Four Ways to Forgiveness

by Ursula K. Le Guin

  She nodded.

  Forgiveness Day

  Solly had been a space brat, a Mobile’s child, living on this ship and that, this world and that; she’d traveled five hundred light-years by the time she was ten. At twenty-five she had been through a revolution on Alterra, learned aiji on Terra and far thinking from an old hilfer on Rokanan, breezed through the Schools on Hain, and survived an assignment as Observer in murderous, dying Kheakh, skipping another half millennium at near-lightspeed in the process. She was young, but she’d been around.

  She got bored with the Embassy people in Voe Deo telling her to watch out for this, remember that; she was a Mobile herself now, after all. Werel had its quirks—what world didn’t? She’d done her homework, she knew when to curtsy and when not to belch, and vice versa. It was a relief to get on her own at last, in this gorgeous little city, on this gorgeous little continent, the first and only Envoy of the Ekumen to the Divine Kingdom of Gatay.

  She was high for days on the altitude, the tiny, brilliant sun pouring vertical light into the noisy streets, the peaks soaring up incredibly behind every building, the dark blue sky where great near stars burned all day, the dazzling nights under six or seven lolloping bits of moon, the tall black people with their black eyes, narrow heads, long, narrow hands and feet, gorgeous people, her people! She loved them all. Even if she saw a little too much of them.

  The last time she had had completely to herself was a few hours in the passenger cabin of the airskimmer sent by Gatay to bring her across the ocean from Voe Deo. On the airstrip she was met by a delegation of priests and officials from the King and the Council, magnificent in scarlet and brown and turquoise, and swept off to the Palace, where there was a lot of curtsying and no belching, of course, for hours—an introduction to his little shrunken old majesty, introductions to High Muckamucks and Lord Hooziwhats, speeches, a banquet—all completely predictable, no problems at all, not even the impenetrable giant fried flower on her plate at the banquet. But with her, from that first moment on the airstrip and at every moment thereafter, discreetly behind or beside or very near her, were two men; her Guide and her Guard.

  The Guide, whose name was San Ubattat, was provided by her hosts in Gatay; of course he was reporting on her to the government, but he was a most obliging spy, endlessly smoothing the way for her, showing her with a bare hint what was expected or what would be a gaffe, and an excellent linguist, ready with a translation when she needed one. San was all right. But the Guard was something else.

  He had been attached to her by the Ekumen’s hosts on this world, the dominant power on Werel, the big nation of Voe Deo She had promptly protested to the Embassy back in Voe Deo that she didn’t need or want a bodyguard. Nobody in Gatay was out to get her and even if they were, she preferred to look after herself. The Embassy sighed. Sorry, they said. You’re stuck with him. Voe Deo has a military presence in Gatay, which after all is a client state, economically dependent. It’s in Voe Dec’s interest to protect the legitimate government of Gatay against the native terrorist factions, and you get protected as one of their interests. We can’t argue with that.

  She knew better than to argue with the Embassy, but she could not resign herself to the Major. His military title, rega, she translated by the archaic word “Major,” from a skit she’d seen on Terra. That Major had been a stuffed uniform, covered with medals and insignia. It puffed and strutted and commanded, and finally blew up into bits of stuffing. If only this Major would blow up! Not that he strutted, exactly, or even commanded, directly. He was stonily polite, woodenly silent, stiff and cold as rigor mortis. She soon gave up any effort to talk to him; whatever she said, he replied Yessum or Nomum with the prompt stupidity of a man who does not and will not actually listen, an officer officially incapable of humanity. And he was with her in every public situation, day and night, on the street, shopping, meeting with businessmen and officials, sightseeing, at court, in the balloon ascent above the mountains—with her everywhere, everywhere but bed.

  Even in bed she wasn’t quite as atone as she would often have liked; for the Guide and the Guard went home at night, but in the anteroom of her bedroom slept the Maid—a gift from His Majesty, her own private asset.

  She remembered her incredulity when she first learned that word, years ago, in a text about slavery. “On Werel, members of the dominant caste are called owners; members of the serving class are called assets. Only owners are referred to as men or women; assets are called bondsmen, bondswomen.”

