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Work Song

Page 7

by Ivan Doig


  Out on the street in the freshness of the day, and having survived both Sandisons, I sauntered along with snatches of song in me; Gilbert and Sullivan can do that to you. The Montana weather for once was as perfect as could be, sunshine slanting between the tall buildings, checkerboarding the busy street, passersby in their downtown clothes brightening or dimming according to warmth or shade. The street tableau of shoppers and strollers seemed removed from talk of a strike, even though the Hill and its clashes were never far off. The day was so fine I tried to put such thoughts away and simply enjoy being out on my errand.

  Emerging from the music store with my arms full of music stands I felt like an itinerant choirmaster, but Butte apparently saw stranger sights every day and no one paid me much attention. I was passing a haberdashery when my own eye was caught by the window display. An Arrow collar mannequin was admiring itself in a mirror; I could do without the collar, but draped on the mannequin torso was an exemplary suit—blue serge, librarianly. I stopped to admire the cut and material, smiling to myself as I thought of something Casper would say when about to commit an extravagance: “How’s a guy ever going to be rich if he doesn’t practice at it?” Riches were still eluding me—I needed to do something about that at some point—but my library wages were adding up a trifle, and that suit beckoned, come payday.

  Turning to go, I glimpsed past the mannequin into the mirror and froze in my tracks. In the reflection, I could see across the street, half a block down, to where two bulky figures were assiduously studying the plate-glass display of a pet store. They were not the type to be in the market for parakeets.

  Window men.

  I would know the species anywhere, but in Chicago they had been rife enough to be a civic nuisance. Private detectives spying on lovers who happened to be married to other people. Pinkerton operatives lurking on some mission. Plainclothes policemen trying to keep an eye on the mob, or mobsters trying to get something on the police. Sometimes it seemed every Chicagoan was trailed by another, half a block behind. And whenever the one in front paused to tie a shoelace or buy a newspaper, the one trailing had to evince sudden interest in the nearest store window. The duo in the mirror—why should I rate two?—still were rapt over pets.

  As I committed their sizable outlines to memory, another mental image was jostled: these two together were a near fit to the worst of those shadows that had followed me from wakes. But that was too much imagination. Wasn’t it?

  Casually as I could manage, I walked back to the library, the music stands feeling like an armful of lightning rods with a storm on the horizon. When I reached the big front door, I opened it slowly so that I could see behind me in the glass. The window men were gone, naturally.

  THAT EVENING AFTER SUPPER, I knocked on Griffith’s door.

  The shuffle of carpet slippers, then the door flung open and Griff stood there in his long underwear and workpants, like a watchman roused by an out-of-place noise in the night. “What’s up, Morrie?” Down at his side, in his right hand, something sharp glinted. “Need a new notch in your belt?”

  For the second time that day, my feet felt planted in quicksand. “I didn’t mean to intrude, I’ll come back another—”

  “Naw, step on in.” The pointed instrument cut a circle in the air as he indicated a table and chair crammed into the far corner of the room. “Fixing Grace’s purse strap for her.” Ushering me in, he went on over and put down the awl he was holding, atop the leatherwork. “Guest gets the chair.” He perched on the edge of his bed, toes of his slippers barely reaching the floor. “What’s on your mind? You look spooked.”

  “This will sound silly, but I think I’m being followed around town.”

  Griff perused me, his wrinkles wrinkling even more. “Let’s get Hoop in on this.” He banged the heel of his fist on the wall, and shortly Hooper came in, bringing his own chair.

  I described to them that morning’s experience, and the unlikelihood that the two idlers were pet fanciers. “Keep this to yourselves, please. I don’t wish to worry Grace about this.”

  “Or have her kick you out of here on your can,” Hoop said.

  “Well put.”

  Griff hopped off the bed, went to the window, and pulled down the blind. “Tell me this,” he intoned, turning to me. “When you lit down from the train, was there a couple of bruisers hanging around?”

  “Big and bigger,” Hoop specified.

  “Beefier than ordinary, yes, now that you say so, there was such a pair at the depot.”

  “That’s them,” Griff said. “Anaconda’s goons. The one big enough to eat soup off the top of your head is Typhoon Tolliver.”

  I felt as if the seat of my chair had just pinched me.

  Hoop was saying, “Jim Jeffries flattened him—”

  “—in the second round of the title bout, right hook to the jaw,” I finished for him. “What on earth is he doing in Butte?”

  “Beating people up,” Griff had no trouble answering that. “The Anaconda Company don’t play pattycake.”

  “But—” Some questions scare off words. Why was I a candidate for a beating from an ex-heavyweight pug?

  Hooper answered that without it being asked. “That bunch in the Hennessy Building sics the goons on any union organizers who come in from the outside.” He and Griff looked at me critically.

  I shook my head.

  “Especially anybody working for the Wobblies,” Griff prompted.

  I shook my head harder.

  “Somebody who’d lay low until the right time,” said Hoop.

  “Then stir things up like poking a hornets’ nest,” said Griff.

  “Anaconda don’t like that kind of thing,” Hoop added.

