by Kate Chopin
“W’en I done swim to de sho’ wid ’im,” continued Evariste, “I hurry yonda to Jake Baptiste’s cabin, an’ we rub ’im an’ warm ’im up, an’ dress ’im up dry like you see. He all right now, M’sieur; but you mus’n lef ’im go no mo’ by hisse’f in one pirogue.”
Martinette had followed into the room behind her father. She was feeling and tapping his wet garments solicitously, and begging him in French to come home. Mr. Hallet at once ordered hot coffee and a warm breakfast for the two; and they sat down at the corner of the table, making no manner of objection in their perfect simplicity. It was with visible reluctance and ill-disguised contempt that Wilkins served them.
When Mr. Sublet had arranged his son comfortably, with tender care, upon the sofa, and had satisfied himself that the child was quite uninjured, he attempted to find words with which to thank Evariste for this service which no treasure of words or gold could pay for. These warm and heart felt expressions seemed to Evariste to exaggerate the importance of his action, and they intimidated him. He attempted shyly to hide his face as well as he could in the depths of his bowl of coffee.
“You will let me make your picture now, I hope, Evariste,” begged Mr. Sublet, laying his hand upon the ’Cadian’s shoulder. “I want to place it among things I hold most dear, and shall call it ‘A hero of Bayou Têche.’ ” This assurance seemed to distress Evariste greatly.
“No, no,” he protested, “it ’s nuttin’ hero’ to take a li’le boy out de water. I jus’ as easy do dat like I stoop down an’ pick up a li’le chile w’at fall down in de road. I ent goin’ to ’low dat, me. I don’t git no picture took, va!”
Mr. Hallet, who now discerned his friend’s eagerness in the matter, came to his aid.
“I tell you, Evariste, let Mr. Sublet draw your picture, and you yourself may call it whatever you want. I ’m sure he ’ll let you.”
“Most willingly,” agreed the artist.
Evariste glanced up at him with shy and child-like pleasure. “It ’s a bargain?” he asked.
“A bargain,” affirmed Mr. Sublet.
“Popa,” whispered Martinette, “you betta come home an’ put on yo’ otha pant’loon’ an’ yo’ good coat.”
“And now, what shall we call the much talked-of picture?” cheerily inquired the planter, standing with his back to the blaze.
Evariste in a business-like manner began carefully to trace on the tablecloth imaginary characters with an imaginary pen; he could not have written the real characters with a real pen—he did not know how.
“You will put on’neat’ de picture,” he said, deliberately, “ ‘Dis is one picture of Mista Evariste Anatole Bonamour, a gent’man of de Bayou Têche.’ ”
A Lady of Bayou St. John
THE days and the nights were very lonely for Madame Delisle. Gustave, her husband, was away yonder in Virginia somewhere, with Beauregard, and she was here in the old house on Bayou St. John, alone with her slaves.
Madame was very beautiful. So beautiful, that she found much diversion in sitting for hours before the mirror, contemplating her own loveliness; admiring the brilliancy of her golden hair, the sweet languor of her blue eyes, the graceful contours of her figure, and the peach-like bloom of her flesh. She was very young. So young that she romped with the dogs, teased the parrot, and could not fall asleep at night unless old black Manna-Loulou sat beside her bed and told her stories.
In short, she was a child, not able to realize the significance of the tragedy whose unfolding kept the civilized world in suspense. It was only the immediate effect of the awful drama that moved her: the gloom that, spreading on all sides, penetrated her own existence and deprived it of joyousness.
Sépincourt found her looking very lonely and disconsolate one day when he stopped to talk with her. She was pale, and her blue eyes were dim with unwept tears. He was a Frenchman who lived near by. He shrugged his shoulders over this strife between brothers, this quarrel which was none of his; and he resented it chiefly upon the ground that it made life uncomfortable; yet he was young enough to have had quicker and hotter blood in his veins.
When he left Madame Delisle that day, her eyes were no longer dim, and a something of the dreariness that weighted her had been lifted away. That mysterious, that treacherous bond called sympathy, had revealed them to each other.
