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Books Of Blood Vol 6

Page 7

by Clive Barker


  Suddenly, something took hold of his leg. He looked down to see that a demon, with flesh like ripe raspberries, still had an appetite for him. Its tongue was coiled around Harry's shin; its claws reached for his groin. The assault made him forget the cremation or the Raparee. He bent to tear at the tongue with his bare hands, but its slickness confounded his attempts. He staggered back as the demon climbed his body, its limbs embracing him.

  The struggle took them to the ground, and they rolled away from the stairs, along the other arm of the corridor. The struggle was far from uneven; Harry's repugnance was at least the match of the demon's ardour. His torso pressed to the ground, he suddenly remembered the Raparee. Its advance reverberated in every board and wall.

  Now it came into sight at the top of the stairs, and turned its slow head towards Swann's funeral pyre. Even from this distance Harry could see that Valentin's last-ditch attempts to destroy his master's body had failed. The fire had scarcely begun to devour the magician. They would have him still.

  Eyes on the Raparee, Harry neglected his more intimate enemy, and it thrust a piece of flesh into his mouth. His throat filled up with pungent fluid; he felt himself choking. Opening his mouth he bit down hard upon the organ, severing it. The demon did not cry out, but released sprays of scalding excrement from pores along its back, and disengaged itself. Harry spat its muscle out as the demon crawled away. Then he looked back towards the fire.

  All other concerns were forgotten in the face of what he saw.

  Swann had stood up.

  He was burning from head to foot. His hair, his clothes, his skin. There was no part of him that was not alight. But he was standing, nevertheless, and raising his hands to his audience in welcome.

  The Raparee had ceased its advance. It stood a yard or two from Swann, its limbs absolutely still, as if it were mesmerised by this astonishing trick.

  Harry saw another figure emerge from the head of the stairs. It was Butterfield. His stump was roughly tied off; a demon supported his lop-sided body.

  Tut out the fire,' demanded the lawyer of the Raparee. 'It's not so difficult.'

  The creature did not move.

  'Go on," said Butterfield. 'It's just a trick of his. He's dead, damn you. It's just conjuring.'

  'No,' said Harry.

  Butterfield looked his way. The lawyer had always been insipid. Now he was so pale his existence was surely in question.

  'What do you know?' he said.

  'It's not conjuring,' said Harry. 'It's magic.'

  Swann seemed to hear the word. His eyelids fluttered open, and he slowly reached into his jacket and with a flourish produced a handkerchief. It too was on fire. It too was unconsumed. As he shook it out tiny bright birds leapt from its folds on humming wings. The Raparee was entranced by this sleight-of-hand. Its gaze followed the illusory birds as they rose and were dispersed, and in that moment the magician stepped forward and embraced the engine.

  It caught Swann's fire immediately, the flames spreading over its flailing limbs. Though it fought to work itself free of the magician's hold, Swann was not to be denied. He clasped it closer than a long-lost brother, and would not leave it be until the creature began to wither in the heat. Once the decay began it seemed the Raparee was devoured in seconds, but it was difficult to be certain. The moment - as in the best performances - was held suspended. Did it last a minute? Two minutes? Five? Harry would never know. Nor did he care to analyse. Disbelief was for cowards; and doubt a fashion that crippled the spine. He was content to watch - not knowing if Swann lived or died, if birds, fire, corridor or if he himself- Harry D'Amour - were real or illusory.

  Finally, the Raparee was gone. Harry got to his feet. Swann was also standing, but his farewell performance was clearly over.

  The defeat of the Raparee had bested the courage of the horde. They had fled, leaving Butterfield alone at the top of the stairs.

  'This won't be forgotten, or forgiven,' he said to Harry. 'There's no rest for you. Ever. I am your enemy.'

  'I hope so,' said Harry.

  He looked back towards Swann, leaving Butterfield to his retreat. The magician had laid himself down again. His eyes were closed, his hands replaced on his chest. It was as if he had never moved. But now the fire was showing its true teeth. Swann's flesh began to bubble, his clothes to peel off in smuts and smoke. It took a long while to do the job, but eventually the fire reduced the man to ash.