  So here she was, the owner of an asset. You don’t turn down a king’s gift. Her asset’s name was Rewe. Rewe was probably a spy too, but it was hard to believe. She was a dignified, handsome woman some years older than Solly and about the same intensity of skin color, though Solly was pinkish brown and Rewe was bluish brown. The palms of her hands were a delicate azure. Rewe’s manners were exquisite and she had tact, astuteness, an infallible sense of when she was wanted and when not. Solly of course treated her as an equal, stating right out at the beginning that she believed no human being had a right to dominate, much less own, another, that she would give Rewe no orders, and that she hoped they might become friends. Rewe accepted this, unfortunately, as a new set of orders. She smiled and said yes. She was infinitely yielding. Whatever Solly said or did sank into that acceptance and was lost, leaving Rewe unchanged: an attentive, obliging, gentle physical presence, just out of reach. She smiled, and said yes, and was untouchable.

  And Solly began to think, after the first fizz of the first days in Gatay, that she needed Rewe, really needed her as a woman to talk with. There was no way to meet owner women, who lived hidden away in their bezas, women’s quarters, “at home,” they called it. All bondswomen but Rewe were somebody else’s property, not hers to talk to. All she ever met was men. And eunuchs.

  That had been another thing hard to believe, that a man would voluntarily trade his virility for a little social standing; but she met such men all the time in King Hotat’s court. Born assets, they earned partial independence by becoming eunuchs, and as such often rose to positions of considerable power and trust among their owners. The eunuch Tayandan, majordomo of the palace, ruled the King, who didn’t rule, but figure headed for the Council. The Council was made up of various kinds of lord but only one kind of priest, Tualites. Only assets worshiped Kamye, and the original religion of Gatay had been suppressed when the monarchy became Tualite a century or so ago. If there was one thing she really disliked about Werel, aside from slavery and gender-dominance, it was the religions. The songs about Lady Tual were beautiful, and the statues of her and the great temples in Voe Deo were wonderful, and the Arkamye seemed to be a good story though long-winded; but the deadly self-righteousness, the intolerance, the stupidity of the priests, the hideous doctrines that justified every cruelty in the name of the faith! As a matter of fact, Solly said to herself, was there anything she did like about Werel?

  And answered herself instantly: I love it, I love it. I love this weird little bright sun and all the broken bits of moons and the mountains going up like ice walls and the people—the people with their black eyes without whites like animals’ eyes, eyes like dark glass, like dark water, mysterious—I want to love them, I want to know them, I want to reach them!

  But she had to admit that the pissants at the Embassy had been right about one thing: being a woman was tough on Werel. She fit nowhere. She went about alone, she had a public position; and so was a contradiction in terms: proper women stayed at home, invisible. Only bondswomen went out in the streets, or met strangers, or worked at any public job. She behaved like an asset, not like an owner. Yet she was something very grand, an envoy of the Ekumen, and Gatay very much wanted to join the Ekumen and not to offend its envoys. So the officials and courtiers and businessmen she talked to on the business of the Ekumen did the best they could: they treated her as if she were a man.

  The pretense was never complete and often broke right down. The poor old King groped her industriously, und
er the vague impression that she was one of his bedwarmers. When she contradicted Lord Gatuyo in a discussion, he stared with the blank disbelief of a man who has been talked back to by his shoe. He had been thinking of her as a woman. But in general the disgenderment worked, allowing her to work with them; and she began to fit herself into the game, enlisting Rewe’s help in making clothes that resembled what male owners wore in Gatay, avoiding anything that to them would be specifically feminine. Rewe was a quick, intelligent seamstress. The bright, heavy, close fitted trousers were practical and becoming, the embroidered jackets were splendidly warm. She liked wearing them. But she felt unsexed by these men who could not accept her for what she was. She needed to talk to a woman.

