The Zane Grey Megapack

by Zane Grey

  “Even out here very few know. Many supposed, but few knew. I’ve shut the mouths of those few. That blank line in the report is for a supposed and mysterious leader who vanished. Jack Blome, the reputed leader, and all his lawless associates are dead. Linrock is free and safe now, its future in the hands of roused, determined, and capable men.”

  We were all silent after Steele ceased talking. I did not believe Diane could have spoken just then. If sorrow and joy could be perfectly blended in one beautiful expression, they were in her face. By and by I dared to say: “And Vaughn Steele, Lone Star Ranger, has seen his last service!”

  “Yes,” he replied with emotion.

  Sally stirred and turned a strange look upon us all. “In that case, then, if I am not mistaken, there were two Lone Star Rangers—and both have seen their last service!” Sally’s lips were trembling, the way they trembled when it was impossible to tell whether she was about to laugh or cry. The first hint of her old combative spirit or her old archness! A wave of feeling rushed over me, too much for me in my weakened condition. Dizzy, racked with sudden shooting pains, I closed my eyes; and the happiness I embraced was all the sweeter for the suffering it entailed. Something beat into my ears, into my brain, with the regularity and rapid beat of pulsing blood—not too late! Not too late!

  From that moment the ride grew different, even as I improved with leaps and bounds. Sanderson behind us, the long gray barren between Sanderson and the Rio Grande behind us, Del Rio for two days, where I was able to sit up, all behind us—and the eastward trail to Uvalde before us! We were the only passengers on the stage from Del Rio to Uvalde. Perhaps Steele had so managed the journey. Assuredly he had become an individual with whom traveling under the curious gaze of strangers would have been embarrassing. He was most desperately in love. And Diane, all in a few days, while riding these long, tedious miles, ordinarily so fatiguing, had renewed her bloom, had gained what she had lost. She, too, was desperately in love, though she remembered her identity occasionally, and that she was in the company of a badly shot-up young man and a broken-hearted cousin.

  Most of the time Diane and Steele rode on top of the stage. When they did ride inside their conduct was not unbecoming; indeed, it was sweet to watch; yet it loosed the fires of jealous rage and longing in me; and certainly had some remarkable effect upon Sally. Gradually she had been losing that strange and somber mood she had acquired, to brighten and change more and more. Perhaps she divined something about Diane and Steele that escaped me. Anyway, all of a sudden she was transformed. “Look here, if you people want to spoon, please get out on top,” she said.

  If that was not the old Sally Langdon I did not know who it was. Miss Sampson tried to appear offended, and Steele tried to look insulted, but they both failed. They could not have looked anything but happy. Youth and love were too strong for this couple, whom circumstances might well have made grave and thoughtful. They were magnet and steel, powder and spark. Any moment, right before my eyes, I expected them to rush right into each other’s arms. And when they refrained, merely substituting clasped hands for a dearer embrace, I closed my eyes and remembered them, as they would live in my memory forever, standing crushed together on the ridge that day, white lips to white lips, embodying all that was beautiful, passionate and tragic.

  And I, who had been their undoing, in the end was their salvation. How I hugged that truth to my heart!

  It seemed, following Sally’s pert remark, that after an interval of decent dignity, Diane and Steele did go out upon the top of the stage. “Russ,” whispered Sally, “they’re up to something. I heard a few words. I bet you they’re going to get married in San Antonio.”

  “Well, it’s about time,” I replied.

  “But oughtn’t they take us into their confidence?”

  “Sally, they have forgotten we are upon the earth.”

  “Oh, I’m so glad they’re happy!”

  Then there was a long silence. It was better for me to ride lying down, in which position I was at this time. After a mile Sally took my hand and held it without speaking. My heart leaped, but I did not open my eyes or break that spell even with a whisper. “Russ, I must say—tell you—”

  She faltered, and still I kept my eyes closed. I did not want to wake up from that dream. “Have I been very—very sad?” she went on.