  By that time it was after dawn, but today was Sunday, and Harry knew there would be no visitors to interrupt his labours. He would have time to gather up the remains; to pound the boneshards and put them with the ashes in a carrier bag. Then he would go out and find himself a bridge or a dock, and put Swann into the river.

  There was precious little of the magician left once the fire had done its work; and nothing that vaguely resembled a man.

  Things came and went away; that was a kind of magic. And in between? Pursuits and conjurings; horrors, guises. The occasional joy.

  That there was room for joy; ah! that was magic too.

  THE LIFE OF DEATH

  THE NEWSPAPER WAS the first edition of the day, and Elaine devoured it from cover to cover as she sat in the hospital waiting room. An animal thought to be a panther - which had terrorised the neighbourhood of Epping Forest for two months - had been shot and found to be a wild dog. Archaeologists in the Sudan had discovered bone fragments which they opined might lead to a complete reappraisal of Man's origins. A young woman who had once danced with minor royalty had been found murdered near Clapham; a solo round-the-world yachtsman was missing; recently excited hopes of a cure for the common cold had been dashed. She read the global bulletins and the trivia with equal fervour - anything to keep her mind off the examination ahead - but today's news seemed very like yesterday's; only the names had been changed.

  Doctor Sennett informed her that she was healing well, both inside and out, and was quite fit to return to her full responsibilities whenever she felt psychologically resilient enough. She should make another appointment for the first week of the new year, he told her, and come back for a final examination then. She left him washing his hands of her.

  The thought of getting straight onto the bus and heading back to her rooms was repugnant after so much time sitting and waiting. She would walk a stop or two along the route, she decided. The exercise would be good for her, and the December day, though far from warm, was bright.

  Her plans proved over-ambitious however. After only a few minutes of walking her lower abdomen began to ache, and she started to feel nauseous, so she turned off the main road to seek out a place where she could rest and drink some tea. She should eat too, she knew, though she had never had much appetite, and had less still since the operation. Her wanderings were rewarded. She found a small restaurant which, though it was twelve fifty-five, was not enjoying a roaring lunch-time trade. A small woman with unashamedly artificial red hair served her tea and a mushroom omelette. She did her best to eat, but didn't get very far. The waitress was plainly concerned.

  'Something wrong with the food?' she said, somewhat testily.

  'Oh no,' Elaine reassured her. 'It's just me.'

  The waitress looked offended nevertheless.

  Td like some more tea though, if I may?' Elaine said.

  She pushed the plate away from her, hoping the waitress would claim it soon. The sight of the meal congealing on the patternless plate was doing nothing for her mood. She hated this unwelcome sensitivity in herself: it was absurd that a plate of uneaten eggs should bring these doldrums on, but she couldn't help herself. She found everywhere little echoes of her own loss. In the death, by a benign November and then the sudden frosts, of the bulbs in her window-sill box; in the thought of the wild dog she'd read of that morning, shot in Epping Forest.

  The waitress returned with fresh tea, but failed to take the plate. Elaine called her back, requesting that she do so. Grudgingly, she obliged.

  There were no customers left in the place n
ow, other than Elaine, and the waitress busied herself with removing the lunchtime menus from the tables and replacing them with those for the evening. Elaine sat staring out of the window. Veils of blue-grey smoke had crept down the street in recent minutes, solidifying the sunlight.

  'They're burning again,' the waitress said. 'Damn smell gets everywhere.'

  'What are they burning?'

  'Used to be the community centre. They're knocking it down, and building a new one. It's a waste of tax-payers' money.'

  The smoke was indeed creeping into the restaurant. Elaine did not find it offensive; it was sweetly redolent of autumn, her favourite season. Intrigued, she finished her tea, paid for her meal, and then elected to wander along and find the source of the smoke. She didn't have far to walk. At the end of the street was a small square; the demolition site dominated it. There was one surprise however. The building that the waitress had described as a community centre was in fact a church; or had been. The lead and slates had already been stripped off the roof, leaving the joists bare to the sky; the windows had been denuded of glass; the turf had gone from the lawn at the side of the building, and two trees had been felled there. It was their pyre which provided the tantalising scent.

