Selected plays
Page 32
SHABELSKI. Paul, give me some money. I will repay you in the next world. I would go to Paris and see my wife's grave. I have given away a great deal of money in my life, half my fortune indeed, and I have a right to ask for some now. Besides, I am asking a friend.
LEBEDIEFF. [Embarrassed] My dear boy, I haven't a penny. All right though. That is to say, I can't promise anything, but you understand-very well, very well. [Aside] This is agony!
Enter MARTHA.
MARTHA. Where is my partner? Count, how dare you leave me alone? You are horrid! [She taps SHABELSKI on the arm with her fan]
SHABELSKI. [Impatiently] Leave me alone! I can't abide you!
MARTHA. [Frightened] How? What?
SHABELSKI. Go away!
MARTHA. [Sinks into an arm-chair] Oh! Oh! Oh! [She bursts into tears.]
Enter ZINAIDA crying.
ZINAIDA. Some one has just arrived; it must be one of the ushers. It is time for the ceremony to begin.
SASHA. [Imploringly] Mother!
LEBEDIEFF. Well, now you are all bawling. What a quartette! Come, come, don't let us have any more of this dampness! Matthew! Martha! If you go on like this, I-I-shall cry too. [Bursts into tears] Heavens!
ZINAIDA. If you don't need your mother any more, if you are determined not to obey her, I shall have to do as you want, and you have my blessing.
Enter IVANOFF, dressed in a long coat, with gloves on.
LEBEDIEFF This is the finishing touch! What do you want?
SHABELSKI. Why are you here?
IVANOFF. I beg your pardon, you must allow me to speak to Sasha alone.
LEBEDIEFF. The bridegroom must not come to see the bride before the wedding. It is time for you to go to the church.
IVANOFF. Paul, I implore you.
LEBEDIEFF shrugs his shoulders. LEBEDIEFF, ZINAIDA, SHABELSKI, and MARTHA go out.
SASHA. [Sternly] What do you want?
IVANOFF. I am choking with anger; I cannot speak calmly. Listen to me; as I was dressing just now for the wedding, I looked in the glass and saw how grey my temples were. Sasha, this must not be! Let us end this senseless comedy before it is too late. You are young and pure; you have all your life before you, but I--
SASHA. The same old story; I have heard it a thousand times and I am tired of it. Go quickly to the church and don't keep everybody waiting!
IVANOFF. I shall go straight home, and you must explain to your family somehow that there is to be no wedding. Explain it as you please. It is time we came to our senses. I have been playing the part of Hamlet and you have been playing the part of a noble and devoted girl. We have kept up the farce long enough.
SASHA. [Losing her temper] How can you speak to me like this? I won't have it.
IVANOFF. But I am speaking, and will continue to speak.
SASHA. What do you mean by coming to me like this? Your melancholy has become absolutely ridiculous!
IVANOFF. No, this is not melancholy. It is ridiculous, is it? Yes, I am laughing, and if it were possible for me to laugh at myself a thousand times more bitterly I should do so and set the whole world laughing, too, in derision. A fierce light has suddenly broken over my soul; as I looked into the glass just now, I laughed at myself, and nearly went mad with shame. [He laughs] Melancholy indeed! Noble grief! Uncontrollable sorrow! It only remains for me now to begin to write verses! Shall I mope and complain, sadden everybody I meet, confess that my manhood has gone forever, that I have decayed, outlived my purpose, that I have given myself up to cowardice and am bound hand and foot by this loathsome melancholy? Shall I confess all this when the sun is shining so brightly and when even the ants are carrying their little burdens in peaceful self-content? No, thanks. Can I endure the knowledge that one will look upon me as a fraud, while another pities me, a third lends me a helping hand, or worst of all, a fourth listens reverently to my sighs, looks upon me as a new Mahomet, and expects me to expound a new religion every moment? No, thank God for the pride and conscience he has left me still. On my way here I laughed at myself, and it seemed to me that the flowers and birds were laughing mockingly too.
SASHA. This is not anger, but madness!
IVANOFF. You think so, do you? No, I am not mad. I see things in their right light now, and my mind is as clear as your conscience. We love each other, but we shall never be married. It makes no difference how I rave and grow bitter by myself, but I have no right to drag another down with me. My melancholy robbed my wife of the last year of her life. Since you have been engaged to me you have forgotten how to laugh and have aged five years. Your father, to whom life was always simple and clear, thanks to me, is now unable to understand anybody. Wherever I go, whether hunting or visiting, it makes no difference, I carry depression, dulness, and discontent along with me. Wait! Don't interrupt me! I am bitter and harsh, I know, but I am stifled with rage. I cannot speak otherwise. I have never lied, and I never used to find fault with my lot, but since I have begun to complain of everything, I find fault with it involuntarily, and against my will. When I murmur at my fate every one who hears me is seized with the same disgust of life and begins to grumble too. And what a strange way I have of looking at things! Exactly as if I were doing the world a favour by living in it. Oh, I am contemptible.
