The Baroque Cycle: Quicksilver, the Confusion, and the System of the World

by Neal Stephenson

  “It was a difficult conversation that I had been expecting,” says Johann, “and I find it’s easier to have it behind me than in front of me. I am here now. I’ll go to London from time to time, and dance with her at a ball, and take tea with my mother, and remember. Then I shall return to Hanover and live my life.”

  “What about them? What do you hear from those two great ladies?”

  “They are on this Continent,” says Johann, “mending fences with their cousins, now that the war is finally over.”

  Gardens of Trianon,

  Royal Château of Versailles

  A CRACK SOUNDS across still water. Wild geese squawk and take to the air on tired wings. A second crack, and a single bird drops to the bank. A water-dog swims after it, marring the pond’s surface with a vee-shaped wake that could almost be a reflection of the goose-formations high above. A window shatters, a lady whoops in surprise. The laughter of two men can be heard.

  A panel of chopped and lashed-down foliage moves suddenly aside, like a door, to reveal a small barge: a floating blind. It is just large enough for two hunters, but rich enough for two kings. For once the panel of sticks and dead leaves is out of the way, it is all gold leaf and bas-reliefs of Diana and Orion. Two men sit in gilded campaign-chairs. Each cradles a fowling-piece of ridiculous length. They are helpless with mirth, for a while, at the breaking of the window.

  One of them is very old, pink, bloated, half buried in furs and blankets that settle toward the deck as he jiggles them with his laughter. He slaps an ermine pelt to keep it from sliding into the pond. “Mon cousin,” he says, “you have bagged two birds with one shot: a goose, and a chambermaid!”

  The other is in his middle fifties, active, but not spry, for it seems that a life of adventures has left him carrying a vast inventory of aches, pains, cramps, cricks, clicks, pops, and charley-horses. He shuffles across the deck of the barge and heaves open another camouflage-panel to let in the morning sun and release stale air. This gives him time to compose a sentence in bad French: “If she was hurt bad we’d hear more screaming. She was only scared.”

  “I believe you scored a hit on the Trianon-sous-

  Bois: the residence of my sister-in-law, Liselotte.”

  “She sounds ever so high and mighty,” says the younger man. “I dare not talk to one such. Maybe you could let her know how sorry I am.”

  “Oh? How sorry are you?” asks the older.

  “Ah, you are a sly one there, Leroy. Tell me, does this Liselotte know the Duchess of Arcachon-Qwghlm?”

  “But yes, they are old partners in mischief, those two! Probably having breakfast together as we speak.”

  “Then maybe Eliza can be my apologist. She speaks better French than you anyway.”

  “Ho-ho-ho!” chortles the King. “You only think so because you are so besotted with her. I can see it.”

  There’s sudden thrashing in the brush beside the water. “Merde!” says the King, “we are found out! Close the blind! Hurry!”

  The other turns and reaches for the panel, then stops short, grimaces, and cocks his head. “Bloody hell.”

  “The neck again?”

  “Worst bleeding crick in the neck I’ve ever had.” He reaches up to rub a raw place, then flinches, and settles for re-composing his silk neckerchief.

  “You should try to avoid being hanged.”

  “I did try to avoid it, but the thing was complicated.”

  She appears on the bank, holding up one hand with thumb and index finger pressed together.

  “Morning, Jack.”

  “Bonjour, Madame la Duchesse.” The one named Jack executes a courtly bow, so exaggerated as to border on open mockery. Each and every one of his vertebrae has something to say about it.

  “I’ve something here that you lost!” she announces.

  “My heart?”

  She hurls the bird-pellet at him. The men on the barge avert their eyes as it impacts on a chair-arm and ricochets around. “La Palatine wants you two to know that she is too old to be the target of musket-fire.”

  “Fortunately Pepe is bringing you a peace-offering,” says the King, and indicates the curly-haired dog, who’s up on the bank now, wagging his tail at Eliza. He trots up and drops the dead bird at her feet.

  “I’ve little taste for such things,” she says, “but Liselotte was a great huntress in her day and so it might placate her.” She bends down, pinches the bird’s neck, and walks away from them holding it out at arm’s length. The men watch in awe. Leroy gives Jack a dig in the ribs.

  “Magnifique, eh?”

  “Old goat.”

