Wally Funk's Race for Space

by Sue Nelson

  Wally Funk’s

  Race for Space

  THE WESTBOURNE PRESS

  an imprint of Saqi Books

  26 Westbourne Grove, London W2 5RH

  www.saqibooks.com

  First published 2018 by The Westbourne Press

  Copyright © Sue Nelson 2018

  Sue Nelson has asserted her right under the Copyright, Designs and Patents Act, 1988, to be identified as the author of this work.

  This book is sold subject to the condition that it shall not, by way of trade or otherwise, be lent, re-sold, hired out, or otherwise circulated without the publisher’s prior consent in any form of binding or cover other than that in which it is published and without a similar condition including this condition being imposed on the subsequent purchaser.

  All rights reserved.

  ISBN 978 1 908906 34 2

  eISBN 978 1 908906 35 9

  Printed and bound by CPI Mackays, Chatham, ME5 8TD

  A full CIP record for this book is available from the British Library.

  For Wally

  and all women who aim high

  Contents

  Preface: Preparing for Launch

  1. I Heard Her Through Grapevine

  2. Houston, We Have a Problem

  3. Cape Canaveral

  4. The Waiting List

  5. An American in Paris

  6. Spaceport America

  7. Storage Space

  Sources and Further Reading

  Acknowledgements

  Preface

  Preparing for Launch

  A Ford minivan rattled down a Dallas freeway at a chassis-shaking sixty miles an hour, no doubt loosening some of the ageing space stickers attached to the windows. As my fingers clutched the sides of the passenger seat, I prepared to die. It occurred to me that, after the inevitable crash, at least a personalised license plate would make us easier to identify. It read ‘WF – A woman’s place is in the cockpit’.

  WF stood for the driver’s initials: a seventy-eight-year-old pilot called Wally Funk. Mary Wallace Funk, to be precise, but she refused to answer to Mary. Or Wallace. It didn’t matter either way because it was obvious that she was better suited to flying a plane than driving a car as neither of her hands were on the steering wheel.

  Her right hand groped around the back seat, searching for something. The van meandered worryingly into another lane. A piece of paper, wedged behind a visor, caught my eye. It appeared to be a medical form. The only discernible words were: ‘Do not resuscitate’. When my voice emerged it was part shout, part squeak.

  ‘Put your hands on the wheel!’

  Wally turned towards me with a mischievous smile and, all faked innocence, replied: ‘What? Have you never driven with your knee before?’

  Meet Wally Funk. A woman born for descriptions such as force of nature, unstoppable and, at times, woman with a death wish. Over the last few years she has tried (unwittingly) to kill me several times and, though Wally might be surprised to hear this, I have also felt like killing her. Somehow we became friends.

  We first met in 1997 when I was making a BBC radio documentary called Right Stuff Wrong Sex. The year before, I had read a couple of sentences in a US newspaper making a passing reference to the ‘Mercury 13’. At the time, like so many people today, I had never heard of them. The Mercury 13 were thirteen exceptional female pilots who, between 1960 and 1961, passed the same physical and psychological tests as the Mercury 7 – America’s first astronauts – as part of a privately funded programme led by Dr William Randolph ‘Randy’ Lovelace II.

  Wally Funk was one of those thirteen women with the right stuff. The funding, for reasons discussed later in the book, was cut with just a few days’ notice and none of these women ever made it to space.

  As a feminist and space fan, I couldn’t believe this incredible piece of hidden history had passed me by. I was determined to bring this story to a UK audience. The programme’s title was a direct reference to Tom Wolfe’s The Right Stuff, a book about the selection and heroic achievements of America’s first (male) astronauts. It was broadcast in the UK on BBC Radio 4 in April 1997. A shorter version later aired in the United States on National Public Radio.

  The Mercury 13’s efforts made it into numerous newspapers during the 1960s, but over time the knowledge of these women has ebbed and flowed. Every so often their presence, like ripples on sand, disappears from public view as if all memory of their achievements has been erased. I often give talks about women in space, and whenever I’ve thought, ‘Everyone must know about the Mercury 13 by now,’ a room full of people has gazed at me collectively blank. It’s a stark reminder that the recognition of these trailblazing women has a long way to go.