  She tried to meet some of the hidden owner women through the owner men, and met a wall of politeness without a door, without a peephole. What a wonderful idea; we will certainly arrange a visit when the weather is better! I should be overwhelmed with the honor if the Envoy were to entertain Lady Mayoyo and my daughters, but my foolish, provincial girls are so unforgivably timid—I’m sure you understand. Oh, surely, surely, a tour of the inner gardens—but not at present, when the vines are not in flower! We must wait until the vines are in flower!

  There was nobody to talk to, nobody, until she met Batikam the Makil.

  It was an event: a touring troupe from Voe Deo. There wasn’t much going on in Gatay’s little mountain capital by way of entertainment, except for temple dancers—all men, of course—and the soppy fluff that passed as drama on the Werelian network. Solly had doggedly entered some of these wet pastels, hoping for a glimpse into the life “at home,” but she couldn’t stomach the swooning maidens who died of love while the stiff-necked jackass heroes, who all looked like the Major, died nobly in battle, and Tual the Merciful leaned out of the clouds smiling upon their deaths with her eyes slightly crossed and the whites showing, a sign of divinity. Solly had noticed that Werelian men never entered the network for drama. Now she knew why. But the receptions at the palace and the parties in her honor given by various lords and businessmen were pretty dull stuff: all men, always, because they wouldn’t have the slave girls in while the Envoy was there; and she couldn’t flirt even with the nicest men, couldn’t remind them that they were men, since that would remind them that she was a woman not behaving like a lady. The fizz had definitely gone flat by the time the makil troupe came.

  She asked San, a reliable etiquette advisor, if it would be all right for her to attend the performance. He hemmed and hawed and finally, with more than usual oily delicacy, gave her to understand that it would be all right so long as she went dressed as a man. “Women, you know, don’t go in public. But sometimes, they want so much to see the entertainers, you know? Lady Amatay used to go with Lord Amatay, dressed in his clothes, every year; everybody knew, nobody said anything—you know. For you, such a great person, it would be all right. Nobody will say anything. Quite, quite all right. Of course. I come with you, the rega comes with you. Like friends, ha? You know, three good men friends going to the entertainment, ha? Ha?”

  Ha, ha, she said obediently. What fun!—But it was worth it, she thought, to see the makils.

  They were never on the network. Young girls at home were not to be exposed to their performances, some of which, San gravely informed her, were unseemly. They played only in theaters. Clowns, dancers, prostitutes, actors, musicians, the makils formed a kind of subclass, the only assets not personally owned. A talented slave boy bought by the Entertainment Corporation from his owner was thenceforth the property of the Corporation, which trained and looked after him the rest of his life.

  They walked to the theater, six or seven streets away She had forgotten that the makils were all transvestites, indeed she did not remember it when she first saw them, a troop of tall slender dancers sweeping out onto the stage with the precision and power and grace of great birds wheeling, flocking, soaring. She watched unthinking, enthralled by their beauty, until suddenly the music changed and the clowns came in, black as night, black as owners, wearing fantastic trailing skirts, with fantastic jut ting jeweled breasts, singing in tiny, swoony voices, “Oh do not rape me please kind Sir, no no, not now!” They’re men, they’re men! Solly realized then, already laughing helplessly. By the time Batikam finished his star turn, a marvelous dramatic monologue, she was a fan. “I want to meet him,” she said to San at a pause between acts. “The actor—Batikam.”

  San got the bland expression that signified he was thinking how it could be arranged and how to make a little money out of it. But the Major was on guard, as ever. Stiff as a stick, he barely turned his head to glance at San. And San’s expression began to alter.

  If her proposal was out of line, San would have signaled or said so. The Stuffed Major was simply controlling her, trying to keep her as tied down as one of “his” women. It was time to challenge him. She turned to him and stared straight at him. “Rega Teyeo,” she said, “I quite comprehend that you’re under orders to keep me in order. But if you give orders to San or to me, they must be spoken aloud, and they must be justified. I will not be managed by your winks or your whims.”

  There was a considerable pause, a truly delicious and rewarding pause. It was difficult to see if the Major’s expression changed; the dim theater light showed no detail in his blue-black face But there was something frozen about his stillness that told her she’d stopped him. At last he said, “I’m charged to protect you, Envoy.”

