The Collected Short Stories of Roald Dahl, Volume 1

by Roald Dahl

  He was a tall, narrow person with a fragile and faintly aesthetic air. His voice was soft, his manner was courteous, and at first sight he seemed more like a gentleman-in-waiting to the queen than a celebrated rapscallion. He never discussed his amorous affairs with other men, and a stranger, though he sit and talk with him all evening, would be unable to observe the slightest sign of deceit in Oswald's clear blue eyes. He was, in fact, precisely the sort of man that an anxious father would be likely to choose to escort his daughter safely home.

  But sit Oswald beside a woman, a woman who interested him, and instantaneously his eyes would change, and as he looked at her, a small dangerous spark would begin dancing slowly in the very centre of each pupil; and then he would set about her with his conversation, talking to her rapidly and cleverly and almost certainly more wittily than anyone else had ever done before. This was a gift he had, a most singular talent, and when he put his mind to it, he could make his words coil themselves around and around the listener until they held her in some sort of a mild hypnotic spell.

  But it wasn't only his fine talk and the look in his eyes that fascinated the women. It was also his nose. (In Vol. XIV, Oswald includes, with obvious relish, a note written to him by a certain lady in which she describes such things as this in great detail.) It appears that when Oswald was aroused, something odd would begin to happen around the edges of his nostrils, a tightening of the rims, a visible flaring which enlarged the nostril holes and revealed whole areas of the bright red skin inside. This created a queer, wild, animalistic impression, and although it may not sound particularly attractive when described on paper, its effect upon the ladies was electric.

  Almost without exception, women were drawn towards Oswald. In the first place, he was a man who refused to be owned at any price, and this automatically made him desirable. Add to this the unusual combination of a first-rate intellect, an abundance of charm, and a reputation for excessive promiscuity, and you have a potent recipe.

  Then again, and forgetting for a moment the disreputable and licentious angle, it should be noted that there were a number of other surprising facets to Oswald's character that in themselves made him a rather intriguing person. There was, for example, very little that he did not know about nineteenth-century Italian opera, and he had written a curious little manual upon the three composers Donizetti, Verdi, and Ponchielli. In it, he listed by name all the important mistresses that these men had had during their lives, and he went on to examine, in a most serious vein, the relationship between creative passion and carnal passion, and the influence of the one upon the other, particularly as it affected the works of these composers.

  Chinese porcelain was another of Oswald's interests, and he was acknowledged as something of an international authority in this field. The blue vases of the Tchin-Hoa period were his special love, and he had a small but exquisite collection of these pieces.

  He also collected spiders and walking sticks.

  His collection of spiders, or more accurately his collection of Arachnida, because it included scorpions and pedipalps, was possibly as comprehensive as any outside a museum, and his knowledge of the hundreds of genera and species was impressive. He maintained, incidentally (and probably correctly), that the spider's silk was superior in quality to the ordinary stuff spun by silkworms, and he never wore a tie that was made of any other material. He possessed about forty of these ties altogether, and in order to acquire them in the first place, and in order also to be able to add two new ties a year to his wardrobe, he had to keep thousands and thousands of Arana and Epeira diademata (the common English garden spiders) in an old conservatory in the garden of his country house outside Paris, where they bred and multiplied at approximately the same rate as they ate one another. From them, he collected the raw thread himself no one else would enter that ghastly glasshouse-and sent it to Avignon, where it was reeled and thrown and scoured and dyed and made into cloth. From Avignon, the cloth was delivered directly to Sulka, who were enchanted by the whole business, and only too glad to fashion ties out of such a rare and wonderful material.

  "But you can't really like spiders?" the women visitors would say to Oswald as he displayed his collection.

  "Oh, but I adore them," he would answer. "Especially the females. They remind me so much of certain human females that I know. They remind me of my very favourite human females."

  "What nonsense, darling."

  "Nonsense? I think not."

  "It's rather insulting."

  "On the contrary, my dear, it is the greatest compliment I could pay. Did you not know, for instance, that the female spider is so savage in her lovemaking that the male is very lucky indeed if he escapes with his life at the end of it all. Only if he is exceedingly agile and marvellously ingenious will he get away in one piece."

  "Now, Oswald!"

  "And the crab spider, my beloved, the teeny-weeny little crab spider is so dangerously passionate that her lover has to tie her down with intricate loops and knots of his own thread before he dares to embrace her.