  “Ah, she is a great woman,” says the King, “and you, mon cousin, are a fortunate man.”

  “To meet her in the first place was fortunate, I’ll give you that. To lose her was stupid. Now, I don’t know the word to describe what I am, besides tired.”

  “You will have ample time to rest from your travails, and lovely places in which to do it,” says Leroy.

  Jack, suddenly alert, pulls one of the blind doors to, and crouches behind it. A trio of French courtiers, drawn by the sound of the fowling-pieces, are approaching. “Lovely places indeed,” says Jack, “as long as I stay out of sight, and out of gossip.”

  “Ah, but in such places as La Zeur and St.-Malo, this is not so terribly difficult, eh?”

  “That is where I shall live out my retirement,” Jack allows, “as long as she’ll have me.”

  The King looks mock-astonished. “And if she throws you out?”

  “Back to England, and back to work,” says Jack.

  “As a coiner?”

  “As a gardener.”

  “I do not believe such a thing!”

  “Believe it, Leroy, for ’tis a notorious weakness of Englishmen who are too old to do anything useful. My brother has found a position on a rich man’s estate. If Eliza ever grows weary of supporting a broken-down old Vagabond, I may go thither and live out my days killing the Duke’s weeds and poaching his game.”

  Blenheim Palace

  “FINE! SO BE IT, then! I’ll get along unshod!” bellows a man of similar age and proportions to Jack. He seizes one of his knees with both hands and yanks up. A bare foot emerges from a boot, which is sunk almost to its top in the mud. He plants the foot, grabs the other knee, and repeats. Bob Shaftoe now stands, a free man, in mud almost up to his knees. His boots are stranded nearby, rapidly filling with rain. He salutes them. “Good riddance!”

  “Hear, hear!” calls a voice from a tent, pitched nearby on slightly higher and firmer ground. A man rises from a table and turns toward him. The table is lit by several candles even though it is two o’clock in the afternoon.

  Bob’s wearing a broad-brimmed felt hat, which supports approximately a gallon of rainwater, distributed among several discrete pools. He cocks his head in a most deliberate and calculating manner, and the pools slide, merge, slalom round the hat’s contours, and spring off its back brim, splatting into the mud behind him. This enables him to get a clear sight-line into the tent.

  The man who has just spoken stands in its entrance, gazing down on him; at the table, a peg-legged fellow sits on a folding chair and graciously accepts a cup of chocolate from a woman who has been at work over a little cook-fire in the rear. “Bob,” calls the standing gentleman, “you are now barefoot in the rain, which calls to mind how I first saw you nigh on fifty years ago, and I say it becomes you, and may you leave those boots there to rot, and never again wear such odious contraptions. Now, do come back to us before you catch your death. Abigail has made chocolate.”

  Bob wrenches a foot clear of the mud, plants it on a rock, and uses this as a foundation on which to pull the opposite one free. He risks a glance back at the abandoned boots. “Do the bloody plans call for a pair o’boots there?”

  “They call for a shrubbery!” announces the peg-leg, peering at Bob through a transit, and consulting a garden-plan spread out on the table. “But never you mind, those boots will be eaten by
vermin long before planting-season.”

  “What would the Vicar of Blenheim know about planting-season?”

  “As much as I know about being a vicar.”

  “And that is as much as I know about being a country gentleman,” says the Duke of Marlborough, gazing fretfully across a half-mile of mud and stumps at the still-building pile of Blenheim. “But we must all adapt—we must all learn. Except for Abigail, who is already perfect.” Abigail gives him a skeptical look and a cup of chocolate. Bob squelches another step closer. The gaze of (formerly) Colonel, (and now) the Reverend Barnes strays back to the great map, which looks ever so fanciful when contrasted against the gloomy reality outside. His eye wanders across the orderly geometry of the plan until it fixes upon a wee Chapel and a nearby Vicarage.

  Marlborough says, “We shall mount a last Campaign from this tent, and pick off the vermin who are drawn hither by the intoxicating fragrance of Bob’s boots. Bob shall study how to look after plants, Barnes shall learn how to look after souls, I shall learn how to be idle, and Abigail shall look after all of us.”

  “It sounds as if it ought to work,” says Bob, “so long as my brother does not show up.”

