Book Read Free

The Joker (2019) Script

Page 7

by Todd Phillips


  JOKER

  Excuse me, I was wondering how I

  could check my mother out of here?

  One of the nurses at the desk looks up at him, seems slightly

  annoyed.

  ER NURSE

  What's your mother's name?

  JOKER

  Penny Fleck. I'd like to take her

  home.

  65.

  The sleep-deprived ER RESIDENT who was working on his mother

  overhears Joker, comes over to talk to him with a clipboard

  in his hand. Joker recognizes him--

  ER RESIDENT

  Mr. Fleck, your mother had a

  stroke. It's very serious. You

  can't "check her out." She's gonna

  be here for at least a week.

  JOKER

  She's not gonna wanna stay that

  long. She doesn't like hospitals.

  Or doctors.

  ER RESIDENT

  I'm sorry to hear that. But she

  can't just leave.

  JOKER

  I don't like hospitals either.

  Beat.

  The resident just nods okay. Looks down at his clipboard--

  ER RESIDENT

  Listen, I wanted to talk you about

  something we noticed in her tox

  report. We found heavy traces of

  multiple medications in her system.

  JOKER

  Okay. Thanks.

  He turns to go, but the resident continues--

  ER RESIDENT

  One of them's perphenazine. It's a

  powerful anti-psychotic. If she was

  taking that regularly and then

  suddenly stopped, the withdrawal

  could have contributed to her

  stroke. Did you notice any

  symptoms?

  JOKER

  Symptoms?

  ER RESIDENT

  Withdrawal symptoms. Nausea...

  anxiety... hallucinations.

  Joker shakes his head, no.

  66.

  ER RESIDENT

  Do you know how long she's been

  taking it?

  Joker shakes his head no again, leans in closer to the

  resident--

  JOKER

  Can you tell me what those symptoms

  are again?

  CUT TO:

  63

  INT. PATIENT BAY, EMERGENCY TREATMENT ROOM - NIGHT

  63

  CLOSE ON TV, Murray Franklin is in the middle of doing his

  monologue.

  MURRAY FRANKLIN (ON TV)

  So I told my youngest son, Tommy,

  remember he's the 'not so bright'

  one,--

  (laughter)

  I told him that the garbage strike

  is still going on. And he says, and

  I'm not kidding, Tommy says, "So

  where are we gonna get all our

  garbage from?"

  Murray Franklin cracks up at his own joke. Studio audience

  laughs.

  JOKER LAUGHS, LYING IN BED NEXT TO HIS UNCONSCIOUS MOTHER in

  the large overcrowded treatment room.

  Blue curtain dividers separate the bays. He's watching the

  show on a TV bolted high on the wall. He glances over at his

  mother, laughing over the sounds of her labored breath, the

  pain and suffering of those around him.

  He looks back up at the television.

  MURRAY FRANKLIN (ON TV)

  And finally, in a world where

  everyone thinks they could do my

  job, we got this videotape from the

  Gotham Comedy Club. Here's a guy

  who thinks if you just keep

  laughing, it'll somehow make you

  funny. Check out this joker.

  67.

  EXTREME CLOSE ON TV, GRAINY VIDEO OF JOKER'S STAND-UP

  PERFORMANCE. Joker on stage smiling behind the microphone,

  under the harsh spotlight.

  Joker watching himself on TV, his jaw drops--

  JOKER (ON TV)

  (trying to stop himself

  from laughing)

  -- good evening, hello.

  (deep breath; trying to

  stop laughing)

  Good to be here.

  (keeps cracking up)

  I, I hated school as a kid. But my

  mother would always say,--

  (bad imitation of his mom,

  still laughing)

  "You should enjoy it. One day

  you'll have to work for a living."

  (laughs)

  "No I won't, Ma. I'm gonna be a

  comedian!"

  Back to Murray Franklin shaking his head, trying not to

  laugh.

  MURRAY FRANKLIN (ON TV)

  You should have listened to your

  mother.

  The studio audience erupts into laughter.