  “Am I endangered by the makils? Is there impropriety in an envoy of the Ekumen congratulating a great artist of Werel?”

  Again the frozen silence. “No,” he said.

  “Then I request you to accompany me when I go backstage after the performance to speak to Batikam.”

  One stiff nod. One stiff, stuffy, defeated nod. Score one! Solly thought, and sat back cheerfully to watch the lightpainters, the erotic dances, and the curiously touching little drama with which the evening ended. It was in archaic poetry, hard to understand, but the actors were so beautiful, their voices so tender that she found tears in her eyes and hardly knew why.

  “A pity the makils always draw on the Arkamye,” said San, with smug, pious disapproval. He was not a very high-class owner, in fact he owned no assets; but he was an owner, and a bigoted Tualite, and liked to remind himself of it. “Scenes from the Incarnations of Tual would be more befitting such an audience.”

  “I’m sure you agree, Rega,” she said, enjoying her own irony.

  “Not at all,” he said, with such toneless politeness that at first she did not realise what he had said; and then forgot the minor puzzle in the bustle of finding their way and gaining admittance to the backstage and to the performers’ dressing room.

  When they realised who she was, the managers tried to clear all the other performers out, leaving her alone with Batikam (and San and the Major, of course); but she said no, no, no, these wonderful artists must not be disturbed, just let me talk a moment with Batikam. She stood there in the bustle of doffed costumes, half-naked people, smeared makeup, laughter, dissolving tension after the show, any backstage on any world, talking with the clever, intense man in elaborate archaic woman’s costume. They hit it off at once. “Can you come to my house?” she asked. “With pleasure,” Batikam said, and his eyes did not flick to San’s or the Major’s face: the first bondsman she had yet met who did not glance to her Guard or her Guide for permission to say or do anything, anything at all. She glanced at them only to see if they were shocked. San looked collusive, the Major looked rigid. “I’ll come in a little while,” Batikam said. “I must change.”

  They exchanged smiles, and she left. The fizz was back in the air. The huge close stars hung clustered like grapes of fire. A moon tumbled over the icy peaks, another jigged like a lopsided lantern above the curlicue pinnacles of the palace. She strode along the dark street, enjoying the freedom of the male robe she wore and its warmth, making San trot to keep up; the Major, long-legged, kept pace with her. A high, trilling
voice called, “Envoy!” and she turned with a smile, then swung round, seeing the Major grappling momentarily with someone in the shadow of a portico. He broke free, caught up to her without a word, seized her arm in an iron grip, and dragged her into a run. “Let go!” she said, struggling; she did not want to use an aiji break on him, but nothing less was going to get her free.

  He pulled her nearly off-balance with a sudden dodge into an alley; she ran with him, letting him keep hold on her arm. They came unexpectedly out into her street and to her gate, through it, into the house, which he unlocked with a word—how did he do that?—“What is all this?” she demanded, breaking away easily, holding her arm where his grip had bruised it.

  She saw, outraged, the last flicker of an exhilarated smile on his face. Breathing hard, he asked, “Are you hurt?”

  “Hurt? Where you yanked me, yes—what do you think you were doing?”

  “Keeping the fellow away.”

  “What fellow?”

  He said nothing.

  “The one who called out? Maybe he wanted to talk to me!”

  After a moment the Major said, “Possibly. He was in the shadow. I thought he might be armed. I must go out and look for San Ubattat. Please keep the door locked until I come back.” He was out the door as he gave the order; it never occurred to him that she would not obey, and she did obey, raging. Did he think she couldn’t look after herself? That she needed him interfering in her life, kicking slaves around, “protecting” her? Maybe it was time he saw what an aiji fall looked like. He was strong and quick, but had no real training. This kind of amateur interference was intolerable, really intolerable; she must protest to the Embassy again.

  As soon she let him back in with a nervous, shamefaced San in tow, she said, “You opened my door with a password. I was not informed that you had right of entrance day and night.”

  He was back to his military blankness. “Nomum,” he said.