Sister Carrie (Barnes & Noble Classics Series)

by Theodore Dreiser

A boy threw a clod of mud while he was thus reflecting and hit him upon the arm. It hurt sharply and angered him more than he had been any time since morning.

  “The little cur!” he muttered.

  “Hurt you?” asked one of the policemen.

  “No,” he answered.

  At one of the corners, where the car slowed up because of a turn, an ex-motorman, standing on the sidewalk, called to him:

  “Won’t you come out, pardner, and be a man? Remember we’re fighting for decent day’s wages, that’s all. We’ve got families to support.” The man seemed most peaceably inclined.

  Hurstwood pretended not to see him. He kept his eyes straight on before and opened the lever wide. The voice had something appealing in it.

  All morning this went on and long into the afternoon. He made three such trips. The dinner he had was no stay for such work and the cold was telling on him. At each end of the line he stopped to thaw out, but he could have groaned at the anguish of it. One of the barnmen, out of pity, loaned him a heavy cap and a pair of sheepskin gloves, and for once he was extremely thankful.

  On the second trip of the afternoon he ran into a crowd about half way along the line, that had blocked the car’s progress with an old telegraph pole.

  “Get that thing off the track,” shouted the two policemen.

  “Yah, yah, yah!” yelled the crowd. “Get it off yourself.”

  The two policemen got down and Hurstwood started to follow.

  “You stay there,” one called. “Some one will run away with your car.”

  Amid the babel of voices, Hurstwood heard one close beside him.

  “Come down, pardner, and be a man. Don’t fight the poor. Leave that to the corporations.”

  He saw the same fellow who had called to him from the corner. Now, as before, he pretended not to hear him.

  “Come down,” the man repeated gently. “You don’t want to fight poor men. Don’t fight at all.” It was a most philosophic and jesuitical motorman.

  A third policeman joined the other two from somewhere and some one ran to telephone for more officers. Hurstwood gazed about, determined but fearful.

  A man grabbed him by the coat.

  “Come off of that,” he exclaimed, jerking at him and trying to pull him over the railing.

  “Let go,” said Hurstwood, savagely.

  “I’ll show you—you scab!” cried a young Irishman, jumping up on the car and aiming a blow at Hurstwood. The latter ducked and caught it on the shoulder instead of the jaw.

  “Away from here,” shouted an officer, hastening to the rescue, and adding, of course, the usual oaths.

  Hurstwood recovered himself, pale and trembling. It was becoming serious with him now. People were looking up and jeering at him. One girl was making faces.

  He began to waver in his resolution, when a patrol wagon rolled up and more officers dismounted. Now the track was quickly cleared and the release effected.

  “Let her go now, quick,” said the officer, and again he was off.

  The end came with a real mob, which met the car on its return trip a mile or two from the barns. It was an exceedingly poor-looking neighbourhood. He wanted to run fast through it, but again the track was blocked. He saw men carrying something out to it when he was yet a half-dozen blocks away.

  “There they are again!” exclaimed one policeman.

  “I’ll give them something this time,” said the second officer, whose patience was becoming worn. Hurstwood suffered a qualm of body as the car rolled up. As before, the crowd began hooting, but now, rather than come near, they threw things. One or two windows were smashed and Hurstwood dodged a stone.

  Both policemen ran out toward the crowd, but the latter replied by running toward the car. A woman—a mere girl in appearance—was among these, bearing a rough stick. She was exceedingly wrathful and struck at Hurstwood, who dodged. There upon, her companions, duly encouraged, jumped on the car and pulled Hurstwood over. He had hardly time to speak or shout before he fell.

  “Let go of me,” he said, falling on his side.

  “Ah, you sucker,” he heard some one say. Kicks and blows rained on him. He seemed to be suffocating. Then two men seemed to be dragging him off and he wrestled for freedom.

  “Let up,” said a voice, “you’re all right. Stand up.”

