Complete Works of Fyodor Dostoyevsky

by Fyodor Dostoyevsky

  “Agafya Timofyevna, my angel,” cried Anfisa Petrovna, “take my smelling-salts! Water, make haste, water!”

  “Water, water!” shouted my uncle. “Mamma, mamma, calm yourself! I beg you on my knees to calm yourself! ...”

  “You ought to be kept on bread and water and shut up in a dark room . . . you’re a murderess!” Miss Perepelitsyn, shaking with spite, hissed at Sashenka.

  “I will be kept on bread and water, I am not afraid of anything!” cried Sashenka, moved to frenzy in her turn. “I will defend papa because he can’t defend himself. Who is he, who is your Foma Fomitch compared with papa? He eats papa’s bread and insults papa, the ungrateful creature. I would tear him to pieces, your Foma Fomitch! I’d challenge him to a duel and shoot him on the spot with two pistols! . . .”

  “Sasha, Sasha,” cried my uncle in despair. “Another word and I am ruined, hopelessly ruined.”

  “Papa,” cried Sashenka, flinging herself headlong at her father, dissolving into tears and hugging him in her arms, “papa, how can you ruin yourself like this, you so kind, and good, and merry and clever? How can you give in to that horrid ungrateful man, be his plaything and let him turn you into ridicule? Papa, my precious papa! ...”

  She burst into sobs, covered her face with her hands and ran out of the room.

  A fearful hubbub followed. Madame la Générale lay in a swoon. My uncle was kneeling beside her kissing her hands. Miss Perepelitsyn was wriggling about them and casting spiteful but triumphant glances at us. Anfisa Petrovna was moistening the old lady’s temples and applying her smelling-salts. Praskovya Ilyinitchna was shedding tears and trembling, Yezhevikin was looking for a corner to seek refuge in, while the governess stood pale and completely overwhelmed with terror. Mizintchikov was the only one who remained unchanged. He got up, went to the window and began looking out of it, resolutely declining to pay attention to the scene around him.

  All at once Madame la Générale sat up, drew herself up and scanned me with a menacing eye.

  “Go away!” she shouted, stamping her foot at me.

  I must confess that this I had not in the least expected.

  “Go away! Go out of the house! What has he come for? Don’t let me see a trace of him!”

  “Mamma, mamma, what do you mean? Why, this is Seryozha,” my uncle muttered, shaking all over with terror. “Why, he has come to pay us a visit, mamma.”

  “What Seryozha? Nonsense. I won’t hear a word. Go away! It’s Korovkin. I am convinced it is Korovkin. My presentiments never deceive me. He has come to turn Foma Fomitch out; he has been sent for with that very object. I have a presentiment in my heart. ... Go away, you scoundrel!”

  “Uncle, if this is how it is,” I said, spluttering with honest indignation, “then excuse me, I’ll ...” And I reached after my hat.

  “Sergey, Sergey, what are you about? . . . Well, this really is. . . . Mamma, this is Seryozha! . . . Sergey, upon my word!” he cried, racing after me and trying to take away my hat. “You are my visitor; you’ll stay, I wish it! She doesn’t mean it,” he went on in a whisper; “she only goes on like this when she is angry. . . . You only keep out of her sight just at first . . . keep out of the way and it will all pass over. She will forgive you, I assure you! She is good-natured, only she works herself up. You hear she takes you for Korovkin, but afterwards she will forgive you, I assure you. . . . What do you want?” he cried to Gavrila, who came into the room trembling with fear.

  Gavrila came in not alone; with him was a very pretty peasant boy of sixteen who had been taken as a house serf on account of his good looks, as I heard afterwards. His name was Falaley. He was wearing a peculiar costume, a red silk shirt with embroidery at the neck and a belt of gold braid, full black velveteen breeches, and goatskin boots turned over with red. This costume was designed by Madame la Générale herself. The boy was sobbing bitterly, and tears rolled one after another from his big blue eyes.

  “What’s this now?” cried my uncle. “What has happened? Speak, you ruffian!”

  “Foma Fomitch told us to come here; he is coming after us himself,” answered the despondent Gavrila. “Me for an examination, while he . . .”

  “He?”

  “He has been dancing, sir,” answered Gavrila in a tearful voice.

