Afraid Of A Gun and Other Stories

by Unknown

  Barbra Caywood's door was unlocked when I reached it. I slammed it open. By the light of the moonbeams that slanted past her window, I saw her sitting upright in the centre of her bed. She wasn't beautiful now. Her face was twisted with terror. The scream was just dying in her throat.

  All this I got in the flash of time that it took me to put a running foot across her sill.

  Then another shot crashed out—in Exon's room.

  The girl's face jerked up—so abruptly that it seemed her neck must snap—she clutched both hands to her breast—and fell face-down among the bedclothes.

  I don't know whether I went through, over, or around the screen that stood in the connecting doorway. I was circling Exon's bed. He lay on the floor on his side, facing a window. I jumped over him—leaned out the window.

  In the yard that was bright now under the moon, nothing moved. There was no sound of flight. Presently, while my eyes still searched the surrounding country, the farm hands, in their underwear, came running barefooted from the direction of their quarters. I called down to them, stationing them at points of vantage.

  Meanwhile, behind me, Gong Lim and Adam Figg had put Exon back in his bed, while Mrs. Gallaway and Emma Figg tried to check the blood that spurted from a hole in Barbra Caywood's side.

  I sent Adam Figg to the telephone, to wake the doctor and the deputy sheriff, and then I hurried down to the grounds.

  Stepping out of the door, I came face to face with Hilary Gallaway coming from the direction of the garage. His face was flushed, and his breath was eloquent of the refreshments that had accompanied the game in Ady's back room, but his step was steady enough, and his smile was as lazy as ever.

  "What's the excitement?" he asked.

  "Same as last night! Meet anybody on the road? Or see anybody leaving here?"

  "No."

  "All right. Get in that bus of yours, and bum up the road in the other direction. Stop anybody you meet going away from here or who looks wrong! Got a gun?"

  He spun on his heel with nothing of indolence.

  "One in my car," he called as he broke into a run.

  The farm hands still at their posts, I combed the grounds from east to west and from north to south. I realised that I was spoiling my chance of finding footprints when it would be light enough to see them, but I was banking on the man I wanted still being close at hand. And then Shand had told me that the ground was unfavourable for tracing prints, anyway.

  On the gravel drive in front of the house I found the pistol from which the shots had been fired—a cheap .38-calibre revolver, slightly rusty, smelling freshly of burned powder, with three empty shells and three that had not been fired in it.

  Besides that I found nothing. The murdere r—from what I had seen of the hole in the girl's side, I called him that—had vanished.

  Shand and Dr. Rench arrived together, just as I was finishing my fruitless search. A little later, Hilary Gallaway came back—empty-handed.

  Breakfast that morning was a melancholy meal, except to Hilary Gallaway. He refrained from jesting openly about the night's excitement, but his eyes twinkled whenever they met mine, and I knew he thought it a tremendously good joke for the shooting to have taken place right under my nose. During his wife's presence at the table, however, he was almost grave, as if not to offend her.

  Mrs. Gallaway left the table shortly, and Dr. Rench joined us. He said that both of his patients were in as good shape as could be expected, and he thought both would recover.

  The bullet had barely grazed the girl's ribs and breast-bone, going through the flesh and muscles of her chest, in on the right side and out again, on the left. Except for the shock and the loss of blood, she was not in danger, although unconscious.

  Exon was sleeping, the doctor said, so Shand and I crept up into his room to examine it. The first bullet had gone into the doorframe, about four inches above the one that had been fired the night before. The second bullet had pierced the Japanese screen, and, after passing through the girl, had lodged in the plaster of the wall. We dug out both bullets—they were of .38 calibre. Both had apparently been fired from the vicinity of one of the windows— either just inside or just outside.

  Shand and I grilled the Chinese cook, the farm hands, and the Figgs unmercifully that day. But they came through it standing up—there was nothing to fix the shooting on any of them.

