denny, your wife is a magnificent being, a splendid focus of cosmic forces who has a right to be called divine if anything on earth has!’

  “I felt a clearing of the situation at this point, for the abstract strangeness of Marsh’s statement, plus the flattery he was now heaping on Marceline, could not fail to disarm and mollify one as fondly proud of his consort as Denis always was. Marsh evidently caught the change himself, for there was more confidence in his tone as he continued.

  “‘I must paint her, Denny – must paint that hair – and you won’t regret. There’s something more than mortal about that hair – something more than beautiful – ‘

  “He paused, and I wondered what Denis could be thinking. I wondered, indeed, what I was really thinking myself. Was Marsh’s interest actually that of the artist alone, or was he merely infatuated as Denis had been? I had thought, in their schooldays, that he had envied my boy; and I dimly felt that it might be the same now. On the other hand, something in that talk of artistic stimulus had rung amazingly true; so that the more I pondered, the more I was inclined to take the stuff at face value. Denis seemed to do so, too, for although I could not catch his low-spoken reply, I could tell by the effect it produced that it must have been affirmative.

  “There was a sound of someone slapping another on the back, and then a grateful speech from Marsh that I was long to remember.