Tales of Chekhov

by Anton Chekhov

  “‘My friend!’ he exclaimed, pressing my hand. ‘I beseech you, I adjure you: stop before it is too late. Stop! May Heaven preserve you from this strange, cruel mistake! My friend, do not ruin your youth!’

  “Believe me or not, as you choose, but the long and the short of it was that I sat down to the table and wrote to my fiancée, breaking off the engagement. As I wrote I felt relieved that it was not yet too late to rectify my mistake. Sealing the letter, I hastened out into the street to post it. The lawyer himself came with me.

  “‘Excellent! Capital!’ he applauded me as my letter to Natasha disappeared into the darkness of the box. ‘I congratulate you with all my heart. I am glad for you.’

  “After walking a dozen paces with me the lawyer went on:

  “‘Of course, marriage has its good points. I, for instance, belong to the class of people to whom marriage and home life is everything.’

  “And he proceeded to describe his life, and lay before me all the hideousness of a solitary bachelor existence.

  “He spoke with enthusiasm of his future wife, of the sweets of ordinary family life, and was so eloquent, so sincere in his ecstasies that by the time we had reached his door, I was in despair.

  “‘What are you doing to me, you horrible man?’ I said, gasping. ‘You have ruined me! Why did you make me write that cursed letter? I love her, I love her!’

  “And I protested my love. I was horrified at my conduct which now seemed to me wild and senseless. It is impossible, gentlemen, to imagine a more violent emotion than I experienced at that moment. Oh, what I went through, what I suffered! If some kind person had thrust a revolver into my hand at that moment, I should have put a bullet through my brains with pleasure.

  “‘Come, come . . .’ said the lawyer, slapping me on the shoulder, and he laughed. ‘Give over crying. The letter won’t reach your fiancée. It was not you who wrote the address but I, and I muddled it so they won’t be able to make it out at the post-office. It will be a lesson to you not to argue about what you don’t understand.’

  “Now, gentlemen, I leave it to the next to speak.”

  The fifth juryman settled himself more comfortably, and had just opened his mouth to begin his story when we heard the clock strike on Spassky Tower.

  “Twelve . . .” one of the jurymen counted. “And into which class, gentlemen, would you put the emotions that are being experienced now by the man we are trying? He, that murderer, is spending the night in a convict cell here in the court, sitting or lying down and of course not sleeping, and throughout the whole sleepless night listening to that chime. What is he thinking of? What visions are haunting him?”

  And the jurymen all suddenly forgot about strong impressions; what their companion who had once written a letter to his Natasha had suffered seemed unimportant, even not amusing; and no one said anything more; they began quietly and in silence lying down to sleep.

  Drunk

  A

  manufacturer called Frolov, a handsome dark man with a round beard, and a soft, velvety expression in his eyes, and Almer, his lawyer, an elderly man with a big rough head, were drinking in one of the public rooms of a restaurant on the outskirts of the town. They had both come to the restaurant straight from a ball and so were wearing dress coats and white ties. Except them and the waiters at the door there was not a soul in the room; by Frolov’s orders no one else was admitted.

  They began by drinking a big wine-glass of vodka and eating oysters.

  “Good!” said Almer. “It was I brought oysters into fashion for the first course, my boy. The vodka burns and stings your throat and you have a voluptuous sensation in your throat when you swallow an oyster. Don’t you?”

  A dignified waiter with a shaven upper lip and grey whiskers put a sauceboat on the table.

  “What’s that you are serving?” asked Frolov.

  “Sauce Provençale for the herring, sir. . . .”

  “What! is that the way to serve it?” shouted Frolov, not looking into the sauceboat. “Do you call that sauce? You don’t know how to wait, you blockhead!”

  Frolov’s velvety eyes flashed. He twisted a corner of the table-cloth round his finger, made a slight movement, and the dishes, the candlesticks, and the bottles, all jingling and clattering, fell with a crash on the floor.

  The waiters, long accustomed to pot-house catastrophes, ran up to the table and began picking up the fragments with grave and unconcerned faces, like surgeons at an operation.

  “How well you know how to manage them!” said Almer, and he laughed. “But . . . move a little away from the table or you will step in the caviare.”

