The Temporary Gentleman
Page 1
The Temporary Gentleman
A novel
Sebastian Barry
Table of Contents
Title Page
Dedication
Epigraph
Chapter One
Chapter Two
Chapter Three
Chapter Four
Chapter Five
Chapter Six
Chapter Seven
Chapter Eight
Chapter Nine
Chapter Ten
Chapter Eleven
Chapter Twelve
Chapter Thirteen
Chapter Fourteen
Chapter Fifteen
Chapter Sixteen
Chapter Seventeen
Chapter Eighteen
Chapter Nineteen
Chapter Twenty
Chapter Twenty-one
Chapter Twenty-two
Chapter Twenty-three
Chapter Twenty-four
Chapter Twenty-five
Chapter Twenty-six
Chapter Twenty-seven
Chapter Twenty-eight
Chapter Twenty-nine
Acknowledgements
About the author
By the same author
Copyright
To Jacquie Burgess,
beautiful and wise
hic amor, haec patria est.
Virgil, Aeneid
Remember me, forget my fate.
Nahum Tate, Dido and Aeneas
Chapter One
‘It’s a beautiful night and no mistake. You would never think there was a war somewhere.’
These less than prophetic words were spoken by a young navy second lieutenant, on the wide, night-bedarkened deck of our supply ship, bound for Accra. He was a tubby little man, whom the day’s sun had scorched red. Happy to hear an Irish accent I asked him where he was from and he said, with that special enthusiasm Irish people reserve for each other when they accidentally meet abroad, Donegal. We talked then about Bundoran in the summer, where my father had often brought his band. It was a pleasure to shoot the breeze with him for a few moments as the engines growled on, deep below.
The cargo was eight hundred men and officers, all headed for various parts of British Africa. There was the noise of the little parliaments of the card-players, and the impromptu music-halls of the whisky drinkers, and true enough a lovely mole-grey air moved across the ship in a beneficent wave. We could see the coast of Africa lying out along a minutely fidgeting shoreline. The only illuminations were the merry lights of the ship, and the sombre philosophical lights of God above. Otherwise the land ahead was favoured only by darkness, a confident brushstroke of rich, black ink.
I had been in an excellent mood for days, having picked the winner of the Middle Park Stakes at Nottingham. Every so often, I stuck a hand in my right pocket and jingled part of my winnings in the shape of a few half-crowns. The rest of it was inserted into an inside pocket of my uniform – a fold of lovely crisp white banknotes. I’d got up to Nottingham on a brief furlough, having been given a length of time not quite long enough to justify the long trek across England and Ireland to Sligo.
France had fallen to Hitler, and suddenly, bizarrely, colonies like the Gold Coast were surrounded by the new enemy, the forces of the Vichy French. No one knew what was going to happen, but we were being shunted down quickly to be in place to blow bridges, burst canals, and break up roads, if the need arose. We had heard the colonial regiments were being swelled by new recruits, thousands of Gold Coast men rushing to defend the Empire. I suppose this was when Tom Quaye, though of course I didn’t know him then, joined up.
So I was standing there, flush with my winnings, not thinking of much, as always somewhat intoxicated by being at sea, somewhat in love with an unknown coastline, and the intriguing country lying in behind. I had also about a bottle of Scotch whisky in me, though I stood rooted as a tree for all that. It was a moment of simple exhilaration. My red hair, the selfsame red hair that had first brought me to the attention of Mai, for it was not I who said hello to her first, but she, with her playful question in the simple neat quadrangle of the university, ‘I suppose you put a colour in that?’ – my red hair was brushed flat back from my forehead, my second lieutenant’s cap holding it down like a pot lid, my cheeks had been shaved by my batman Percy Welsh, my underclothes were starched, my trousers were creased, my shoes were signalling back brightly to the moon – when suddenly the whole port side of the ship seemed to go up, right in front of my eyes, an enormous gush and geyser of water, a shuddering explosion, an ear-numbing rip of metallic noise, and a vast red cornet of flames the size of the torch on the Statue of Liberty. The young second lieutenant from Donegal was suddenly as dead as one of those porpoises you will see washed up on the beach at Enniscrone after a storm, on the deck beside me, felled by a jagged missile of stray metal. Men came tearing up from below, the doorways oozing them out as if so much boiling molasses, there were cries and questions even as the gigantic fountain of displaced water collapsed and found the deck, and hammered us flat there as if we were blobs of dough. Two of my sappers were trying to peel me back up from the deck, itself splintered and cratered from the force, and now other stray bits of the ship rained down, clattering and banging and boasting and killing.
