The Last Precinct ks-11

by Patricia Cornwell

  "Because you found all those hairs I been reading about in

  the paper?" Stanfield is trying to understand what would be difficult for even the most experienced investigator who has seen it all.

  "That and microscopic findings that relate to diatoms_algae_consistent with an area of the Seine near the Chandonne house in lie Saint-Louis, in Paris." I talk on. Stanfield is completely lost. "Look, all I can tell you, Detective Stanfield, is this man"_I refer to Jean-Baptiste Chandonne_"has a very rare congenital disorder and allegedly has been known to bathe in the Seine, maybe thinking it might cure him. We have reason to believe the clothing on his brother's body was originally Jean-Baptiste's. Make sense?" I am drawing a belt and noting from the indentation in the leather which notch was used the most.

  "Well, to tell you the truth," Stanfield replies, "I been hearing about nothing but this weird case and this Werewolf fellow. I mean, ma'am, that really is all you hear when you turn on the TV or pick up the paper, and I guess you know that, and by the way, I'm really sorry for what you been through and to tell you the truth, can't figure how you can even be in here or thinking straight. Godalmighty!" He shakes his head. "The wife said if something like that showed up at our door, he wouldn't have to do a thing to her. She'd die right off of a heart attack."

  I catch a spark of his misgivings about me. He is wondering if I am completely rational right now, if I might just be projecting_if somehow everything I experience becomes tainted by Jean-Baptiste Chandonne. I slip the clothing diagram off the clipboard and place it with John Doe's paperwork as Stanfield dials a number he reads from his notepad. I watch him insert a finger in his free ear, squinting as if Turk's sawing open another skull hurts his eyes. I can't hear what Stanfield is saying. He hangs up and comes back over to me as he reads the video display of his pager.

  "Well, we got good news and bad news," he announces. "The lady, Mrs. Kiffin, remembers him dressed real nice in a dark suit. That's the good news. The bad news is, she also remembers he had a key in his hand, one of those remote kinds that a lot of new, expensive cars have."

  "But there's no car," I reply.

  "No ma'am, no car. No key, either," he says. "Sure looks

  like whatever happened to him, he had some help. You think maybe somebody drugged him and then tried to burn him up to hide the evidence?"

  "I think we'd better seriously consider homicide." I state the obvious. "We need to get him printed and see if he matches up with anybody in AFIS."

  The Automated Fingerprint Identification System allows us to scan fingerprints into a computer and compare them with those in a database that can be linked state to state. If this dead man has a criminal record in this country, or if his prints are in the database for some other reason, we most likely will get a hit. I work my hands into a pair of fresh gloves, doing my best to cover the plaster looped around my left lower palm and thumb. Fingerprinting dead bodies requires a simple tool called a spoon. It is nothing more than a curved metal implement shaped much like a hollow tube cut in half lengthwise. A strip of white paper is threaded through slits in the spoon so that the paper's surface is curved to accommodate the contours of fingers no longer flexible or compliant to their owner's will. With each print, the strip is advanced ahead to the next clean square. The procedure isn't hard. It doesn't require great intelligence. But when I tell Stanfield where the spoons are, he frowns as if I have just spoken to him in a foreign language. I ask him if he has ever printed a dead body before. He admits he has not.

  "Hold on," I say, and I go to the phone and dial the extension for the fingerprints lab. No one answers. I try the switchboard. Everyone is gone for the day because of the weather, I am told. I get a spoon and ink pad from a drawer. Turk wipes off the dead man's hands and I ink his fingers, pressing them one at a time against the curved paper strip. "What I can do if you have no objection," I tell Stanfield, "is see if Richmond City will pop these into AFIS so we can get that going." I press a thumb inside the spoon while Stanfield watches with an unpleasant expression on his face. He is one of these people who hates the morgue and can't get out of it fast enough. "Doesn't look like there's anyone in the labs to help us right now, and the sooner we can figure out who this guy is, the bet- ter," I explain. "And I'd like to get the prints and other information to Interpol in the event this man has international connections."

  "Okay," Stanfield says with another nod as he glances at his watch.

