Complete Works of Jane Austen

by Jane Austen

  The patten now supports each frugal dame,

  Which from the blue-eyed Patty takes the name.

  But mortal damsels have long ago discarded the clumsy implement. First it dropped its iron ring and became a clog; afterwards it was fined down into the pliant galoshe — lighter to wear and more effectual to protect — a no less manifest instance of gradual improvement than Cowper indicates when he traces through eighty lines of poetry his ‘accomplished sofa’ back to the original three-legged stool.

  As an illustration of the purposes which a patten was intended to serve, I add the following epigram, written by Jane Austen’s uncle, Mr. Leigh Perrot, on reading in a newspaper the marriage of Captain Foote to Miss Patten: —

  Through the rough paths of life, with a patten your guard,

  May you safely and pleasantly jog;

  May the knot never slip, nor the ring press too hard,

  Nor the Foot find the Patten a clog.

  At the time when Jane Austen lived at Steventon, a work was carried on in the neighbouring cottages which ought to be recorded, because it has long ceased to exist.

  Up to the beginning of the present century, poor women found profitable employment in spinning flax or wool. This was a better occupation for them than straw plaiting, inasmuch as it was carried on at the family hearth, and did not admit of gadding and gossiping about the village. The implement used was a long narrow machine of wood, raised on legs, furnished at one end with a large wheel, and at the other with a spindle on which the flax or wool was loosely wrapped, connected together by a loop of string. One hand turned the wheel, while the other formed the thread. The outstretched arms, the advanced foot, the sway of the whole figure backwards and forwards, produced picturesque attitudes, and displayed whatever of grace or beauty the work-woman might possess. Some ladies were fond of spinning, but they worked in a quieter manner, sitting at a neat little machine of varnished wood, like Tunbridge ware, generally turned by the foot, with a basin of water at hand to supply the moisture required for forming the thread, which the cottager took by a more direct and natural process from her own mouth. I remember two such elegant little wheels in our own family.

  It may be observed that this hand-spinning is the most primitive of female accomplishments, and can be traced back to the earliest times. Ballad poetry and fairy tales are full of allusions to it. The term ‘spinster’ still testifies to its having been the ordinary employment of the English young woman. It was the labour assigned to the ejected nuns by the rough earl who said, ‘Go spin, ye jades, go spin.’ It was the employment at which Roman matrons and Grecian princesses presided amongst their handmaids. Heathen mythology celebrated it in the three Fates spinning and measuring out the thread of human life. Holy Scripture honours it in those ‘wise-hearted women’ who ‘did spin with their hands, and brought that which they had spun’ for the construction of the Tabernacle in the wilderness: and an old English proverb carries it still farther back to the time ‘when Adam delved and Eve span.’ But, at last, this time-honoured domestic manufacture is quite extinct amongst us — crushed by the power of steam, overborne by a countless host of spinning jennies, and I can only just remember some of its last struggles for existence in the Steventon cottages.

  CHAPTER III.

  Early Compositions — Friends at Ashe — A very old Letter — Lines on the Death of Mrs. Lefroy — Observations on Jane Austen’s Letter-writing — Letters.