‘That was a fucking torpedo,’ said my sergeant, with perfect redundancy, a little man called Ned Johns from Cornwall, the most knowledgeable man for a fuze I ever worked with. He probably knew the make and poundage of the torpedo, but if he did he didn’t say. The next second the huge ship started to pitch to port, and before I could grab him, Ned Johns went off sliding down the new slope and smashing into the rail, gathered himself, stood up, looked back at me, and then was wrenched across the rail and out of view. I knew we were holed deep under the waterline, I could more or less feel it in my body, something vital torn out of the ship echoed in the pit of my stomach, some mischief done, deep, deep in some engine room or cargo hold.
My other helper, Johnny ‘Fats’ Talbott, a man so lean you could have used him for spare wire, as poor Ned Johns once said, in truth was using me now as a kind of bollard, but that was no good, because the ship seemed to make a delayed reaction to its wound, and shuddered upward, the ship’s rail rearing up ten feet in a bizarre and impossible movement, catching poor Johnny completely off guard, since he had been bracing himself against a force from the other direction, and off he went behind me, pulling the trouser leg off my uniform as he did so, sending my precious half-crowns firing in every direction.
So for a moment of odd calm I stood there, one leg bare to the world, my cap still in place inexplicably, myself drenched so thoroughly I felt one hundred per cent seawater. An iron ladder full of men, from God knows where, maybe even from inside the ship, or from the side of the command deck more likely, with about a dozen calling and screaming persons clinging to it like forest monkeys, moved past me as if it were a trolley being wheeled by the demon of this attack, and crossed the ravaged deck, and pitched down into the moiling, dark sea behind. Everything roared for that moment, the high night sky of blankening stars, the great and immaculate silver serving dish of the sea itself, the rended ship, the offended and ruined men – and then, precipitatively, a silence reigned, the shortest reign of any silence in the empires of silence, the whole vista, the far-off coast, the deck, the sea, was as still for a moment as a painting, as if someone had just painted it all in his studio, and was gazing at it, contemplating it, reaching out to put a finishing touch on it, of smoke, of fire, of blood, of water, and then I felt the whole ship leave me, sink under my boots so suddenly that there was for that second a gap between me and it, so that wasn’t I like an angel, a winged man suspended. Then gravity broke the spell, gra
vity ruined the bloody illusion, and I went miserably and roaringly downward with the ship, the deck broke into the waters, it smashed through the sacred waters like a child breaks an ice puddle in a Sligo winter, it made a noise like that, of something solid, something icy breaking, glass really, but not glass, infinitely soft and receiving water, the deeps, the dreaded deeps, the reason why fishermen never learn to swim, let the waters take us quickly, let there be no thrashing and hoping and swimming, no, let your limbs go, be calm, put your trust in God, pray quick to your Redeemer, and I did, just like an Aran fisherman, and gave up my soul to God, and sent my last signal of love flying back across Europe to Mai, Mai, and my children, up the night-filthied coast of Africa, across the Canaries, across the old boot of England and the ancient baby-shape of Ireland, I sent her my last word of love, I love thee, I love thee, Mai, I am sorry, I am sorry.