  He was let loose and recovered himself. Now he recognised two officers. He felt as if he would faint from exhaustion. Something was wet on his chin. He put up his hand and felt, then looked. It was red.

  “They cut me,” he said, foolishly, fishing for his handkerchief.

  “Now, now,” said one of the officers. “It’s only a scratch.”

  His senses became cleared now and he looked around. He was standing in a little store, where they left him for the moment.

  Outside, he could see, as he stood wiping his chin, the car and the excited crowd. A patrol wagon was there, and another.

  He walked over and looked out. It was an ambulance, backing in.

  He saw some energetic charging by the police and arrests being made.

  “Come on, now, if you want to take your car,” said an officer, opening the door and looking in.

  He walked out, feeling rather uncertain of himself. He was very cold and frightened.

  “Where’s the conductor?” he asked.

  “Oh, he’s not here now,” said the policeman.

  Hurstwood went toward the car and stepped nervously on. As he did so there was a pistol shot. Something stung his shoulder.

  “Who fired that?” he heard an officer exclaim. “By God! who did that?” Both left him, running toward a certain building. He paused a moment and then got down.

  “George!” exclaimed Hurstwood, weakly, “this is too much for me.”

  He walked nervously to the corner and hurried down a side street.

  “Whew!” he said, drawing in his breath.

  A half block away, a small girl gazed at him.

  “You’d better sneak,” she called.

  He walked homeward in a blinding snowstorm, reaching the ferry by dusk. The cabins were filled with comfortable souls, who studied him curiously. His head was still in such a whirl that he felt confused. All the wonder of the twinkling lights of the river in a white storm passed for nothing. He trudged doggedly on until he reached the flat. There he entered and found the room warm. Carrie was gone. A couple of evening papers were lying on the table where she left them. He lit the gas and sat down. Then he got up and stripped to examine his shoulder. It was a mere scratch. He washed his hands and face, still in a brown study, apparently, and combed his hair. Then he looked for something to eat, and finally, his hunger gone, sat down in his comfortable rocking-chair. It was a wonderful relief.

  He put his hand to his chin, forgetting, for the moment, the papers.

  “Well,” he said, after a time, his nature recovering itself. “That’s a pretty tough game over there.”

  Then he turned and saw the papers. With half a sigh he picked up the “World.”

  “Strike Spreading in Brooklyn,” he read. “Rioting Breaks Out in all Parts of the City.”

  He adjusted his paper very comfortably and continued. It was the one thing he read with absorbing interest.

  CHAPTER XLII

  A TOUCH OF SPRING: THE EMPTY SHELL

  THOSE WHO LOOK UPON Hurstwood’s Brooklyn venture as an error of judgment will none the less realise the negative influence on him of the fact that he had tried and failed. Carrie got a wrong idea of it. He said so little that she imagined he had encountered nothing worse than the ordinary roughness—quitting so soon in the face of this seemed trifling. He did not want to work.

  She was now one of a group of oriental beauties who, in the second act of the comic opera, were paraded by the vizier before the new potentate as the treasures of his harem. There was no word assigned to any of them, but on the evening when Hurstwood was housing himself in the loft of the street-car barn, the leading comedian and star, feeling ex
ceedingly facetious, said in a profound voice, which created a ripple of laughter:

  “Well, who are you?”

  It merely happened to be Carrie who was courtesying before him. It might as well have been any of the others, so far as he was concerned. He expected no answer and a dull one would have been reproved. But Carrie, whose experience and belief in herself gave her daring, courtesied sweetly again and answered:

  “I am yours truly.”

  It was a trivial thing to say, and yet something in the way she did it caught the audience, which laughed heartily at the mockfierce potentate towering before the young woman. The comedian also liked it, hearing the laughter.

  “I thought your name was Smith,” he returned, endeavouring to get the last laugh.

  Carrie almost trembled for her daring after she had said this. All members of the company had been warned that to interpolate lines or “business” meant a fine or worse. She did not know what to think.

  As she was standing in her proper position in the wings, awaiting another entry, the great comedian made his exit past her and paused in recognition.