  “Sad and strange, Sally. That was worse than my bullet-holes.” She gripped my hand. I felt her hair on my brow, felt her breath on my cheek.

  “Russ, I swore—I’d hate you if you—if you—”

  “I know. Don’t speak of it,” I interposed hurriedly.

  “But I don’t hate you. I—I love you. And I can’t give you up!”

  “Darling! But, Sally, can you get over it—can you forget?”

  “Yes. That horrid black spell had gone with the miles. Little by little, mile after mile, and now it’s gone! But I had to come to the point. To go back on my word! To tell you. Russ, you never, never had any sense!”

  Then I opened my eyes and my arms, too, and we were reunited. It must have been a happy moment, so happy that it numbed me beyond appreciation. “Yes, Sally,” I agreed; “but no man ever had such a wonderful girl.”

  “Russ, I never—took off your ring,” she whispered.

  “But you hid your hand from my sight,” I replied quickly.

  “Oh dear Russ, we’re crazy—as crazy as those lunatics outside. Let’s think a little.”

  I was very content to have no thought at all, just to see and feel her close to me.

  “Russ, will you give up the Ranger Service for me?” she asked.

  “Indeed I will.”

  “And leave this fighting Texas, never to return till the day of guns and Rangers and bad men and even-breaks is past?”

  “Yes.”

  “Will you go with me to my old home? It was beautiful once, Russ, before it was let run to rack and ruin. A thousand acres. An old stone house. Great mossy oaks. A lake and river. There are bear, deer, panther, wild boars in the breaks. You can hunt. And ride! I’ve horses, Russ, such horses! They could run these scrubby broncos off their legs. Will you come?”

  “Come! Sally, I rather think I will. But, dearest, after I’m well again I must work,” I said earnestly. “I’ve got to have a job.”

  “You’re indeed a poor cowboy out of a job! Remember your deceit. Oh, Russ! Well, you’ll have work, never fear.”

  “Sally, is this old home of yours near the one Diane speaks of so much?” I asked.

  “Indeed it is. But hers has been kept under cultivation and in repair, while mine has run down. That will be our work, to build it up. So it’s settled then?”

  “Almost. There are certain—er—formalities—needful in a compact of this kind.” She looked inquiringly at me, with a soft flush. “Well, if you are so dense, try to bring back that Sally Langdon who used to torment me. How you broke your promises! How you leaned from your saddle! Kiss me, Sally!”

  Later, as we drew close to Uvalde, Sally and I sat in one seat, after the manner of Diane and Vaughn, and we looked out over the west where the sun was setting behind dim and distant mountains. We were fast leaving the wild and barren border. Already it seemed far beyond that broken rugged horizon with its dark line silhouetted against the rosy and golden sky. Already the spell of its wild life and the grim and haunting faces had begun to fade out of my memory. Let newer Rangers, with less to lose, and with the call in their hearts, go on with our work ’till soon that wild border would be safe!

  The great Lone Star State must work out its destiny. Some distant day, in the fulness of time, what place the Rangers had in that destiny would be history.

  THE LIGHT OF WESTERN STARS (1914) [Part 1]

  CHAPTER I

  A Gentleman of the Range

  When Madeline Hammond stepped from the train at El Cajon, New Mexico, it was nearly midnight, and her first impression was of a huge dark space of cool, windy emptiness, strange and silent, stretching away under great blinki
ng white stars.

  “Miss, there’s no one to meet you,” said the conductor, rather anxiously.

  “I wired my brother,” she replied. “The train being so late—perhaps he grew tired of waiting. He will be here presently. But, if he should not come—surely I can find a hotel?”

  “There’s lodgings to be had. Get the station agent to show you. If you’ll excuse me—this is no place for a lady like you to be alone at night. It’s a rough little town—mostly Mexicans, miners, cowboys. And they carouse a lot. Besides, the revolution across the border has stirred up some excitement along the line. Miss, I guess it’s safe enough, if you—”

  “Thank you. I am not in the least afraid.”