  “Dancing!” cried my uncle in horror.

  “Dancing,” blubbered Falaley with a sob.

  “The Komarinsky!”

  “Yes, the Kom-a-rin-sky.”

  “And Foma Fomitch found him?”

  “Ye-es, he found me.”

  “You’ll be the death of me!” cried my uncle. “I am done for!” And he clutched his head in both hands.

  “Foma Fomitch!” Vidoplyasov announced, entering the room.

  The door opened, and Foma Fomitch in his own person stood facing the perplexed company.

  CHAPTER VI

  OF THE WHITE BULL AND THE KOMARINSKY PEASANT

  BEFORE I have the honour of presenting the reader with Foma Fomitch in person, I think it is absolutely essential to say a few words about Falaley and to explain what there was terrible in the fact of his dancing the Komarinsky and Foma Fomitch’s finding him engaged in that light-hearted diversion. Falaley was a house serf boy, an orphan from the cradle, and a godson of my uncle’s late wife. My uncle was very fond of him. That fact alone was quite sufficient to make Foma Fomitch, after he had settled at Stepantchikovo and gained complete domination over my uncle, take a dislike to the latter’s favourite, Falaley. But Madame la Générale took a particular fancy to the boy, who, in spite of Foma Fomitch’s wrath, remained upstairs in attendance on the family. Madame la Générale herself insisted upon it, and Foma gave way, storing up the injury — he looked on everything as an injury — in his heart and revenging it on every favourable occasion on my uncle, who was in no way responsible. Falaley was wonderfully good-looking. He had a girlish face, the face of a beautiful peasant girl. Madame la Generale petted and spoiled him, prized him as though he were a rare and pretty toy, and there was no saying which she loved best, her little curly black dog Ami or Falaley. We have already referred to his costume, which was her idea. The young ladies gave him pomatum, and it was the duty of the barber Kuzma to curl his hair on holidays. This boy was a strange creature. He could not be called a perfect idiot or imbecile, but he was so naive, so truthful and simple-hearted, that he might sometimes be certainly taken for a fool. If he had a dream, he would go at once to tell it to his master or mistress. He joined in the conversation of the gentlefolk without caring whether he was interrupting them. He would tell them things quite impossible to tell gentlefolks. He would dissolve into the most genuine tears when his mistress fell into a swoon or when his master was too severely scolded. He sympathised with every sort of distress. He would sometimes go up to Madame la Generale, kiss her hands, and beg her not to be cross — and the old lady would magnanimously forgive him these audacities. He was sensitive in the extreme, kind-hearted, as free from malice as a lamb and as gay as a happy child. They gave him dainties from the dinner-table.

  He always stood behind Madame la Generale’s chair and was awfully fond of sugar. When he was given a lump of sugar he would nibble at it with his strong milk-white teeth, and a gleam of indescribable pleasure shone in his merry blue eyes and all over his pretty little face.

  For a long time Foma Fomitch raged; but reflecting at last that he would get nothing by anger, he suddenly made up his mind to be Falaley’s benefactor. After first pitching into my uncle for doing nothing for the education of the house serfs, he determined at once to set about training the poor boy in morals, good manners and French.

  “What I” he would say in defence of his absurd idea (an idea not confined to Foma Fomitch, as the writer of these lines can testify), “what! he is always upstairs waiting on his mistress; one day, forgetting that he does not know French, she will say to him, for instance: “Donnay mooah mon mooshooar’ — he ought to be equal to the occasion and able to do his duty even then!�
�

  But it appeared not only that it was impossible to teach Falaley French, but that the cook Andron, the boy’s uncle, who had disinterestedly tried to teach him to read Russian, had long ago given it up in despair and put the alphabet away on the shelf. Falaley was so dull at book-learning that he could understand absolutely nothing. Moreover, this led to further trouble. The house serfs began calling Falaley, in derision, a Frenchman, and old Gavrila, my uncle’s valet, openly ventured to deny the usefulness of learning French. This reached Foma Fomitch’s ears and, bursting with wrath, he made his opponent, Gavrila, himself learn French as a punishment. This was the origin of the whole business of teaching the servants French ^hich so exasperated Mr. Bahtcheyev. It was still worse in regard to manners. Foma was absolutely unable to train Falaley to suit his ideas, and in spite of his prohibition, the boy would go in to tell him his dreams in the morning, which Foma Fomitch considered extremely ill-mannered and familiar. But Falaley obstinately remained Falaley. My uncle was, of course, the first to suffer for all this.

