Complete Works of Jane Austen

by Jane Austen

  LXXVII.

  Winchester, Sunday.

  My dearest Fanny, — Doubly dear to me now for her dear sake whom we have lost. She did love you most sincerely, and never shall I forget the proofs of love you gave her during her illness in writing those kind, amusing letters at a time when I know your feelings would have dictated so different a style. Take the only reward I can give you in the assurance that your benevolent purpose was answered; you did contribute to her enjoyment.

  Even your last letter afforded pleasure. I merely cut the seal and gave it to her; she opened it and read it herself, afterwards she gave it to me to read, and then talked to me a little and not uncheerfully of its contents, but there was then a languor about her which prevented her taking the same interest in anything she had been used to do.

  Since Tuesday evening, when her complaint returned, there was a visible change, she slept more and much more comfortably; indeed, during the last eight-and-forty hours she was more asleep than awake. Her looks altered and she fell away, but I perceived no material diminution of strength, and though I was then hopeless of a recovery, I had no suspicion how rapidly my loss was approaching.

  I have lost a treasure, such a sister, such a friend as never can have been surpassed. She was the sun of my life, the gilder of every pleasure, the soother of every sorrow; I had not a thought concealed from her, and it is as if I had lost a part of myself. I loved her only too well, — not better than she deserved, but I am conscious that my affection for her made me sometimes unjust to and negligent of others; and I can acknowledge, more than as a general principle, the justice of the Hand which has struck this blow.

  You know me too well to be at all afraid that I should suffer materially from my feelings; I am perfectly conscious of the extent of my irreparable loss, but I am not at all overpowered and very little indisposed, — nothing but what a short time, with rest and change of air, will remove. I thank God that I was enabled to attend her to the last, and amongst my many causes of self-reproach I have not to add any wilful neglect of her comfort.

  She felt herself to be dying about half an hour before she became tranquil and apparently unconscious. During that half-hour was her struggle, poor soul! She said she could not tell us what she suffered, though she complained of little fixed pain. When I asked her if there was anything she wanted, her answer was she wanted nothing but death, and some of her words were: “God grant me patience, pray for me, oh, pray for me!” Her voice was affected, but as long as she spoke she was intelligible.

  I hope I do not break your heart, my dearest Fanny, by these particulars; I mean to afford you gratification whilst I am relieving my own feelings. I could not write so to anybody else; indeed you are the only person I have written to at all, excepting your grandmamma, — it was to her, not your Uncle Charles, I wrote on Friday.

  Immediately after dinner on Thursday I went into the town to do an errand which your dear aunt was anxious about. I returned about a quarter before six, and found her recovering from faintness and oppression; she got so well as to be able to give me a minute account of her seizure, and when the clock struck six she was talking quietly to me.

  I cannot say how soon afterwards she was seized again with the same faintness, which was followed by the sufferings she could not describe; but Mr. Lyford had been sent for, had applied something to give her ease, and she was in a state of quiet insensibility by seven o’clock at the latest. From that time till half-past four, when she ceased to breathe, she scarcely moved a limb, so that we have every reason to think, with gratitude to the Almighty, that her sufferings were over. A slight motion of the head with every breath remained till almost the last. I sat close to her with a pillow in my lap to assist in supporting her head, which was almost off the bed, for six hours; fatigue made me then resign my place to Mrs. J. A. for two hours and a half, when I took it again, and in about an hour more she breathed her last.

  I was able to close her eyes myself, and it was a great gratification to me to render her those last services. There was nothing convulsed which gave the idea of pain in her look; on the contrary, but for the continual motion of the head she gave one the idea of a beautiful statue, and even now, in her coffin, there is such a sweet, serene air over her countenance as is quite pleasant to contemplate.

  This day, my dearest Fanny, you have had the melancholy intelligence, and I know you suffer severely, but I likewise know that you will apply to the fountain-head for consolation, and that our merciful God is never deaf to such prayers as you will offer.

  The last sad ceremony is to take place on Thursday morning; her dear remains are to be deposited in the cathedral. It is a satisfaction to me to think that they are to lie in a building she admired so much; her precious soul, I presume to hope, reposes in a far superior mansion. May mine one day be reunited to it!

  Your dear papa, your Uncle Henry, and Frank and Edwd. Austen, instead of his father, will attend. I hope they will none of them suffer lastingly from their pious exertions. The ceremony must be over before ten o’clock, as the cathedral service begins at that hour, so that we shall be at home early in the day, for there will be nothing to keep us here afterwards.

  Your Uncle James came to us yesterday, and is gone home to-day. Uncle H. goes to Chawton to-morrow morning; he has given every necessary direction here, and I think his company there will do good. He returns to us again on Tuesday evening.

  I did not think to have written a long letter when I began, but I have found the employment draw me on, and I hope I shall have been giving you more pleasure than pain. Remember me kindly to Mrs. J. Bridges (I am so glad she is with you now), and give my best love to Lizzie and all the others.

  I am, my dearest Fanny,

  Most affectionately yours,

  Cass. Eliz. Austen.