  The aim of the radio programme in 1997 was to shine a renewed light on their story. I wrote a piece for the Guardian on the Mercury 13 and, within the following few months, Marie Claire and other publications followed up the story. Years later, I met someone who had helped set up an exhibition paying tribute to the Mercury 13 at the UK’s National Space Centre in Leicester. Praising the exhibition, I enquired where they’d got the idea. ‘I heard a programme on Radio 4,’ she said.

  Wally and I kept in contact after our interview, then lost touch, were reacquainted over the phone, and then hooked up in person almost twenty years after our first meeting. That’s when she started becoming more than a work contact and became a friend. This book includes our meeting in 1997 but mainly focuses on several road trips we’ve made together by plane, train and automobile in the United States and Europe in 2016 and 2017.

  Most of the Mercury 13 are no longer with us, but Wally is not only alive, her energy levels are the very definition of life itself. Life doesn’t just happen to Wally. She makes it happen. Her past reveals an insight into her determination, but it is also the bare bones of this particular history. Because Wally is living history. Defining her by the five days when she took Lovelace’s tests in 1961, or even by the phrase Mercury 13, misses out the extraordinary achievements she has accomplished within aviation. It also fails to recognise her lifetime’s pursuit of the ultimate adventure. Wally never gave up on her dream of becoming an astronaut and remains determined to make it into space.

  As you can tell, she is a formidable woman. Wally is the sort of character who could shoot, hunt and fish from an early age. The sort of woman more comfortable in trousers and boots than a skirt and heels. The sort of woman who can control a Ford minivan with her left knee. Wally is also the sort of woman who, if history had been kinder, might have been the first woman on the Moon. She has spent over fifty years trying to become an astronaut and get into space and is now, with the birth of commercial spaceflight, the closest she has ever been. It is a desire I can understand.

  In 1974, I wrote to NASA as a British schoolgirl enquiring about how to become an astronaut. In a haze of youthful ignorance, I hadn’t realised that, in order to be eligible as a NASA astronaut, you also had to be American. It wouldn’t have made a difference even if I had known. Although Valentina Tereshkova became the first woman in space in 1963, NASA didn’t admit women onto their astronaut programme until 1978. In my own small way, like Wally, I was ahead of my time.

  As a journalist, I have enjoyed a life in space by proxy ever since. I reported on space missions for television and radio during my time as a BBC science correspondent. I make space-related documentaries for BBC radio, produce short films on space missions for the European Space Agency, and interview astronauts and space scientists for the Space Boffins podcast.

  In December 2017, I even experienced weightlessness during a series of thirty-one parabolic arcs on-board Novespace’s Zero G plane, which is used by the European Space Agency to conduc
t scientific experiments in microgravity and train astronauts. Of course, Wally beat me to the experience. Her first taste of floating like an astronaut was in 2000. There is a fantastic picture of her upside down on the flight, arms wide and laughing. She was sixty-one years old.

  In 2007, almost fifty years after their tests, the US Congress passed resolution 421 ‘honoring the trailblazing accomplishments of the “Mercury 13” women, whose efforts in the early 1960s demonstrated the capabilities of American women to undertake the human exploration of space.’ The accolade, reported in the Congressional Record (no. 90, vol. 153, dated 6 June), also ‘encourages young women to follow in the footsteps of those women and pursue careers of excellence in aviation and astronautics, as well as in engineering and science.’ For some people, though, recognition is simply not enough. There remains unfinished business to attend to.

  In 2019, the same year as the fiftieth anniversary of the Moon landings, Wally will celebrate her eightieth birthday. During that year she hopes to finally cash in her ticket with Virgin Galactic for one of the first commercial flights into space. Understandably, she is eager for this new era of space tourism to begin. History, for Wally, will then have come full circle. Let’s hope it isn’t too long before her turn. She has literally been waiting a lifetime – and time is running out.