  “He is dead,” Marlborough avers. “But if he shows up, we’ll shoot him. And if he recovers, we’ll pack him off to Carolina, where he may work alongside his offspring. For I am told that you are not the only Shaftoe, Bob, to have turned over a new leaf, and become a tiller of the soil.”

  Bob has finally reached the tent’s threshold. “It is a strange fate indeed,” he mutters, “but only fitting.”

  “Why fitting?”

  “Jack, Jimmy, and Danny ought by rights to become tillers of the soil,” says Bob, “because they have made so much trouble in the past, as soilers of the till.”

  “If you are going to make such jests,” says Barnes, “you are welcome to stay out in the rain.”

  Carolina

  “I SPIED ’EM AGAIN this morning, Tomba! The weather cleared, just after sunup, and I looked to the West and saw ’em, all lit up by the red sun shining in off the sea. A line of hills, or mountains if you please. Laid out, waiting for us, like baked apples in a pan.”

  Tomba is lying face down on the sack of desiccated pine-branches that answers to the name of bed here, in the indentured servants’ quarters of Mr. Ickham’s Plantation. Not for the first time in his life, his back is striped with long whip-cuts. Jimmy Shaftoe hauls a sopping mass of rags out of a bucket, wrings it out, and lays it on Tomba’s raw flesh. Tomba opens his mouth to scream, but makes no sound. Danny keeps talking, trying to get Tomba to think about something else. “A week’s hard traveling,” he says, “less than that if we steal some horses. We can manage without food for that long. When we make it to those hills, there’ll be game a-plenty.”

  “Game,” says Tomba, “and Indians.”

  “Tomba, look at the state you’re in, and tell me Indians are worse than the Overseer.”

  “Nothing’s worse than him,” Tomba admits. “But I’m in no condition to run cross-country for seven days.”

  “Then we wait until those stripes are healed. Then we do it—”

  “Boys, you do not understand. There will always be something. The Overseer knows how to keep men downtrodden. Especially black men. I didn’t understand that, when I came here. It’s different, the way he treats me. Look at my back, and tell me it isn’t so.”

  Lines of fire run in parallel courses across the walls of the shack where the sun glares between unchinked wall-planks. A pig roots outside, undermining the corner of their dwelling, but they can’t shoo it away or eat it because it is the Overseer’s pride and joy. They can hear him now, bellowing in the distance. “Jimmy? Danny! Jimmy? Danny! Where the hell have you got to?”

  “Lookin’ after our mate you just beat half to death, you bastard,” mutters Jimmy.

  “I want to see red necks on the lot of you,” says Tomba, repeating the Overseer’s favorite aphorism. “Tomorrow, red necks all around, save for this Blackamoor—there’s only one way to give him a red neck and that’s with the lash.” Tomba gets his hands underneath him, and pushes himself up on to all fours, then hangs his head low and lets his dreadlocks sweep the floor, he’s so woozy.

  “Jimmy? Danny! Jimmy? Danny! Are you feedin’ your pet Blackamoor?” By process of elimination, the Overseer has figured out where they are, and is drawing nigh.

  “You’re right,” says Tomba, “he means to kill me today. It is time to unpack.”

  “Then unpack we shall,” says Danny.

  He bends down and seizes the hay-bag that served him for a bed, and rips it open from one end to the other. Out tumbles an elongated bundle. Jimmy snatches it and tears away several rope ties. The two Shaftoes work together to unroll the bundle, Danny holding his arms out like a pair of shelf-brackets while Jimmy unwinds the bolt of canvas. Tomba paws one hand up the shack’s wall until he finds a hand-hold on one of the hewn logs that make up its frame, and pulls himself to his feet. “They’re not in here, Master!” he calls, “no one in here but poor Tomba!”

  “You’re a damned liar!” bellows the Overseer, and hammers the door open with the butt of his whip-handle. He stops, framed in the entrance, unable to see into the darkness of the shed. He can hear, though, the unexpected sounds of two gently curved blades—a longer one and a shorter one—being whisked from their scabbards. Perhaps he even glimpses the unaccustomed sight of Carolina sunlight gleaming from watered steel.

  “Don’t tell us,” says Danny, “you want to see some red necks around this place. Is that what you were about to say?”