  I have said nothing about those at Chawton, because I am sure you hear from your papa.

  LXXVIII.

  Chawton, Tuesday (July 29, 1817).

  My dearest Fanny, — I have just read your letter for the third time, and thank you most sincerely for every kind expression to myself, and still more warmly for your praises of her who I believe was better known to you than to any human being besides myself. Nothing of the sort could have been more gratifying to me than the manner in which you write of her; and if the dear angel is conscious of what passes here, and is not above all earthly feelings, she may perhaps receive pleasure in being so mourned. Had she been the survivor, I can fancy her speaking of you in almost the same terms. There are certainly many points of strong resemblance in your characters; in your intimate acquaintance with each other, and your mutual strong affection, you were counterparts.

  Thursday was not so dreadful a day to me as you imagined. There was so much necessary to be done that there was no time for additional misery. Everything was conducted with the greatest tranquillity, and but that I was determined I would see the last, and therefore was upon the listen, I should not have known when they left the house. I watched the little mournful procession the length of the street; and when it turned from my sight, and I had lost her forever, even then I was not overpowered, nor so much agitated as I am now in writing of it. Never was human being more sincerely mourned by those who attended her remains than was this dear creature. May the sorrow with which she is parted with on earth be a prognostic of the joy with which she is hailed in heaven!

  I continue very tolerably well, — much better than any one could have supposed possible, because I certainly have had considerable fatigue of body as well as anguish of mind for months back; but I really am well, and I hope I am properly grateful to the Almighty for having been so supported. Your grandmamma, too, is much better than when I came home.

  I did not think your dear papa appeared unwell, and I understand that he seemed much more comfortable after his return from Winchester than he had done before. I need not tell you that he was a great comfort to me; indeed, I can never say enough of the kindness I have received from him and from every other friend
.

  I get out of doors a good deal, and am able to employ myself. Of course those employments suit me best which leave me most at leisure to think of her I have lost, and I do think of her in every variety of circumstance, — in our happy hours of confidential intercourse, in the cheerful family party which she so ornamented, in her sick-room, on her death-bed, and as (I hope) an inhabitant of heaven. Oh, if I may one day be reunited to her there! I know the time must come when my mind will be less engrossed by her idea, but I do not like to think of it. If I think of her less as on earth, God grant that I may never cease to reflect on her as inhabiting heaven, and never cease my humble endeavors (when it shall please God) to join her there.

  In looking at a few of the precious papers which are now my property I have found some memorandums, amongst which she desires that one of her gold chains may be given to her god-daughter Louisa, and a lock of her hair be set for you. You can need no assurance, my dearest Fanny, that every request of your beloved aunt will be sacred with me. Be so good as to say whether you prefer a brooch or ring. God bless you, my dearest Fanny.

  Believe me, most affectionately yours,

  Cass. Elizth. Austen.

  Miss Knight,

  Godmersham Park, Canterbury.

  THE END

  The Criticism

  JANE AUSTEN by Sir Walter Scott

  From. The Quarterly Review, October, 1815

  Emma; a Novel. By the Author of Sense and Sensibility, Pride and Prejudice, etc. 3 vols. 12mo. London. 1815.

  There are some vices in civilized society so common that they are hardly acknowledged as stains upon the moral character, the propensity to which is nevertheless carefully concealed, even by those who most frequently give way to them; since no man of pleasure would willingly assume the gross epithet of a debauchee or a drunkard. One would almost think that novel-reading fell under this class of frailties, since among the crowds who read little else, it is not common to find an individual of hardihood sufficient to avow his taste for these frivolous studies. A novel, therefore, is frequently “bread eaten in secret”; and it is not upon Lydia Languish’s toilet alone that Tom Jones and Peregrine Pickle are to be found ambushed behind works of a more grave and instructive character. And hence it has happened, that in no branch of composition, not even in poetry itself, have so many writers, and of such varied talents, exerted their powers. It may perhaps be added, that although the composition of these works admits of being exalted and decorated by the higher exertions of genius; yet such is the universal charm of narrative, that the worst novel ever written will find some gentle reader content to yawn over it, rather than to open the page of the historian, moralist, or poet. We have heard, indeed, of one work of fiction so unutterably stupid, that the proprietor, diverted by the rarity of the incident, offered the book, which consisted of two volumes in duodecimo, handsomely bound, to any person who would declare, upon his honour, that he had read the whole from beginning to end. But although this offer was made to the passengers on board an Indiaman, during a tedious outward-bound voyage, the Memoirs of Clegg the Clergyman (such was the title of this unhappy composition) completely baffled the most dull and determined student on board, and bid fair for an exception to the general rule above-mentioned, — when the love of glory prevailed with the boatswain, a man of strong and solid parts, to hazard the attempt, and he actually conquered and carried off the prize!

  The judicious reader will see at once that we have been pleading our own cause while stating the universal practice, and preparing him for a display of more general acquaintance with this fascinating department of literature, than at first sight may seem consistent with the graver studies to which we are compelled by duty: but in truth, when we consider how many hours of languor and anxiety, of deserted age and solitary celibacy, of pain even and poverty, are beguiled by the perusal of these light volumes, we cannot austerely condemn the source from which is drawn the alleviation of such a portion of human misery, or consider the regulation of this department as beneath the sober consideration of the critic.

