Topaz

by Leon Uris

  Pierre La Croix’s fist cracked the desk. “La Croix is not used! La Croix uses! Damned old fool,” he uttered harshly to himself.

  But all that really mattered to him now was to protect his place in history. Damned if he would go out in disgrace, in scandal, a laughingstock. A pawn used, as he had played others for pawns all his life. No, he would not go out like that. Not after what he had done for France. No, not after he had returned France to greatness. No stupid little affair would dethrone him. France would never know.

  The letter in the great ashtray blackened around the edges and curled and blazed. As he watched it disintegrate, the terrible words ran over and over.... Old age is a shipwreck ... old age is a shipwreck.... old age is a shipwreck....

  23

  IT WAS A PLEASANT spring day. That certain magic of Paris and the Champs Élysées had Michael Nordstrom all but tranquilized. From his table at a sidewalk cafe he could observe in depth the march of slender and shapely legs, poodles, spike heels, and wiggling backsides. He finished his glass of wine and turned to Per Nosdahl, his Norwegian ININ counterpart.

  “I keep telling old Liz I’ll bring her to Paris some spring. You know, Per, strictly a vacation, no business ... whatever the hell a vacation happens to be.”

  The restaurant’s captain approached. “Mr. Nordstrom?”

  “Yes?”

  “Telephone for you, sir.”

  “Be right back,” he said, folding his napkin and following the captain into the building. Inside, the orchestra played “Paris in the Spring” for the lingering luncheon diners.

  The captain pointed to a phone booth across the lobby.

  “Thanks,” he said and closed the door behind him. “Nordstrom.”

  “Do you know who this is?” the muffled voice of André Devereaux asked.

  “Yes, I know.”

  “I may need help.”

  “I will if I can.... I don’t know.”

  “I’ll be at the Louvre, looking at the statue of the Winged Victory. That may be our only victory ... en route to heaven.”

  “I’ll be there.”

  Mike hung up and moved his large frame quickly to the outdoor tables. “I’ve got to go,” he apologized to Per Nosdahl. “I’ve got to say goodbye to an old friend.”

  “Is your old friend in trouble?” Per Nosdahl asked.

  “Yes, I’m afraid so.”

  “Are you going to be able to help him?”

  “I swear ... I just don’t know.”

  “Please give him my heartfelt wishes,” Per Nosdahl said.

  “Yes, I’ll do that.”

  Michael Nordstrom went to the curb and hailed a taxi.

  The driver dropped the flag, fell into the stream of traffic, and glanced in his rearview mirror.

  “You are an American?” he asked.

  “Yes.”

  “Congratulations.”

  “For what?”

  “Just this minute I heard the news. The Russians have surrendered. They are going to take the missiles out of Cuba .... Eh, you are tough guys, like cowboys.”

  “Sometimes.”

  “Where to, Monsieur?”

  “The Louvre.”

  A Biography of Leon Uris

  Leon Uris (1924–2003) was an author of fiction, nonfiction, and screenplays who wrote over a dozen books including numerous bestselling novels. His epic Exodus (1958) has been translated into over fifty languages. Uris’s work is notable for its focus on dramatic moments in contemporary history, including World War II and its aftermath, the birth of modern Israel, and the Cold War. Through the massive popularity of his novels and his skill as a storyteller, Uris has had enormous influence on popular understanding of twentieth-century history.

  Leon Marcus Uris was born in Baltimore, Maryland. He was the son of Jewish parents of recent Polish-Russian origin. As a child, Uris lived a transient and hardscrabble life. He attended schools in Baltimore, Virginia, and Philadelphia while his father worked as an unsuccessful storekeeper. Even though he was a below-average student, Uris excelled in history and was fascinated by literature; he made up his mind to be a writer at a young age.

  After the attack on Pearl Harbor in 1941, Uris dropped out of high school to enlist in the Marine Corps. From 1942 to 1945 he served as a radio operator in the South Pacific, and after the war he settled down in San Francisco with his first wife, Betty. He began working for local papers and wrote fiction on the side. His first novel, Battle Cry, was published in 1953 and drew on his experience as a marine. When the book’s film rights were picked up, Uris moved to Hollywood to help with the screenplay, and he stayed to work on other film scripts, including the highly successful Gunfight at the O.K. Corral in 1957.

  Uris’s second novel, The Angry Hills (1955), is set in Greece but contains plot points that center on Jewish emigration to the territories that would eventually become Israel. The history that led to Israel’s earliest days is also the subject of Uris’s most commercially successful novel, Exodus. Not long after Israel first achieved statehood, Uris began researching the novel, traveling 12,000 miles within the country itself, interviewing over 1,200 residents, and reading hundreds of texts on Jewish history. The book would go on to sell more copies than Gone with the Wind.

  Uris’s dedication to research became the foundation of many of his subsequent novels and nonfiction books. Mila 18 (1961) chronicles Jewish resistance in the Nazi-occupied Warsaw ghettos, and Armageddon (1964) details the years of the Berlin airlift. Topaz (1967) explores French-American intrigue at the height of the Cold War during the Cuban Missile Crisis, while The Haj (1984) continues Uris’s look into Middle Eastern history. Much of Uris’s fiction also draws explicitly from his own travels and experiences: QB VII (1970) is a courtroom drama based on a libel case against Uris that stemmed from the publication of Exodus, and Mitla Pass follows a Uris-like author through Israel during the Suez crisis. Ireland: A Terrible Beauty and Jerusalem: Song of Songs are sensitive, nonfiction documentations of Uris’s travels and include photographs taken by his third wife, Jill.