  1

  I Heard Her Through Grapevine

  May 2016. It was quite a welcome and also quite an outfit. Wally Funk, arms and smile outstretched, sported a cornflower-blue flight suit adorned with NASA mission patches and a US flag on her left shoulder. The effect was part pilot, part off-duty astronaut. Not far from the real thing even if, technically speaking, she was a pilot and potential astronaut. Present career combined with a long-held ambition.

  Her hair hadn’t changed and was as I’d remembered: short, like mine, but white enough to cause snow blindness. Like most Americans, she appeared to have more teeth than I did. Naturally they were whiter and straighter, too. Age had not changed her figure. Tall and slim, Wally moved with the vitality and easy nimbleness of someone much younger. Now seventy-seven years old, this was our first face-to-face meeting in nineteen years and it appeared only I had aged.

  ‘Hey, Sue,’ she boomed, alerting everyone in reception to our presence. ‘I thought I’d surprise you. Did you have a good flight? What do you think of the weather? Is it cold in England? I hear you were waiting in the wrong spot. Are you coming round to my house? Grapevine is not far from here. Go and put your suitcase in your room and come to my house. You can meet the cows.’

  My brain imploded from the bombardment of questions. Did she say cows?

  It was difficult to collect my thoughts. After departing a chilly English spring, the Texan heat had been a shock. Then I spent over an hour, standing without shade in the harsh sunlight after a trans-Atlantic flight, waiting for the motel shuttle bus. I had been at the right exit but the wrong level of Dallas Fort Worth airport terminal. The evening ahead had been deliberately unscheduled. My plan was to shower and have an early night to recover from jet lag, before meeting Wally, who would start presenting my BBC radio documentary, in the morning.

  Wally stopped a random guest and handed over her digital camera. It resembled one from the 1990s. I checked the image afterwards. Wally’s right arm reached skyward in celebration. I appeared dazed and confused.

  ‘Sorry. It’s been a long journey so I thought I’d have an early night.’

  Wally’s eyes widened in disappointment. ‘Oh,’ she said plaintively.

  I dropped off my suitcase in the room. When I returned to reception Wally was no longer wearing the flight suit. She had changed into trousers and a blue T-shirt showing a Space Shuttle in mid-launch, rocket boosters firing, with the Moon in the background. It was topped by a matching blue satin bomber jacket. On the back, beneath an image of the Space Shuttle on a launch gantry, were the words ‘Kennedy Space Center’. Alongside it was embroidered, ‘STS-93 Columbia, Eileen M. Collins, First Woman Space Shuttle Commander’.

  Wally’s minivan, outside in the parking lot, had definitely seen better days. It resembled the Mystery Machine from Scooby-Doo: battered but ready for adventure. Stickers on the windows read ‘Air Force Academy’, ‘NASA’ and ‘We Have Friends in High Places’. She patted the bonnet. ‘Done me proud. Over a hundred thousand miles.’

  Before she reversed, I noticed she’d forgotten to put her seat belt on. When I pointed this out, she sniffed dismissively. ‘I don’t like ’em,’ she replied.

  Once the van was parked in her bungalow’s garage Wally headed for the back yard. Following her, I discovered that the house backed onto a field. A herd of cattle, alerted to her presence, ambled expectantly towards the wire fence as she began feeding them from a bag through the fencing.

  ‘Do you want a picture of me feeding the cows? The TV cameras always like that. Come and film me feeding the cows. They come right up to the fence. Do you want to feed them? They’ll take the food right out of your hands.’

  She seemed slightly manic, perhaps because my brain was on a mental slowdown and I struggled to stay awake.

  ‘It’s okay, thanks.’

  ‘Are you sure? People normally want to film me feeding the cows. I guess it makes a nice shot.’

  ‘I don’t have a film camera. It’s a radio programme.’

  ‘Oh.’

  There was a brief puzzled silence, as if she was processing some huge misunderstanding. ‘Are you sure you don’t want to take a picture?’