  "Oh, stop it, Oswald, this minute!" the women would cry, their eyes shining.

  Oswald's collection of walking sticks was something else again. Every one of them had belonged either to a distinguished or a disgusting person, and he kept them all in his Paris apartment, where they were displayed in two long racks standing against the walls of the passage (or should one call it the highway?) which led from the living-room to the bedroom. Each stick had its own ivory label above it, saying Sibelius, Milton, King Farouk, Dickens, Robespierre, Puccini, Oscar Wilde, Franklin Roosevelt, Goebbels, Queen Victoria, Toulouse-Lautrec, Hindenburg, Tolstoy, Laval, Sarah Bernhardt, Goethe, Voroshiloff, Cezanne, Toho…There must have been over a hundred of them in all, some very beautiful, some very plain, some with gold or silver tops, and some with curly handles.

  "Take down the Tolstoy," Oswald would say to a pretty visitor. "Go on, take it down…that's right…and now…now rub your own palm gently over the knob that has been worn to a shine by the great man himself. Is it not rather wonderful, the mere contact of your skin with that spot?"

  "It is, rather, isn't it."

  "And now take the Goebbels and do the same thing. Do it properly, though. Allow your palm to fold tightly over the handle…good…and now…now lean your weight on it, lean hard, exactly as the little deformed doctor used to do there…that's it…now stay like that for a minute or so and then tell me if you do not feel a thin finger of ice creeping all the way up your arm and into your chest?"

  "It's terrifying!"

  "Of course it is. Some people pass out completely. They keel right over."

  Nobody ever found it dull to be in Oswald's company, and perhaps that, more than anything else, was the reason for his success.

  We come now to the Sinai episode. Oswald, during that month, had been amusing himself by motoring at a fairly leisurely pace down from Khartoum to Cairo. His car was a superlative prewar Lagonda which had been carefully stored in Switzerland during the war years, and as you can imagine, it was fitted with every kind of gadget under the sun. On the day before Sinai (23 August 1946), he was in Cairo, staying at Shepheard's Hotel, and that evening, after a series of impudent manoeuvres, he had succeeded in getting hold of a Moorish lady of supposedly aristocratic descent, called Isabella. Isabella happened to be the jealously guarded mistress of none other than a certain notorious and dyspeptic Royal Personage (there was still a monarchy in Egypt then). This was a typically Oswaldian move.

  But there was more to come. At midnight, he drove the lady out to Giza and persuaded her to climb with him in the moonlight right to the very top of the great pyramid of Cheops.

  There can be no safer place,' he wrote in the diary, "nor a more romantic one, than the apex of a pyramid on a warm night when the moon is full. The passions are stirred not only by the magnificent view but also by that curious sensation of power that surges within the body whenever one surveys the world from a great height. And as for safety th
is pyramid is exactly 481 feet high, which is 115 feet higher than the dome of St Paul 's Cathedral, and from the summit one can observe all the approaches with the greatest of ease. No other boudoir on earth can offer this facility. None has so many emergency exits, either, so that if some sinister figure should happen to come clambering up in pursuit on one side of the pyramid, one has only to slip calmly and quietly down the other.

  As it happened, Oswald had a very narrow squeak indeed that night. Somehow, the palace must have got word of the little affair, for Oswald, from his lofty moonlit pinnacle, suddenly observed three sinister figures, not one, closing in on three different sides and starting to climb. But luckily for him, there is a fourth side to the great pyramid of Cheops, and by the time those Arab thugs had reached the top, the two lovers were already at the bottom and getting into the car.

  The entry for 24 August takes up the story at exactly this point. It is reproduced here word for word and comma for comma as Oswald wrote it. Nothing has been altered or added or taken away: 24 August 1946 "He'll chop off Isabella's head if he catch her now," Isabella said.

  "Rubbish," I answered, but I reckoned she was probably right.

  "He'll chop off Oswald's head, too," she said.

  "Not mine, dear lady. I shall be a long way away from here when daylight comes.

  I'm heading straight up the Nile for Luxor immediately."

  We were driving quickly away from the pyramids now. It was about two thirty a. m.

  "To Luxor?" she said.

  "Yes."

  "And Isabella is going with you."

  "No," I said.

  "Yes," she said.

  "It is against my principles to travel with a lady," I said.