  ANGLE ON JOKER, watching Murray Franklin make fun of him on

  TV. He gets up and starts walking toward the TV set as if in a trance. Unsure if this is really happening.

  MURRAY FRANKLIN (ON TV)

  One more, Bernie. Let's see one

  more. I love this guy.

  The tape continues of Joker at the comedy club.

  JOKER (ON TV)

  It's funny, when I was a little boy

  and told people I wanted to be a

  comedian, everyone laughed at me.

  (opens his arms like a big

  shot)

  Well no one is laughing now.

  Dead silence. Nobody is laughing. Not even him.

  CUT BACK CLOSE ON MURRAY FRANKLIN, just shaking his head.

  68.

  MURRAY FRANKLIN (ON TV)

  You can say that again, pal!

  Murray cracks up and the studio audience laughs along with

  him.

  CLOSE ON JOKER, looking up at the television, hearing them

  all laughing at him.

  Beat.

  JUMP CUT:

  Joker is dragging a chair to the television set.

  In a rage, he gets up on the chair and tries to pull the TV

  out of the wall, as the show continues to play--

  But the set is firmly secured to the wall, and Joker pulls so

  hard the chair flips from underneath him and he goes flying

  up the air, crashing down hard onto the floor.

  64

  INT. CAFETERIA, CITY HOSPITAL - EARLY MORNING

  64

  Joker walks with a plastic tray of food. Some runny eggs and

  a coffee. He keeps his head down so no one can see his face.

  There are a few DOCTORS AND NURSES sitting and chatting at

  one table. A group of ORDERLIES are sitting together at

  another table.

  He goes and sits down in the far corner, far away from

  everyone else. Sees a tabloid newspaper left on the table,

  and picks it up to read so he doesn't seem so alone.

  ANGLE ON FRONT PAGE HEADLINE, "Thomas Wayne Announces Run", over a full-page campaign-style photograph of Thomas Wayne

  waving to a crowd standing next to his wife, MARTHA (50's), a

  severe looking, well-preserved former model, and little Bruce

  Wayne standing in front of them. Photo catches Bruce looking

  into camera, eyes wide, scared by the crowd.

  SUB-HEADLINE READS, " Protest Planned at Wayne Hall Opening Tonight"

  Joker stares at the family photo.

  CLOSE ON BRUCE WAYNE IN PHOTO, Joker's fingers ripping his

  picture out of the front page.

  YOUNG DOCTOR (OS)

  -- I'm sorry to bother you, but can

  you settle an argument for us?

  69.

  CLOSE ON JOKER LOOKING UP, interrupted from ripping out the

  picture. One YOUNG DOCTOR and TWO NURSES are
standing around

  him. We stay with Joker, don't see their faces. Just their

  bodies, all dressed in green scrubs, uniforms.

  JOKER

  Excuse me?

  YOUNG DOCTOR (OS)

  You were the guy on Murray Franklin

  last night, right?

  He hears the nurses giggle.

  JOKER

  No, sorry. Wasn't me.

  NURSE #1 (OS)

  Of course it was you. You were the

  comedian.

  YOUNG DOCTOR (OS)

  Except you weren't funny. You

  didn't tell any jokes.

  He hears the nurses giggle again.

  STAY CLOSE ON JOKER, getting upset. He just shakes his head.

  JOKER

  I don't know what you're talking

  about.

  YOUNG DOCTOR (OS)

  No. It was definitely you, buddy.

  You're the guy who couldn't stop

  laughing. Murray killed you.

  More laughter. Joker looks up at them.

  JOKER

  If I were you, I'd walk away from

  this table before I strangle all

  three of you with that fucking

  stethoscope hanging from your neck.

  Beat.

  65

  EXT. CENTER FOR PERFORMING ARTS, WAYNE HALL - UPTOWN - DUSK65

  Joker crosses a busy street heading to the Center for

  Performing Arts. Light falling. Storm clouds gathering.

  70.

  Joker stops when he sees--

  A CROWD OF PROTESTERS SCREAMING AND SHOUTING IN FRONT OF

  WAYNE HALL, behind steel barricades. Many wearing Joker's

  "clown face" mask... A few wave homemade signs, "CLOWN FOR

  MAYOR"... "KILL THE RICH"... "MR. WAYNE, AM I A CLOWN?"

  A LINE OF POLICEMEN AND SECURITY GUARDS stand between the

  crowd and the lit-up white marble building.

  Joker watches the protest for a moment, then continues across

  the street. It starts to rain.

  66

  EXT. WAYNE HALL, FRONT ENTRANCE - EVENING

  66

  A FIGHT BREAKS OUT between a "clown" masked protester and two cops. The crowd goes crazy, pushing through the barricades

  toward the building in the driving rain. The police and Wayne

  Hall Security fight to keep them out--

  Amidst all the chaos, we glimpse Joker slipping into the

  building unnoticed--

  67

  INT. LOBBY, WAYNE HALL - EVENING

  67

  Joker walks through the massive multi-level lobby. It's

  completely empty since the performance has already begun and

  whatever security was available is outside helping the police

  deal with the protesters.

  He looks up in awe at the crystal chandeliers... The shiny,

  marble floor beneath his feet. He's never seen anything this

  opulent in his entire life.

  68

  INT. BACK OF THEATER, WAYNE HALL - EVENING

  68

  JOKER MAKING HIS WAY THROUGH THE DARK SHADOWS ALONG THE BACK

  WALL OF THE AUDITORIUM, looking for Thomas Wayne in the sold-

  out black-tie audience--

  He catches bits of Chaplin's MODERN TIMES projected on a

  screen behind the Gotham Philharmonic playing the silent

  movie's score... the Tramp roller skating blindfolded on a

  date with the Gamin (Paulette Goddard) in a department store.

  He continues moving along the wall from aisle-to-aisle

  looking for Thomas Wayne...

  The audience laughs as the Tramp skates blindfolded, skirting

  along the edge of a balcony with no rail, orchestra playing

  the bouncy score. Joker can't find Thomas Wayne in the dark--

  71.

  He moves to the top of the next aisle, pausing to watch more

  of the film. Suddenly somebody bumps into Joker--

  He looks up and sees it's one of Thomas Wayne's TWO SECURITY

  GUARDS, escorting Thomas Wayne out of the auditorium--

  Joker turns and watches them lead him out. Behind Joker on

  screen, the Tramp is rescued by the girl before he falls off

  the edge, orchestra swelling--

  69

  INT. LOBBY, WAYNE HALL - CONTINUOUS

  69

  Joker peeks his head out of the auditorium, sees Thomas Wayne

  heading into the men's room, his two security guards waiting

  by the door, still hear the orchestra playing the score--

  Joker glances back into the auditorium--

  Sees a lobby broom and upright dustpan tucked in the back

  corner--

  70

  INT. HALLWAY, MEN'S ROOM - WAYNE HALL - SECONDS LATER

  70

  Joker's sweeping up the hallway with his head down, hear the

  orchestra playing the melancholy "Smile" from the film's score. He sweeps along to the music like Emmett Kelly's

  famous hobo clown... Sweeping around the two security guards'

  feet... Annoyed, they move a bit away from the bathroom

  door... And don't give Joker a second look as he heads

  inside...

  71

  INT. MEN'S ROOM, WAYNE HALL - CONTINUOUS

  71

  Joker sweeps his way into the cavernous, black & white tiled bathroom, ornate gold fixtures. It's empty save for Thomas

  Wayne peeing at the far end of a long line of urinals.

  Joker takes a deep breath, and walks down the line of urinals

  right up next to Thomas Wayne--

  He stands there for a beat while Thomas urinates, lobby broom

  and upright dustpan in hand--

  THOMAS WAYNE

  (glances over; annoyed)

  Can I help you, pal?

  JOKER

  What? Yeah. No I, I--

  72.

  THOMAS WAYNE

  (interrupting)

  You need to get in here or

  something?

  Thomas Wayne finishes and zips his fly back up. Joker is not

  sure what to say to him, just says--

  JOKER

  Dad. It's me.

  Beat.

  But Thomas Wayne doesn't hear him, he was flushing the

  urinal. He walks toward the sink.

  THOMAS WAYNE

  Excuse me?

  Joker follows after him.

  JOKER

  My name is Arthur. I'm Penny's son.

  (beat)

  I know you didn't know about me,

  and I don't want anything from you.

  Well... maybe a hug.

  And Joker smiles, it's all very emotional for him. Thomas

  looks over at him like he's fucking crazy.

  THOMAS WAYNE

  Jesus? You're the guy who came by

  my house yesterday.

  Joker nods, relieved he finally broke through.

  JOKER

  Yes. But they wouldn't let me in,

  wouldn't let me see you. So I came

  here. I have so many questions.

  Thomas Wayne just laughs to himself and turns on the gold

  faucets at one of the sinks.

  THOMAS WAYNE

  Look pal, I'm not your father.

  What's wrong with you?

  JOKER

  How do you know?

  Thomas Wayne just keeps washing his hands, doesn't even look

  over at Joker.

  73.

  THOMAS WAYNE

  Cause you were adopted. And I never

  fucked your mother. What do you

  want from me, money?

  JOKER

  No. What? I wasn't adopted.

  Thomas starts drying his hands.

  THOMAS WAYNE

  She never told you? Your
mother

  adopted you before she even started

  working for us. She was arrested

  when you were four years old and

  committed to Arkham State Hospital.

  She's batshit crazy.

  Joker starts to smile, feels a laugh coming on.

  JOKER

  No. No, I don't believe that.

  Thomas finishes drying his hands. Turns to Joker, his tone

  way more serious now.

  THOMAS WAYNE

  I don't really give a shit what you

  believe.

  (steps in closer)

  But if you ever come to my house

  again, if you ever talk to my son

  again, if I ever even hear about

  you again, I'll--

  AND JOKER CRACKS UP LAUGHING, interrupting his threat.

  Laughing right in his face--

  THOMAS WAYNE

  Are you laughing at me?

  Joker's laughing so hard he can't answer.

  THOMAS SHOVES JOKER HARD UP AGAINST THE TILED WALL, gripping

  his neck with one hand. Joker just cracks up louder, he drops

  the dustpan and broom--

  THOMAS WAYNE

  (shouting)

  You think this is funny?

  Thomas Wayne's security guards bang open the door, rushing

  into the bathroom when they hear the shouting--

  74.

  They stop when they see Thomas has Joker jacked up against

  the wall.

  JOKER

  (tries shaking his head

  no; still laughing and

  choking)

  No, no I have a con--

  THOMAS WAYNE

  (interrupting; raising his

  voice)

  Is this a fucking joke to you?

  AND THOMAS WAYNE PUNCHES JOKER STRAIGHT IN THE FACE with his

  free hand, blood spraying from his nose--

  72

  EXT. WAYNE HALL, FRONT ENTRANCE - PLAZA - NIGHT

  72

  The two security guards roughly throw Joker out of the hall,

  right in front of the drenched crowd of screaming protesters,

  TV cameras and photographers now on hand, bulbs flashing--

  Joker knowing how to take a fall, plays it up in front of

  this audience for all it's worth, tumbling end-over-end out

  onto the plaza in the rain--

  He rolls to his feet with a bit of panache and brushes

  himself off like it was nothing.

  The protesters go crazy, cheering and applauding his act--

  And Joker takes a deep dramatic bow. Wet hair. Bloody nose.

  He turns and sees the security guards coming back out--

  Joker takes off running through the plaza in the downpour,

  running out of the Center for Performing Arts. Turns down a

  side street almost slipping--

  And keeps running even though nobody's chasing after him.

  We HEAR the familiar beats of THE SUGARHILL GANG'S "Apache"

  as Joker just keeps running and running.

  73

  INT. APARTMENT BUILDING, HALLWAY - NIGHT

  73

  Joker knocking on Sophie's apartment door, "Apache" blaring inside. He's soaking wet, clothes clinging to his body.

 

‹ Prev