  "Have you ever dealt with Interpol?" I ask him.

  "Can't say I have, ma'am. They're sort of like spies, aren't they?"

  I page Marino to see if he can help. He drops by forty-five minutes later, by which time Stanfield is long gone and Turk is tucking John Doe's sectioned organs inside a heavy plastic bag that she will place in the body cavity before she sews up the Y incision.

  "Yo Turk," Marino hails her when he passes through opening steel doors. "Freezing leftovers again?"

  She glances up at him with one raised eyebrow and a cocked smile. Marino likes Turk. He likes her so much he is rude to her at every opportunity. Turk doesn't look like what one might conjure up from her nickname. She is petite, with a clean prettiness and creamy complexion, her long blond hair tied back and clipped up high like a show horse's tail. She threads heavy white waxed twine into a twelve-gauge suture needle as Marino continues to pick on her. "I tell ya," he says, "I ever get cut, I ain't coming to you for stitches, Turk." She smiles, dipping the big, angled needle into flesh and tugging twine through.

  Marino looks hung over, his eyes bloodshot and puffy. Despite his quips, he is in a foul mood. "You forget to go to bed last night?" I ask him.

  "More or less. It's a long story." He tries to ignore me, watching Turk and oddly distracted and ill at ease. I untie my gown and take off my face shield, mask and O.R. cap. "See how quickly you guys can get these into the computer," I tell him, all business and not especially friendly. He is keeping secrets from me and I am pissed off by his peacock display of adolescent behavior. "We've got a bad situation here, Marino."

  His attention lifts off Turk and lights on me. He gets sen- ous. He drops the childish act. "How 'bout you tell me what's going on while I smoke," he says to me, meeting my eyes for the first time in days.

  Mine is a nonsmoking building, which has not stopped various people high in the pecking order from lighting up inside their offices if they are surrounded by people who won't snitch on them. In the morgue, I don't care who asks. I don't allow smoking, period. It isn't that our clientele need to worry about inhaling secondhand smoke, but my concern is for the living who should do nothing in the morgue that requires them to have hand-to-mouth contact. No eating, drinking or smoking, and I discourage chewing gum or sucking on candies or lozenges. Our designated smoking area is two chairs by an upright ash can near the soda machines in the bay. This time of year, this is not a warm, cozy place to sit, but it is private. The James City County case isn't Marino's jurisdiction, but I need to tell him about the clothes. "It's a feeling I have," I sum it up.

  He flicks an ash toward the can, his legs splayed in the plastic chair. We can see our breath.

  "Yeah, well I don't like it, either," he replies. "Fact is, it may be coincidence, Doc. But another fact is, the Chandonne family's scary shit. What we don't know is what the hell the fallout's going to be now that their ugly duckling son's locked up in the U.S. for murder_now that he's managed to draw so much attention to his Godfather daddy and all the rest. These are bad people capable of anything, you ask me. Believe me, I'm just beginning to see how really, really bad they are," he cryptically adds. "I don't like the mob, Doc. No sir. When I was coming along, they ran everything." His eyes get hard as he says this. "Fuck, they probably still do, only difference is, there ain't any rules, any respect anymore. I don't know what the hell this guy was doing out near Jamestown, but it wasn't to sightsee, that's for sure. And Chandonne's just sixty miles

  away in the hospital. Something's going on."

  "Marino, let's get In
terpol on this immediately," I say. It is up to the police to report individuals to Interpol, and to do this Marino will have to contact the liaison at State Police, who will pass on the case information to InterpoFs U.S. National Central Bureau in Washington. What we will be asking Interpol to do is to issue an international advisory notice for our case and to search their massive criminal intelligence database at their General Secretariat in Lyon. Notices are color-coded: Red is for immediate arrest with probable extradition; blue is for someone who is wanted but his identity isn't absolutely clear; green is a warning about someone who is likely to commit crimes, such as habitual offenders like child molesters and pornographers; yellow is for missing people; and black is for unidentified dead bodies; those who most likely are fugitives are also coded red. My case will be my second black notice this year, following the first one just weeks ago when the badly decomposed body of Thomas Chandonne was discovered in a cargo container at the Richmond Port.