He came to her very often that summer, clad always in cool, white duck, with a flower in his buttonhole. His pleasant brown eyes sought hers with warm, friendly glances that comforted her as a caress might comfort a disconsolate child. She took to watching for his slim figure, a little bent, walking lazily up the avenue between the double line of magnolias.
They would sit sometimes during whole afternoons in the vine-sheltered corner of the gallery, sipping the black coffee that Manna-Loulou brought to them at intervals; and talking, talking incessantly during the first days when they were unconsciously unfolding themselves to each other. Then a time came—it came very quickly—when they seemed to have nothing more to say to one another.
He brought her news of the war; and they talked about it listlessly, between long intervals of silence, of which neither took account. An occasional letter came by round-about ways from Gustave—guarded and saddening in its tone. They would read it and sigh over it together.
Once they stood before his portrait that hung in the drawing-room and that looked out at them with kind, indulgent eyes. Madame wiped the picture with her gossamer handkerchief and impulsively pressed a tender kiss upon the painted canvas. For months past the living image of her husband had been receding further and further into a mist which she could penetrate with no faculty or power that she possessed.
One day at sunset, when she and Sépincourt stood silently side by side, looking across the marais,1 aflame with the western light, he said to her: “M’amie,2 let us go away from this country that is so triste.3 Let us go to Paris, you and me.”
She thought that he was jesting, and she laughed nervously. “Yes, Paris would surely be gayer than Bayou St. John,” she answered. But he was not jesting. She saw it at once in the glance that penetrated her own; in the quiver of his sensitive lip and the quick beating of a swollen vein in his brown throat.
“Paris, or anywhere—with you—ah, bon Dieu!” he whispered, seizing her hands. But she withdrew from him, frightened, and hurried away into the house, leaving him alone.
That night, for the first time, Madame did not want to hear Manna-Loulou’s stories, and she blew out the wax candle that till now had burned nightly in her sleeping-room, under its tall, crystal globe. She had suddenly become a woman capable of love or sacrifice. She would not hear Manna-Loulou’s stories. She wanted to be alone, to tremble and to weep.
In the morning her eyes were dry, but she would not see Sépincourt when he came. Then he wrote her a letter.
“I have offended you and I would rather die!” it ran. “Do not banish me from your presence that is life to me. Let me lie at your feet, if only for a moment, in which to hear you say that you forgive me.”
Men have written just such letters before, but Madame did not know it. To her it was a voice from the unknown, like music, awaking in her a delicious tumult that seized and held possession of her whole being.
When they met, he had but to look into her face to know that he need not lie at her feet craving forgiveness. She was waiting for him beneath the spreading branches of a live-oak that guarded the gate of her home like a sentinel.
For a brief moment he held her hands, which trembled. Then he folded her in his arms and kissed her many times. “You will go with me, m’amie? I love you—oh, I love you! Will you not go with me, m’amie?”
“Anywhere, anywhere,” she told him in a fainting voice that he could scarcely hear.
But she did not go with him. Chance willed it otherwise. That night a courier brought her a message from Beauregard, telling her that Gustave, her husband, was dead.
When the new year was still young, Sépincourt decided that, all thin
gs considered, he might, without any appearance of indecent haste, speak again of his love to Madame Delisle. That love was quite as acute as ever; perhaps a little sharper, from the long period of silence and waiting to which he had subjected it. He found her, as he had expected, clad in deepest mourning. She greeted him precisely as she had welcomed the curé, when the kind old priest had brought to her the consolations of religion—clasping his two hands warmly, and calling him “cher ami.”4 Her whole attitude and bearing brought to Sépincourt the poignant, the bewildering conviction that he held no place in her thoughts.
They sat in the drawing-room before the portrait of Gustave, which was draped with his scarf. Above the picture hung his sword, and beneath it was an embankment of flowers. Sépincourt felt an almost irresistible impulse to bend his knee before this altar, upon which he saw foreshadowed the immolation of his hopes.