  I know little of Jane Austen’s childhood. Her mother followed a custom, not unusual in those days, though it seems strange to us, of putting out her babies to be nursed in a cottage in the village. The infant was daily visited by one or both of its parents, and frequently brought to them at the parsonage, but the cottage was its home, and must have remained so till it was old enough to run about and talk; for I know that one of them, in after life, used to speak of his foster mother as ‘Movie,’ the name by which he had called her in his infancy. It may be that the contrast between the parsonage house and the best class of cottages was not quite so extreme then as it would be now, that the one was somewhat less luxurious, and the other less squalid. It would certainly seem from the results that it was a wholesome and invigorating system, for the children were all strong and healthy. Jane was probably treated like the rest in this respect. In childhood every available opportunity of instruction was made use of. According to the ideas of the time, she was well educated, though not highly accomplished, and she certainly enjoyed that important element of mental training, associating at home with persons of cultivated intellect. It cannot be doubted that her early years were bright and happy, living, as she did, with indulgent parents, in a cheerful home, not without agreeable variety of society. To these sources of enjoyment must be added the first stirrings of talent within her, and the absorbing interest of original composition. It is impossible to say at how early an age she began to write. There are copy books extant containing tales some of which must have been composed while she was a young girl, as they had amounted to a considerable number by the time she was sixteen. Her earliest stories are of a slight and flimsy texture, and are generally intended to be nonsensical, but the nonsense has much spirit in it. They are usually preceded by a dedication of mock solemnity to some one of her family. It would seem that the grandiloquent dedications prevalent in those days had not escaped her youthful penetration. Perhaps the most characteristic feature in these early productions is that, however puerile the matter, they are always composed in pure simple English, quite free from the over-ornamented style which might be expected from so young a writer. One of her juvenile effusions is given, as a specimen of the kind of transitory amusement which Jane was continually supplying to the family party.

  THE MYSTERY. AN UNFINISHED COMEDY.

  DEDICATION.

  To the Rev. George austen.

  Sir, — I humbly solicit your patronage to the following Comedy, which, though an unfinished one, is, I flatter myself, as complete a Mystery as any of its kind.

  I am, Sir, your most humble Servant,

  The Author.

  THE MYSTERY, A COMEDY.

  dramatis personæ.

  Men. Women.

  Col. Elliott. Fanny Elliott.

  OLD Humbug. Mrs. Humbug

  Young Humbug. and

  Sir Edward Spangle Daphne.

  and

  Corydon.

  ACT I.

  Scene I. — A Garden.

  Enter Corydon.

  Corydon. But hush: I am interrupted. [Exit Corydon.

  Enter Old Humbug and his Son, talking.

  Old Hum. It is for that reason that I wish you to follow my advice. Are you convinced of its propriety?

  Young Hum. I am, sir, and will certainly act in the manner you have pointed out to me.

  Old Hum. Then let us return to the house. [Exeunt.

  SCENE II. — A parlour in Humbug’s house. Mrs. Humbug and Fanny discovered at work.

  Mrs. Hum. You understand me, my love?

  Fanny. Perfectly, ma’am: pray continue your narration.

  Mrs. Hum. Alas! it is nearly concluded; for I have nothing more to say on the subject.

  Fanny. Ah! here is Daphne.

  Enter Daphne.

  Daphne. My dear Mrs. Humbug, how d’ye do? Oh! Fanny, it is all over.

  Fanny. Is it indeed!

  Mrs. Hum. I’m very sorry to hear it.

  Fanny. Then ‘twas to no purpose that I —

  Daphne. None upon earth.

  Mrs. Hum. And what is to become of — ?

  Daphne. Oh! ‘tis all settled. (Whispers Mrs. Humbug.)

  Fanny. And how is it determined?

  Daphne. I’ll tell you. (Whispers Fanny.)

  Mrs. Hum. And is he to — ?

  Daphne. I’ll tell you all I know of the matter. (Whispers Mrs. Humbug and Fanny.)

  Fanny. Well, now I know everything about it, I’ll go away.

  Mrs. Hum. and Daphne. And so will I. [Exeunt.

  SCENE III. — The cur
tain rises, and discovers Sir Edward Spangle reclined in an elegant attitude on a sofa fast asleep.

  Enter Col. Elliott.

  Col. E. My daughter is not here, I see. There lies Sir Edward. Shall I tell him the secret? No, he’ll certainly blab it. But he’s asleep, and won’t hear me; — so I’ll e’en venture. (Goes up to SIR EDWARD, whispers him, and exit.)

  END OF THE FIRST ACT.

  FINIS.