  “Do you know, do you know what he has done to-day?” Foma would exclaim, selecting a moment when all were gathered together in order to produce a greater sensation. “Do you know what your systematic spoiling is coming to? To-day he gobbled up a piece of pie given him at the table; and do you know what he said of it? Come here, come here, silly fool; come here, idiot; come here, red face. ...”

  Falaley would come up weeping and rubbing his eyes with both hands.

  “What did you say when you greedily ate up your pie? Repeat it before everyone!”

  Falaley would dissolve in bitter tears and make no answer.

  “Then I’ll speak for you, if that’s how it is. You said, slapping yourself on your stuffed and vulgar stomach: ‘I’ve gobbled up the pie as Martin did the soap!’ Upon my word, Colonel, can expressions like that be used in educated society, still more in aristocratic society? Did you say it or not? Speak!”

  “I di-id ...” Falaley would assent, sobbing.

  “Well, then, tell me now, does Martin eat soap? Where have you seen a Martin who eats soap? Tell me, give me an idea of this phenomenal Martin!”

  Silence.

  “I am asking you,” Foma would persist, “who is this Martin? I want to see him, I want to make his acquaintance. Well, what is he? A registiy clerk, an astronomer, a provincial, a poet, an army captain, a serving man — he must have been something. Answer!’’

  “A ser-er-ving ma-an,” Falaley would answer at last, still weeping.

  “Whose? Who is his master?”

  But Falaley was utterly unable to say who was his master. It would end, of course, in Foma Fomitch’s rushing out of the room in a passion, crying out that he had been insulted; Madame la Generate would show symptoms of an attack, while my uncle would curse the hour of his birth, beg everybody’s pardon, and for the rest of the day walk about on tiptoe in his own rooms.

  As ill-luck would have it, on the day after the trouble over Martin and the soap, Falaley, who had succeeded in completely forgetting about Martin and all his woes of the previous day, informed Foma Fomitch as he took in his tea in the morning that he had had a dream about a white bull. This was the last straw! Foma Fomitch was moved to indescribable indignation, he promptly summoned my uncle and began upbraiding him for the vulgarity of the dream dreamed by his Faleley. This time severe steps were taken: Falaley was punished, he had to kneel down in the corner. He was sternly forbidden to dream of such coarse rustic subjects.

  “What I am angry at,” said Foma, “apart from the fact that he really ought not to dare to think of blurting out his dreams to me, especially a dream of a white bull — apart from that — you must agree, Colonel — what is the white bull but a proof of coarseness, ignorance and loutishness in your unkempt Falaley? As the thoughts are, so will the dreams be. Did I not tell you before that you would never make anything of him, and that he ought not to remain upstairs waiting upon the family? You will never, never develop that senseless peasant soul into anything lofty or poetical. Can’t you manage,” he went on, addressing Falaley, “can’t you manage to dream of something elegant, refined, genteel, some scene from good society, such as gentlemen playing cards or ladies walking in a lovely garden?”

  Falaley promised he would be sure to dream next night of gentlemen or ladies walking in a lovely garden.

  As he went to bed, Falaley prayed tearfully on the subject and wondered for a long time what he could do so as not to dream of the accursed white bull. But deceitful are the hopes of man. On waking up next morning, he remembered with horror that he had again been dreaming all night of the hateful white bull, and had not dreamed of even one lady walking in a lovely garden. This time the consequences were singular. Foma Fomitch positively declared that he did not believe in the possibility of such a coincidence, the possibility of such a repetition of a dream, and that Falaley was prompted to say this by someone of the household, perhaps even by the colonel himself on purpose to annoy Foma Fomitch. There was no end of an uproar, tears and rcproachcs. Madame la Générale was taken ill towards the evening, the whole household wore a dejected air. There was still a taint hope that the following, that is the third, night Falaley would be sure to have some dream of refined society. What was the universal indignation when for a whole week, every blessed night, Falaley went on dreaming of the white bull and nothing but the white bull. It was no use even to think of refined society.

