Thin Air: (Shetland book 6)

by Ann Cleeves

  Her mother had been a Methodist and had disapproved of alcohol altogether. Polly worried occasionally that she was morphing into her mother, becoming middle-aged and anxious before her time. Sometimes Eleanor had teased her for being staid. ‘Pol, just relax, won’t you. You’re still young!’ Polly wondered how she’d cope without Eleanor to make her laugh, to tempt her to try new experiences. Would she turn into everyone’s stereotype of a librarian, dull and officious? Then she thought that she had Marcus to bring adventure into her life, so perhaps there was still hope for her. She’d miss Eleanor’s company, but recently the three friends had become more distant. Perhaps she’d already reached a new phase in her life.

  When they were younger they’d been so close. Polly remembered the late-night conversations, the three friends squashed, half-sitting, half-lying, into a single hall-of-residence bed, a duvet tucked around them against the chill Durham night, drinking tea or chocolate or vodka, depending on the occasion. Then it had been a matter of honour that they had no secrets. They’d talked about all their dreams and fears in detail. Exposing their souls and their petty anxieties.

  Now she was astonished at how far they’d drifted apart, how little of their personal lives they’d shared recently. Perhaps that had started with the move to London. London had demanded a gloss of sophistication and pretence. With their smarter clothes and their new friends, they’d developed different personas; suddenly they were competent, witty and self-sufficient. But now she thought that Eleanor and Caroline had always been actors, fitting into new situations in order to survive and excel. Perhaps they’d been performing as much in the draughty university bedroom as in the smart wine bars that had become their natural home in the city. It was likely that Polly, for whom the university experience had been a kind of magic, making her feel that she belonged with people of her own age for the first time, had simply been naive.

  On the bed Polly laid out the bridesmaid’s dress she’d worn to the hamefarin’, folded it carefully and put it in the suitcase. She supposed that Eleanor’s dress would be kept as evidence, and in the end it would be destroyed. She looked out of the window. It was early evening and the fog was drifting in from the water again, blurring the horizon so that it was impossible to see where the sky ended and the sea began. In the room next door she heard the men’s voices. Marcus was being a saint. He hardly knew Ian, but he was supporting him, calming him, allowing him to talk. Allowing him to drink and to rant. Polly took a shirt from the wardrobe and folded that too.

  She’d almost finished when Caroline and Lowrie arrived. She heard the door and their voices, wonderfully normal, and her mood lifted. The following day at this time she’d be on the boat south. Then she and Marcus would be alone in their own car for the drive to London. They could forget about Ian and dead people. Eleanor would have left Shetland without a second thought, in their situation. Polly had a tendency to be too introspective, and shutting herself away in her room wasn’t helping. She opened the door and went out to greet her friends.

  They were dressed almost as if it was winter, in anoraks and boots, and Lowrie carried a rucksack that clunked with bottles when he set it on the floor.

  ‘You can’t spend your last night in Shetland tucked away in here brooding,’ Caroline said. Classic Caroline, prefect and social worker rolled into one. ‘We’ve got a plan.’

  It seemed that a friend of Lowrie’s was a chef and he’d come across from Lerwick to set up a pop-up restaurant for the night in the boat club, in a settlement just down the coast. ‘A couple of miles’ walk to get us hungry,’ Caroline said. ‘Then great Shetland food, some good wine, and we’ll roll back before it gets too late. What do you think?’

  Polly thought that whatever they made of the plan, the rest of them would go along with it. Caroline in this mood was unstoppable. And although they teased her for being bossy, actually they were usually glad to have someone to make decisions for them. Without her they would dither and nothing would get done.

  And it seemed that Ian was up for an evening away from the house, was even the most enthusiastic of them. They put on their outdoor clothes and set out on the walk. The path took them past the spot where Eleanor’s body had been found, but nobody mentioned it. We’re so selfish, Polly thought. We care more about our own psyches than we do about our dead friend. We do what we must to survive intact.