  “You can just leave that in hereafter,” he remarked, seeing how intelligent she appeared. “Don’t add any more, though.”

  “Thank you,” said Carrie, humbly. When he went on she found herself trembling violently.

  “Well, you’re in luck,” remarked another member of the chorus. “There isn’t another one of us has got a line.”

  There was no gainsaying the value of this. Everybody in the company realised that she had got a start. Carrie hugged herself when next evening the lines got the same applause. She went home rejoicing, knowing that soon something must come of it. It was Hurstwood who, by his presence, caused her merry thoughts to flee and replaced them with sharp longings for an end of distress.

  The next day she asked him about his venture.

  “They’re not trying to run any cars except with police. They don’t want anybody just now—not before next week.”

  Next week came, but Carrie saw no change. Hurstwood seemed more apathetic than ever. He saw her off mornings to rehearsals and the like with the utmost calm. He read and read. Several times he found himself staring at an item, but thinking of something else. The first of these lapses that he sharply noticed concerned a hilarious party he had once attended at a driving club, of which he had been a member. He sat, gazing downward, and gradually thought he heard the old voices and the clink of glasses.

  “You’re a dandy, Hurstwood,” his friend Walker said. He was standing again well dressed, smiling, good-natured, the recipient of encores for a good story.

  All at once he looked up. The room was so still it seemed ghost-like. He heard the clock ticking audibly and half suspected that he had been dozing. The paper was so straight in his hands, however, and the items he had been reading so directly before him, that he rid himself of the doze idea. Still, it seemed peculiar. When it occurred a second time, however, it did not seem quite so strange.

  Butcher and grocery man, baker and coal man—not the group with whom he was then dealing, but those who had trusted him to the limit—called. He met them all blandly, becoming deft in excuse. At last he became bold, pretended to be out, or waved them off.

  “They can’t get blood out of a turnip,” he said. “If I had it I’d pay them.”

  Carrie’s little soldier friend, Miss Osborne, seeing her succeeding, had become a sort of satellite. Little Osborne could never of herself amount to anything. She seemed to realise it in a sort of pussy-like way and instinctively concluded to cling with her soft little claws to Carrie.

  “Oh, you’ll get up,” she kept telling Carrie with admiration. “You’re so good.”

  Timid as Carrie was, she was strong in capability. The reliance of others made her feel as if she must, and when she must she dared. Experience of the world and of necessity was in her favour. No longer the lightest word of a man made her head dizzy. She had learned that men could change and fail. Flattery in its most palpable form had lost its force with her. It required superiority-kindly superiority—to move her—the superiority of a genius like Ames.

  “I don’t like the actors in our company,” she told Lola one day. “They’re all so stuck on themselves.”

  “Don’t you think Mr. Barclay’s pretty nice?” inquired Lola, who had received a condescending smile or two from that quarter.

  “Oh, he’s nice enough,” answered Carrie; “but he isn’t sincere. He assumes such an air.”

  Lola felt for her first hold upon Carrie in the following manner:

  “Are you paying room-rent where you are?”

  “Certainly,” answered Carrie. “Why?”

  “I know where I could get the loveliest room and bath, cheap. It’s too big for me, but it would be just right for two, and the rent is only six dollars a week for both.”

  “Where?” said Carrie.

  “In Seventeenth Street.”

  “Well, I don’t know as I’d care to change,” said Carrie, who was already turning over the three-dollar rate in her mind. She was thinking if she had only herself to support this would leave her seventeen for herself.

  Nothing came of this until after the Brooklyn adventure of Hurstwood’s and her success with the speaking part. Then she began to feel as if she must be free. She thought of leaving Hurstwood and thus making him act for himself, but he had developed such peculiar traits she feared he might resist any effort to throw him off. He might hunt her out at the show and hound her in that way. She did not wholly believe that he would, but he might.

  This, she knew, would be an embarrassing thing if he made himself conspicuous in any way. It troubled her greatly.