There was a soft air blowing gently over the marais. It came to them through the open window, laden with a hundred subtle sounds and scents of the springtime. It seemed to remind Madame of something far, far away, for she gazed dreamily out into the blue firmament. It fretted Sépincourt with impulses to speech and action which he found it impossible to control.
“You must know what has brought me,” he began impulsively, drawing his chair nearer to hers. “Through all these months I have never ceased to love you and to long for you. Night and day the sound of your dear voice has been with me; your eyes”—
She held out her hand deprecatingly. He took it and held it. She let it lie unresponsive in his.
“You cannot have forgotten that you loved me not long ago,” he went on eagerly, “that you were ready to follow me anywhere,—anywhere; do you remember? I have come now to ask you to fulfill that promise; to ask you to be my wife, my companion, the dear treasure of my life.”
She heard his warm and pleading tones as though listening to a strange language, imperfectly understood.
She withdrew her hand from his, and leaned her brow thoughtfully upon it.
“Can you not feel—can you not understand, mon ami,”5 she said calmly, “that now such a thing—such a thought, is impossible to me?”
“Impossible?”
“Yes, impossible. Can you not see that now my heart, my soul, my thought—my very life, must belong to another? It could not be different.”
“Would you have me believe that you can wed your young existence to the dead?” he exclaimed with something like horror. Her glance was sunk deep in the embankment of flowers before her.
“My husband has never been so living to me as he is now,” she replied with a faint smile of commiseration for Sépincourt’s fatuity. “Every object that surrounds me speaks to me of him. I look yonder across the marais, and I see him coming toward me, tired and toil-stained from the hunt. I see him again sitting in this chair or in that one. I hear his familiar voice, his footsteps upon the galleries. We walk once more together beneath the magnolias; and at night in dreams I feel that he is there, there, near me. How could it be different! Ah! I have memories, memories to crowd and fill my life, if I live a hundred years!”
Sépincourt was wondering why she did not take the sword from her altar and thrust it through his body here and there. The effect would have been infinitely more agreeable than her words, penetrating his soul like fire. He arose confused, enraged with pain.
“Then, Madame,” he stammered, “there is nothing left for me but to take my leave. I bid you adieu.”
“Do not be offended, mon ami,” she said kindly, holding out her hand. “You are going to Paris, I suppose?”
“What does it matter,” he exclaimed desperately, “where I go?”
“Oh, I only wanted to wish you bon voyage,”6 she assured him amiably.
Many days after that Sépincourt spent in the fruitless mental effort of trying to comprehend that psychological enigma, a woman’s heart.
Madame still lives on Bayou St. John. She is rather an old lady now, a very pretty old lady, against whose long years of widowhood there has never been a breath of reproach. The memory of Gustave still fills and satisfies her days. She has never failed, once a year, to have a solemn high mass said for the repose of his soul.
A NIGHT IN ACADIE
A Night in Acadie
THERE was nothing to do on the plantation so Telèsphore, having a few dollars in his pocket, thought he would go down and spend Sunday in the vicinity of Marksville.
There was really nothing more to do in the vicinity of Marksville than in the neighborhood of his own small farm; but Elvina would not be down there, nor Amaranthe, nor any of Ma’me Valtour’s daughters to harass him with doubt, to torture him with indecision, to turn his very soul into a weather-cock for love’s fair winds to play with.
Telèsphore at twenty-eight had long felt the need of a wife. His home without one was like an empty temple in which there is no altar, no offering. So keenly did he realize the necessity that a dozen times at least during the past year he had been on the point of proposing marriage to almost as many different young women of the neighborhood. Therein lay the difficulty, the trouble which Telèsphore experienced in making up his mind. Elvina’s eyes were beautiful and had often tempted him to the verge of a declaration. But her skin was over swarthy for a wife; and her movements were slow and heavy; he doubted she had Indian blood, and we all know what Indian blood is for treachery. Amaranthe presented in her person none of these obstacles to matrimony. If her eyes were not so handsome as Elvina’s, her skin was fine, and being slender to a fault, she moved swiftly about her household affairs, or when she walked the country lanes in going to church or to the store. Telèsphore had once reached the point of believing that Amaranthe would make him an excellent wife. He had even started out one day with the intention of declaring himself, when, as the god of chance would have it, Ma’me Valtour espied him passing in the road and enticed him to enter and partake of coffee and “baignés.”1 He would have been a man of stone to have resisted, or to have remained insensible to the charms and accomplishments of the Valtour girls. Finally there was Ganache’s widow, seductive rather than handsome, with a good bit of property in her own right. While Telèsphore was considering his chances of happiness or even success with Ganache’s widow, she married a younger man.
