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Solo

Page 17

by Kwame Alexander


  matching skirts

  and tops.

  She is short—not

  much bigger

  than the tweens

  beside her—sporting

  jeans

  and sunglasses

  that hide

  her from me.

  She drops

  her glasses

  and their hands

  and runs

  past small dwellings

  past shadows

  of inquisitive eyes

  painted by African sun

  toward

  me.

  She runs

  down the red clay road

  as if parting

  the sea

  to see me

  to save me.

  For a moment

  there is no one else

  but us.

  Her eyes say

  she knows instantly.

  My whole heart pounds.

  I try to force

  my stiff legs

  to move.

  To take those

  monumental steps

  and walk to her.

  But my feet

  are fixed in concrete,

  while my body shakes

  like a tree

  in the gale.

  Can this be? she asks to no one

  and everyone.

  Lucy, Rutherford says, with a wide, honest grin, and

  measured voice. November.

  She looks,

  remembers him,

  shakes her head,

  smiles, starts laughing,

  and right before

  running to me,

  screams:

  I DECLARE!

  Belonging

  Her embrace

  is wrapped

  in wild orange

  with a strength

  that defies

  her tiny stature.

  The release

  of her warm tears

  melts my fear.

  I am locked in time,

  finally hugging

  the mother

  I never knew

  existed,

  the first woman

  to hold me,

  to see my face,

  to feel the music

  strumming

  in my blood.

  This is where

  I’ve needed

  and wanted to be,

  yet, it is a strange

  and confusing place

  to be told you now belong to,

  like someone saying

  you are from Jupiter

  here’s your space suit,

  now take off.

  Fade to Black

  I hear her

  say something,

  but have trouble

  making out

  the words,

  because my brain

  is speeding again

  running fast

  running past

  sunsets and

  spiders

  and if I could just

  catch up

  to my thoughts,

  wrestle them

  to the ground,

  tame them inside

  the cage

  of my head,

  I could breathe.

  I could breathe.

  Again.

  Hi, is all I can manage to get out.

  There is buzzing

  in my ears,

  numbing

  in my face,

  and everything slows way down,

  like a show

  ending

  like curtains

  closing

  and the lights

  fade

  out . . .

  Don’t Be Afraid

  On the ground,

  looking up,

  I see them all

  staring down at me

  through streams

  of light.

  He’s not dead. Woohoo! Uncle Stevie hollers.

  Someone covers my forehead

  with cool hands.

  Bring him inside, someone says.

  He’s made of rough . . . his old . . . right, Blade? someone

  else says.

  Be strong, Blade. You have come this far. Don’t be afraid of

  the answers, another

  whispers in my ear.

  I'm not scared, I say,

  but the words

  have no volume,

  and then the curtain closes

  again.

  Conversation

  You’ve come a long way just to sleep, Blade Morrison.

  Where am I?

  A long way from the Hotel California.

  . . . .

  It’s nice to meet you?

  You’re—

  Lucy November? Yes.

  You’re young.

  Well, aren’t you charming. Sunny did a good job with you.

  I declare!

  . . . .

  You probably have ninety-nine questions.

  Yeah.

  Let me get you some tea, and then we’ll dive in.

  I think I’m hungry too.

  I bet you are after sleeping for a day and a half.

  What? I slept that long?

  You did. You woke up once when your Joy came in. She’s a

  nice girl.

  . . . .

  She held your hand and sang to you.

  Really?

  And then you had a nightmare.

  Sorry about that.

  No worries, but you’ll have to tell me about this spider

  trying to kill you.

  . . . .

  Sweet bread. Fruit. Hot Tea.

  I smell

  the peppermint tea

  before she brings it in.

  She sits by my side,

  feeds me a spoon

  at a time.

  The pineapple

  and watermelon

  are almost as sweet

  as her scent.

  She runs her fingers

  through my hair, then

  announces the plan:

  We ask each other questions, until there are no more

  questions to ask.

  How will that help?

  A Bird Doesn’t Sing Because It Has an Answer, It Sings

  Because It Has a Song.

  Huh?

  . . . .

  Questions

  How does it feel to be eighteen?

  How’d you know?

  I was there, remember?

  . . . .

  How was graduation?

  What do you know about Rutherford Morrison?

  Oh no, did something happen?

  Can we not spend our time talking about that?