  "Okay, we'll get Interpol a mug shot, prints and your autopsy info," Marino makes a mental note. "I'll do that soon as I leave here. Just hope Stanfield don't feel I'm stepping on his toes." He says this as more of a warning. Marino doesn't care if he steps on Stanfield's toes but he doesn't want a hassle.

  "He's clueless, Marino."

  "A shame, too, because James City County has real good cops," Marino replies. "Problem is, Stanfield's brother-in-law is Representative Matthew Dinwiddie, so Stanfield's always gotten extra good treatment down there and has about as much business working homicides as Winnie-the-Pooh. But I guess he had that on his wish list and Dimwit, as I call him, must have sweet-talked the chief."

  "See what you can do," I tell Marino.

  He lights another cigarette, his eyes roving around the bay, thoughts palpable. I resist smoking. The craving is awful and I hate myself for ever resuming the habit. Somehow I always think I can have just one cigarette, and I am always wrong. Marino and I share an awkward silence. Finally, I bring up the subject of the Chandonne case and what Righter told me on Sunday.

  "Are you going to tell me what's going on?" I quietly say to Marino. "I assume he was released from the hospital early this morning, and I assume you were there. And I guess you've met Berger."

  He sucks on the cigarette, taking his time. "Yeah, Doc, I was there. Fucking zoo." His words drift out on smoke. "They even had reporters from Europe." He glances at me, and I sense there is much he isn't going to tell me, and this depresses me deeply. "You ask me, they ought to stick assholes like him in the Bermuda Triangle and not let nobody talk to them or take their picture," Marino goes on. "It ain't right, except at least in this case, the guy's so ugly, he probably gave everybody technical problems, broke a bunch of expensive cameras. They brought him out in enough chains to anchor a damn battleship, leading him along like he was stone-blind. He had bandages over his eyes, faking like he's in pain, the whole nine yards."

  "Did you talk to him?" This is what I really want to know.

  "It wasn't my show," he oddly replies, staring off across the bay, clenching his jaw muscles. "They're saying they might have to do cornea transplants. Fuck. Here we got all these people in the world who can't even afford glasses, and this piece of furry shit's gonna get new corneas. And I guess the taxpayers will bankroll his corrective surgery, just like we're paying all these doctors and nurses and God knows who to take care of his ass." He crushes out the cigarette in the ash can. "Guess I'd better get cracking." He reluctantly gets up. He wants to talk to me but for some reason won't. "The Luce and I are grabbing a beer later on. Says she's got some big news for me."

  "I'll let her tell you herself," I reply.

  He gives me a sidelong glance. "So you're gonna just leave me hanging, huh?"

  I start to say that he is one to talk.

  "Not even a hint? I mean, is it good news or bad? Don't tell me she's pregnant," he adds ironically as he holds the door for me and we leave the bay.

  Inside the autopsy suite, Turk is hosing off my workstation, water slapping and steel grates clanking loudly as she sponges off the table. When she spots me, she shouts above the clamor that -Rose is trying to reach me. I go to the phone. "Courts are closed," Rose tells me. "But Righter's office says he plans to stipulate your testimony anyway. So not to worry."

  "What a shock." What was it Anna called him? Ein Mann something. No backbone.

  "And your bank called. A man named Greenwood wants you to call." My secretary gives me a number.

  Whenever my bank tries to reach me, I am paranoid. Either investments have taken a dive or I am overdrawn because the computer is screwed up or there is a problem of one sort or another. I get hold of Mr. Greenwood in the private banking division. "I'm very sorry," he says coolly. "The message was a mistake. A misunderstanding, Dr. Scarpetta. I'm very sorry you were bothered."

  "So no one needs to talk to me. No problems?" I am perplexed. I have dealt with Greenwood for years and he is acting as if he has never met me.

  "It was a mistake," he repeats in the same distant tone. "Again, I apologize. Have a good day."

  Chapter 9

  I SPEND THE NEXT FEW HOURS AT MY DESK, DICTAT-ing the autopsy report of John Doe and returning phone calls and initialing paperwork, and leave the office late afternoon, heading west.