  Things were precipitated by the offer of a better part. One of the actresses playing the part of a modest sweetheart gave notice of leaving and Carrie was selected.

  “How much are you going to get?” asked Miss Osborne, on hearing the good news.

  “I didn’t ask him,” said Carrie.

  “Well, find out. Goodness, you’ll never get anything if you don’t ask. Tell them you must have forty dollars, anyhow.”

  “Oh, no,” said Carrie.

  “Certainly!” exclaimed Lola. “Ask ’em, anyway.”

  Carrie succumbed to this prompting, waiting, however, until the manager gave her notice of what clothing she must have to fit the part.

  “How much do I get?” she inquired.

  “Thirty-five dollars,” he replied.

  Carrie was too much astonished and delighted to think of mentioning forty. She was nearly beside herself, and almost hugged Lola, who clung to her at the news.

  “It isn’t as much as you ought to get,” said the latter, “especially when you’ve got to buy clothes.”

  Carrie remembered this with a start. Where to get the money? She had none laid up for such an emergency. Rent day was drawing near.

  “I’ll not do it,” she said, remembering her necessity. “I don’t use the flat. I’m not going to give up my money this time. I’ll move.”

  Fitting into this came another appeal from Miss Osborne, more urgent than ever.

  “Come live with me, won’t you?” she pleaded. “We can have the loveliest room. It won’t cost you hardly anything that way.”

  “I’d like to,” said Carrie, frankly.

  “Oh, do,” said Lola. “We’ll have such a good time.”

  Carrie thought a while.

  “I believe I will,” she said, and then added: “I’ll have to see first, though.”

  With the idea thus grounded, rent day approaching, and clothes calling for instant purchase, she soon found excuse in Hurstwood’s lassitude. He said less and drooped more than ever.

  As rent day approached, an idea grew in him. It was fostered by the demands of creditors and the impossibility of holding up many more. Twenty-eight dollars was too much for rent. “It’s hard on her,” he thought. “We could get a cheaper place.”

  Stirred with this idea, he spoke at th
e breakfast table.

  “Don’t you think we pay too much rent here?” he asked.

  “Indeed I do,” said Carrie, not catching his drift.

  “I should think we could get a smaller place,” he suggested. “We don’t need four rooms.”

  Her countenance, had he been scrutinising her, would have exhibited the disturbance she felt at this evidence of his determination to stay by her. He saw nothing remarkable in asking her to come down lower.

  “Oh, I don’t know,” she answered, growing wary.

  “There must be places around here where we could get a couple of rooms, which would do just as well.”

  Her heart revolted. “Never!” she thought. Who would furnish the money to move? To think of being in two rooms with him! She resolved to spend her money for clothes quickly, before something terrible happened. That very day she did it. Having done so, there was but one other thing to do.

  “Lola,” she said, visiting her friend, “I think I’ll come.”

  “Oh, jolly!” cried the latter.

  “Can we get it right away?” she asked, meaning the room.

  “Certainly,” cried Lola.

  They went to look at it. Carrie had saved ten dollars from her expenditures—enough for this and her board beside. Her enlarged salary would not begin for ten days yet—would not reach her for seventeen. She paid half of the six dollars with her friend.

  “Now, I’ve just enough to get on to the end of the week,” she confided.

  “Oh, I’ve got some,” said Lola. “I’ve got twenty-five dollars, if you need it.”

  “No,” said Carrie. “I guess I’ll get along.”

  They decided to move Friday, which was two days away. Now that the thing was settled, Carrie’s heart misgave her. She felt very much like a criminal in the matter. Each day looking at Hurstwood, she had realised that, along with the disagreeableness of his attitude, there was something pathetic.

  She looked at him the same evening she had made up her mind to go, and now he seemed not so shiftless and worthless, but run down and beaten upon by chance. His eyes were not keen, his face marked, his hands flabby. She thought his hair had a touch of grey. All unconscious of his doom, he rocked and read his paper, while she glanced at him.