  As the train started to glide away Miss Hammond walked towards the dimly lighted station. As she was about to enter she encountered a Mexican with sombrero hiding his features and a blanket mantling his shoulders.

  “Is there any one here to meet Miss Hammond?” she asked.

  “No sabe, Señora,” he replied from under the muffling blanket, and he shuffled away into the shadow.

  She entered the empty waiting-room. An oil-lamp gave out a thick yellow light. The ticket window was open, and through it she saw there was neither agent nor operator in the little compartment. A telegraph instrument clicked faintly.

  Madeline Hammond stood tapping a shapely foot on the floor, and with some amusement contrasted her reception in El Cajon with what it was when she left a train at the Grand Central. The only time she could remember ever having been alone like this was once when she had missed her maid and her train at a place outside of Versailles—an adventure that had been a novel and delightful break in the prescribed routine of her much-chaperoned life. She crossed the waiting-room to a window and, holding aside her veil, looked out. At first she could descry only a few dim lights, and these blurred in her sight. As her eyes grew accustomed to the darkness she saw a superbly built horse standing near the window. Beyond was a bare square. Or, if it was a street, it was the widest one Madeline had ever seen. The dim lights shone from low, flat buildings. She made out the dark shapes of many horses, all standing motionless with drooping heads. Through a hole in the window-glass came a cool breeze, and on it breathed a sound that struck coarsely upon her ear—a discordant mingling of laughter and shout, and the tramp of boots to the hard music of a phonograph.

  “Western revelry,” mused Miss Hammond, as she left the window. “Now, what to do? I’ll wait here. Perhaps the station agent will return soon, or Alfred will come for me.”

  As she sat down to wait she reviewed the causes which accounted for the remarkable situation in which she found herself. That Madeline Hammond should be alone, at a late hour, in a dingy little Western railroad station, was indeed extraordinary.

  The close of her debutante year had been marred by the only unhappy experience of her life—the disgrace of her brother and his leaving home. She dated the beginning of a certain thoughtful habit of mind from that time, and a dissatisfaction with the brilliant life society offered her. The change had been so gradual that it was permanent before she realized it. For a while an active outdoor life—golf, tennis, yachting—kept this realization from becoming morbid introspection. There came a time when even these lost charm for her, and then she believed she was indeed ill in mind. Travel did not help her.

  There had been months of unrest, of curiously painful wonderment that her position, her wealth, her popularity no longer sufficed. She believed she had lived through the dreams and fancies of a girl to become a woman of the world. And she had gone on as before, a part of the glittering show, but no longer blind to the truth—that there was nothing in her luxurious life to make it significant.

  Sometimes from the depths of her there flashed up at odd moments intimations of a future revolt. She remembered one evening at the opera when the curtain had risen upon a particularly well-done piece of stage scenery—a broad space of deep desolateness, reaching away under an infinitude of night sky, illumined by stars. The suggestion it brought of vast wastes of lonely, rugged earth, of a great, blue-arched vault of starry sky, pervaded her soul with a strange, sweet peace.

  When the scene was changed she lost this vague new sense of peace, and she turned away from the stage in irritation. She looked at the long, curved tier of glittering boxes that represented her world. It was a distinguished and splendid world—the wealth, fashion, culture, beauty, and blood of a nation. She, Madeline Hammond, was a part of it. She smiled, she listened, she talked to the men who from time to time strolled into the Hammond box, and she felt that there was not a moment when she was natural, true to herself. She wondered why these people could not somehow, some way be different; but she could not tell what she wanted them to be. If they had been different they would not have fitted the place; indeed, they would not have been there at all. Yet she thought wistfully that they lacked something for her.

  And suddenly realizing she would marry one of these men if she did not revolt, she had been assailed by a great weariness, an icy-sickening sense that life had palled upon her. She was tired of fashionable society. She was tired of polished, imperturbable men who sought only to please her. She was tired of being feted, admired, loved, followed, and importuned; tired of people; tired of houses, noise, ostentation, luxury. She was so tired of herself!

