Complete Works of Fyodor Dostoyevsky

by Fyodor Dostoyevsky

  The mistress of the house herself answered him that Nastasya Filippovna had gone to Pavlovsk that morning to stay with Darya Alexeyevna, “and it may be that she will stay there some days.” Madame Filisov was a little, keen-eyed, sharp-faced woman about forty, with a sly and watchful expression. She asked his name, and there was an apparently intentional air of mystery in the question. Myshkin was at first unwilling to answer, but immediately turned back and asked her emphatically to give his name to Nastasya Filippovna. Madame Filisov received this emphatic request with great attention and an extraordinary air of secrecy, by which she evidently meant to suggest, “Set your mind at rest; I understand.” Myshkin’s name obviously made a very great impression on her. He looked absent-mindedly at her, turned, and went back to his hotel. But he looked quite different now. An extraordinary change had come over him aqain and apparently in one instant. He walked along once more pale, weak, suffering, agitated; his knees trembled and a vague bewildered smile hovered about his blue lips. His “sudden idea” was at once confirmed and justified, and he believed in his demon again.

  But was it confirmed? But was it justified? Why that shiver again, that cold sweat, that darkness and chill in his soul? Was it because he had once more seen those eyes? But he had gone out of the Summer Garden on purpose to see them! That was what his “sudden idea” amounted to. He had intensely desired to see “those eyes” again, so as to make quite certain that he would meet them there, at that house. He had desired it passionately, and why was he so crushed and over-whelmed now by the fact that he had actually just seen them? As though he had not expected it! “Vfes, those were the same eyes (and there could be no doubt now that they were the same eyes) which had gleamed at him in the morning, in the crowd when he got out of the train from Moscow; they were the same (absolutely the same) which he had caught looking at him from behind that afternoon just as he was sitting down at Rogozhin’s. Rogozhin had denied it at the time; he had asked with a wry and frozen smile “whose eyes were they?” And not many hours ago, when Myshkin was getting into the Pavlovsk train to go down to see Aglaia, and suddenly caught sight of those eyes again for the third time that day, he had an intense desire to go to Rogozhin and to tell him whose eyes they were. But he had run out of the station and had been hardly conscious of anything, till the moment when he found himself standing at the cutler’s shop and thinking an object with a stag-horn handle would cost sixty kopecks. A strange and dreadful demon had got hold of him for good and would not let him go again. That demon had whispered to him in the Summer Garden, as he sat lost in thought under a limetree, that if Rogozhin had felt obliged to follow him that day and to dog his footsteps, he would certainly, on finding Myshkin had not gone to Pavlovsk (which was of course a terrible fact for Rogozhin) have gone there to Filisov’s house and would certainly have watched there for him, Myshkin, who had given him his word of honour only that morning that he would not see her and that he had not come to Petersburg for that. And here was Myshkin hurrying feverishly to that house! And what if he really did meet Rogozhin there? He had only seen an unhappy man whose state of mind was gloomy, but very easy to understand. That unhappy man did not even conceal himself now. Yes, that morning Rogozhin had for some reason denied it and told a lie, but at the station he stood almost unconcealed. Indeed, it was rather he, Myshkin, had concealed himself, and now Rogozhin. And now at the house he stood on the other side of the street fifty paces away on the opposite pavement, waiting with his arms folded. There too he had been quite conspicuous and seemed to wish to be conspicuous on purpose. He stood like an accuser and a judge and not like . . . what?

  And why had he, Myshkin, not gone up to him now? Why had he turned away from him, as though noticing nothing, though their eyes had met? (Yes, their eyes had met; they had looked at one another.) Why, he himself had wanted to take Rogozhin by the hand and to go there with him. He had meant to go to him next day and to tell him he had been to see her. He had refused to follow his demon when, half way there, joy had suddenly flooded his soul. Or was there really something in Rogozhin — that is, in the whole image of the man that day, in all his words, movements, actions, looks, taken together, that could justify Myshkin’s awful misgivings and the revolting promptings of his inner voice? Something that can be seen, but is difficult to analyse and describe; something impossible to justify on sufficient grounds, though it yet, in spite of all that difficulty and impossibility, makes a complete and compelling impression which involuntarily becomes a firm conviction? ...