  Sunlight filters through broken clouds and gusts of wind send brown leaves fluttering to the earth like lazy birds. It has stopped snowing and the temperature is rising, the world dripping and sizzling with the wet sounds of traffic.

  I drive Anna's silver Lincoln Navigator toward Three Chopt Road while news on the radio endlessly goes on about Jean-Baptiste Chandonne's transport out of the city. There is much made over his bandaged eyes and chemical burns. The story of my maiming him to save my life has taken on an energy. Reporters have found their angle. Justice is blind. Dr. Scarpetta has rendered the classic corporeal punishment. "Blinding somebody, hey take that," a host says on the air. "Who was the guy in Shakespeare? Remember, they gouged his eyes out? King Lear? You see that movie? The old king had to put raw eggs in his eye sockets or something so it wouldn't hurt so much. Really gross."

  The sidewalk leading to St. Bridget's brown double front doors is slushy with salt and melted snow, and there are at most twenty cars in the parking lot. It is as Marino predicted: The police are not out in force, nor is the press. The weather may be what has kept the crowds away from the old Gothic brick church, or more likely it is the deceased herself. I, for one, am not here out of respect or affection or even a sense of loss. I unbutton my coat and step inside the narthex as I try to evade the uncomfortable truth: I could not stand Diane Bray and have come here only out of duty. She was a police official. I was acquainted with her. She was my patient.

  There is a large photograph of her on a table, just inside the narthex, and I am startled to see her haughty self-absorbed beauty, the icy cruel glint in her eyes that no camera could disguise, no matter the angle, the lighting or skills of the photographer. Diane Bray hated me for reasons I still fail to completely grasp. By all accounts, she was obsessed with me and my power and focused on my every dimension in ways I never have. I suppose I do not see myself the way she did, and I was slow to catch on when she began her aggressions, her unbelievably intense war against me which culminated in her aspiring to be appointed to a cabinet position in the commonwealth.

  Bray had it all figured out. She would help mastermind transferring the medical examiner's division from the health department to public safety so she could then, if all went according to plan, somehow maneuver the governor into appointing her secretary of public safety. That done, I would politically answer to her, and she could even have the pleasure of firing me. Why? I continue to search for reasonable motivations and fail to find any that completely satisfy me. I had never even heard of her before she signed on with the Richmond P.D. last year. But she certainly knew about me and moved to my fair city with plots and schemes in the works to undo me sadistically, slowly, through a series of shocking disruption
s, slanders and professional obstructions and humiliations before she ultimately ruined my career, my life. I suppose in her fantasies, the climax to her cold-blooded machinations would have been for me to give up my position in disgrace, commit suicide and leave a note saying it was her fault. Instead, I am still here. She is not. That I should have been the one who tended to her brutalized remains is an irony beyond description.

  A cluster of police officers in dress uniform are talking to each other, and near the sanctuary door, Chief Rodney Harris is with Father O'Connor. There are civilians, too, people in fine clothes who don't look familiar, and I sense from the lost, vacant way they are casting about that they aren't local. I pick up a service bulletin and wait to speak to Chief Harris and my priest. "Yes, yes, I understand," Father O'Connor is saying. He is serene in a long, creamy robe, his fingers laced at his waist. I realize with a twinge of guilt that I have not seen him since Easter.

  "Well, Father, I just can't. That's the part I can't accept," Harris replies, his thinning red hair plastered back from his flabby, unattractive face. He is a short man with a soft body that is genetically coded to be fat, a Pillsbury Dough Boy in dress blues. Harris is not a nice man and he resents powerful women. I have never understood why he hired Diane Bray and can only assume it wasn't for the right reasons.

  "God's will is not always for us to understand," says Father O'Connor, and then he sees me. "Dr. Scarpetta." He smiles and takes my hand in both of his. "So good of you to come. You've been in my thoughts and prayers." The pressure of his fingers and the light in his eyes convey that he understands what has happened to me and cares. "How's your arm? I wish you would come by to see me sometime."