  And all day long that damned Hilary Gallaway followed me from pillar to post, with a mocking glint in his eyes that said plainer than words, "I'm the logical suspect. Why don't you put me through your little third degree?" But I grinned back, and asked him nothing.

  Shand had to go to town that afternoon. He called me up on the telephone later, and told me that Gallaway had left Knownburg early enough that morning to have arrived home fully half an hour before the shooting, if he had driven at his usual fast pace.

  The day passed—too rapidly—and I found myself dreading the coming of night. Two nights in succession Exon's life had been attempted—and now the third night was coming.

  At dinner Hilary Gallaway announced that he was going to stay home this evening. Knownburg, he said, was tame in comparison; and he grinned at me.

  Dr. Rench left after the meal, saying that he would return as soon as possible, but that he had two patients on the other side of town whom he must visit. Barbra Caywood had returned to consciousness, but had been extremely hysterical, and the doctor had given her an opiate. She was asleep now. Exon was resting easily except for a high temperature.

  I went up to Exon's room for a few minutes after the meal and tried him out with a gentle question or two, but he refused to answer them, and he was too sick for me to press him.

  He asked how the girl was.

  "The doc says she's in no particular danger. Just loss of blood and shock. If she doesn't rip her bandages off and bleed to death in one of her hysterical spells, he says, he'll have her on her feet in a couple of weeks."

  Mrs. Gallaway came in then, and I went downstairs again, where I was seized by Gallaway, who insisted with bantering gravity that I tell him about some of the mysteries I had solved. He was enjoying my discomfort to the limit. He kidded me for about an hour, and had me burning up inside; but I managed to grin back with a fair pretence of indifference.

  When his wife joined us presently—saying that both of the invalids were sleeping—I made my escape from her tormenting husband, saying that I had some writing to do. But I didn't go to my room.

  Instead, I crept stealthily into the girl's room, crossed to a clothespress that I had noted earlier in the day, and planted myself in it. By leaving the door open the least fraction of an inch, I could see through the connecting doorway—from which the screen had been removed—across Exon's bed, and out of the window from which three bullets had already come, and the Lord only knew what else might come.

  Time passed, and I was stiff from standing still. But I had expected that.

  Twice Mrs. Gallaway came up to look at her father and the nurse. Each time I shut my closet door entirely as soon as I heard her tiptoeing steps in the hall. I was hiding from everybody.

  She had just gone from her second visit, when, before I had time to open my door again, I heard a faint rustling, and a soft padding on the floor. Not knowing what it was or where it was, I was afraid to push the door open. In my narrow hiding place I stood still and waited.

  The padding was recognisable now—quiet footsteps, coming nearer. They passed not far from my clothespress door.

  I waited.

  An almost inaudible rustling. A pause. The softest and faintest of tearing sounds.

  I came out of the closet—my gun in my hand.

  Standing beside the girl's bed, leaning over her unconscious form, was old Talbert Exon, his face flushed with fever, his nightshirt hanging limply around his wasted legs. One of his hands still rested upon the bedclothes he had turned down from her body. The other hand held a narrow strip of adhesive tape, with which her bandages had been fixed in
place, and which he had just torn off.

  He snarled at me, and both his hands went toward the girl's bandages.

  The crazy, feverish glare of his eyes told me that the threat of the gun in my hand meant nothing to him. I jumped to his side, plucked his hands aside, picked him up in my arms, and carried him—kicking, clawing, and swearing—back to his bed. Then I called the others.

  Hilary Gallaway, Shand—who had come out from town again—and I sat over coffee and cigarettes in the kitchen, while the rest of the household helped Dr. Rench battle for Exon's life. The old man had gone through enough excitement in the last three days to kill a healthy man, let alone a pneumonia convalescent.

  "But why should the old devil want to kill her?" Gallaway asked me.