  Throughout his career Uris continued to write for Hollywood, adapting his own novels into movies, and working as a “script doctor” on films such as Giant and Rebel Without a Cause. QB VII was adapted for television, becoming the first ever miniseries. Uris passed away in 2003 at his home on Long Island. His papers are housed at the Ransom Center at the University of Texas in Austin.

  Leon with his parents, William and Anna Uris, who divorced in 1929. William “Wolf” Uris emigrated from Russia to America in 1921 and worked a string of blue-collar jobs before settling into a position as a Communist Party organizer. Anna, who came from a close-knit Jewish family in Maryland, raised Leon and his sister, Essie, mostly in Baltimore and Norfolk, Virginia.

  A young Uris in 1929, probably at his family’s home in Baltimore. Throughout much of his early life Uris was shuttled between his father in Philadelphia and his mother in Baltimore. He eventually came to regard his mother as “psychologically unhinged” and his father as a “failure.” This led him to seek success in the world at all costs. “I can say without hesitation,” he once wrote, “that, from earliest memory, I was determined not to be a failure.”

  Uris as a young soldier in the Marine Corps. Uris enlisted in the Marines during the height of World War II when he was just seventeen years old. He subsequently served as a radio operator and saw combat in the South Pacific. His war experience represented a defining moment in his life, shaping his outlook on politics and providing rich material for his first book, the blockbuster novel Battle Cry.

  Uris with his first wife, Betty Beck, in 1945. The two met during the spring of 1944 in San Francisco, where Betty was stationed as a marine sergeant and Uris was hospitalized for malaria, a disease he contracted during his tour in the Pacific theatre. Initially their relationship caused some friction between their respective families since Leon had been raised Jewish, while Betty hailed from a Lutheran family of Danish descent in rural Iowa. However
in 1945 the couple tied the knot and began a happy life in the Northern California suburbs.

  Uris at his house in Larkspur, a small town just north of San Francisco, California, in 1948. Although disillusioned with his day job at a local newspaper, Uris mostly enjoyed his new suburban lifestyle. “We have a big front porch where we eat dinner in the summer. Inside I have a nice roomy house with a fireplace,” he wrote his sister, Essie. The family lived there for several years before relocating to Southern California.

  Uris with his first wife, Betty, and their two children, Karen and Mark, outside their Larkspur home in the late 1940s. At the time Uris worked as the manager of a delivery service for the San Francisco Call-Bulletin and Betty was employed at California’s infamous San Quentin State Prison.

  Uris in London during his 1964 libel trial. In his epic novel Exodus, Uris wrote about a doctor named Wladislaw Dering, who conducted experiments on prisoners in Auschwitz. The real Wladislaw Dering, at the time a resident of England, admitted to working as a doctor in Auschwitz but denied participating in the Nazis’ notorious genetic experiments. He sued Uris for defamation after the novel was published. The jury awarded Dering a halfpenny in damages, which, according to English law, required him to pay the defendant’s court costs. The proceeding was the longest libel trial in British history.

  Uris with his second wife, Margorie Edwards, a fashion model, and son Mike while shopping for antiques in the English countryside outside London in the winter of 1967. The following year Uris’s new marriage ended tragically when Margorie committed suicide outside their home in Aspen.

  Uris in his office in Aspen, Colorado, where he lived for nearly twenty years. Uris was known to conduct extensive research for all of his novels, and his office was decorated with relevant maps, papers, and photographs. “Aspen was always a refuge of sorts where he could pursue his actual writing,” explained his third wife, Jill. Uris completed several novels there, including The Haj and Trinity.

  Uris enjoying the view of the Colorado landscape from the balcony of his Aspen estate, which he built on Red Mountain in 1963. Prior to that, Uris had gone to Aspen each year on ski trips with his first wife, Betty, and their three children.

  Uris shortly after receiving an honorary degree from the University of Colorado at Denver. (photo by Ellen Caruso)

  Leon with his third wife, Jill Peabody, and their son, Conor, and daughter, Rachael, in Aspen in 1987. Leon met Jill, a photography instructor, in the early 1970s when she was invited over to his house to teach his son Mike how to use his new Super 8 camera. The couple married six months later at New York’s famous Algonquin Hotel. Jill became Leon’s travel companion, often helping him with the research he conducted for his novels. The couple later collaborated on a book about Ireland that was published in 1976 and another about Jerusalem that was published in 1981.

  Uris on the back porch of his house on Shelter Island, New York. Uris moved to Shelter Island in 1989 to escape the thin air of the Rocky Mountains. After moving to New York he completed three more novels: Redemption, A God in Ruins, and the posthumously published O’Hara’s Choice. He continued to live at his home on Shelter Island until his death in 2003.

  All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the non-exclusive, non-transferable right to access and read the text of this ebook onscreen. No part of this text may be reproduced, transmitted, downloaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of the publisher.

  This is a work of fiction. Names, characters, places, and incidents either are the product of the author’s imagination or are used fictitiously. Any resemblance to actual persons, living or dead, businesses, companies, events, or locales is entirely coincidental.

  copyright © 1967 by Leon Uris

  cover design by Mumtaz Mustafa

  978-1-4532-2581-3

  This edition published in 2011 by Open Road Integrated Media

  180 Varick Street

  New York, NY 10014

  www.openroadmedia.com