  When they arrived at the boat club the party was already in full swing. It was in a modern wooden building looking over a small marina, where small motor boats were tied to a line of jetties and the occasional grand yacht was moored. The club room was on the first floor and they left their outdoor clothes in the cloakroom downstairs. From the room came the sound of laughter, a gabble of voices. Polly had a moment of panic. She was an undergraduate again preparing to attend a formal college dinner, hesitating outside, sick with nerves, certain that she’d use the wrong fork, would blush whenever anyone spoke to her; that she would break one of those unwritten rules that set the educated middle classes apart from the rest. Waiting to go into the club room, she had the same physical signs of panic – the racing heart and sweating palms, the same instinct to run. Then it had been Eleanor who’d arrived, linked arms and swept her into hall before she could protest. Now it was Marcus, who gave a theatrical little bow, offered her his arm and walked with her up the stairs.

  The room had been set out with two long trestle tables covered with white cloths and decorated with candles and flowers in glass vases. Boat-club members dressed in black were acting as waiters. It seemed as if everyone had been waiting for them, because there was a sympathetic cheer when they walked in, and Marcus – reading the situation immaculately as always – gave another, deeper bow. Caroline waved at people she knew. They were handed a small glass of whisky and took their seats at the end of the table. Lowrie pulled the bottles of wine from his rucksack. In the corner a young woman began to play a plaintive tune on the violin. Polly drank the whisky and found that her pulse had steadied. Food appeared on the table: fish and lamb, but in front of her a dish of roasted vegetables and a lentil-and-mushroom sauce, which, it seemed, had been cooked specially for her. The waitress even knew her name.

  It took her a while to settle. She still felt that they were the centre of attention, and the inquisitive glances from other diners made her feel uncomfortable, thrown. As if she’d stumbled into a surprise party, only to realize that hers was the birthday being celebrated. She supposed the murders had made them objects of interest. Eventually, after a glass of wine, she began to relax and take in her surroundings. Marcus was having a great time. She saw that he viewed these social occasions in Shetland with the same clear, anthropological eye as when he’d shared supper with Berber villagers in Morocco. Perhaps he’d plan a trip here for rich American and German tourists, persuade the boat club and Lowrie’s friend to re-create this dinner just for them. She wondered if there might be something slightly patronizing in his attitude to his hosts; he was an observer rather than a participant and she sensed that he found the local customs faintly amusing. But then she was an observer too.

  Lowrie and Caroline seemed to know most of the people in the room. Polly recognized some of them from the wedding party. There was Lowrie’s cousin, the chatty young woman with the baby, and her husband. All the talk was of the newly-weds’ move back to Shetland and the new house in Vidlin. Nobody mentioned the murders. Perhaps the frenetic jollity, the too-brittle laughter, were an attempt to cover the awkward fact that the hosts knew they could be entertaining potential killers. In lulls in the conversation Polly heard Caroline and Lowrie gossiping about mutual friends, university politics and illicit love affairs. It was as if Eleanor hadn’t died and normal life had been resumed.

  Polly was sitting next to Caroline on one side and a large woman wearing a loose silk tunic in a vivid purple on the other. Caroline was talking to a friend across the table.

  ‘So you work at the Sentiman Library?’ The large woman in purple had a gentle voice, very musica
l and clear, despite the babble in the background.

  Again Polly was thrown. How could this stranger know what she did for a living? Were Shetlanders all mind-readers? She had the sudden thought that she must be imagining the whole scene and that she’d dreamed the stay on Unst, from the moment of their arrival in the islands. Nothing here was real. Soon she’d wake up to find that Eleanor was still alive.

  ‘I visited once,’ the woman went on. ‘It was quite fascinating. It must be a wonderful place to work.’ Then she must have noticed Polly’s confusion because she introduced herself as a historian from the museum in Lerwick. ‘Simon, the archivist, said you’d been in to see us. I can see why you were interested in Peerie Lizzie. One domestic tragedy and a whole mythology grows up around it. We all have to find ways to explain the things that make us sad. Chance is never quite enough, is it?’