  How else will I get to know you, get to know all of you?

  You ever seen Star Wars?

  Who hasn’t?

  Can you believe he never took me to a movie? What does

  that tell you?

  I’m pretty sure your father loves you, despite his flaws,

  right?

  I’m pretty sure Darth Vader loved Luke also, right?

  If he’s so bad, how did you end up so fine?

  Why does loving someone have to be so hard?

  I’m impressed—have you played this game before?

  Have you considered that it’s not a game to me?

  Blade, do you hate me?

  Do you really want to know?

  Do you know I love you?

  Then, why you’d you give me away?

  You think I had a choice?

  So, you didn’t?

  What do you think it’s like to be fifteen and pregnant?

  You were fifteen?

  With your whole life ahead of you?

  So you chose your life over mine?

  Didn’t Sunny and Rutherford give you a life?

  Why can’t you answer my question? Why’d you give me

  away?

  If I told you my parents made that decision,
would it

  matter?

  . . . .

  . . . .

  Who was my father?

  Should a woman marry a man with smaller feet?

  Huh?

  The mood could be lightened a bit, no?

  You think this is funny?

  Would you rather we cry than laugh?

  What do you mean?

  What do you think I mean?

  Was he a bad man?

  What if this part of your story is tragedy—do you still want

  to know?

  Is he dead?

  Can’t you see I really don’t want to speak of him?

  Why?

  Why does evil try to collapse our hearts?

  Because good is fleeting?

  Is that a question?

  Maybe I don’t wanna know right now, okay?

  So, have you found a little of what you hoped for here?

  It’s a start, right?

  Will you stay in Ghana for a while?

  Do you want me to?

  . . . .

  . . . .

  Will you be up for meeting my friends tomorrow?

  Will there be more pineapple?

  I hope you’ll understand that after we break bread, you

  must go back down the mountain, leave in the afternoon,

  because getting stuck here during rainy season is a horrid

  experience, all right?

  Why, what happens?

  Ever been in a landslide?

  Metaphorically speaking?

  You get your wit from your mother, you know that?

  How do you know that?

  You didn’t know we grew up together?

  How would I?

  She didn’t tell you?

  She died, remember?

  . . . .

  . . . .

  . . . .

  Is it safe for you up here during the storms?

  Awww, you’re worried about your . . . mother?

  When will I see you, when can we talk again?

  How about I take you to the museums, the markets, and

  show you around Ghana?

  Have you been to the slave castle?

  Is that a place you’d like to see?

  Is it painful?

  We’ll resume this discussion and our reunion in, say, three

  days, under the big coconut tree?

  That depends—do you mind a camera in your face and

  our little Princess Sia climbing on my head?

  Will you give her twenty hugs and kisses for me?

  And winks?

  Ahhh, you’ve given me a smile and a forever dream to build

  a new world on, Blade Morrison.

  That was not a question, so I guess I win the game.

  What I’ve won today, more than makes up for the loss.

  Dream Variation: Awakening

  I fall out

  of consciousness

  into a deep,

  unwavering sleep

  again.

  The spider

  returns,

  but this time

  there are no

  cookies

  or cupcakes,

  just pineapples

  and Sunny

  and Lucy

  telling me:

  Blade, wake up, turn around.

  Wake Up, Turn Around.

  TURN AROUND,

  BLADE.

  A New Day

  Wake up, sport! It’s back down the mountain day,

  Rutherford says, so close to my face, I can smell his

  breath, untainted for the first time in years. Standing

  next to him is my mother.

  You were dreaming about that spider again, she says.

  You remember that book you used to love when you were a

  kid? he asks.

  Charlotte’s Web?

  No the other one you made Sunny and I read to you every

  night. You stopped reading it when she—

  I don’t remember.

  Was it Anansi the Spider? Lucy says.

  That was it, Lucy. We even made up songs about that

  dayum spider.

  In Ghana folklore, Anansi carries knowledge and stories to

  help us triumph over challenges.

  Come to think of it, Blade, that’s when we knew you were

  gonna be a rocker.

  You’ve been dreaming up your childhood, my dear, Lucy

  says. Remembering the gift you have. Your father tells

  me you are a natural storyteller, that you weave powerful

  songs.

  You said that, Dad?

  Yeah, he said it, Uncle Stevie hollers. Back from the dead,

  eh?