The ocean closed over my head with its iron will, and the fantastical suck of the sinking ship drew me down as if a hundred demons were yanking on my legs, down down we went, our handsome troopship made in Belfast, the loose bodies of the already drowned, the myriad papers and plans for war, the tins of sardines we had taken in in Algiers, the fabulous materiel, the brand new trucks, the stocks of tyres, the fifty-three horses, the wooden stakes, the planks, the boxes of carefully stored explosives, all down down to Neptune we went, extinguished in a moment without either glory or cowardice, an action of the gods, of queer physics, that huge metal mass sucker-punched, beaten, ruined, wrecked, fucked to all hell as Ned Johns would say, and I felt the water all around as if I were in the body of a physical creature, as if this were its blood, and the scientifically explainable forces at work were its sinews and muscles. And it stopped my mouth and found the secret worm-whorls of my ears, and it wanted entry into me, but I had grabbed, stolen, fetched out with an instinctive exuberance, a last great gulp of breath, and I was bearing this down with me, in my chest, around my heart, as my singing response, my ears were now thundering with the thunders of the sea, I thought I could hear the ship itself cry out in a crazy vocabulary of pain, as if a man could learn this lingo somewhere, the tearing death-cries of a vessel. All the while as if still standing on the deck, but that was not possible, and then I thought the ship was turning sideways, like a giant in its bed, and I had no choice but to go with it, I was like a salmon looking for the seam in a waterfall, where it could grip its way to the gravel-beds on grips of mere water, and now I thought I was rushing over the side, away from the deck, accelerated by some unknown force faster than the ship itself, and I was scraping along metal, I felt long sea-grass and barnacles, surely I could not have, but I thought I did, and just as the ship went right over, or so I imagined it, how could I know, in the deepest dark, the darkest deepest dark that ever was, an instance of utter blankness, suddenly I felt the very keel of the troopship, something wide and round and good, the sacred keel, the foundation of the sailor’s hope, the guarantor of his sleep between watches, but all up the wrong way, in the wrong place, violently torn from its proper place, and just in that moment, just in that moment, with a great groan, a weird and menacing sighing, a sort of silence as the worst noise in creation, the keel halted and went back the other way, like the spine of a whale, as if the ship were now fish, and because I was holding onto the keel, riding it, like a fly on a saddle, it sort of threw me back the other way, catapulted me slowly, Mr Cannonball himself in the tuppenny circus of old at Enniscrone, my childhood flaring in my head, my whole life flaring, and then I seemed to be in the shrouds of the little forward mast, and I squeezed my body into a tight ball, again pure instinct, not a thought in my mind, and as the killed ship rolled slowly over, seeking its doom at least in a balletic and beautiful curve, the furled sails rolled me over and over, giving me strange speed, volition unknown, and I unfolded myself, like a lover rising victorious from the marriage bed, and I spread my arms, and I thrashed them into the ocean, and swam, and swam, looking for the surface, praying for it, gone a mile beyond mere breathlessness, ready to grow gills to survive this, and then it was there, the utterly simple sky, God’s bare lights, in the serene harbours of the constellations, and I grabbed like a greedy child onto something, a shard of something, a ruined and precious fragment, and there I floated, gripping on, half-mad, for a minute without memory, oh Mai, Mai, for a minute all absence and presence, a creature blanked out and destroyed, a creature bizarrely renewed.
By the grace of God we were travelling in convoy that night. And by the grace of God, for some reason only known to its captain and its crouching sailors, the submarine melted off into the deeps, not that any of us saw it. A corvette bristling with machine guns manoeuvered up near me, I heard the confident voices with wild gratitude, arms reached down into the darkness for me, pulled me from the chaos, and I slumped, suddenly lumpish and exhausted, at the boots of my rescuers, falling down to lie with other survivors, some with dark-blooded wounds, a few entirely naked, the clothes sucked off them.
I lay there, ticking with life, triumphant, terrified. I noticed myself checking my inside pocket for the roll of banknotes, as if watching someone else, as if I were two people, and I laughed at my other self for his foolishness.
We steamed into Accra the following morning.
