The Trust ss-2

by Tom Dolby

  Chapter Eighteen

  Adding to all the confusion over the past week, Patch had been unable to reach Simone Matthews, his producer on Chadwick Prep, the television show that they had been hoping to pitch to a number of network and cable TV outlets. In the fall there had been some real traction on the project, and they were getting interest from foreign as well as domestic networks. It had been everything Patch ever wanted, from the first time he had picked up a video camera: to have his own show. And now it had been so close, so within his grasp, it was almost as if he had already reached his goal.

  Almost.

  Ever since Simone had started putting together the footage that Patch already had, she had said she needed something more. Something more exciting, something with what she called “a throughline.” She wanted real drama, and the only way Patch could deliver that was by giving her access to the inner workings of the Society. She had been the initial impetus that had sent him to Isis Island, in the hopes of getting some footage of the Society’s retreat. Unfortunately, he had never had the chance to capture a single frame. While he had gotten an insider’s view, all he had were his own memories. And now, after having been kidnapped and becoming a member, the Society had the original memory cards of his footage. In addition to messengering them to the Society’s town house the day after the retreat, he had signed an affidavit that he no longer had any duplicate copies in his possession.

  What he didn’t tell them was that a week ago, he had contacted Eliot Walker, the older of the two Walker cousins who were on the lobster boat he had taken out to Isis Island. As a favor to Patch, Eliot had set up a safe-deposit box for him at the Coastal Bank of Maine. The key had arrived in the mail today. In the safe-deposit box were several memory sticks containing all the raw footage, plus the rough cuts that Patch had put together.

  Patch knew he wouldn’t be able to use any of it now, but at least he had it as leverage if he ever needed it. He figured he hadn’t technically broken the affidavit, as the material wasn’t in his possession.

  Now, this afternoon, as he headed to the loft that housed Simone’s production company, he hoped he might be able to revive the project, even without the Society footage-to make the show more about Chadwick and less about the Society. He had tried to get back in touch with Simone, but she wasn’t returning his calls.

  When he showed up at the building in the West Thirties, though, his key card no longer worked. He waited for a few minutes and then was able to gain entry as some members of a production crew left for the day.

  Patch went up to the third floor and looked for Eyes Wide Open Productions. There was no sign on the door anymore, and the office was unlocked. Patch walked in to discover that it was as if the company had disappeared. All the editing decks had been removed; the same went for the file cabinets, the bulletin boards, the posters on the walls. All that was left was what the space had come with: empty cubicles, phones with dead lines, and the detritus of moving.

  Patch called Simone on her cell. Perhaps they had recently moved, and she had been preoccupied.

  He felt the lightbulb on one of the office lamps. Confirming his suspicions, it was still warm.

  Simone picked up after a few rings. “Patch,” she said. “You’re probably wondering what’s going on.”

  “Um, yeah, that would be one of my questions.”

  She sighed. “I had to move my editing suite uptown. I was given an opportunity-it was something I couldn’t turn down.”

  “What kind of opportunity?”

  “I’m not really supposed to talk about it. I guess it’s okay to mention it to you. I got a grant from this group that gives out awards to filmmakers, sort of like the Guggenheim or the MacArthur grants. The Bradford Trust Association?”

  Patch groaned. Even though the Bradford Trust Association was the parent corporation for the Society, everyone thought it was a philanthropic group that was improving the world by writing checks.

  “Anyway, they gave me a hundred thousand dollars to work on my documentary, a pet project I’ve been doing.”

  “What are their terms?”

  “I had to sign a confidentiality agreement about where I was getting the money. And, well…”

  “And what?”

  “I had to commit to working in film for the next two years. It’s really exciting-they think this new project of mine could make it to Sundance next year. They don’t want me distracted by my television projects.”

  “Where does that leave us with Chadwick Prep?”

