by Kate Chopin
He wondered if she would speak to him. He feared she might have mistaken him for a Western drummer, in which event he knew that she would not; for the women of the country caution their daughters against speaking to strangers on the trains. But the girl was not one to mistake an Acadian farmer for a Western traveling man. She was not born in Avoyelles parish for nothing.
“I wouldn’ want anything to happen to it,” she said.
“It’s all right w’ere it is,” he assured her, following the direction of her glance, that was fastened upon the bundle.
“The las’ time I came over to Foché’s ball I got caught in the rain on my way up to my cousin’s house, an’ my dress! J’ vous réponds!4 it was a sight. Li’le mo’, I would miss the ball. As it was, the dress looked like I’d wo’ it weeks without doin’-up.”
“No fear of rain to-day,” he reassured her, glancing out at the sky, “but you can have my umbrella if it does rain; you jus’ as well take it as not.”
“Oh, no! I wrap’ the dress roun’ in toile-cirée5 this time. You goin’ to Foché’s ball? Didn’ I meet you once yonda on Bayou Der-banne? Looks like I know yo’ face. You mus’ come f’om Natchitoches pa’ish.”
“My cousins, the Fédeau family, live yonda. Me, I live on my own place in Rapides since ’92.”
He wondered if she would follow up her inquiry relative to Foché’s ball. If she did, he was ready with an answer, for he had decided to go to the ball. But her thoughts evidently wandered from the subject and were occupied with matters that did not concern him, for she turned away and gazed silently out of the window.
It was not a village; it was not even a hamlet at which they descended. The station was set down upon the edge of a cotton field. Near at hand was the post office and store; there was a section house; there were a few cabins at wide intervals, and one in the distance the girl informed him was the home of her cousin, Jules Trodon. There lay a good bit of road before them and she did not hesitate to accept Telèsphore’s offer to bear her bundle on the way.
She carried herself boldly and stepped out freely and easily, like a negress. There was an absence of reserve in her manner; yet there was no lack of womanliness. She had the air of a young person accustomed to decide for herself and for those about her.
“You said yo’ name was Fédeau?” she asked, looking squarely at Telèsphore. Her eyes were penetrating—not sharply penetrating, but earnest and dark, and a little searching. He noticed that they were handsome eyes; not so large as Elvina’s, but finer in their expression. They started to walk down the track before turning into the lane leading to Trodon’s house. The sun was sinking and the air was fresh and invigorating by contrast with the stifling atmosphere of the train.
“You said yo’ name was Fédeau?” she asked.
“No,” he returned. “My name is Telèsphore Baquette.”
“An’ my name; it’s Zaïda Trodon. It looks like you ought to know me; I don’ know w’y.”
“It looks that way to me, somehow,” he replied. They were satisfied to recognize this feeling—almost conviction—of preacquaintance, without trying to penetrate its cause.
By the time they reached Trodon’s house he knew that she lived over on Bayou de Glaize with her parents and a number of younger brothers and sisters. It was rather dull where they lived and she often came to lend a hand when her cousin’s wife got tangled in domestic complications; or, as she was doing now, when Foché’s Saturday ball promised to be unusually important and brilliant. There would be people there even from Marksville, she thought; there were often gentlemen from Alexandria. Telèsphore was as unreserved as she, and they appeared like old acquaintances when they reached Trodon’s gate.
Trodon’s wife was standing on the gallery with a baby in her arms, watching for Zaïda; and four little bare-footed children were sitting in a row on the step, also waiting; but terrified and struck motionless and dumb at sight of a stranger. He opened the gate for the girl but stayed outside himself. Zaïda presented him formally to her cousin’s wife, who insisted upon his entering.
“Ah, b’en, pour ça!6 you got to come in. It’s any sense you goin’ to walk yonda to Foché’s! Ti Jules, run call yo’ pa.” As if Ti Jules could have run or walked even, or moved a muscle!