  Birdie, get this rebirth on camera. Get us hugging, Dad

  says, and she does just that,

  and it’s not all that bad

  to be

  in the spotlight

  anymore.

  We’ve missed you, Mr. Blade, Joy says, kissing me on the

  cheek.

  At the top

  of a mountain

  across a rainforest

  in the middle

  of the bush

  it seems

  I have figured out

  the dream

  and discovered

  that what I’ve been

  searching for

  has been inside

  of me

  this whole time.

  We walk outside

  where the sun blinds

  and cures

  at the same time.

  I wave at the children

  and still feel like

  I’m floating

  through a web

  of dreams,

  pulling strands

  of spider silk

  away from the past,

  so I can step into

  the here

  the now.

  Conspiracy

  A Ghanaian bon voyage feast

  has been prepared

  to nurture our spirits

  before the long

  journey back.

  After the meal

  Joy says, with devious smile,

  Perhaps you should play something for us, Blade.

  I don’t have my guitar, I hit back, swiftly.

  Use mine, Dad says, high fiving Joy and handing me his

  Custom-Polished-Finish Godin, which no one has ever

  played but him.

  Yes, won’t you play a song for me, Blade? Lucy says,

  knowing she’s won the second she asked.

  Whatchu know about that 5th Avenue Archtop, kid? That’s

  a vintage guitar right there, Uncle Stevie shouts at me.

  Watch and learn, old man, I shoot back,

  readying myself

  to play

  the biggest concert

  of my life.

  Track 13: Landslide

  ROCKERS: FLEETWOOD MAC / ALBUM: FLEETWOOD MAC / LABEL: REPRISE / RECORDING DATE: JANUARY 1975 / STUDIO: SOUND CITY STUDIOS, VAN NUYS, CALIFORNIA.

  Stevie Nicks was tired.

  In her twenties

  with a mountain

  of woes

  and a notebook

  filled with music

  to help

  her climb

  out of it.

  Hmmm, sounds familiar.

  Unsure

  if she should continue

  as a musician

  or go back to school,

  she gave herself

  six months,

  six more months

  to find her song.

  She went to Aspen,

  and with great mountains

  surrounding her,

  she wrote a song

  that became a classic.

  And so did she.

  And so did her band.

  I think I have found

  my Aspen,

  my great mountain,

  yet a
part of me

  is still afraid

  to climb

  to face myself.

  I’m still afraid.

  to read

  The Letter

  like the words

  themselves

  will cause

  a landslide

  of emotion

  that will bury me

  alive.

  What if it’s too much?

  What if I let them—her—down?

  What if I can’t survive the landslide

  of love

  that I’ve found

  all around me?

  Lucy walks us to the path

  we hug goodbye

  for a long, long time.

  I declare, it’s a weird life, Blade, when your deepest prayers

  and hopes are fulfilled, she

  says.

  She is everything

  I never expected her to be.

  And hoped she could be.

  And prayed she would be.

  Thank you, Lucy November, I say, not wanting to let go.

  I love you, is what I want to add, so I do.

  Home

  The walk through

  the forest

  and down from

  the mountain’s summit

  is uneventful

  and filled

  with silence

  and happiness.

  The bus

  takes us back

  to the place

  we all call home.

  We are met

  by children and adults

  who cannot hide

  their emotions.

  We think

  they will celebrate

  our return with feast

  and dance all evening.

  But it’s not

  a celebration that’s

  on their minds . . .

  Chaos

  There is so much commotion.

  So many people shouting

  at Joy

  we don’t know

  where to run

  who to see

  what to do.

  It’s Sia, she says to us. She is sick. We must go.

  Where, where is she?

  We dash

  to the local hospital,

  a thirty-minute drive,

  and suddenly

  the rainforest

  the pineapple

  the familial reunion

  seem far, far away

  and a much easier trek

  than this.

  Diagnosis

  Rutherford says he’ll pay the world to save her.

  But money can’t buy everything.

  Why did you tell me she was okay? he yells at Joy.

  We did not know how serious it was, she answers, between

  sobs.

  IT’S MALARIA, HOW COULD YOU NOT KNOW? he

  continues.

  Dad, you don’t need to scream at her. She’s scared too.

  We all are.

  What are they doing for her? he asks, somewhat cooler.

 

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