  But the most interesting point was that Falaley was utterly incapable of thinking of lying, of simply saying that he had dreamed not of the white bull, but of a carriage, for instance, full of ladies and Foma Fomitch. This was all the more strange since lying indeed would not have been so very sinful in so extreme a case. But Falaley was so truthful that he positively could not tell a lie even if he wanted to. It was, indeed, not even suggested to him by anyone. They all knew that he would betray himself at the first moment, and Foma Fomitch would immediately detect him in lying. What was to be done? My uncle’s position was becoming intolerable. Falaley was absolutely incorrigible. The poor boy was positively growing thinner from worry.

  The housekeeper Malanya declared that he was bewitched, and sprinkled him with magic water. She was assisted in this compassionate and salutary operation by the tender-hearted Praskovya Ilyinitchna, but even that was no use. Nothing was of use!

  “The deuce take the damned thing!” Falaley said. “The same dream every night! Every evening I pray, ‘Don’t let me dream of the white bull, don’t let me dream of the white bull!’ and there it is, there it is, the damned beast facing me, huge, with horns and such thick lips, oo-oo-oo!”

  My uncle was in despair, but luckily Foma Fomitch seemed all at once to have forgotten about the white bull Of course no one believed that Foma Fomitch could forget a circumstance so important. Everyone assumed with terror that he was keeping the white bull in reserve, and would bring it out on the first suitable occasion. It appeared later on that Foma Fomitch had no thoughts to spare for the white bull at that moment. He had other business in hand, other cares. Other plans were maturing in his beneficent and fertile brain. That is why he let Falaley breathe in peace, and everyone else too had a respite. The boy grew gay again, and even began to forget what had happened; even the white bull began to visit him less and less frequently, though it still at times reminded him of its fantastic existence. In fact, everything would have gone well if there had been no such thing as the Komarinsky.

  It must be noted that Falaley was an excellent dancer. Dancing was his chief accomplishment, even something like his vocation. He danced with vigour, with inexhaustible gaiety, and he was particularly fond of dancing the Komarinsky Peasant. Not that he was so much attracted by the frivolous and in any case inexplicable steps of that volatile peasant — no, he liked dancing the Komarinsky solely because to hear the Komarinsky and not dance to the tune was utterly beyond him. Sometimes in the evenings two or three of the footmen, the coachmen, the gardener who played the fiddle, and even
some of the ladies of the servants’ hall would gather together in a circle in some back yard as far away as possible from Foma Fomitch. Music and dances would begin, and finally the Komarinsky would triumphantly come into its own. The orchestra consisted of two balalaikas, a guitar, a fiddle, and a tambourine, with which the postilion Mityushka was a capital hand. Falaley’s condition was worth watching at such times: he would dance to complete oblivion of himself, to utter exhaustion, encouraged by the shouts and laughter of his audience. He would squeal, shout, laugh, clap his hands. He danced as though carried away by some intangible outside force with which he could not cope, and he struggled persistently to keep up with the continually increasing pace of the reckless tune as he tapped on the ground with his heels. These were minutes of real delight to him; and everything would have gone happily and merrily if rumours of the Komarinsky had not at last reached Foma Fomitch.

  Foma Fomitch was petrified, and sent at once for the colonel.

  “There is only one thing I wish to learn from you,” Foma began, “have you positively sworn to be the ruin of that luckless idiot or not? In the first case I will stand aside at once; if not, then I . . .”

  “But what is the matter? What has happened?” cried my uncle, alarmed.

  “You ask what has happened? Do you know that he is dancing the Komarinsky?”

  “Well . . . well, what of it?”

  “Well, what of it!” shrieked Foma. “And you say that — you, their master, standing in a sense in the place of their father! But have you then a true idea of what the Komarinsky is? Do you know that that song describes a debauched peasant, attempting in a state of drunkenness the most immoral action? Do you know what sacrilege it is that vicious Little Russian is committing? He is trampling upon the most precious bonds and, so to say, stamping them under his big loutish boots, accustomed to tread only the floor of the village inn. And do you realise that you have wounded my moral feelings by your answer? Do you realise that you have insulted me personally by your answer? Do you understand that or not?”