  “Call the engineer here!” cried Frolov.

  This was the name given to a decrepit, doleful old man who really had once been an engineer and very well off; he had squandered all his property and towards the end of his life had got into a restaurant where he looked after the waiters and singers and carried out various commissions relating to the fair sex. Appearing at the summons, he put his head on one side respectfully.

  “Listen, my good man,” Frolov said, addressing him. “What’s the meaning of this disorder? How queerly you fellows wait! Don’t you know that I don’t like it? Devil take you, I shall give up coming to you!”

  “I beg you graciously to excuse it, Alexey Semyonitch!” said the engineer, laying his hand on his heart. “I will take steps immediately, and your slightest wishes shall be carried out in the best and speediest way.”

  “Well, that’ll do, you can go. . . .”

  The engineer bowed, staggered back, still doubled up, and disappeared through the doorway with a final flash of the false diamonds on his shirt-front and fingers.

  The table was laid again. Almer drank red wine and ate with relish some sort of bird served with truffles, and ordered a matelote of eelpouts and a sterlet with its tail in its mouth. Frolov only drank vodka and ate nothing but bread. He rubbed his face with his open hands, scowled, and was evidently out of humour. Both were silent. There was a stillness. Two electric lights in opaque shades flickered and hissed as though they were angry. The gypsy girls passed the door, softly humming.

  “One drinks and is none the merrier,” said Frolov. “The more I pour into myself, the more sober I become. Other people grow festive with vodka, but I suffer from anger, disgusting thoughts, sleeplessness. Why is it, old man, that people don’t invent some other pleasure besides drunkenness and debauchery? It’s really horrible!”

  “You had better send for the gypsy girls.”

  “Confound them!”

  The head of an old gypsy woman appeared in the door from the passage.

  “Alexey Semyonitch, the gypsies are asking for tea and brandy,” said the old woman. “May we order it?”

  “Yes,” answered Frolov. “You know they get a percentage from the restaurant keeper for asking the visitors to treat them. Nowadays you can’t even believe a man when he asks for vodka. The people are all mean, vile, spoilt. Take these waiters, for instance. They have countenances like professors, and grey heads; they get two hundred roubles a month, they live in houses of their own and send their girls to the high school, but you may swear at them and give yourself airs as much as you please. For a rouble the engineer will gulp down a whole pot of mustard and crow like a cock. On my honour, if one of them would take offence I would make him a present of a thousand roubles.”

  “What’s the matter with you?” said Almer, looking at him with surprise. “Whence this melancholy? You are red in the face, you look like a wild animal. . . . What’s the matter with you?”

  “It’s horrid. There’s one thing I can’t get out of my head. It seems as though it is nailed there and it won’t come out.”

  A round little old man, buried in fat and completely bald, wearing a short reefer jacket and lilac waistcoat and carrying a guitar, walked into the room. He made an idiotic face, drew himself up, and saluted like a soldier.

  “Ah, the parasite!” said Frolov, “let me introduce him, h
e has made his fortune by grunting like a pig. Come here!” He poured vodka, wine, and brandy into a glass, sprinkled pepper and salt into it, mixed it all up and gave it to the parasite. The latter tossed it off and smacked his lips with gusto.

  “He’s accustomed to drink a mess so that pure wine makes him sick,” said Frolov. “Come, parasite, sit down and sing.”

  The old man sat down, touched the strings with his fat fingers, and began singing:

  “Neetka, neetka, Margareetka. . . .”

  After drinking champagne Frolov was drunk. He thumped with his fist on the table and said:

  “Yes, there’s something that sticks in my head! It won’t give me a minute’s peace!”

  “Why, what is it?”

  “I can’t tell you. It’s a secret. It’s something so private that I could only speak of it in my prayers. But if you like . . . as a sign of friendship, between ourselves . . . only mind, to no one, no, no, no, . . . I’ll tell you, it will ease my heart, but for God’s sake . . . listen and forget it. . . .”

  Frolov bent down to Almer and for a minute breathed in his ear.

  “I hate my wife!” he brought out.

  The lawyer looked at him with surprise.