  Polly wasn’t sure how to answer, so she just smiled. But she thought the idea was interesting. Would Eleanor become part of the Peerie Lizzie myth; would the story mutate and develop to include a strange, dark woman from the south? A pretty teenage boy came to clear her plate. At the other end of the room three children had started to dance to the fiddle music. The historian turned away to continue a conversation with an elderly man on the other side of the table. It seemed that Polly wasn’t expected to reply. She sat back in her chair and glanced outside. The fog was dense and grey and blanked out the light. The candles in the room glowed in the shadow. She looked again at the children dancing. Some of the adults had started to clap to the rhythm, cheering them on. The music got faster and the dancing more wild. The audience banged on the table to the beat. There were two boys and a girl. The boys had grey shirts and identical hand-knitted Fair Isle waistcoats. The girl was dressed in white and had black pumps on her feet. With a start, Polly realized that she was familiar. It was the child from the beach. Eleanor’s ghost-child.

  Chapter Thirty-Seven

  Sandy was in the office at Springfield House. He’d been working on the boring stuff, sitting at the computer in the hotel office checking the history of the people involved on the periphery of the case. Now he’d taken a break, made himself coffee and was thinking again about Elizabeth Geldard. He didn’t understand how the death of a bairn so long ago could trigger a series of murders in the present, but Jimmy Perez was a great one for history, for digging into the past, and Sandy always wanted to impress him. At the same time, at the back of his mind he was thinking about Louisa. Of course he fancied her to bits, but he’d never been so choosy and he’d fancied lots of lasses, had been out with a few of them. This time it was different, though. He admired Louisa too. The job in the school, and caring for her mother and dealing with the complication of her family life with such dignity and good humour. Once this was over he’d find a way of taking her out. It must be possible to find someone to care for the old lady for an evening. He wondered where Louisa might like to go. It would be splendid to give her a treat.

  David Gordon hadn’t appeared downstairs since he’d taken a sandwich to his room. Sandy had the office door open so that he’d hear him if he was moving around, but the whole place felt quiet. Dead. He turned back to the screen. Five minutes later he was on the phone to Mary Lomax. ‘Any chance you could come here for an hour? I need to pop out, but Jimmy and Willow are in Yell and I don’t want to leave Mr Gordon on his own.’

  ‘Are you expecting him to do a runner?’ It sounded as if she was eating.

  ‘Nothing like that. I just don’t think I should leave him.’

  She arrived twenty minutes later carrying a woven bag, with fine yarn and knitting needles sticking out of the top. He left her in the kitchen watching a period drama on the small television set there, the shawl she was working on spread over her lap.

  In Voxter he found Grusche and George sitting in front of the same programme. There was no sign of Caroline or Lowrie, and Sandy was pleased about that. Having them there would have made things more complicated. The programme was coming to an end and he waited with them until it was finished; the grand house and the lord and lady with their servants reminded him of how Springfield House must once have been.

  ‘How are you, Sandy?’ George got slowly to his feet and rubbed his back. This time of year he’d be singling neeps on the croft and he’d be stiff and sore. ‘Will you take a dram?’

  Sandy shook his head.

  ‘Tea then?’

  ‘Fine, that.’

  Grusche got up too and moved the kettle on the range. ‘Look at that fog coming in from the sea. What a dreadful summer it’s been for fog! Lowrie and Caroline are supposed to be flying south tomorrow, but I’m not sure the planes will go.’

  ‘Where are they now?’ Sandy was wishing that Grusche would leave the room. He would feel more comfortable talking just to George.

  ‘Out with their friends from Sletts. It’s their last night. They’ve walked along the path to the boat club. There’s some sort of do going on there.’ She sounded disapproving. Perhaps she thought it was disrespectful for the younger folk to be out when two people had died. ‘I’ll leave you to make the tea, George. There’s some shortbread left in the tin. I have my spinning wheel set up in the other room and I’d like to get that fleece spun.’ She walked away.