  I could see some lights ahead of us. They came from the Mena House Hotel, a place where tourists stay out in the desert, not far from the pyramids. I drove fairly close to the hotel and stopped the car.

  "I'm going to drop you here," I said. "We had a fine time."

  "So you won't take Isabella to Luxor?"

  "I'm afraid not," I said. "Come on, hop it."

  She started to get out of the car, then she paused with one foot on the road, and suddenly she swung round and poured out upon me a torrent of language so filthy yet so fluent that I had heard nothing like it from the lips of a lady since…well, since 1931, in Marrakesh, when the greedy old Duchess of Glasgow put her hand into a chocolate box and got nipped by a scorpion I happened to have placed there for safe-keeping (Vol. XIII, 5 June 1931).

  "You are disgusting," I said.

  Isabella leapt out and slammed the door so hard the whole car jumped on its wheels. I drove off very fast. Thank heaven I was rid of her. I cannot abide bad manners in a pretty girl.

  As I drove, I kept one eye on the mirror, but as yet no car seemed to be following me. When I came to the outskirts of Cairo, I began threading my way through the side roads, avoiding the centre of the city. I was not particularly worried. The royal watchdogs were unlikely to carry the matter much further. All the same, it would have been foolhardy to go back to Shepheard's at this point. It wasn't necessary, anyway, because all my baggage, except for a small valise, was with me in the car. I never leave suitcases behind me in my room when I go out of an evening in a foreign city. I like to be mobile.

  I had no intention, of course, of going to Luxor. I wanted now to get away from Egypt altogether. I didn't like the country at all. Come to think of it, I never had. The place made me feel uncomfortable in my skin. It was the dirtiness of it all, I think, and the putrid smells. But then let us face it, it really is a squalid country; and I have a powerful suspicion, though I hate to say it, that the Egyptians wash themselves less thoroughly than any other peoples in the world-with the possible exception of the Mongolians. Certainly they do not wash their crockery to my taste. There was, believe it or not, a long, crusted, coffee-coloured lipmark stamped upon the rim of the cup they placed before me at breakfast yesterday. Ugh! It was repulsive! I kept staring at it and wondering whose slobbery lower lip had done the deed.

  I was driving now through the narrow dirty streets of the eastern suburbs of Cairo. I knew precisely where I was going. I had made up my mind about that before I was even halfway down the pyramid with Isabella. I was going to Jerusalem. It was no distance to speak of, and it was a city that I always enjoyed. Furthermore, it was the quickest way out of Egypt. I would proceed as follows: 1. Cairo to Ismailia. About three hours driving. Sing an opera on the way, as usual. Arrive Ismailia 6-7 a.m. Take a room and have a two-hour sleep. Then shower, shave, and breakfast.

  2. At 10 a.m., cross over the Suez Canal by the Ismailia bridge and take the desert road across Sinai to the Palestine border. Make a search for scorpions en route in the Sinai Desert. Time, about four hours, arriving Palestine border 2 p.m.

  3. From there, continue straight on to Jerusalem via Beersheba, reaching The King David Hotel in time for cocktails and dinner.

  It was several years since I had travelled that particular road, but I remembered that the Sinai Desert was an outstanding place for scorpions. I badly wanted another female opisthophthalmus, a large one. My present specimen had the fifth segment of its tail missing, and I was ashamed of it.

  It didn't take me long to find the main road to Ismailia, and as soon as I was on t, I settled the Lagonda down to a steady sixty-five miles per hour. The road was narrow, but it had a smooth surface, and there was no traffic. The Delta country lay bleak and dismal around me in the moonlight, the flat treeless fields, the ditches running between, and the black black soil everywhere. It was inexpressibly dreary.

  But it didn't worry me. I was no pan of it. I was completely isolated in my own luxurious little shell, as snug as a hermit crab and travelling a lot faster. Oh, how I do love to be on the move, winging away to new people and new places and leaving the old ones far behind! Nothing in the world exhilarates me more than that. And how I despise the average citizen, who settles himself down upon one tiny spot of land with one asinine woman, to breed and stew and rot in that condition unto his life's end. And always with the same woman! I cannot believe that any man in his senses would put up with just one female day after day and year after year. Some of them, of course, don't. But millions pretend they do.