But Telèsphore was firm. He drew forth his silver watch and looked at it in a business-like fashion. He always carried a watch; his uncle Telèsphore always told the time by the sun, or by instinct, like an animal. He was quite determined to walk on to Foché’s, a couple of miles away, where he expected to secure supper and a lodging, as well as the pleasing distraction of the ball.
“Well, I reckon I see you all to-night,” he uttered in cheerful anticipation as he moved away.
“You’ll see Zaïda; yes, an’ Jules,” called out Trodon’s wife good-humoredly. “Me, I got no time to fool with balls, J’ vous réponds! with all them chil’ren.”
“He’s good-lookin’; yes,” she exclaimed, when Telèsphore was out of ear-shot. “An’ dressed! it’s like a prince. I didn’ know you knew any Baquettes, you, Zaïda.”
“It’s strange you don’ know ’em yo’ se’f, cousine.” Well, there had been no question from Ma’me Trodon, so why should there be an answer from Zaïda?
Telèsphore wondered as he walked why he had not accepted the invitation to enter. He was not regretting it; he was simply wondering what could have induced him to decline. For it surely would have been agreeable to sit there on the gallery waiting while Zaïda prepared herself for the dance; to have partaken of supper with the family and afterward accompanied them to Foché’s. The whole situation was so novel, and had presented itself so unexpectedly that Telèsphore wished in reality to become acquainted with it, accustomed to it. He wanted to view it from this side and that in comparison with other, familiar situations. The girl had impressed him—affected him in some way; but in some new, unusual way, not as the others always had. He could not recall details of her personality as he could recall such details of Amaranthe or the Valtours, of any of them. When Telèsphore tried to think of her he could not think at all. He seemed to have absorbed her in some way and his brain was not so occupied with her as his senses were. At that moment he was looking forward to the ball; there was no doubt about that. Afterwards, he did not know what he would look forward to; he did not care; afterward made no difference. If he had expected the crash of doom to come after the dance at Foché’s, he would only have smiled in his thankfulness that it was not to come before.
There was the same scene every Saturday at Foché’s! A scene to have aroused the guardians of the peace in a locality where such commodities abound. And all on account of the mammoth pot of gumbo that bubbled, bubbled, bubbled out in the open air. Foché in shirt-sleeves, fat, red and enraged, swore and reviled, and stormed at old black Douté for her extravagance. He called her every kind of a name of every kind of animal that suggested itself to his lurid imagination. And every fresh invective that he fired at her she hurled it back at him while into the pot went the chickens and the pans-full of minced ham, and the fists-full of onion and sage and piment rouge and piment vert.7 If he wanted her to cook for pigs he had only to say so. She knew how to cook for pigs and she knew how to cook for people of les Avoyelles.
The gumbo smelled good, and Telèsphore would have liked a taste of it. Douté was dragging from the fire a stick of wood that Foché had officiously thrust beneath the simmering pot, and she muttered as she hurled it smouldering to one side:
“Vaux mieux y s’méle ces affairs, lui; si non!”8 But she was all courtesy as she dipped a steaming plate for Telèsphore; though she assured him it would not be fit for a Christian or a gentleman to taste till midnight.
Telèsphore having brushed, “spruced” and refreshed himself, strolled about, taking a view of the surroundings. The house, big, bulky and weather-beaten, consisted chiefly of galleries in every stage of decrepitude and dilapidation. There were a few chinaberry trees and a spreading live oak in the yard.
Along the edge of the fence, a good distance away, was a line of gnarled and distorted mulberry trees; and it was there, out in the road, that the people who came to the ball tied their ponies, their wagons and carts.
Dusk was beginning to fall and Telèsphore, looking out across the prairie, could see them coming from all directions. The little Creole ponies galloping in a line looked like hobby horses in the faint distance; the mule-carts were like toy wagons. Zaïda might be among those people approaching, flying, crawling ahead of the darkness that was creeping out of the far wood. He hoped so, but he did not believe so; she would hardly have had time to dress.