  They both drank tea and sat across the table from each other.

  ‘I’d been wondering about Elizabeth Geldard,’ Sandy said.

  George looked up at him, but said nothing.

  ‘In those days it wouldn’t have been so likely for a couple to have a baby when they were in their forties.’

  ‘Not unheard of,’ George said.

  ‘I wondered if maybe they’d adopted her.’ The idea had been rattling around in his head since he’d been talking to Louisa.

  George said nothing.

  ‘It was a long time ago.’ Sandy drank tea and reached into the blue biscuit tin for some shortbread. ‘We look at things differently now. No shame to having a child born out of wedlock.’

  ‘It depends who the father was.’

  There was a moment of silence. ‘But the mother was Sarah? Your great-aunt and nursemaid at the big house?’

  Another silence. ‘That’s the story in the family.’

  Sandy thought that would make perfect sense. Sarah would have been hardly more than a child when she got pregnant. Fifteen at the most. Probably ignorant about sex, and taken advantage of. And the couple in the big house were desperate for a child, so it would seem the perfect solution to pass the baby off as their own. The Geldards would spend a lot of their time in the south anyway, so nobody would be surprised if they arrived in Unst with a new baby. No doubt Sarah would have been spirited away to relatives in a different part of Shetland, once the pregnancy started showing. And when she returned the Geldards employed her to take care of her own child. Who better to look after the little girl? And it would explain why she was so upset when Lizzie died, why she felt she had to run away from the islands. And why she’d named her second daughter Elizabeth.

  ‘Who was the father?’ Sandy wasn’t sure if any of this was important to the present case, but now he’d started he wanted the full story.

  George was looking out of the window. ‘There’s no proof.’ He gave an awkward laugh. ‘No paternity tests in those days.’

  ‘But there would have been rumours. The girl would have known.’

  Another silence. George seemed to be weighing up how much to say. ‘The story is that it was Gilbert Geldard himself. His taste was more for young things than for his middle-aged wife. Maybe that was why she never conceived a child.’

  ‘He raped a young girl to give his wife a baby?’ Even after all these years Sandy was shocked. He could see why the Malcolmsons hadn’t wanted to talk about it. ‘Or did Geldard pay for her services?’

  George shrugged. ‘Raped, seduced, bought. In the end it all amounts to the same kind of thing. All wrong. All violent.’

  ‘Did Roberta ever know that her husband was the father of the child they�
��d adopted?’

  Another shrug. ‘If you look at the picture of the girl in the museum in Lerwick and the picture of the man in Springfield House they look kind of similar. You’d think the woman would have wondered.’

  Sandy was trying to imagine how Roberta would have felt if she’d found out that Gilbert was the father of her adopted daughter. It would be one thing to take on the child of a local lass as a kind of charity. Selfish, of course. You’d do it because you were desperate to take a baby into your arms. But you could persuade yourself at the same time that it was a good thing that you were doing – rescuing her from poverty, from life with a single mother. Saving Sarah Malcolmson from disgrace. But how would it be if later you found out that it was the result of your husband’s perversion? If the girl grew to look like the man you slept with at night. How would that make you feel? Would you still love the child? Or would you want rid of it?

  George turned back into the room. ‘I don’t see why you want to dig all this up now. It has no relevance to the murder of two people from the south; they have nothing to do with our family.’

  Sandy didn’t know how to answer that. He wanted to say that murder was important even if the victims didn’t belong to the islands. And that the murder of a ten-year-old child was important even if it happened years ago. Because he was starting to think that Peerie Lizzie had been murdered. Perhaps by her adoptive mother. And that both the Geldards had been happy to blame Sarah Malcolmson and see her move away. Then there would be nothing to remind them of the girl, and of the man’s sexual violence. They could continue to convince themselves that they were good people, and to hold their grand parties. Except that the child had come back to haunt them, even if she only appeared in their dreams, and eventually they’d had to move away too.