  I myself have never, absolutely never permitted an intimate relationship to last for more than twelve hours. That is the farthest limit. Even eight hours is stretching it a bit, to my mind. Look what happened, for example, with Isabella. While we were upon the summit of the pyramid, she was a lady of scintillating parts, as pliant and playful as a puppy, and had I left her there to the mercy of those three Arab thugs, and skipped down on my own, all would have been well. But I foolishly stuck by her and helped her to descend, and as a result, the lovely lady turned into a vulgar screeching trollop, disgusting to behold. What a world we live in! One gets no thanks these days for being chivalrous.

  The Lagonda moved on smoothly through the night. Now for an opera. Which one should it be this time? I was in the mood for a Verdi. What about Aida? Of course! It must be Aida-the Egyptian opera! Most appropriate.

  I began to sing. I was in exceptionally good voice tonight. I let myself go. It was delightful; and as I drove through the small town of Bilbeis, I was Aida herself, singing "Numei piet‡", the beautiful concluding passage of the first scene.

  Half an hour later, at Zagazig, I was Amonasro begging the King of Egypt to save the Ethiopian captives with "Ma iv, re, iv signore possente."

  Passing through El Abbasa, I was Rhadames, rendering "Fuggiam gil adori nospiti", and now I opened all the windows of the car so that this incomparable love song might reach the ears of the fellaheen snoring in their hovels along the roadside, and perhaps mingle with their dreams.

  As I pulled into Ismailia, it was six o'clock in the morning and the sun was already climbing high in a milky-blue heaven, but I myself was in the terrible sealed-up dungeon with Aida, singing "0, terra, addio; addlo valle di pianti!"

  How swiftly the j
ourney had gone. I drove to an hotel. The staff was just beginning to stir. I stirred them up some more and got the best room available. The sheets and blanket on the bed looked as though they had been slept in by twenty-five unwashed Egyptians on twenty-five consecutive nights, and I tore them off with my own hands (which I scrubbed immediately afterwards with antiseptic soap) and replaced them with my personal bedding. Then I set my alarm and slept soundly for two hours.

  For breakfast I ordered a poached egg on a piece of toast. When the dish arrived-and I tell you, it makes my stomach curdle just to write about it-there was a gleaming, curly, jet-black human hair, three inches long, lying diagonally across the yolk of my poached egg. It was too much. I leaped up from the table and rushed out of the dining-room. "Addio!" I cried, flinging some money at the cashier as I went by, "addio i'alle di pianti!" And with that I shook the filthy dust of the hotel from my feet.

  Now for the Sinai Desert. What a welcome change that would be. A real desert is one of the least contaminated places on earth, and Sinai was no exception. The road across it was a narrow strip of black tarmac about a hundred and forty miles long, with only a single filling station and a group of huts at the halfway mark, at a place called B'ir Rawd Salim. Otherwise there was nothing but pure uninhabited desert all the way. It would be very hot at this time of the year, and it was essential to carry drinking water in case of breakdown. I therefore pulled up outside a kind of general store in the main street of Ismailia to get my emergency canister refilled.

  I went in and spoke to the proprietor. The man had a nasty case of trachoma. The granulation on the under surfaces of his eyelids was so acute that the lids themselves were raised right up off the eyeballs-a beastly sight. I asked him if he would sell me a gallon of boiled water. He thought I was mad, and madder still when I insisted on following him back into his grimy kitchen to make sure that he did things properly. He filled a kettle with tap-water and placed it on a paraffin stove. The stove had a tiny little smoky yellow flame. The proprietor seemed very proud of the stove and of its performance. He stood admiring it, his head on one side. Then he suggested that I might prefer to go back and wait in the shop. He would bring me the water, he said, when it was ready. I refused to leave. I stood there watching the kettle like a lion, waiting for the water to boil; and while I was doing this, the breakfast scene suddenly started coming back to me in all its horror the egg, the yolk, and the hair. Whose hair was it that had lain embedded in the slimy yolk of my egg at breakfast? Undoubtedly it was the cook's hair. And when, pray, had the cook last washed his head? He had probably never washed his head. Very well, then. He was almost certainly verminous. But that in itself would not cause a hair to fall out. What did cause the cook's hair, then, to fall out on to my poached egg this morning as he transferred the egg from the pan to the plate. There is a reason for all things, and in this case the reason was obvious. The cook's scalp was infested with purulent seborrhoeic impetigo. And the hair itself, the long black hair that I might so easily have swallowed had I been less alert, was therefore swarming with millions and millions of loving pathogenic cocci whose exact scientific name I have, happily, forgotten.