From these embarrassing conditions, Telèsphore sometimes felt himself forced to escape; to change his environment for a day or two and thereby gain a few new insights by shifting his point of view.
It was Saturday morning that he decided to spend Sunday in the vicinity of Marksville, and the same afternoon found him waiting at the country station for the south-bound train.
He was a robust young fellow with good, strong features and a somewhat determined expression—despite his vacillations in the choice of a wife. He was dressed rather carefully in navy-blue “store clothes” that fitted well because anything would have fitted Telèsphore. He had been freshly shaved and trimmed and carried an umbrella. He wore—a little tilted over one eye—a straw hat in preference to the conventional gray felt; for no other reason than that his uncle Telèsphore would have worn a felt, and a battered one at that. His whole conduct of life had been planned on lines in direct contradistinction to those of his uncle Telèsphore, whom he was thought in early youth to greatly resemble. The elder Telèsphore could not read nor write, therefore the younger had made it the object of his existence to acquire these accomplishments. The uncle pursued the avocations of hunting, fishing and moss-picking; employments which the nephew held in detestation. And as for carrying an umbrella, “Nonc”2 Telèsphore would have walked the length of the parish in a deluge before he would have so much as thought of one. In short, Telèsphore, by advisedly shaping his course in direct opposition to that of his uncle, managed to lead a rather orderly, industrious, and respectable existence.
It was a little warm for April but the car was not uncomfortably crowded and Telèsphore was fortunate enough to secure the last available window-seat on the shady side. He was no
t too familiar with railway travel, his expeditions being usually made on horse-back or in a buggy, and the short trip promised to interest him.
There was no one present whom he knew well enough to speak to: the district attorney, whom he knew by sight, a French priest from Natchitoches and a few faces that were familiar only because they were native.
But he did not greatly care to speak to anyone. There was a fair stand of cotton and corn in the fields and Telèsphore gathered satisfaction in silent contemplation of the crops, comparing them with his own.
It was toward the close of his journey that a young girl boarded the train. There had been girls getting on and off at intervals and it was perhaps because of the bustle attending her arrival that this one attracted Telèsphore’s attention.
She called good-bye to her father from the platform and waved good-bye to him through the dusty, sun-lit window pane after entering, for she was compelled to seat herself on the sunny side. She seemed inwardly excited and preoccupied save for the attention which she lavished upon a large parcel that she carried religiously and laid reverentially down upon the seat before her.
She was neither tall nor short, nor stout nor slender; nor was she beautiful, nor was she plain. She wore a figured lawn, cut a little low in the back, that exposed a round, soft nuque3 with a few little clinging circlets of soft, brown hair. Her hat was of white straw, cocked up on the side with a bunch of pansies, and she wore gray lisle-thread gloves. The girl seemed very warm and kept mopping her face. She vainly sought her fan, then she fanned herself with her handkerchief, and finally made an attempt to open the window. She might as well have tried to move the banks of Red river.
Telèsphore had been unconsciously watching her the whole time and perceiving her straight he arose and went to her assistance. But the window could not be opened. When he had grown red in the face and wasted an amount of energy that would have driven the plow for a day, he offered her his seat on the shady side. She demurred—there would be no room for the bundle. He suggested that the bundle be left where it was and agreed to assist her in keeping an eye upon it. She accepted Telèsphore’s place at the shady window and he seated himself beside her.