  She doubted if the building had ever been beautiful, but there was enough of its structure remaining for her to suppose it might have had charm. Its weathered stone was now completely at variance with the brick and concrete that surrounded it, but its besieged situation (the workmen labouring to undo it; the bulldozer on hand, hungry for rubble) gave it a certain glamour.

  One or two of the workmen noticed her standing watching them, but none made any move to stop her as she walked across the square to the front porch of the church and peered inside. The interior, stripped of its decorative stonework, of pulpit, pews, font and the rest, was simply a stone room, completely lacking in atmosphere or authority. Somebody, however, had found a source of interest here. At the far end of the church a man stood with his back to Elaine, staring intently at the ground. Hearing footsteps behind him he looked round guiltily.

  'Oh,' he said. 'I won't be a moment.'

  'It's all right -' Elaine said. 'I think we're probably both trespassing.'

  The man nodded. He was dressed soberly - even drearily - but for his green bow-tie. His features, despite the garb and the grey hairs of a man in middle-age, were curiously unlined, as though neither smile nor frown much ruffled their perfect indifference.

  'Sad, isn't it?' he said. 'Seeing a place like this.'

  'Did you know the church as it used to be?'

  'I came in on occasion,' he said, 'but it was never very popular.'

  'What's it called?'

  'All Saints. It was built in the late seventeenth century, I believe. Are you fond of churches?'

  'Not particularly. It was just that I saw the smoke, and ...'

  'Everybody likes a demolition scene,' he said.

  'Yes,' she replied, 'I suppose that's true.'

  'It's like watching a funeral. Better them than us, eh?'

  She murmured something in agreement, her mind flitting elsewhere. Back to the hospital. To her pain and her present healing. To her life saved only by losing the capacity for further life. Better them than us.

  'My name's Kavanagh,' he said, covering the short distance between them, his hand extended.

  'How do you do?' she said. Tm Elaine Rider.'

  'Elaine,' he said. 'Charming.'

  'Are you just taking a final look at the place before it comes down?'

  'That's right. I've been looking at the inscriptions on the floor stones. Some of them are most eloquent.' He brushed a fragment of timber off one of the tablets with his foot. 'It seems such a loss. I'm sure they'll just smash the stones to smithereens when they start to pull the floor up -'

  She looked down at the patchwork of tablets beneath her feet. Not all were marked, and of those that were many simply carried names and dates. There were some inscriptions however. One, to the left of where Kavanagh was standing, carried an all but eroded relief of crossed shin-bones, like drum-sticks, and the abrupt motto: Redeem the time.

  'I think there must have been a crypt under here at some time,' Kavanagh said.

  'Oh. I see. And these are the people who were buried there.'

  'Well, I can't think of any other reason for the inscriptions, can you? I was thinking of asking the workmen ...' he paused in mid-sentence, '... you'll probably think this positively morbid of me ..."

  'What?'

  'Well, just to preserve one or two of the finer stones from being destroyed.'

  'I don't think that's morbid,' she said. They're very beautiful.'

  He was evidently encouraged by her response. 'Maybe I should speak with them now,' he said. 'Would you excuse me for a moment?'

  He left her standing in the nave like a forsaken bride, while he went out to quiz one of the workmen. She wandered down to where the altar had been, reading the names as she went. Who knew or cared about these people's resting places now? Dead two hundred years and more, and gone away not into loving posterity but into oblivion. And suddenly the unarticulated hopes for an after-life she had nursed through her thirty-four years slipped away; she was no longer weighed down by some vague ambition for heaven. Ont day, perhaps this day, she would die, just as these people had died, and it wouldn't matter a jot. There was nothing to come, nothing to aspire to, nothing to dream of. She stood in a patch of smoke-thickened sun, thinking of this, and was almost happy.

  Kavanagh returned from his exchanges with the foreman.

  'There is indeed a crypt,' he said, 'but it hasn't been emptied yet.'

  'Oh.'

  They were still underfoot, she thought. Dust and bones.

  'Apparently they're having some difficulty getting into it. All the entrances have been sealed up. That's why they're digging around the foundations. To find another way in.'

  'Are crypts normally sealed up?'

  'Not as thoroughly as this one.'