Foché was noisily lighting lamps, with the assistance of an inoffensive mulatto boy whom he intended in the morning to butcher, to cut into sections, to pack and salt down in a barrel, like the Colfax woman did to her old husband—a fitting destiny for so stupid a pig as the mulatto boy. The negro musicians had arrived: two fiddlers and an accordion player, and they were drinking whiskey from a black quart bottle which was passed socially from one to the other. The musicians were really never at their best till the quart bottle had been consumed.
The girls who came in wagons and on ponies from a distance wore, for the most part, calico dresses and sun-bonnets. Their finery they brought along in pillow-slips or pinned up in sheets and towels. With these they at once retired to an upper room; later to appear be-ribboned and be-furbelowed; their faces masked with starch powder, but never a touch of rouge.
Most of the guests had assembled when Zaïda arrived—“dashed up” would better express her coming—in an open, two-seated buckboard, with her cousin Jules driving. He reined the pony suddenly and viciously before the time-eaten front steps, in order to produce an impression upon those who were gathered around. Most of the men had halted their vehicles outside and permitted their women folk to walk up from the mulberry trees.
But the real, the stunning effect was produced when Zaïda stepped upon the gallery and threw aside her light shawl in the full glare of half a dozen kerosene lamps. She was white from head to foot—literally, for her slippers even were white. No one would have believed, let alone suspected that they were a pair of old black ones which she had covered with pieces of her first communion sash. There is no describing her dress, it was fluffy, like a fresh powder-puff, and stood out. No wonder she had handled it so reverentially! Her white fan was covered with spangles that she herself had sewed all over it; and in her belt and in her brown hair were thrust small sprays of orange blossom.
Two men leaning against the railing uttered long whistles expressive equally of wonder and admiration.
“Tiens! t’es pareille comme ain mariée, Zaïda,”9 cried out a lady with a baby in her arms. Some young women tittered and Zaïda fanned herself. The women’s voices were almost without exception shrill and piercing; the men’s, soft and low-pitched.
The girl turned to Telèsphore, as to an old and valued friend:
“Tiens! c’est vous?”10 He had hesitated at first to approach, but at this friendly sign of recognition he drew eagerly forward and held out his hand. The men looked at him suspiciously, inwardly resenting his stylish appearance, which they considered intrusive, offensive and demoralizing.
How Zaïda’s eyes sparkled now! What very pretty teeth Zaïda had when she laughed, and what a mouth! Her lips were a revelation, a promise; something to carry away and remember in the night and grow hungry thinking of next day. Strictly speaking, they may not have been quite all that; but in any event, that is the way Telèsphore thought about them. He began to take account of her appearance: her nose, her eyes, her hair. And when she left him to go in and dance her first dance with cousin Jules, he leaned up against a post and thought of them: nose, eyes, hair, ears, lips and round, soft throat.
Later it was like Bedlam.
The musicians had warmed up and were scraping away indoors and calling the figures. Feet were pounding through the dance; dust was flying. The women’s voices were piped high and mingled discordantly, like the confused, shrill clatter of waking birds, while the men laughed boisterously. But if some one had only thought of gagging Foché, there would have been less noise. His good humor permeated everywhere, like an atmosphere. He was louder than all the noise; he was more visible than the dust. He called the young mulatto (destined for the knife) “my boy” and sent him flying hither and thither. He beamed upon Douté as he tasted the gumbo and congratulated her: “C’est toi qui s’y connais, ma fille! ’cré tonnerre!”11
Telèsphore danced with Zaïda and then he leaned out against the post; then he danced with Zaïda, and then he leaned against the post. The mothers of the other girls decided that he had the manners of a pig.
It was time to dance again with Zaïda and he went in search of her. He was carrying her shawl, which she had given him to hold.
“W’at time is it?” she asked him when he had found and secured her. They were under one of the kerosene lamps on the front gallery and he drew forth his silver watch. She seemed to be still laboring under some suppressed excitement that he had noticed before.
“It’s fo’teen minutes pas’ twelve,” he told her exactly.