  Conviction — of what? (Oh, how Myshkin was tortured by the hideousness, the “degradingness” of this conviction, of “that base foreboding,” and how he had reproached himself!) “Say of what if you dare,” he kept telling himself continually with reproach and challenge. “Formulate all your thought, dare to express it clearly, precisely, without faltering! Oh, I am ignoble!” he repeated with indignation and a flush on his face. “With what eyes shall I look upon that man for the rest of my life! Oh, what a day! Oh, God, what a nightmare!”

  There was a moment at the end of that long,

  miserable walk back from the Petersburg Side when an irresistible desire seized Myshkin to go straightway to Rogozhin, to wait for him, to embrace him with shame, with tears, to tell him everything and to end it all at once. But he was already standing at his hotel. . . . How he had disliked that hotel in the morning, those corridors, all that house, his room — disliked it at first sight! Several times during the day he had thought with disgust that he would have to return there. . . . “Why, like a sick woman, I am believing in every presentiment to-day!” he thought with irritable irony, standing still at the gate. One circumstance that had happened that day rose before his mind at that moment, but he thought of it “coldly,”

  “with perfect composure,”

  “without nightmare.” He suddenly recalled the knife he had seen on Rogozhin’s table that morning. “But why shouldn’t Rogozhin have as many knives as he likes on his table?” he asked, greatly astounded at himself and at that point, petrified with amazement, he suddenly recalled how he had stopped at the cutler’s shop. “But what connection can there be in that?” he cried out at last, but stopped short. A new unbearable shock of shame, almost of despair, held him rooted to the spot just outside the gate. He stood still for a minute. People are sometimes held like this by sudden and unbearable memories, especially when they are associated with shame. “Yes, I am a man of no heart and a coward,” he repeated gloomily, and abruptly moved to go on, but ... he stopped short again.

  The gateway, which was always dark, was particularly dark at that moment; the storm-cloud had crept over the sky and engulfed the evening light, and at the very moment that Myshkin approached the house the storm broke and there was a downpour. He was just at the entrance of the gateway when he moved on abruptly after his momentary halt. And he suddenly saw in the half dark under the gateway close to the stairs a man. The man seemed to be waiting for something, but he vanished at once. Myshkin had only caught a glimpse of him and could not see him distinctly and could not have told for certain who he was. Besides, numbers of people might be passing here; it was a hotel and people were continually running in and out. But he suddenly felt a complete and overwhelming conviction that he recognised the man and that it was certainly Rogozhin. A moment after, Myshkin rushed after him up the stairs. His heart sank. “Everything will be decided now,” he repeated to himself with strange conviction.

  The staircase up which Myshkin ran from the gateway led to the corridors of the first and second floors, on which were the rooms of the hotel. As in all old houses, the staircase was of stone, dark and narrow, and it turned round a thick stone column. On the first half-landing there was a hollow like a niche in the column, not more than half a yard wide and nine inches deep. Yet there was room for a man to stand there. Dark as it was, Myshkin, on reaching the half-landing, at once discovered that a man was hiding in the niche. Myshkin suddenly wanted to pass by without looking to the right. He h
ad taken one step already, but he could not resist turning round.

  Those two eyes, the same tvo eyes, met his own. The man hidden in the niche had already moved one step from it. For one second they stood facing one another and almost touching. Suddenly Myshkin seized him by the shoulders and turned him back towards the staircase, nearer to the light; he wanted to see his face more clearly.