  "Search me," I confessed, a little testily perhaps. "I don't know why he wanted to kill her, but it's a cinch that he did. The gun was found just about where he could have thrown it when he heard me coming. I was in the girl's room when she was shot, and I got to Exon's window without wasting much time, and I saw nothing. You, yourself, driving home from Knownburg, and arriving here right after the shooting, didn't see anybody leave by the road; and I'll take an oath that nobody could have left in any other direction without either one of the farm hands or me seeing them.

  "And then, tonight, I told Exon that the girl would recover if she didn't tear off her bandages, which, while true enough, gave him the idea that she had been trying to tear them off. And from that he built up a plan of tearing them off himself—knowing that she had been given an opiate, perhaps—and thinking that everybody would believe she had torn them off herself. And he was putting that plan into execution—had torn off one piece of tape— when I stopped him. He shot her intentionally, and that's flat. Maybe I couldn't prove it in court without knowing why, but I know he did. But the doc says he'll hardly live to be tried; he killed himself trying to kill the girl."

  "Maybe you're right"—Gallaway's mocking grin flashed at me—"but you're a hell of a detective. Why didn't you suspect me?"

  "I did," I grinned back, "but not enough."

  "Why not? You may be making a mistake," he drawled. "You know my room is just across the hall from his, and I could have left my window, crept across the porch, fired at him, and then run back to my room, on that first night.

  "And on the second night—when you were here—you ought to know that I left Knownburg in plenty of time to have come out here, parked my car down the road a bit, fired those two shots, crept around in the shadow of the house, run back to my car, and then come driving innocently up to the garage. You should know also that my reputation isn't any too good— that I'm supposed to be a bad egg; and you do know that I don't like the old man. And for a motive, there is the fact that my wife is Exon's only heir. I hope"—he raised his eyebrows in burlesqued pain—"that you don't think I have any moral scruples against a well-placed murder now and then."

  I laughed. "I don't."

  "Well, then?"

  "If Exon had been killed that first night, and I had come up here, you'd be doing your joking behind bars long before this. And if he'd been killed the second night, even, I might have grabbed you. But I don't figure you as a man who'd bungle so easy a job—not twice, anyway. You wouldn't have missed, and then run away, leaving him alive."

  He shook my hand gravely.

  "It is comforting to have one's few virtues appreciated."

  Before Talbert Exon died he sent for me. He wanted to die, he said, with his curiosity appeased; and so we traded information. I told him how I had come to suspect him and he told me why he had tried to kill Barbra Caywood.

  Fourteen years ago he had killed his wife, not for the insurance, as he had been suspected of doing, but in a fit of jealousy. However, he had so thoroughly covered up the proofs of his guilt that he had never been brought to trial; but the murder had weighed upon him, to the extent of becoming an obsession.

  He knew that he would never give himself away consciously—he was too shrewd for that— and he knew that proof of his guilt could never be found. But there was always the chance that some time, in delirium, in his sleep, or when drunk, he might tell enough to bring him to the gallows.

  He thought upon this angle too often, until it became a morbid fear that always hounded him. He had given up drinking—that was easy—but there was no way of guarding against the other things.

  And one of them, he said, had finally happened. He had got pneumonia, and for a week he had been out of his head, and he had talked. Coming out of that week's delirium, he had questioned the nurse. She had given him vague answers, would not tell him what he had talked about, what he had said. And then, in unguarded moments, he had discovered that her eyes rested upon him with loathing—with intense repulsion.

  He knew then that he had babbled of his wife's murder; and he set about laying plans for removing the nurse before she repeated what she had heard.

  For so long as she remained in his house, he counted himself safe. She would not tell strangers, and it might be that for a while she would not tell anyone. Professional ethics would keep her quiet, perhaps; but he could not let her leave his house with her knowledge of his secret.

  Daily and in secret, he had tested his strength until he knew himself strong enough to walk about the room a little, and to hold a revolver steady. His bed was fortunately placed for his purpose—directly in line with one of the windows, the connecting door, and the girl's bed. In an old bond box in his closet—and nobody but he had ever seen the things in that box—was a revolver; a revolver that could not possibly be traced to him.