Chapter Two
Now it is 1957 and I am back in Accra, after many comings and goings. The war has been over for twelve years. The Gold Coast has turned into Ghana, the first African country to gain independence. As a former UN observer I watched it all with immense interest and excitement – the enormous politeness of the departing British, the beautiful speeches, the Ciceronian phrases. We are very good at leaving. At the same time, there is still a governor here for the moment, and a skeleton of the old administration. There are currents of darkness in this bright new river and slowly-slowly seems to be the ticket, for fear of old hatreds and old scores fomenting up –- indeed as they did in Ireland in the twenties.
Soon I’ll go back to Sligo. It is so strange to be in a freed country, and yet not so strange, since my own home place once was freed. I did not understand freedom. I understand it better now, just a little. I have been renting this little plaster house, with an old design of swirls and squares on the outside, like one of the local temples. It is not a temple, but the temperate, honest quarters of a minor official, Mr Peter Oko, who was happy to rent out his extra house to this whiteman, while gainfully employed by the UN, and now staying on when many of his type, ‘the others’ who have haunted Africa for three hundred years, have packed their trunks and gone. When I first arrived over a year ago he was described to me by the lady, whose name I forget, in the letter from the UN, as ‘the lovely Mr Oko, who will help you in all things’. And he was as good as her word. Two thirds my height, with a penny-sized patch of baldness on his pleasant crown, fluent in English, more so than many an Irishman, he kept me fully informed and decently housed throughout the period of my contract. Maybe a few years my senior, he referred to me as ‘his son’, as in, ‘Mr McNulty, my son,’ and generally gave himself and all his fellow Accrans a good name in my heart. And I remember Accra when it was all tin roofs and ant hills, long before the war, and it was the despair of the European wives, asking the old administrative headquarters here by means of persistent and frantic letters for information about dresses, hats, and most urgently of all, mosquito-proof stockings, as we lurked vulnerably in our distant station.
The local English newspaper, the Accran Clarion, whose pages have shrunk from twenty to one single sheet, says there is still a little trouble here and there, that old trouble for instance bubbling back up between Togoland and the Gold Coast that I and others laboured to fix just a few months ago. If the men come in their new uniforms to ask me to quit their Ghana, of course I will have to go. But as yet nothing disturbs the delightful atmosphere here at the edge of the city, where the houses give way to the bright green squares of passionately growing vegetables. I cannot see the Atlantic, but I can smell it, half a mile distant, that hazy and infi
nite expanse of acres, with its immense depths, and sometimes terrifying waters. So I am content enough not to be in sight of it. Even as I looked it over last year, the house I mean, with Mr Oko, and he darted about showing me its glories and idiosyncrasies, I was thinking, ‘But Mai would have liked to be by the sea, for the swimming.’ And with the next thought remembered she would not be living here with me.
Mai.
And I will go back to Ireland, I must, I must, I have duties there, not least to my children.
*
1922. There she was, the first time I ever saw her, sailing along in her loose black skirts, her lovely face above a long-boned frame, on the cinder path of the university, hidden by tree trunks and then revealed, so that she whirred in my eyes like a film reel, a shadow half-ruined by sunlight under the famous plane trees. Her blouse so white, with the soft bosom plainly moving within, that it was a bright shield in the underwood. And myself still very young, when the brain seemed to brook no real thought of the past or the future – the movement of time and the world stilled. I watched her from under the dark arch of the entrance to the quadrangle. It was still my first year in the university, in the time of the civil war.
She had many friends, chief of them a splendid girl called Queenie Moran, a great favourite in the college, but none of them among my own set, which was very male I suppose, technical-minded boys among the engineers, and those dark, mysterious chaps who got light only from the more distant galaxies of mathematics and physics. Her friends were the new girls of the century, who had come into the university on fearless feet, and who swished up and down the paths of the college with the confidence of Cortez and Magellan. Sometimes she could be seen in the small swarm of these women, coming out of lectures talking fast and loud, well aware I do not doubt of the lonesome male gazes thrown their way. And then there were those boys in their set that can insert themselves among a group of women, a talent in itself, the sons of doctors and even people in the new government, with the smoke of both victory and surrender drifting above their heads.