  “I’m sorry, Patch. We’re going to have to drop the project. Our option runs out on it in June. After that, you’ll be free to pursue other venues. But to be honest, I just don’t know if I see it going anywhere. I mean, until you get some more footage of that secret group-”

  “Simone! Don’t you see? That secret group is the Bradford Trust Association! They shut down the project by giving you that money.”

  She laughed. “Um, right, Patch. And let me guess: they killed the Kennedys, too?”

  “Simone, you’ve got to believe me. You really don’t want to get involved with these people. Is there any way you can get out of it?”

  “The papers are already signed. I thought you would be happy for me. I’m sorry about your show, Patch. I really am. But it just wasn’t the right time for me. These things happen. It took me years before I got my first TV project on the air.”

  “Simone, I have a limited amount of time in which I can do this! I’m graduating from high school next year. It’s not like I’m going to be able to go back to Chadwick and film stuff after I’m gone. If the option expires in six months, then I’ll have wasted my whole junior year.”

  “I know, I’m sorry. Maybe we can work something out, let you out of your contract early. You might have to give back some of the option money.”

  “How much of it?”

  “I don’t know. I’d have to talk to my agents about it. Maybe half?”

  Five thousand dollars. He had already spent most of the money on equipment and personal expenses. He had put twenty-five hundred into a CD at the bank, at Genie’s insistence, and he had about a thousand dollars left. The rest he had invested in a new AVID machine at home and a new computer monitor. And some new shoes and his new DJ equipment. Now he realized that it had been stupid of him to spend so freely. But he had thought Chadwick Prep was a done deal. He definitely didn’t have five grand to buy back the rights early. And he wasn’t about to ask Nick for the money. He was too proud for that.

  “I’ll think about it,” he said, bluffing.

  “So tell me one thing,” she said. “Whatever happened on that island? I’m dying to know.”

  Patch paused. Should he tell her? What good would it do? She couldn’t produce his TV show. And he certainly didn’t want her knowing that now he was a member of the Society himself.

  “Nothing,” he said. “The ferry schedule was off, and I never even made it.”

  Chapter Nineteen

  Lauren was encouraged that her friends had immediately decided to back down upon hearing that her sister had received the creepy text message. They didn’t have any proof that the Society was responsible, but the mere possibility that there could be more violence in the future was enough to keep them all in line.

  Of course, this was exactly what the Society wanted them to think. But maybe it wasn’t a bad idea to work more covertly. Lauren trusted that Nick and the others would come up with some kind of plan. The best she could do was to play along once she found out what it was.

  The next Society meeting was held on Friday night at a special location: the Metropolitan Museum of Art. The twenty-nine Conscripts-the older class of fourteen and the younger class of fifteen-were asked to meet in the lobby of the museum at seven P.M. Claire Chilton’s mother, Letty, appeared when the group had assembled and motioned for everyone to follow her into the Egyptian wing. Security guards stood by the cases of artifacts, just as they would during museum hours. When the group entered the main
area, the Temple of Dendur was lit up beautifully in a wash of red and lavender, as if for a special event. Four rows of chairs sat facing the temple, and everyone took their seats.

  Letty Chilton stood in front of the group and began speaking.

  “You’re probably all wondering why you’re here,” Mrs. Chilton said. “We wanted to bring you here tonight so that you could all see the beauty of the temple up close. I know many of you have grown up with Dendur practically in your backyard, but you may not have had the chance really to look at it. We’ll have the opportunity to do that later. For now, we’re going to discuss a very important event that is coming up.”

  Nick yawned, and Claire glared at him as her mother continued speaking.

  “I have some exciting news that I think will send you all over the moon! On February 13, Valentine’s Day eve, the museum is throwing a benefit party, a revival of the Dendur Ball, an event that last occurred in the early 1990s. The Met will be celebrating the renovations on the new Egyptian wing-work that, as you know, was funded by the Bradford Trust Association. Anonymously, of course. The museum has asked us to take a leadership role in the planning of this event. And I know it will be a lot of fun!” Letty Chilton punched the air with her wrinkled fist as if at a pep rally, and a few members of the group twittered at the intense awkwardness of the presentation.

  Lauren shifted in her seat. How could the Society be so cavalier about hosting another event after so much had gone awry? She focused on Phoebe, Nick, Patch, and Thad, which gave her the courage to stay.

  Mrs. Chilton continued. “We’re excited to announce that all of you will be serving on the Junior Committee. My daughter, Claire, will be chairing the committee and handling its meetings. Your job will primarily be to get the younger generation involved in the museum. You can sell tickets to your classmates, to your friends. We have a special price for the under-twenty-ones. Remember, patronage of the arts starts at a young age. This is our cultural heritage, this museum and others in the city. It’s our job to make sure that it is preserved.”

  Not another committee. It all seemed like a ruse to steer people’s attention away from the awful things that had happened in November and December. Lauren cast a sideways glance at Phoebe, Nick, Patch, and Thad. They all looked bored.

  Later, over refreshments-sugary punch and stale butter cookies-she talked to Phoebe. “What do you think about all this?” she asked.

  “I guess going along with this is part of our keeping in line?” Phoebe said.

  “Something like that.”

  Claire came up to Lauren. “How are you, Lauren? It’s nice to see you here.”

  Lauren nodded.

  “I was so sorry to hear about the little incident at Giroux this week. It must have been a mistake, right? I mean, when I was talking about it to Sebastian, I told him I know you, and there is no way you would ever steal a pair of earrings!”

  She gave Claire a frigid look, but it didn’t stop Lauren from reddening. “Sure, whatever, Claire. Thanks for having my back.”

  Phoebe pulled Lauren away, rescuing her. “Let’s go talk to Nick.”

  Lauren gritted her teeth. “Claire just makes me so angry, sometimes I feel like I could kill her.”

  “I know, we all do,” Phoebe said. “She’s a loser; you can’t let it get to you.”

  They walked up to Nick, who was drinking a glass of punch.

  “You really sure you want to be drinking that?” Phoebe said.

  “If I die of cyanide poisoning, I guess we’ll know what happened,” Nick said.

  Lauren and Phoebe gave him blank looks.

  “Sorry, bad joke,” he said.

  At that moment, Patch joined the group. “Nick, there’s something I need to show you.”

  “Now?” Nick put down his glass on a side table.

  Patch nodded. “Right now.”

  Chapter Twenty

  Before grabbing Nick, Patch had been roaming around the portion of the Egyptian wing that had been kept open while the last part of the renovations were being completed. In the main room, there were large placards along the wall that explained the history of the temple and how it came into existence. The story centered on the area of northern Nubia, along the Nile, where the Temple of Dendur was built. The temple, removed from its original site in Egypt in 1963 and opened at the Met in 1978, was considered a smaller temple, though it was still thought to be one of the prime examples of Egyptian architecture in the world. The temple had been erected in the year 15 B.C.E. to honor Isis, Osiris, and two brothers, Pedesi and Pihor, who had drowned in the Nile during Roman times.

  But this wasn’t what Patch wanted to show Nick.

  “You’ve got to see this,” Patch muttered to his friend. “Just don’t be too obvious about it.”

  Nick followed as Patch led him to a skirted table that was displayed with a scrapbook, invitations, photographs, and clippings from Dendur Balls in years past, specifically the last one, which took place in 1992. Claire’s mother had said the display was there to provide some background and get everyone excited about the party.

  “It’s just a bunch of New York socialite stuff,” Nick said.

  “Right, well, look at this,” Patch said, pointing to a picture of a woman.

  There was a spread from the New York Times’s social pages, a grouping of pictures by Bill Cunningham, the well-known photographer. At the center was a picture of a woman, identified as Esme Madison Evans. She was wearing a simple column dress and was staring straight at the camera, her eyes wide, a strange combination of an otherworldly spirit and a deer caught in the headlights. Her photo was next to those of prominent socialites of the time, names Patch recognized as important social leaders, the types of women who chaired committees and would find their names, along with those of their husbands, carved above the doorways of the Met’s galleries.