  On the first night, he had taken this gun out, stepped back from his bed a little, and fired a bullet into the doorframe. Then he had jumped back into bed, concealing the gun under the blankets—where none thought to look for it—until he could return it to its box.

  That was all the preparation he had needed. He had established an attempted murder directed against himself, and he had shown that a bullet fired at him could easily go near— and therefore through—the connecting doorway.

  On the second night, he had waited until the house had seemed quiet. Then he had peeped through one of the cracks in the Japanese screen at the girl, whom he could see in the reflected light from the moon. He had found, though, that when he stepped far enough back from the screen for it to escape powder marks, he could not see the girl, not while she was lying down. So he had fired first into the doorframe—near the previous night's bullet— to awaken her.

  She had sat up in bed immediately, screaming, and he had shot her. He had intended firing another shot into her body—to make sure of her death—but my approach had made that impossible, and had made concealment of the gun impossible; so, with what strength he had left, he had thrown the revolver out of the window.

  He died that afternoon, and I returned to San Francisco.

  But that was not quite the end of the story.

  In the ordinary course of business, the Agency's bookkeeping department sent Gallaway a bill for my services. With the check that he sent by return mail, he enclosed a letter to me, from which I quote a paragraph:

  I don't want to let you miss the cream of the whole affair. The lovely Caywood, when she recovered, denied that Exon had talked of murder or any other crime during his delirium. The cause of the distaste with which she might have looked at him afterward, and the reason she would not tell him what he had said, was that his entire conversation during that week of delirium had consisted of an uninterrupted stream of obscenities and blasphemies, which seem to have shocked the girl through and through.

  —End—

  BODIES PILED UP

  Note, story also known as "House Dick."

  The Montgomery Hotel's regular detective had taken his last week's rake-off from the hotel bootlegger in merchandise instead of cash, had drunk it down, had fallen asleep in the lobby, and had been fired. I happened to be the only idle operative in the Continental Detective Agency's San Francisco branch at the time, and thu
s it came about that I had three days of hotel-coppering while a man was being found to take the job permanently.

  The Montgomery is a quiet hotel of the better sort, and so I had a very restful time of it —until the third and last day. Then things changed.

  I came down into the lobby that afternoon to find Stacey, the assistant manager, hunting for me.

  "One of the maids just phoned that there's something wrong up in 906," he said.

  We went up to that room together. The door was open. In the centre of the floor stood a maid, staring goggle-eyed at the closed door of the clothes-press. From under it, extending perhaps a foot across the floor toward us, was a snake-shaped ribbon of blood.

  I stepped past the maid and tried the door. It was unlocked. I opened it. Slowly, rigidly, a man pitched out into my arms—pitched out backward—and there was a six-inch slit down the back of his coat, and the coat was wet and sticky.

  That wasn't altogether a surprise: the blood on the floor had prepared me for something of the sort. But when another followed him—facing me, this one, with a dark, distorted face —I dropped the one I had caught and jumped back.

  And as I jumped a third man came tumbling out after the others.

  From behind me came a scream and a thud as the maid fainted. I wasn't feeling any too steady myself. I'm no sensitive plant, and I've looked at a lot of unlovely sights in my time, but for weeks afterward I could see those three dead men coming out of that clothespress to pile up at my feet: coming out slowly—almost deliberately—in a ghastly game of 'follow your leader.'

  Seeing them, you couldn't doubt that they were really dead. Every detail of their falling, every detail of the heap in which they now lay, had a horrible certainty of lifelessness in it.

  I turned to Stacey, who, deathly white himself, was keeping on his feet only by clinging to the foot of the brass bed.

  "Get the woman out! Get doctors—police!"

  I pulled the three dead bodies apart, laying them out in a grim row, faces up. Then I made a hasty examination of the room.