  Rogozhin’s eyes flashed and a smile of fury contorted his face. His right hand was raised and something gleamed in it; Myshkin did not think of checking it. He only remembered that he thought he cried out, “Parfyon, I don’t believe it!” Then suddenly something seemed torn asunder before him; his soul was flooded with intense inner light. The moment lasted perhaps half a second, yet he clearly and consciously remembered the beginning, the first sound of the fearful scream which broke of itself from his breast and which he could not have checked by any effort. Then his consciousness was instantly extinguished and complete darkness followed.

  It was an epileptic fit, the first he had had for a long time. It is well known that epileptic fits come on quite suddenly. At the moment the face is horribly distorted, especially the eyes. The whole body and the features of the face work with convulsive jerks and contortions. A terrible, indescribable scream that is unlike anything else breaks from the sufferer. In that scream everything human seems obliterated and it is impossible, or very difficult, for an observer to realise and admit that it is the man himself screaming. It seems indeed as though it were some one else screaming from within the man. That is how many people at least have described their impression. The sight of a man in an epileptic fit fills many people with positive and unbearable horror, in which there is a certain element of the uncanny. It must be supposed that some such feeling of sudden horror, together with the other terrible sensations of the moment, had suddenly paralysed Rogozhin and so saved Myshkin from the knife with which he would have stabbed him. Then before he had time to grasp that it was a fit, seeing that Myshkin had staggered away from him and fallen backwards downstairs, knocking his head violently against the stone step, Rogozhin flew headlong downstairs, avoiding the prostrate figure, and, not knowing what he was doing, ran out of the hotel.

  Struggling in violent convulsions, the sick man slipped down the steps, of which there were about fifteen, to the bottom of the staircase. Very soon, not more than five minutes later, he was noticed and a crowd collected. A pool of blood by his head raised the doubt whether the sick man had hurt himself, or whether there had been some crime. It was soon recognised, however, that it was a case of epilepsy; one of the people at the hotel recognised Myshkin as having arrived that morning. The difficulty was luckily solved bya fortunate circumstance.

  Kolya Ivolgin, who had promised to be back at “The Scales” at four and had instead gone to Pavlovsk, had on a sudden impulse refused to dine at Madame Epanchin’s, had come back to Petersburg and hurried to “The Scales,” where he had turned up about seven o’clock. Learning from the note that Myshkin had left for him that the latter was in town, he hastened to find him at the address given in the note. Being informed in the hotel that Myshkin had gone out, he went downstairs to the restaurant and waited for him there, drinking tea and listening to the organ. Happening to overhear that some one had had a fit, he was led by a true presentiment to run out to the spot and recognised Myshkin. Suitable steps were taken at once. Myshkin was carried to his room. Though he regained consciousness, he did not fully come to himself for a long time. A doctor who was sent for to look at his injured head said there was not the least danger,

  and ordered a lotion. An hour later, when Myshkin began to be able to understand pretty well what was going on, Kolya took him in a covered carriage from the hotel to Lebedyev’s. Lebedyev received the sick man with bows and extraordinary warmth. For his sake he hastened his removal, and three days later they were all at Pavlovsk.

  CHAPTER 6

  Lebedyev’s VILLA was not a large one, but was comfortable and even pretty. The part of it which was to let had been newly decorated. On the rather spacious verandah by which the house was entered from the street, orange-trees, lemons and jasmines had been placed in large green wooden tubs, which in Lebedyev’s opinion gave the place a most seductive appearance. He had bought some of those trees with the villa and was so enchanted by the effect they produced in the verandah that he resolved to take advantage of an opportunity to buy some more of the same kind at an auction. When all the shrubs had been brought to the villa and put in their places, Lebedyev had several times that day run down the steps of the verandah to admire the effect from the street, and every time he mentally increased the sum which he proposed to ask from his future tenant.