  “Yes, yes, my wife, Marya Mihalovna,” Frolov muttered, flushing red. “I hate her and that’s all about it.”

  “What for?”

  “I don’t know myself! I’ve only been married two years. I married as you know for love, and now I hate her like a mortal enemy, like this parasite here, saving your presence. And there is no cause, no sort of cause! When she sits by me, eats, or says anything, my whole soul boils, I can scarcely restrain myself from being rude to her. It’s something one can’t describe. To leave her or tell her the truth is utterly impossible because it would be a scandal, and living with her is worse than hell for me. I can’t stay at home! I spend my days at business and in the restaurants and spend my nights in dissipation. Come, how is one to explain this hatred? She is not an ordinary woman, but handsome, clever, quiet.”

  The old man stamped his foot and began singing:

  “I went a walk with a captain bold, And in his ear my secrets told.”

  “I must own I always thought that Marya Mihalovna was not at all the right person for you,” said Almer after a brief silence, and he heaved a sigh.

  “Do you mean she is too well educated? . . . I took the gold medal at the commercial school myself, I have been to Paris three times. I am not cleverer than you, of course, but I am no more foolish than my wife. No, brother, education is not the sore point. Let me tell you how all the trouble began. It began with my suddenly fancying that she had married me not from love, but for the sake of my money. This idea took possession of my brain. I have done all I could think of, but the cursed thing sticks! And to make it worse my wife was overtaken with a passion for luxury. Getting into a sack of gold after poverty, she took to flinging it in all directions. She went quite off her head, and was so carried away that she used to get through twenty thousand every month. And I am a distrustful man. I don’t believe in anyone, I suspect everybody. And the more friendly you are to me the greater my torment. I keep fancying I am being flattered for my money. I trust no one! I am a difficult man, my boy, very difficult!”

  Frolov emptied his glass at one gulp and went on.

  “But that’s all nonsense,” he said. “One never ought to speak of it. It’s stupid. I am tipsy and I have been chattering, and now you are looking at me with lawyer’s eyes—glad you know some one else’s secret. Well, well! . . . Let us drop this conversation. Let us drink! I say,” he said, addressing a waiter, “is Mustafa here? Fetch him in!”

  Shortly afterwards there walked into the room a little Tatar boy, aged about twelve, wearing a dress coat and white gloves.

  “Come here!” Frolov said to him. “Explain to us the following fact: there was a time when you Tatars conquered us and took tribute from us, but now you serve us as waiters and sell dressing-gowns. How do you explain such a change?”

  Mustafa raised his eyebrows and said in a shrill voice, with a sing-song intonation: “The mutability of destiny!”

  Almer looked at his grave face and went off into peals of laughter.

  “Well, give him a rouble!” said Frolov. “He is making his fortune out of the mutability of destiny. He is only kept here for the sake of those two words. Drink, Mustafa! You will make a gre-eat rascal! I mean it is awful how many of your sort are toadies hanging about rich men. The number of these peaceful bandits and robbers is beyond all reckoning! Shouldn’t we send for the gypsies now? Eh? Fetch the gypsies along!”

  The gypsies, who had been hanging about wearily in the corridors for a long time, burst with whoops into the room, and a wild orgy began.

  “Drink!” Frolov shouted to them. “Drink! Seed of Pharaoh! Sing! A-a-ah!”

  “In the winter time . . . o-o-ho! . . . the sledge was flying . . .”

  The gypsies sang, whistled, danced. In the frenzy which sometimes takes possession of spoilt and very wealthy men, “broad natures,” Frolov began to play the fool. He ordered supper and champagne for the gypsies, broke the shade of the electric light, shied bottles at the pictures and looking-glasses, and did it all apparently without the slightest enjoyment, scowling and shouting irritably, with contempt for the people, with an expression of hatred in his eyes and his manners. He made the engineer sing a solo, made the bass singers drink a mixture of wine, vodka, and oil.

  At six o’clock they handed him the bill.

  “Nine hundred and twenty-five roubles, forty kopecks,” said Almer, and shrugged his shoulders. “What’s it for? No, wait, we must go into it!”