SASHA. Wait a moment. From what you have just said, it is obvious that you are tired of your melancholy mood, and that the time has come for you to begin life afresh. How splendid!
IVANOFF. I don't see anything splendid about it. How can I lead a new life? I am lost forever. It is time we both understood that. A new life indeed!
SASHA. Nicholas, come to your senses. How can you say you are lost? What do you mean by such cynicism? No, I won't listen to you or talk with you. Go to the church!
IVANOFF. I am lost!
SASHA. Don't talk so loud; our guests will hear you!
IVANOFF. If an intelligent, educated, and healthy man begins to complain of his lot and go down-hill, there is nothing for him to do but to go on down until he reaches the bottom-there is no hope for him. Where could my salvation come from? How can I save myself? I cannot drink, because it makes my head ache. I never could write bad poetry. I cannot pray for strength and see anything lofty in the languor of my soul. Laziness is laziness and weakness weakness. I can find no other names for them. I am lost, I am lost; there is no doubt of that. [Looking around] Some one might come in; listen, Sasha, if you love me you must help me. Renounce me this minute; quickly!
SASHA. Oh, Nicholas! If you only knew how you are torturing me; what agony I have to endure for your sake! Good thoughtful friend, judge for yourself; can I possibly solve such a problem? Each day you put some horrible problem before me, each one more difficult than the last. I wanted to help you with my love, but this is martyrdom!
IVANOFF. And when you are my wife the problems will be harder than ever. Understand this: it is not love that is urging you to take this step, but the obstinacy of an honest nature. You have undertaken to reawaken the man in me and to save me in the face of every difficulty, and you are flattered by the hope of achieving your object. You are willing to give up now, but you are prevented from doing it by a feeling that is a false one. Understand yourself!
SASHA. What strange, wild reasoning! How can I give you up now? How can I? You have no mother, or sister, or friends. You are ruined; your estate has been destroyed; every one is speaking ill of you-
IVANOFF. It was foolish of me to come here; I should have done as I wanted to-
Enter LEBEDIEFF.
SASHA. [Running to her father] Father! He has rushed over here like a madman, and is torturing me! He insists that I should refuse to marry him; he says he doesn't want to drag me down with him. Tell him that I won't accept his generosity. I know what I am doing!
LEBEDIEFF. I can't understand a word of what you are saying. What generosity?
IVANOFF. This marriage is not going to take place.
SASHA. It is going to take place. Papa, tell him that it is going to take place.
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LEBEDIEFF. Wait! Wait! What objection have you to the marriage?
IVANOFF. I have explained it all to her, but she refuses to understand me.
LEBEDIEFF. Don't explain it to her, but to me, and explain it so that I may understand. God forgive you, Nicholas, you have brought a great deal of darkness into our lives. I feel as if I were living in a museum; I look about me and don't understand anything I see. This is torture. What on earth can an old man like me do with you? Shall I challenge you to a duel?
IVANOFF. There is no need of a duel. All you need is a head on your shoulders and a knowledge of the Russian language.
SASHA. [Walks up and down in great excitement] This is dreadful, dreadful! Absolutely childish.
LEBEDIEFF. Listen to me, Nicholas; from your point of view what you are doing is quite right and proper, according to the rules of psychology, but I think this affair is a scandal and a great misfortune. I am an old man; hear me out for the last time. This is what I want to say to you: calm yourself; look at things simply, as every one else does; this is a simple world. The ceiling is white; your boots are black; sugar is sweet. You love Sasha and she loves you. If you love her, stay with her; if you don't, leave her. We shan't blame you. It is all perfectly simple. You are two healthy, intelligent, moral young people; thank God, you both have food and clothing-what more do you want? What if you have no money? That is no great misfortune-happiness is not bought with wealth. Of course your estate is mortgaged, Nicholas, as I know, and you have no money to pay the interest on the debt, but I am Sasha's father. I understand. Her mother can do as she likes-if she won't give any money, why, confound her, then she needn't, that's all! Sasha has just said that she does not want her part of it. As for your principles, Schopenhauer and all that, it is all folly. I have one hundred thousand roubles in the bank. [Looking around him] Not a soul in the house knows it; it was my grandmother's money. That shall be for you both. Take it, give Matthew two thousand-
[The guests begin to collect in the ball-room].
IVANOFF. It is no use discussing it any more, I must act as my conscience bids me.