  Beaten into submission, I rattled off a few photos on my iPhone and, once satisfied, she led me inside. Every surface, horizontal or vertical, was covered with memorabilia relating to either aviation or space. A propeller was nailed above the mantelpiece. There was another satin Space Shuttle jacket hung on the wall. A wooden Space Shuttle caught my eye, and there were stacks of books and framed photographs of astronauts everywhere. More worryingly, hundreds of loose photographs and highly flammable newspaper cuttings covered the electric rings on the oven.

  ‘You’d better be careful cooking or we’ll need to call 911.’

  ‘Ha!’ Wally barked. ‘Open the door.’

  The oven shelves were packed with pots and pans.

  ‘Check out the dishwasher.’

  I did. It was full of cleaning products.

  ‘See – it’s fine, honey,’ she stated cheerfully. ‘I don’t cook.’

  ‘Not a problem. I cook but don’t clean.’

  ‘Well that’s perfect! We’ll make a good team.’

  As I wandered around the living room, I noticed something else unusual. ‘Why do you have two televisions?’

  ‘Because one is national and the other is permanently tuned to NASA. Never switch it off. I want to know what’s going on all the time, the launches, the landings. I watch all the girls launch into space on there.’

  There was so much stuff it was hard to decide what to focus on next but a miniature set of crystal glasses with matching decanter, inside a glass cabinet, seemed out of place. ‘They belonged to the Queen Mother.’

  ‘What?’

  ‘I used to own her Rolls-Royce,’ she added matter-of-factly. ‘The set came with the car but I decided to keep the glasses when I sold it. There’s a picture of the car in the hall.’

  Sure enough, a framed black-and-white photograph from the 1970s revealed Wally with a boyfriend, both dressed up to the nines next to a vintage 1951 Rolls-Royce. She was wearing a long white gown. ‘It was my mother’s wedding dress,’ she said.

  The man’s name was Michael. He had worked at IBM and they’d been together for about eighteen months. ‘Did you ever marry?’

  ‘No,’ Wally responded promptly. ‘I’m married to my plane.’

  She was now beside a table searching among a pile of opened envelopes. ‘People write to me or send pictures asking for autographs. I’ve stopped signing them because people were selling them on Ebay. For $200!’

  She eventually found what she was looking for. ‘I don�
�t normally have everything out but I did it so you could see it.’ It was a pack of cards issued by the Women’s Air and Space Museum in Cleveland, Ohio. She opened the pack and fanned out the cards until she located one in particular. Wally was the seven of diamonds. The woman beside me, immortalised on a playing card, was gazing dreamily upwards wearing a navy pilot’s jacket under the title ‘America’s first female Federal Aviation Administration inspector’.

  As I struggled to absorb it all, she picked up a medallion from another table covered with at least thirty more, as well as lapel pins, badges and space-mission patches. This one was from a talk she had given to the military.

  ‘Whenever you go to a military base they shake hands with you with a medallion in their hand,’ she explained, ‘to give to you. This one is the biggest I have. I needed to thank the commandant. Never got his card, never got his name but he gave me this wonderful coin. I got into the limousine and showed it to the driver and he said, “You don’t know who you’ve just met, do you?” And I said, “No sir, I do not.” And he said: “That’s the man that killed bin Laden”.’

  Welcome to Wally’s world – colourful, slightly dizzying and often totally unexpected.

  ‘You want to film me talking about this, honey?’

  ‘It’s a radio programme, Wally.’

  Although my intention had been to sleep within hours of arriving at the airport, I had portable equipment in my rucksack and recorded her wandering around her living room commenting on the assorted fragments representing her life.

  ‘See that pin?’

  The memento was framed alongside a photograph I recognised instantly. It was from 1995 and showed seven members of the Mercury 13, including Wally in a NASA sweater, stood in front of a Cape Canaveral launch pad, gathered for a Space Shuttle launch. Wally was in between Gene Nora Stumbough Jessen and Jerrie Cobb, alongside Jerri Sloan Truhill, Sarah Gorelick Ratley, Myrtle Cagle, and Bernice Steadman. They were all the private guests of astronaut Eileen Collins.