  'Maybe there was no more room,' she said.

  Kavanagh took the comment quite seriously. 'Maybe,' he said.

  'Will they give you one of the stones?'

  He shook his head. 'It's not up to them to say. These are just council lackeys. Apparently they have a firm of professional excavators to come in and shift the bodies to new burial sites. It all has to be done with due decorum.'

  'Much they care,' Elaine said, looking down at the stones again.

  'I must agree,' Kavanagh replied. 'It all seems in excess of the facts. But then perhaps we're not God- fearing enough.'

  'Probably.'

  'Anyhow, they told me to come back in a day or two's time, and ask the removal men.'

  She laughed at the thought of the dead moving house; packing up their goods and chattels. Kavanagh was pleased to have made a joke, even if it had been unintentional. Riding on the crest of this success, he said: 'I wonder, may I take you for a drink?'

  'I wouldn't be very good company, I'm afraid,' she said. 'I'm really very tired.'

  'We could perhaps meet later,' he said.

  She looked away from his eager face. He was pleasant enough, in his uneventful way. She liked his green bow-tie - surely a joke at the expense of his own drabness. She liked his seriousness too. But she couldn't face the idea of drinking with him; at least not tonight. She made her apologies, and explained that she'd been ill recently and hadn't recovered her stamina.

  'Another night perhaps?' he enquired gently. The lack of aggression in his courtship was persuasive, and she said:

  That would be nice. Thank you.'

  Before they parted they exchanged telephone num- bers. He seemed charmingly excited by the thought of their meeting again; it made her feel, despite all that had been taken from her, that she still had her sex.

  She returned to the flat to find both a parcel from Mitch and a hungry cat on the doorstep. She fed the demanding animal, then made herself some coffee and opened the parcel. In it, cocoon
ed in several layers of tissue paper, she found a silk scarf, chosen with Mitch's uncanny eye for her taste. The note along with it simply said: It's your colour. I love you. Mitch. She wanted to pick up the telephone on the spot and talk to him, but somehow the thought of hearing his voice seemed dangerous. Too close to the hurt, perhaps. He would ask her how she felt, and she would reply that she was well, and he would insist: yes, but really? And she would say: I'm empty; they took out half my innards, damn you, and I'll never have your children or anybody else's, so that's the end of that, isn't it? Even thinking about their talking she felt tears threaten, and in a fit of inexplicable rage she wrapped the scarf up in the desiccated paper and buried it at the back of her deepest drawer. Damn him for trying to make things better now, when at the time she'd most needed him all he'd talked of was fatherhood, and how her tumours would deny it him.

  It was a clear evening - the sky's cold skin stretched to breaking point. She did not want to draw the curtains in the front room, even though passers-by would stare in, because the deepening blue was too fine to miss. So she sat at the window and watched the dark come. Only when the last change had been wrought did she close off the chill.

  She had no appetite, but she made herself some food nevertheless, and sat down to watch television as she ate. The food unfinished, she laid down her tray, and dozed, the programmes filtering through to her intermittently. Some witless comedian whose merest cough sent his audience into paroxysms; a natural history programme on life in the Serengeti; the news. She had read all that she needed to know that morning: the headlines hadn't changed.

  One item, however, did pique her curiosity: an interview with the solo yachtsman, Michael May bury, who had been picked up that day after two weeks adrift in the Pacific. The interview was being beamed from Australia, and the contact was bad; the image of Maybury's bearded and sun-scorched face was constantly threatened with being snowed out. The picture mattered little: the account he gave of his failed voyage was riveting in sound alone, and in particular an event that seemed to distress him afresh even as he told it. He had been becalmed, and as his vessel lacked a motor had been obliged to wait for wind. It had not come. A week had gone by with his hardly moving a kilometre from the same spot of listless ocean; no bird or passing ship broke the monotony. With every hour that passed, his claustrophobia grew, and on the eighth day it reached panic proportions, so he let himself over the side of the yacht and swam away from the vessel, a life-line tied about his middle, in order to escape the same few yards of deck. But once away from the yacht, and treading the still, warm water, he had no desire to go back. Why not untie the knot, he'd thought to himself, and float away.

 

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