SASHA. And I shall act as my conscience bids me-you may say what you please; I refuse to let you go! I am going to call my mother.
LEBEDIEFF. I am utterly puzzled.
IVANOFF. Listen to me, poor old friend. I shall not try to explain myself to you. I shall not tell you whether I am honest or a rascal, healthy or mad; you wouldn't understand me. I was young once; I have been eager and sincere and intelligent. I have loved and hated and believed as no one else has. I have worked and hoped and tilted against windmills with the strength of ten-not sparing my strength, not knowing what life was. I shouldered a load that broke my back. I drank, I worked, I excited myself, my energy knew no bounds. Tell me, could I have done otherwise? There are so few of us and so much to do, so much to do! And see how cruelly fate has revenged herself on me, who fought with her so bravely! I am a broken man. I am old at thirty. I have submitted myself to old age. With a heavy head and a sluggish mind, weary, used up, discouraged, without faith or love or an object in life, I wander like a shadow among other men, not knowing why I am alive or what it is that I want. Love seems to me to be folly, caresses false. I see no sense in working or playing, and all passionate speeches seem insipid and tiresome. So I carry my sadness with me wherever I go; a cold weariness, a discontent, a horror of life. Yes, I am lost for ever and ever. Before you stands a man who at thirty-five is disillusioned, wearied by fruitless efforts, burning with shame, and mocking at his own weakness. Oh, how my pride rebels against it all! What mad fury chokes me! [He staggers] I am staggering-my strength is failing me. Where is Matthew? Let him take me home.
[Voices from the ball-room] The best man has arrived!
Enter SHABELSKI.
SHABELSKI. In an old worn-out coat-without gloves! How many scornful glances I get for it! Such silly jokes and vulgar grins! Disgusting people.
Enter BORKIN quickly. He is carrying a bunch of flowers and is in a dress-coat. He wears a flower in his buttonhole.
BORKIN. This is dreadful! Where is he? [To IVANOFF] They have been waiting for you for a long time in the church, and here you are talking philosophy! What a funny chap you are. Don't you know you must not go to church with the bride, but alone, with me? I shall then come back for her. Is it possible you have not understood that? You certainly are an extraordinary man!
Enter LVOFF.
LVOFF. [To IVANOFF] Ah! So you are here? [Loudly] Nicholas Ivanoff, I denounce you to the world as a scoundrel!
IVANOFF. [Coldly] Many thanks!
BORKIN. [To LVOFF] Sir, this is dastardly! I challenge you to a duel!
LVOFF. Monsieur Borkin, I count it a disgrace not only to fight with you, but even to talk to you! Monsieur Ivanoff, however, can receive satisfaction from me whenever he chooses!
SHABELSKI. Sir, I shall fight you!
SASHA. [To LVOFF] Why, oh why, have you insulted him? Gentlemen, I beg you, let him tell me why he has insulted him.
LVOFF. Miss Sasha, I have not insulted him without cause. I came here as a man of honour, to open your eyes, and I beg you to listen to what I have to tell you.
SASHA. What can you possibly have to tell me? That you are a man of honour? The whole world knows it. You had better tell me on your honour whether you understand what you have done or not. You have come in here as a man of honour and have insulted him so terribly that you have nearly killed me. When you used to follow him like a shadow and almost keep him from living, you were convinced that you were doing your duty and that you were acting like a man of honour. When you interfered in his private affairs, maligned him and criticised him; when you sent me and whomever else you could, anonymous letters, you imagined yourself to be an honourable man! And, thinking that that too was honourable, you, a doctor, did not even spare his dying wife or give her a moment's peace from your suspicions. And no matter what violence, what cruel wrong you committed, you still imagined yourself to be an unusually honourable and clear-sighted man.
IVANOFF. [Laughing] This is not a wedding, but a parliament! Bravo! Bravo!
SASHA. [To LVOFF] Now, think it over! Do you see what sort of a man you are, or not? Oh, the stupid, heartless people! [Takes IVANOFF by the hand] Come away from here Nicholas! Come, father, let us go!
IVANOFF. Where shall we go? Wait a moment. I shall soon put an end to the whole thing. My youth is awake in me again; the former Ivanoff is here once more.
[He takes out a revolver.]
SASHA. [Shrieking] I know what he wants to do! Nicholas, for God's sake!
IVANOFF. I have been slipping down-hill long enough. Now, halt! It is time to know what honour is. Out of the way! Thank you, Sasha!
SASHA. [Shrieking] Nicholas! For God's sake hold him!
IVANOFF. Let go! [He rushes aside, and shoots himself.]
The curtain falls.
Mon, Aug 13th, 2012, via SendToReader
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Anton Chekhov
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Selected plays