  Myshkin, worn out, depressed, and physically shattered, was delighted with the villa. But on the day of arriving at Pavlovsk — that is, three days after the fit, Myshkin looked almost well again, though inwardly he still felt ill-effects. He was glad to see every one who was about him during those three days; he was glad of Kolya, who hardly left his side; glad to see the Lebedyev family (the nephew had gone off somewhere); he was glad to see Lebedyev himself, and even welcomed with pleasure General Ivolgin, who had visited him before he left Petersburg. On the evening they arrived at Pavlovsk a good many guests were assembled on the verandah about him. The first to arrive was Ganya, whom Myshkin hardly recognised; he had changed so much and grown so much thinner in those six months. Then came Varya and Ptitsyn, who also had a villa at Pavlovsk. General Ivolgin was almost always at Lebedyev’s and had apparently moved in with him. Lebedyev tried to keep him in his own part of the house and to prevent his going to see Myshkin. He treated the general like a friend; they seemed to have known each other a long time. Myshkin noticed during those three days that they were frequently engaged in long conversations together; that they often shouted and argued, even about learned subjects, which evidently gave Lebedyev great satisfaction. One might have thought that the general was necessary to him. From the time they moved to Pavlovsk Lebedyev began to be as careful about his own family as he had been about the general. On the pretext of not disturbing Myshkin, he would not let anyone go to see him. He stamped his feet, rushed at his daughters and chased them all away, even Vera with the baby, at the least suspicion that they were going on to the verandah where Myshkin was, in spite of Myshkin’s begging him not to send anyone away.

  “In the first place, there will be no respect shown if you let them do what they like; and, in the second place, it’s really improper for them,” he explained at last in reply to Myshkin’s direct question.

  “But why so?” protested Myshkin. “Really you only worry me with all these attentions and watchfulness. It’s dull for me alone, I’ve told you so several times;

  and you depress me more than ever by the way you are always waving your hands and walking about on tiptoe.”

  Myshkin hinted at the fact that, though Lebedyev chased away all his household on the pretext that quiet was necessary for the invalid, he had been coming in himself every minute, and always first opened the door, poked his head in, looked about the room, as though he wished to make sure that he was there and had not run away, and then slowly, on tiptoe, with stealthy steps, approached the armchair, so that he sometimes startled his lodger. He was continually inquiring if he wanted anything, and when Myshkin began asking him at last to leave him alone, he turned away obediently without a word, stole on tiptoe to the door, waving his hands at every step, as though to say that he had only just looked in, that he would not say a word, that he had already gone out and would not come back; yet within ten minutes, or at most a quarter of an hour, he would reappear. The fact that Kolya had free access to Myshkin was a source of the deepest mortification and even of resentful indignation to Lebedyev. Kolya noticed that Lebedvev used to stand at the door for half an hour at a time listening to what he and Myshkin were talking about, and of course he informed Myshkin of the fact.

  “You seem to have appropriated me, since you keep me under lock and key,”
Myshkin protested. “At the villa, anyway, I want it to be different; and, let me tell you, I shall see anyone I like and go anywhere I choose.”

  “Without the faintest doubt!” Lebedyev protested, waving his hands.

  Myshkin scanned him intently from head to foot.

  “And have you brought the little cupboard here that was hanging at the head of your bed?”

  “No, I haven’t.”

  “Have you left it there?”

  “It was impossible to bring it, I should have to wrench it from the wall.... It’s fixed firmly, firmly.”

  “But perhaps there’s another one like it here?”

  “A better one — a better one! It was there when I bought the villa.”

  “A-ah! Who was it you wouldn’t admit to see me an hour ago?”

  “It. . . it was the general. It’s true I didn’t let him in,

  and he ought not to come. I have a great respect for that man, prince, he ... he is a great man. Don’t you believe me? Well, you will see; but yet. . . it’s better, illustrious prince, for you not to receive him.”

  “But why so, allow me to ask? And why are you standing on tiptoe now, Lebedyev, and why do you always approach me as though you wanted to whisper a secret in my ear?”