“I wish you’d fine out w’ere Jules is. Go look yonda in the card-room if he’s there, an’ come tell me.” Jules had danced with all the prettiest girls. She knew it was his custom after accomplishing this agreeable feat, to retire to the card-room.
“You’ll wait yere till I come back?” he asked.
“I’ll wait yere; you go on.” She waited but drew back a little into the shadow. Telèsphore lost no time.
“Yes, he’s yonda playin’ cards with Foché an’ some others I don’ know,” he reported when he had discovered her in the shadow. There had been a spasm of alarm when he did not at once see her where he had left her under the lamp.
“Does he look—look like he’s fixed yonda fo’ good?”
“He’s got his coat off. Looks like he’s fixed pretty comf’table fo’ the nex’ hour or two.”
“Gi’ me my shawl.”
“You cole?” offering to put it around her.
“No, I ain’t cole.” She drew the shawl about her shoulders and turned as if to leave him. But a sudden generous impulse seemed to move her, and she added:
“Come along yonda with me.”
They descended the few rickety steps that led down to the yard. He followed rather than accompanied her across the beaten and trampled sward. Those who saw them thought they had gone out to take the air. The beams of light that slanted out from the house were fitful and uncertain, deepening the shadows. The embers under the empty gumbo-pot glared red in the darkness. There was a sound of quiet voices coming from under the trees.
Zaïda, closely accompanied by Telèsphore, went out where the vehicles and horses were fastened to the fence. She stepped carefully and held up her skirts as if dreading the least speck of dew or of dust.
“Unhitch Jules’ ho’se an’ buggy there an’ turn ’em ’roun’ this way, please.” He did as instructed, first backing the pony, then leading it out to where she stood in the half-made road.
“You goin’ home?” he asked her, “betta let me water the pony.”
“Neva mine.” She mounted and seating herself grasped the reins. “No, I ain’t goin’ home,” she added. He, too, was holding the reins gathered in one hand across the pony’s back.
“W’ere you goin’?” he demanded.
“Neva you mine w’ere I’m goin’.”
“You ain’t goin’ anyw’ere this time o’ night by yo’se’f?”
“W’at you reckon I’m ’fraid of?” she laughed. “Turn loose that ho’se,” at the same time urging the animal forward. The little brute started away with a bound and Telèsphore, also with a bound, sprang into the buckboard and seated himself beside Zaïda.
“You ain’t goin’ anyw’ere this time o’ night by yo’se’f.” It was not a question now, but an assertion, and there was no denying it. There was even no disputing it, and Zaïda rec
ognizing the fact drove on in silence.
There is no animal that moves so swiftly across a ’Cadian prairie as the little Creole pony. This one did not run nor trot; he seemed to reach out in galloping bounds. The buckboard creaked, bounced, jolted and swayed. Zaïda clutched at her shawl while Telèsphore drew his straw hat further down over his right eye and offered to drive. But he did not know the road and she would not let him. They had soon reached the woods.
If there is any animal that can creep more slowly through a wooded road than the little Creole pony, that animal has not yet been discovered in Acadie. This particular animal seemed to be appalled by the darkness of the forest and filled with dejection. His head drooped and he lifted his feet as if each hoof were weighted with a thousand pounds of lead. Any one unacquainted with the peculiarities of the breed would sometimes have fancied that he was standing still. But Zaïda and Telèsphore knew better. Zaïda uttered a deep sigh as she slackened her hold on the reins and Telèsphore, lifting his hat, let it swing from the back of his head.
“How you don’ ask me w’ere I’m goin’?” she said finally. These were the first words she had spoken since refusing his offer to drive.
“Oh, it don’ make any diff’ence w’ere you goin’.”
“Then if it don’ make any diff’ence w’ere I’m goin’, I jus’ as well tell you.” She hesitated, however. He seemed to have no curiosity and did not urge her.
“I’m goin’ to get married,” she said.
He uttered some kind of an exclamation; it was nothing articulate—more like the tone of an animal that gets a sudden knife thrust. And now he felt how dark the forest was. An instant before it had seemed a sweet, black paradise; better than any heaven he had ever heard of.