  In the lonely distances and the passionless stars of boldly painted stage scenery she had caught a glimpse of something that stirred her soul. The feeling did not last. She could not call it back. She imagined that the very boldness of the scene had appealed to her; she divined that the man who painted it had found inspiration, joy, strength, serenity in rugged nature. And at last she knew what she needed—to be alone, to brood for long hours, to gaze out on lonely, silent, darkening stretches, to watch the stars, to face her soul, to find her real self.

  Then it was she had first thought of visiting the brother who had gone West to cast his fortune with the cattlemen. As it happened, she had friends who were on the eve of starting for California, and she made a quick decision to travel with them. When she calmly announced her intention of going out West her mother had exclaimed in consternation; and her father, surprised into pathetic memory of the black sheep of the family, had stared at her with glistening eyes. “Why, Madeline! You want to see that wild boy!” Then he had reverted to the anger he still felt for his wayward son, and he had forbidden Madeline to go. Her mother forgot her haughty poise and dignity. Madeline, however, had exhibited a will she had never before been known to possess. She stood her ground even to reminding them that she was twenty-four and her own mistress. In the end she had prevailed, and that without betraying the real state of her mind.

  Her decision to visit her brother had been too hurriedly made and acted upon for her to write him about it, and so she had telegraphed him from New York, and also, a day later, from Chicago, where her traveling friends had been delayed by illness. Nothing could have turned her back then. Madeline had planned to arrive in El Cajon on October 3d, her brother’s birthday, and she had succeeded, though her arrival occurred at the twenty-fourth hour. Her train had been several hours late. Whether or not the message had reached Alfred’s hands she had no means of telling, and the thing which concerned her now was the fact that she had arrived and he was not there to meet her.

  It did not take long for thought of the past to give way wholly to the reality of the present.

  “I hope nothing has happened to Alfred,” she said to herself. “He was well, doing splendidly, the last time he wrote. To be sure, that was a good while ago; but, then, he never wrote often. He’s all right. Pretty soon he’ll come, and how glad I’ll be! I wonder if he has changed.”

  As Madeline sat waiting in the yellow gloom she heard the faint, intermittent click of the telegraph instrument, the low hum of wires, the occasional stamp of an iron-shod hoof, and a distant vacant laugh rising above the sounds of the dance. These commonplace things were new to her. She became conscious of a slight quickening of
her pulse. Madeline had only a limited knowledge of the West. Like all of her class, she had traveled Europe and had neglected America. A few letters from her brother had confused her already vague ideas of plains and mountains, as well as of cowboys and cattle. She had been astounded at the interminable distance she had traveled, and if there had been anything attractive to look at in all that journey she had passed it in the night. And here she sat in a dingy little station, with telegraph wires moaning a lonely song in the wind.

  A faint sound like the rattling of thin chains diverted Madeline’s attention. At first she imagined it was made by the telegraph wires. Then she heard a step. The door swung wide; a tall man entered, and with him came the clinking rattle. She realized then that the sound came from his spurs. The man was a cowboy, and his entrance recalled vividly to her that of Dustin Farnum in the first act of “The Virginian.”

  “Will you please direct me to a hotel?” asked Madeline, rising.

  The cowboy removed his sombrero, and the sweep he made with it and the accompanying bow, despite their exaggeration, had a kind of rude grace. He took two long strides toward her.

  “Lady, are you married?”

  In the past Miss Hammond’s sense of humor had often helped her to overlook critical exactions natural to her breeding. She kept silence, and she imagined it was just as well that her veil hid her face at the moment. She had been prepared to find cowboys rather striking, and she had been warned not to laugh at them.

  This gentleman of the range deliberately reached down and took up her left hand. Before she recovered from her start of amaze he had stripped off her glove.