  * * * * *

  Her own mature opinion of the desirableness of such an early habit of composition is given in the following words of a niece: —

  ‘As I grew older, my aunt would talk to me more seriously of my reading and my amusements. I had taken early to writing verses and stories, and I am sorry to think how I troubled her with reading them. She was very kind about it, and always had some praise to bestow, but at last she warned me against spending too much time upon them. She said — how well I recollect it! — that she knew writing stories was a great amusement, and she thought a harmless one, though many people, she was aware, thought otherwise; but that at my age it would be bad for me to be much taken up with my own compositions. Later still — it was after she had gone to Winchester — she sent me a message to this effect, that if I would take her advice I should cease writing till I was sixteen; that she had herself often wished she had read more, and written less in the corresponding years of her own life.’ As this niece was only twelve years old at the time of her aunt’s death, these words seem to imply that the juvenile tales to which I have referred had, some of them at least, been written in her childhood.

  But between these childish effusions, and the composition of her living works, there intervened another stage of her progress, during which she produced some stories, not without merit, but which she never considered worthy of publication. During this preparatory period her mind seems to have been working in a very different direction from that into which it ultimately settled. Instead of presenting faithful copies of nature, these tales were generally burlesques, ridiculing the improbable events and exaggerated sentiments which she had met with in sundry silly romances. Something of this fancy is to be found in ‘Northanger Abbey,’ but she soon left it far behind in her subsequent course. It would seem as if she were first taking note of all the faults to be avoided, and curiously considering how she ought not to write before she attempted to put forth her strength in the right direction. The family have, rightly, I think, declined to let these early works be published. Mr. Shortreed observed very pithily of Walter Scott’s early rambles on the borders, ‘He was makin’ himsell a’ the time; but he didna ken, may be, what he was about till years had passed. At first he thought of little, I dare say, but the queerness and the fun.’ And so, in a humbler way, Jane Austen was ‘makin’ hersell,’ little thinking of future fame, but caring only for ‘the queerness and the fun;’ and it would be as unfair to expose this preliminary process to the world, as it would be to display all that goes on behind the curtain of the theatre before it is drawn up.

  It was, however, at Steventon that the real foundations of her fame were laid. There some of her most successful writing was composed at such an early age as to make it surprising that so young a woman could have acquired the insight into character, and the nice observation of manners which they display. ‘Pride and Prejudice,’ which some consider the most brilliant of her novels, was the first finished, if not the first begun. She began it in October 1796, before she was twenty-one years old, and completed it in about ten months, in August 1797. The title then intended for it was ‘First Impressions.’ ‘Sense and Sensibility’ was begun, in its present form, immediately after the completion of the former, in November 1797 but something similar in story and character had been written earlier under the title of ‘Elinor and Marianne;’ and if, as is probable, a good deal of this earlier production was retained, it must form the earliest specimen of her writing that has been given to the world. ‘Northanger Abbey,’ though not prepared for the press till 1803, was certainly first composed in 1798.

  Amongst the most valuable neighbours of the Austens were Mr. and Mrs. Lefroy and their family. He was rector of the adjoining parish of Ashe; she was sister to Sir Egerton Brydges, to whom we are indebted for the earliest notice of Jane Austen that exists. In his autobiography, speaking of his visits at Ashe, he writes thus: ‘The nearest neighbours of the Lefroys were the Austens of Steventon. I remember Jane Austen, the novelist, as a little child. She was very intimate with Mrs. Lefroy, and much encouraged by her. Her mother was a Miss Leigh, whose paternal grandmother was sister to the first Duke of Chandos. Mr. Austen was of a Kentish family, of which several branches have been settled in the Weald of Kent, and some are still remaining there. When I knew Jane Austen, I never suspected that she was an authoress; but my eyes told me that she was fair and handsome, slight and elegant, but with cheeks a little too full.’ One may wish that Sir Egerton had dwelt rather longer on the subject of these memoirs, instead of being drawn away by his extreme love for genealogies to her great-grandmother and ancestors. That great-grandmother however lives in the family records as Mary Brydges, a daughter of Lord Chandos, married in Westminster Abbey to Theophilus Leigh of Addlestrop in 1698. When a girl she had received a curious letter of advice and reproof, written by her mother from Constantinople. Mary, or ‘Poll,’ was remaining in England with her grandmother, Lady Bernard, who seems to have been wealthy and inclined to be too indulgent to her granddaughter. This letter is given. Any such authentic document, two hundred years old, dealing with domestic details, must possess some interest. This is remarkable, not only as a specimen of the homely language in which ladies of rank then expressed themselves, but from the sound sense which it contains. Forms of expression vary, but good sense and right principles are the same in the nineteenth that they were in the seventeenth century.