  “Stop!” muttered Frolov, pulling out his pocket-book. “Well! . . . let them rob me. That’s what I’m rich for, to be robbed! . . . You can’t get on without parasites! . . . You are my lawyer. You get six thousand a year out of me and what for? But excuse me, . . . I don’t know what I am saying.”

  As he was returning home with Almer, Frolov murmured:

  “Going home is awful to me! Yes! . . . There isn’t a human being I can open my soul to. . . . They are all robbers . . . traitors . . . . Oh, why did I tell you my secret? Yes . . . why? Tell me why?”

  At the entrance to his house, he craned forward towards Almer and, staggering, kissed him on the lips, having the old Moscow habit of kissing indiscriminately on every occasion.

  “Good-bye . . . I am a difficult, hateful man,” he said. “A horrid, drunken, shameless life. You are a well-educated, clever man, but you only laugh and drink with me . . . there’s no help from any of you. . . . But if you were a friend to me, if you were an honest man, in reality you ought to have said to me: ‘Ugh, you vile, hateful man! You reptile!’”

  “Come, come,” Almer muttered, “go to bed.”

  “There is no help from you; the only hope is that, when I am in the country in the summer, I may go out into the fields and a storm come on and the thunder may strike me dead on the spot. . . . Good-bye.”

  Frolov kissed Almer once more and muttering and dropping asleep as he walked, began mounting the stairs, supported by two footmen.

  The Marshal's Widow

  O

  n the first of February every year, St. Trifon’s day, there is an extraordinary commotion on the estate of Madame Zavzyatov, the widow of Trifon Lvovitch, the late marshal of the district. On that day, the nameday of the deceased marshal, the widow Lyubov Petrovna has a requiem service celebrated in his memory, and after the requiem a thanksgiving to the Lord. The whole district assembles for the service. There you will see Hrumov the present marshal, Marfutkin, the president of the Zemstvo, Potrashkov, the permanent member of the Rural Board, the two justices of the peace of the district, the police captain, Krinolinov, two police-superintendents, the district doctor, Dvornyagin, smelling of iodoform, all the landowners, great and small, and so on. There are about fifty people assembled in all.

  Precisely at twelve o’clock, the visitors, with long
faces, make their way from all the rooms to the big hall. There are carpets on the floor and their steps are noiseless, but the solemnity of the occasion makes them instinctively walk on tip-toe, holding out their hands to balance themselves. In the hall everything is already prepared. Father Yevmeny, a little old man in a high faded cap, puts on his black vestments. Konkordiev, the deacon, already in his vestments, and as red as a crab, is noiselessly turning over the leaves of his missal and putting slips of paper in it. At the door leading to the vestibule, Luka, the sacristan, puffing out his cheeks and making round eyes, blows up the censer. The hall is gradually filled with bluish transparent smoke and the smell of incense.

  Gelikonsky, the elementary schoolmaster, a young man with big pimples on his frightened face, wearing a new greatcoat like a sack, carries round wax candles on a silver-plated tray. The hostess, Lyubov Petrovna, stands in the front by a little table with a dish of funeral rice on it, and holds her handkerchief in readiness to her face. There is a profound stillness, broken from time to time by sighs. Everybody has a long, solemn face. . . .

  The requiem service begins. The blue smoke curls up from the censer and plays in the slanting sunbeams, the lighted candles faintly splutter. The singing, at first harsh and deafening, soon becomes quiet and musical as the choir gradually adapt themselves to the acoustic conditions of the rooms. . . . The tunes are all mournful and sad. . . . The guests are gradually brought to a melancholy mood and grow pensive. Thoughts of the brevity of human life, of mutability, of worldly vanity stray through their brains. . . . They recall the deceased Zavzyatov, a thick-set, red-cheeked man who used to drink off a bottle of champagne at one gulp and smash looking-glasses with his forehead. And when they sing “With Thy Saints, O Lord,” and the sobs of their hostess are audible, the guests shift uneasily from one foot to the other. The more emotional begin to feel a tickling in their throat and about their eyelids. Marfutkin, the president of the Zemstvo, to stifle the unpleasant feeling, bends down to the police captain’s ear and whispers: