In Search of Our Mothers' Gardens: Prose

by Alice Walker

  The hour I was allotted for the interview has long since ended. But Coretta, much more relaxed now, is willing to discuss a few other topics that seemed to grow, organically, from answers she has given to my questions. About black people in power and the whites who work with them she says: "I don't believe that black people are going to misuse power in the way it has been misused. I think they've learned from their experiences. And we've seen instances where black and white work together very effectively. This is true even in places where you have a black majority, in Hancock County, Georgia, for example, or Fayette, Mississippi, where Charles Evers is mayor." About nonviolence she says, "It is very difficult to get people beyond the point of seeing nonviolence as something you do on marches and in demonstrations. It is harder to get people to the point of organizing to bring pressure to bear on changing society. People who think nonviolence is easy don't realize that it's a spiritual discipline that requires a great deal of strength, growth, and purging of the self so that one can overcome almost any obstacle for the good of all without being concerned about one's own welfare."

  I am glad, while we're talking, to hear Coretta, the mother, talking to her oldest son, Marty, fourteen, who calls her on the phone. It seems he has been left at his school several miles away, it is pouring rain, and he wants somebody to come immediately to pick him up. Coretta is concerned but firm. She tells him that since he has missed the ride home that was arranged for him he will just have to wait until she can send someone for him. He protests. She restates her solution; he will have to wait. Period.

  We spend a few minutes discussing her role in life as she sees it. I am not surprised that what she would like to do is inspire other women to take a more active role in the peace movement, in the election of acceptable candidates, and in being involved in making the decisions that will affect their lives and the lives of their children. She says that she and Martin used to talk a lot about trying to organize women and she regrets that he never had time to get around to addressing women as women. "We have never used," she says, "the womanpower that we had."

  While I am gathering up my paraphernalia to leave, Coretta comes from behind her desk and we chat a few moments about the pictures of her family that line the walls of her office. There is one that is especially charming, of her and her husband and the children on an outing in the park. Coretta's face in the photograph is radiant, although she ruefully comments that it was a hassle that day getting everybody dressed up so they could have the picture made. Outside her office she introduces me to Dr. King's sister, Mrs. Farris, whom I had known slightly at Spelman. Mrs. Farris brings the presence of her brother strongly to mind; she has both his dignity and his calm. She is a woman of few words but they are pertinent ones. She assists Mrs. King with the bookkeeping.

  When I leave the red-brick house on Sunset Avenue, the rain that had been beating down heavily all day has let up. And, though there is no promise of sun, there is a feeling that spring has already come to the winter-colored slopes of Atlanta. "You Southern black people," someone had said to me several weeks before, "are very protective of Martin King and Coretta." I think about this as I leave the place where Martin King no longer lives except in the hearts of all the people who work there in his name.

  As my plane takes off, I think of all the ways Martin and Coretta King's lives have touched mine. I think of that spring day so few, so many, years ago, and of Coretta's willingness to encourage a group of young women who were about to become involved in an exciting but somewhat frightening experience. I think of the years when I and most black Georgians, including atheists and agnostics, went to bed praying for Martin King's safety, and how we awoke each morning stronger because he was still with us. It was Martin, more than anyone, who exposed the hidden beauty of black people in the South, and caused us to look again at the land our fathers and mothers knew. The North is not for us. We will not be forced away from what is ours. Martin King, with Coretta at his side, gave the South to black people, and reduced the North to an option. And, though I realize the South belonged to me all the time, it has a newness in my eyes. I gaze down from the plane on the blood-red hills of Georgia and Alabama and finally, home, Mississippi, knowing that when I arrive the very ground may tremble and convulse but I will walk upright, forever.

  1971

  CHOOSING TO STAY AT HOME TEN YEARS AFTER THE MARCH ON WASHINGTON

  OUR BUS LEFT BOSTON before dawn on the day of the March. We were a jolly, boisterous crowd who managed to shout the words to "We Shall Overcome" without a trace of sadness or doubt. At least on the surface. Underneath our bravado there was anxiety: Would Washington be ready for us? Would there be violence? Would we be Overcome? Could we Overcome? At any rate, we felt confident enough to try.

  It was the summer of my sophomore year in college in Atlanta and I had come to Boston as I usually did to find a job that would allow me to support myself through another year of school. No one else among my Boston relatives went to the March, but all of them watched it eagerly on TV. When I returned that night they claimed to have seen someone exactly like me among those milling about just to the left of Martin Luther King, Jr. But of course I was not anywhere near him. The crowds would not allow it. I was, instead, perched on the limb of a tree far from the Lincoln Memorial, and although I managed to see very little of the speakers, I could hear everything.

  For a speech and drama term paper the previous year my teacher had sent his class to Atlanta University to hear Martin Luther King lecture. "I am not interested in his politics," he warned, "only in his speech." And so I had written a paper that contained these lines: "Martin Luther King, Jr. is a surprisingly effective orator, although terribly under the influence of the Baptist church so that his utterances sound overdramatic and too weighty to be taken seriously." I also commented on his lack of humor, his expressionless "oriental" eyes, and the fascinating fact that his gray sharkskin suit was completely without wrinkles--causing me to wonder how he had gotten into it. It was a surprise, therefore, to find at the March on Washington that the same voice that had seemed ponderous and uninspired in a small lecture hall was now as electrifying in its tone as it was in its message.

  Martin King was a man who truly had his tongue wrapped around the roots of Southern black religious consciousness, and when his resounding voice swelled and broke over the heads of the thousands of people assembled at the Lincoln Memorial I felt what a Southern person brought up in the church always feels when those cadences--not the words themselves, necessarily, but the rhythmic spirals of passionate emotion, followed by even more passionate pauses--roll off the tongue of a really first-rate preacher. I felt my soul rising from the sheer force of Martin King's eloquent goodness.

  There are those who are asking the devotees of civil rights, "When will you be satisfied?" We can never be satisfied as long as the Negro is the victim of the unspeakable horrors of police brutality. We can never be satisfied as long as our bodies, heavy with the fatigue of travel, cannot gain lodging in the motels of the highways and the hotels of the cities. We cannot be satisfied as long as the Negro's basic mobility is from a smaller ghetto to a larger one. We can never be satisfied as long as our children are stripped of their selfhood and robbed of their dignity by signs stating "For white only." We cannot be satisfied as long as a Negro in Mississippi cannot vote and a Negro in New York believes he has nothing for which to vote. No, we are not satisfied and we will not be satisfied until justice rolls down like waters and righteousness like a mighty stream.

  And when he spoke of "letting freedom ring" across "the green hills of Alabama and the red hills of Georgia" I saw again what he was always uniquely able to make me see: that I, in fact, had claim to the land of my birth. Those red hills of Georgia were mine, and nobody was going to force me away from them until I myself was good and ready to go.

  . . Some of you have come here out of great trials and tribulations. Some of you have come fresh from narrow jail cells. Some of you have come from areas where your ques
t for freedom left you battered by storms of persecution and staggered by the winds of police brutality... Go back to Mississippi, go back to Alabama, go back ... to Georgia

  ... knowing that somehow this situation can and will be changed.... This is our hope. This is the faith that I go back to the South with. With this faith we will be able to hew out of the mountain of despair a stone of hope.

  Later I was to read that the March on Washington was a dupe of black people, that the leaders had sold out to the Kennedy administration, and that all of us should have felt silly for having participated. But whatever the Kennedy administration may have done had nothing to do with the closeness I felt that day to my own people, to King and John Lewis and thousands of others. And it is impossible to regret hearing that speech, because no black person I knew had ever encouraged anybody to "Go back to Mississippi ...," and I knew if this challenge were taken up by the millions of blacks who normally left the South for better fortunes in the North, a change couldn't help but come.

  This may not seem like much to other Americans, who constantly move about the country with nothing but restlessness and greed to prod them, but to the Southern black person brought up expecting to be run away from home--because of lack of jobs, money, power, and respect--it was a notion that took root in willing soil. We would fight to stay where we were born and raised and destroy the forces that sought to disinherit us. We would proceed with the revolution from our own homes.

  I thought of my seven brothers and sisters who had already left the South and I wanted to know: Why did they have to leave home to find a better life?

  I was born and raised in Eatonton, Georgia, which is in the center of the state. It is also the birthplace of Joel Chandler Harris, and visitors are sometimes astonished to see a large iron rabbit on the courthouse lawn. It is a town of two streets, and according to my parents its social climate had changed hardly at all since they were children. That being so, on hot Saturday afternoons of my childhood I gazed longingly through the window of the corner drugstore where white youngsters sat on stools in air-conditioned comfort and drank Cokes and nibbled icecream cones. Black people could come in and buy, but what they bought they couldn't eat inside. When the first motel was built in Eatonton in the late fifties the general understanding of place was so clear the owners didn't even bother to put up a "Whites Only" sign.

  I was an exile in my own town, and grew to despise its white citizens almost as much as I loved the Georgia countryside where I fished and swam and walked through fields of black-eyed Susans, or sat in contemplation beside the giant pine tree my father "owned," because when he was a boy and walking five miles to school during the winter he and his schoolmates had built a fire each morning in the base of the tree, and the tree still lived--although there was a blackened triangular hole in it large enough for me to fit inside. This was my father's tree, and from it I had a view of fields his people had worked (and briefly owned) for generations, and could walk--in an afternoon--to the house where my mother was born; a leaning, weather-beaten ruin, it was true, but as essential to her sense of existence as one assumes Nixon's birthplace in California is to him. Probably more so, since my mother has always been careful to stay on good terms with the earth she occupies. But I would have to leave all this. Take my memories and run north. For I would not be a maid, and could not be a "girl," or a frightened half-citizen, or any of the things my brothers and sisters had already refused to be.

  In those days few blacks spent much time discussing hatred of white people. It was understood that they were--generally--vicious and unfair, like floods, earthquakes, or other natural catastrophes. Your job, if you were black, was to live with that knowledge like people in San Francisco live with the San Andreas Fault. You had as good a time (and life) as you could, under the circumstances.

  Not having been taught black history--except for the once-a-year hanging up of the pictures of Booker Washington, George Washington Carver, and Mary McLeod Bethune that marked Negro History Week--we did not know how much of the riches of America we had missed. Somehow it was hard to comprehend just how white folks--lazy as all agreed they were--always managed to get ahead. When Hamilton Holmes and Charlayne Hunter were first seen trying to enter the University of Georgia, people were stunned: Why did they want to go to that whitefolks' school? If they wanted to go somewhere let 'em go to a school black money had built! It was a while before they could connect their centuries of unpaid labor with white "progress," but as soon as they did they saw Hamp and Charlayne as the heroes they were.

  I had watched Charlayne and Hamp every afternoon on the news when I came home from school. Their daring was infectious. When I left home for college in Atlanta in 1961 I ventured to sit near the front of the bus. A white woman (may her fingernails now be dust!) complained to the driver and he ordered me to move. But even as I moved, in confusion and anger and tears, I knew he had not seen the last of me.

  My only regret when I left Atlanta for New York two and a half years later was that I would miss the Saturday-morning demonstrations downtown that had become indispensable to education in the Atlanta University Center. But in 1965 I went back to Georgia to work part of the summer in Liberty County, helping to canvass voters and in general looking at the South to see if it was worth claiming. I suppose I decided it was worth something, because later, in 1966, I received my first writing fellowship and made eager plans to leave the country for Senegal, West Africa--but I never went. Instead I caught a plane to Mississippi, where I knew no one personally and only one woman by reputation. That summer marked the beginning of a realization that I could never live happily in Africa--or anywhere else--until I could live freely in Mississippi.

  I was also intrigued by the thought of what continuity of place could mean to the consciousness of the emerging writer. The Russian writers I admired had one thing in common: a sense of the Russian soul that was directly rooted in the soil that nourished it. In the Russian novel, land itself is a personality. In the South, Faulkner, Welty, and O'Connor could stay in their paternal homes and write because although their neighbors might think them weird--and in Faulkner's case, trashy--they were spared the added burden of not being able to use a public toilet and did not have to go through intense emotional struggle over where to purchase a hamburger. What if Wright had been able to stay in Mississippi? I asked this not because I assumed an alternative direction to his life (since I readily admit that Jackson, Mississippi, with the stilling of gunfire, bombings, and the surge and pound of black street resistance, is about the most boring spot on earth), but because it indicates Wright's lack of choice. And that a man of his talent should lack a choice is offensive. Horribly so.

  Black writers had generally left the South as soon as possible. The strain of creation and constant exposure to petty insults and legally encouraged humiliations proved too great. But their departure impoverished those they left behind. I realized this more fully when I arrived in Jackson to live and discovered Margaret Walker, the author of For My People, already there, a natural force, creating work under unimaginable pressures and by doing so keeping alive, in the thousands of students who studied under her, not only a sense of art but also the necessity of claiming one's birthright at the very source. I do not know if, in her case, settling in the South was purely a matter of choice or preference, but in the future--for other black artists--it might and must be.

  And so, ten years after the March on Washington, the question is: How much has the mountain of despair dwindled? What shape and size is the stone of hope? I know it is annoying this late in the day to hear of more "symbols" of change, but since it is never as late in the day in Mississippi as it is in the rest of the country I will indulge in a few:

  One afternoon each week I drive to downtown Jackson to have lunch with my husband at one of Jackson's finest motels. It has a large cool restaurant that overlooks a balalaika-shaped swimming pool, and very good food. My husband, Mel Leventhal, a human-rights lawyer who sues a large number of racist institut
ions a year (and wins) (and who is now thinking of suing the Jackson Public Library, because a. they refused to issue me a library card in my own name, and b. the librarian snorted like a mule when I asked for a recording of Dr. King's speeches--which the library didn't have), has his own reasons for coming here, and the least of them is that the cooks provide excellent charbroiled cheeseburgers. He remembers "testing" the motel's swimming pool in 1965 (before I knew him)--the angry insults of the whites as blacks waded in, and the tension that hung over everyone as the whites vacated the pool and stood about menacingly. I remember the cold rudeness of the waitresses in the restaurant a year later and recall wondering if "testing" would ever end. (We were by no means alone in this: one of the new black school-board members still lunches at a different downtown restaurant each day--because she has been thrown out of all of them.) It is sometimes hard to eat here because of those memories, but in Mississippi (as in the rest of America) racism is like that local creeping kudzu vine that swallows whole forests and abandoned houses; if you don't keep pulling up the roots it will grow back faster than you can destroy it.