  ‘My deares Poll,

  ‘Yr letters by Cousin Robbert Serle arrived here not before the 27th of Aprill, yett were they hartily wellcome to us, bringing ye joyful news which a great while we had longed for of my most dear Mother & all other relations & friends good health which I beseech God continue to you all, & as I observe in yrs to yr Sister Betty ye extraordinary kindness of (as I may truly say) the best Mothr & Gnd Mothr in the world in pinching herself to make you fine, so I cannot but admire her great good Housewifry in affording you so very plentifull an allowance, & yett to increase her Stock at the rate I find she hath done; & think I can never sufficiently mind you how very much it is yr duty on all occasions to pay her yr gratitude in all humble submission & obedience to all her commands soe long as you live. I must tell you ‘tis to her bounty & care in ye greatest measure you are like to owe yr well living in this world, & as you cannot but be very sensible you are an extra-ordinary charge to her so it behoves you to take particular heed tht in ye whole course of yr life, you render her a proportionable comfort, especially since ‘tis ye best way you can ever hope to make her such amends as God requires of yr hands. but Poll! it grieves me a little yt I am forced to take notice of & reprove you for some vaine expressions in yr lettrs to yr Sister — you say concerning yr allowance “you aime to bring yr bread & cheese even” in this I do not discommend you, for a foule shame indeed it would be should you out run the Constable having soe liberall a provision made you for yr maintenance — but ye reason you give for yr resolution I cannot at all approve for you say “to spend more you can’t” thats because you have it not to spend, otherwise it seems you would. So yt ‘tis yr Grandmothrs discretion & not yours tht keeps you from extravagancy, which plainly appears in ye close of yr sentence, saying yt you think it simple covetousness to save out of yrs but ‘tis my opinion if you lay all on yr back ‘tis ten tymes a greater sin & shame thn to save some what out of soe large an allowance in yr purse to help you at a dead lift. Child, we all know our beginning, but who knows his end? Ye best use tht can be made of fair weathr is to provide against foule & ‘tis great discretion & of noe small commendations for a young woman betymes to shew her
self housewifly & frugal. Yr Mother neither Maide nor wife ever yett bestowed forty pounds a yeare on herself & yett if you never fall undr a worse reputation in ye world thn she (I thank God for it) hath hitherto done, you need not repine at it, & you cannot be ignorant of ye difference tht was between my fortune & what you are to expect. You ought likewise to consider tht you have seven brothers & sisters & you are all one man’s children & therefore it is very unreasonable that one should expect to be preferred in finery soe much above all ye rest for ‘tis impossible you should soe much mistake yr ffather’s condition as to fancy he is able to allow every one of you forty pounds a yeare a piece, for such an allowance with the charge of their diett over and above will amount to at least five hundred pounds a yeare, a sum yr poor ffather can ill spare, besides doe but bethink yrself what a ridiculous sight it will be when yr grandmothr & you come to us to have noe less thn seven waiting gentlewomen in one house, for what reason can you give why every one of yr Sistrs should not have every one of ym a Maide as well as you, & though you may spare to pay yr maide’s wages out of yr allowance yett you take no care of ye unnecessary charge you put yr ffathr to in yr increase of his family, whereas if it were not a piece of pride to have ye name of keeping yr maide she yt waits on yr good Grandmother might easily doe as formerly you know she hath done, all ye business you have for a maide unless as you grow oldr you grow a veryer Foole which God forbid!