  “It’s my mom,” Patch said. “From before I was born.”

  “Wow,” Nick said. “She looks beautiful. I mean, I always knew your mom was beautiful, but I-well, to be honest, I don’t remember that much of her, since she, you know-”

  “I know,” Patch said. “Neither do I.” What he did recall was mostly from after her breakdown: when they had to shave her head to keep her from pulling her hair out, and the baggy hospital-issue clothing that she was forced to wear. His mother had probably spent the last ten years wearing nothing more glamorous than a stained nightgown.

  “Look,” Nick said, pointing to another spread from a magazine. “Here’s a picture of my parents.”

  It was a picture of Georgiana and Parker Bell. Patch marveled at how young and innocent Nick’s parents appeared in the photograph.

  As he looked at the picture, Patch felt a tap on his shoulder. He turned around to find Mrs. Chilton standing behind him.

  “Patchfield,” she said warmly, as he nodded. “I’m wondering if you can help us out with something. I’ve heard that you’re quite wonderful on the-I don’t know what the kids are calling it these days. Disc jockey? On playing music?”

  “Sure, I can spin,” Patch said.

  “Would you be willing to provide the music for the Dendur Ball? It is so important that every dollar we make goes to the museum, and you wouldn’t believe what some of these so-called professionals charge! It would be such a treat if you would donate your services. You just tell our deputy chair exactly what you need in terms of equipment, and we’ll provide it for you.”

  Patch nodded. “Um, sure, that would be great. I can do that.”

  “And we need a name for the invitation. I mean, we can’t just write ‘DJ Patchfield Evans,’ can we? What would your parents think?”

  “My parents are, um, they’re not around.”

  Mrs. Chilton ignored this. “What would your name be? Something fun, right?”

  Patch thought about it for a second. His vlog was called PatchWork, and though he hadn’t been posting to it regularly since the television option, people knew the name-he did, after all, have ten
s of thousands of followers on his MySpace and Facebook pages. “How about ‘DJ PatchWork’?” he asked. “Is that ridiculous?”

  Claire had come by to stand next to her mother.

  “I think it’s adorable,” Mrs. Chilton said.

  “So cute!” Claire agreed.

  “Yeah,” Nick ribbed him. “Totally cute.”

  “I guess so,” Patch said. Strangely, the only thing on his mind was, what would Lia think about this? He wasn’t really sure.

  Still, it was a good gig, and if it got his name out there, it might lead to other jobs that actually paid. He could be on his way to making the five thousand dollars he would need to buy back the rights to Chadwick Prep.

  Mrs. Chilton turned to Nick. “And dear, I hope you’ll be able to promote this evening to all your nightclub contacts-we really want to attract a young crowd. Claire’s told me all about the parties you’ve been having.”

  Nick stood there awkwardly. “I’ve actually sort of gotten out of that. Ever since Jared died. It’s been hard.”

  “Well,” Mrs. Chilton said with a plastic smile, “I’m sure you can muster up the energy to do it for charity.”

  “Of course,” Nick said, clearly straining to keep his sarcasm in check. “Patch and I will do absolutely anything for charity.”

  After waving good-bye to Nick and Phoebe on the steps of the Met, Patch walked across the street to his apartment building. Nick and Phoebe had to go to Southampton to execute the first part of Nick’s plan, though Nick had been vague about the details. Patch didn’t mind-he was tired of being the one who was always investigating everything. Besides, he still wanted to sort mentally through everything he had experienced today. For starters, the picture of his mother and her connection with the Dendur Ball. He knew his mom had been social and that his parents had been friends with the Bells, but seeing a picture of her in a newspaper clipping made it concrete. Before this, his primary image of Esme had been as a crazy person. In the black-and-white newspaper photograph, though, she looked so composed, so beautiful. Like someone he had never known.