  If such apologies may be admitted in judging the labours of ordinary novelists, it becomes doubly the duty of the critic to treat with kindness as well as candour works which, like this before us, proclaim a knowledge of the human heart, with the power and resolution to bring that knowledge to the service of honour and virtue. The author is already known to the public by the two novels announced in her title-page, and both, the last especially, attracted, with justice, an attention from the public far superior to what is granted to the ephemeral productions which supply the regular demand of watering-places and circulating libraries. They belong to a class of fictions which has arisen almost in our own times, and which draws the characters and incidents introduced more immediately from the current of ordinary life than was permitted by the former rules of the novel. In its first appearance, the novel was the legitimate child of the romance; and though the manners and general turn of the composition were altered so as to suit modern times, the author remained fettered by many peculiarities derived from the original style of romantic fiction. These may be chiefly traced in the conduct of the narrative, and the tone of sentiment attributed to the fictitious personages. On the first point, although

  The talisman and magic wand were broke,

  Knights, dwarfs, and genii vanish’d into smoke,

  still the reader expected to peruse a course of adventures of a nature more interesting and extraordinary than those which occur in his own life, or that of his next-door neighbours.

  The hero no longer defeated armies by his single sword, clove giants to the chine, or gained kingdoms. But he was expected to go through perils by sea and land, to be steeped in poverty, to be tried by temptation, to be exposed to the alternate vicissitudes of adversity and prosperity, and his life was a troubled scene of suffering and achievement. Few novelists, indeed, adventured to deny to the hero his final hour of tranquillity and happiness, though it was the prevailing fashion never to relieve him out of his last and most dreadful distress until the finishing chapters of his history; so that although his prosperity in the record of his life was short, we were bound to believe it was long and uninterrupted when the author had done with him. The heroine was usually condemned to equal hardships and hazards. She was regularly exposed to being forcibly carried off like a Sabine virgin by some frantic admirer. And even if she escaped the terrors of masked ruffians, an insidious ravisher, a cloak wrapped forcibly around her head, and a coach with the blinds up driving she could not conjecture whither, she had still her share of wandering, of poverty, of obloquy, of seclusion, and of imprisonment, and was frequently extended upon a bed of sickness, and reduced to her last shilling before the author condescended to shield her from persecution. In all these dread contingencies the mind of the reader was expected to sympathize, since by incidents so much beyond the bounds of his ordinary experience, his wonder and interest ought at once to be excited. But gradually he became familiar with the land of fiction, the adventures of which he assimilated not with those of real life, but with each other. Let the distress of the hero or heroine be ever so great, the reader reposed an imperturbable confidence in the talents of the author, who, as he had plunged them into distress, would in his own good time, and when things, as Tony Lumkin says, were in a concatenation accordingly, bring his favourites out of all their troubles. Mr. Crabbe has expressed his own and our feelings excellently on this subject.

  For should we grant these beauties all endure

  Severest pangs, they’ve still the speediest cure;

  Before one charm be withered from the face,

  Except the bloom which shall again have place,

  In wedlock ends each wish, in triumph all disgrace.

  And life to come, we fairly may suppose,

  One light bright contrast to these wild dark woes.

  In short, the author of novels was, in former times, expected to tread pretty much in the limits between the concentric circles of probabili
ty and possibility; and as he was not permitted to transgress the latter, his narrative, to make amends, almost always went beyond the bounds of the former. Now, although it may be urged that the vicissitudes of human life have occasionally led an individual through as many scenes of singular fortune as are represented in the most extravagant of these fictions, still the causes and personages acting on these changes have varied with the progress of the adventurer’s fortune, and do not present that combined plot, (the object of every skilful novelist), in which all the more interesting individuals of the dramatis personae have their appropriate share in the action and in bringing about the catastrophe. Here, even more than in its various and violent changes of fortune, rests the improbability of the novel. The life of man rolls forth like a stream from the fountain, or it spreads out into tranquillity like a placid or stagnant lake. In the latter case, the individual grows old among the characters with whom he was born, and is contemporary, — shares precisely the sort of weal and woe to which his birth destined him, — moves in the same circle, — and, allowing for the change of seasons, is influenced by, and influences the same class of persons by which he was originally surrounded. The man of mark and of adventure, on the contrary, resembles, in the course of his life, the river whose mid-current and discharge into the ocean are widely removed from each other, as well as from the rocks and wild flowers which its fountains first reflected; violent changes of time, of place, and of circumstances, hurry him forward from one scene to another, and his adventures will usually be found only connected with each other because they have happened to the same individual. Such a history resembles an ingenious, fictitious narrative, exactly in the degree in which an old dramatic chronicle of the life and death of some distinguished character, where all the various agents appear and disappear as in the page of history, approaches a regular drama, in which every person introduced plays an appropriate part, and every point of the action tends to one common catastrophe.