  “What—get back to work, you lazy bastards! Or I’ll give you more of what Tomba got!” The Overseer steps into the shed, and raises his whip; but before he can bring it down, steel skirls past his ear, and the amputated lash drops to the dirt floor at his feet. Tomba staggers outside and closes the shed door behind himself. He squints about at several acres of mud, which he knows to be red in color, though it looks gray to him because his vision has gone black and white. A big white house stands at one end. Indentured servants toil with mattocks and shovels. Behind him, the Overseer has become uncharacteristically silent. Perhaps his eyes have adjusted to the point where he can see he’s locked in a confined space with a pair of enraged Samurai.

  “There’s more’n one way to make a red neck,” Danny points out, “and here’s how they do it in Nagasaki!” There follows a rapid sequence of noises that Tomba has not heard in quite a while, though he recognizes them well enough. Blood rushes out from under the shed wall and puddles in the wallow rooted out by the Overseer’s pig. Drawn by its fragrance, the pig waddles over, snuffles, then begins to lap it up.

  Jimmy and Danny burst out of the shed. Danny wipes his blade on his pant-leg and re-sheathes it. Jimmy hollers to the other indentured servants: “You all can take the rest of the day off! And when Mr. Ickham comes back from Charleston, and wants to know what happened, why, you just tell him that it was done by the Red-Neck Ronin, and that we went that-away!” And he thrusts his wakizashi into the un-tamed West. Then he sheathes it and turns to his companions.

  “Let’s head for the hills, boys.”

  Cornwall

  WILL COMSTOCK, the Earl of Lostwithiel, has been worrying that they’ll become trapped in one of the sudden mists that wander about the moors like ghosts through a haunted house, and lose their way. And indeed such mists wash up round them on two occasions. He insists, then, that they stop right where they are, and bide their time until the air clears. Daniel frets that Minerva shall lose patience, and sail without him. But around midday the mists blow off on a stiff north wind that presses and pursues them down-valley toward the sea, now visible far off, pea-green, and pied with cloud-shadows and sun-shafts.

  The land is chopped by stone walls into parcels so irregular it’s almost as if this country had to be pieced together from shreds of other worlds. In the high open country that tumbles down from the moors, the walls are lacy and irregul
ar. Later, as the company of travelers traverse down into the valley, they pass through forests of stunted oaks, no taller than Daniel’s head, that cling to the slopes like wool to a sheep’s back and refuse to give up their leaves even at this time of year. There the walls run straight and solid, drenched with moss and saturated with life.

  From such a wood, the company emerges into a smoky bottom-land, where shaggy anthracite-colored cattle engage in desultory shoving-matches. They fall in along the course of a rushing river that has vaulted down off the moor. Not far below them, it slows, flattens, and broadens to an estuary. There is the longboat waiting to take Daniel out to Minerva, which is anchored somewhere hereabouts, making ready for the run to Oporto and thence, eventually, to Boston.

  But the travelers from London have not followed the Earl of Lostwithiel and Thomas Newcomen all this way to look at cows or boats. As they come out from under the dripping eaves of the last little oak-coppice, Daniel Waterhouse, Norman Orney, and Peter Hoxton begin to note certain oddments and novelties round the foot of the valley. Above the high tide mark, the ground runs gently up-hill for no more than a bow-shot before leaping up to make a rocky bluff that looms over the estuary. It’s obvious enough, even to visitors who are not aficionadoes of the Technologickal Arts, that men have been digging coal out of the roots of that bluff for many generations. The flat ground along the shore is strewn with dunnage and gouged with marks where they have trundled and dragged the coal down to meet the boats. To that point, it is typical of a certain type of small mine that might prosper until the miners delved to the waterline, and then be abandoned.

  There is a flattish out-cropping not far above the foot of the bluff. On it stands a thing that might have been cobbled together from pieces of drawbridges and siege engines. Two free-standing stone walls are held apart by an unroofed void perhaps four yards in breadth. That void has been congested with a dark web of timbers that reminds Daniel of a gallows. This supports some arrangement of platforms, stairs, ladders, and Machinery that is quite difficult to sort out, even as they draw closer to it. From its complexities emerges a sucking and hissing and booming, like the beating of a giant’s heart, one might think, in the last moments before it dies. This does not die, however, but keeps going in a steady cadence. With each beat comes a sudden rushing noise, which their ears can follow as it meanders down a crooked wooden aqueduct and finally leaps out and spatters on the tidal flat below, where it has carved a little water-course—a man-made streambed—down into the surf.