  Another shake of my head, as much to clear it as anything else. “I am not any kind of an organizer, believe me. I simply came here to get ri—to find decent work.” Both old men watched me mutely. “The goons, as you call them, are wasting their time on me.”

  One or the other of my listeners, like ancients who had heard it all before, spoke up. “You better hope they get tired of it.”

  THE NEXT DAY WAS SUNDAY, day of rest for the library, but not for the boardinghouse. Scarcely was I seated for breakfast, wondering where the others were, when Grace forged out of the kitchen all but wrapped in a tie-around apron over a nice dark dress. Along with my plate of sidepork and eggs, she delivered with a flourish:

  “I wondered if you might like to go to church.”

  “Church.” I hadn’t meant for it to come out quite like that, but it sounded as though I was trying to identify the concept.

  Hooper came through the doorway, also dressed in surprising Sunday best and smelling of musky cologne. “What this is, Griff’s filling in with the choir. They’re hard up.”

  “Ah. And bringing his own audience, insofar as it can be conscripted?”

  “He’ll be in much better voice if he sees us there, he happened to mention,” Grace coaxed with a nice example of a Sunday smile.

  “He can stand all that kind of help he can get,” Hoop chipped in.

  I put up my hands. “I know when I’m outnumbered.” Obligation takes strange shapes. Back in Casper’s earliest bouts, I had mastered the tactic myself of “papering the house,” as it was called, by giving away tickets by the handful if necessary to fill the seats of the arena. If Griffith dreamed of a sellout crowd for his star turn with the choir, I understood intrinsically.

  THE SNUG REDBRICK CHURCH with its peaked hat of cupola looked as if it had been smuggled in from a vale in Wales, and no sooner had Grace and I and Hooper slid into seats at the back of the congregation than the creased little minister, peering over half-moon eyeglasses like a veteran counter of crowds, nodded to himself and launched into prayer. In Welsh. Evidently Grace had not anticipated this any more than I had, both of us trying to keep a straight face at not understanding a word of what plainly was going to be an hour of many hundreds of words. Actually, some time into the minister’s spate my ear figured out
the repeated invoking of “Iesu Grist,” and I sat there caught up in the wayward notion of Christ as grist, the mills of faith grinding fine the belief in a clear-eyed savior at that moment across half the world. Sunday certainties, which left only the rest of the week.

  The praying rolled on like thunder until the minister reached a final crescendo of syllables that sounded like tragwyddoldeb!

  “Eternity!” Hoop translated to the other two of us in a hoarse whisper, and that was definitively that.

  “Welcome, all ye, the accustomed and the new faces.” The surprise lilt of English from the minister sent Grace and me melting toward each other in relief. Not much taller than his pulpit, the elderly man of faith again peered around the church as if counting the house, this time shook his head instead of nodding, and declared: “A sufficiency will be heard from me soon enough. Let us get on with the singing.” With that, the male choir filed up, all in severe black suits and blinding starched white shirts, two dozen strong, Griff at one end, proud as a parrot. Church or not, he sought out the three of us with a broad wink, welcoming us to the occasion he plainly saw as the Welsh Miners’ Choir of Butte, starring Wynford Griffith.

  The choir director, burliest of the bunch, stepped from the ranks, gave a steady bass hum, which was picked up by the others in a communal drone that seemed to vibrate the building. Then, as if in one glorious voice the size of an ocean’s surf, they swept into hymn after hymn. I sat there enchanted, Grace swaying gently next to me. Music makes me almost willing to believe in heaven.

  Then, though, came a chorus I could have done without.

  Were I to cherish earthly riches,

  They are swift and fleet of wing;

  A heart pure and virtuous,

  Riches and eternal gain will bring.

  There is that about the Welsh: they can sing their way under your skin, to the bones of your being. I needed no reminding that riches, in what pursuit I had given them, had proved to be elusively swift and winged. Yet why did a Richest Hill on Earth and its supposed opportunities exist, if not to be tapped? Was I really supposed to count my gains in life only afterward, in the time of tragwyddoldeb? Eternity did not seem much of a payoff if you had to scrimp to get there.

  My spell of brooding broke off when the old minister, frail as a leaf after the gusts of the choir, ascended to the pulpit once more.

  “ ’Tis no sense to maunder about, when but one thing is on every mind.” He gazed severely over the settled moons of his glasses. “There is talk of a strike in the mines, is there not?” The rustle of the congregation answered that.

  “I have had my say any number of times before,” the ministerial voice sounded weary, “on the stopping of work and the negotiating of wages. The two seem as bound together in this town as the two sides of a coin.” Aha! Not even the man of the cloth could set aside the propensity for earthly gain. Perhaps I was imagining, but his own choir seemed to be looking at him as though he had just caught up with a main fact of life. “The shepherd does not leave his flock, even when it may have wool over its eyes,” he went on drily. “If the mines do shut down, the church shall again have a strike committee. We’ll again gather food and clothing for the families left bereft. Depend on that.” He paused, drawing on the silence. “A word of caution, however. If you men do go out”—he looked out over the stooped miners’ shoulders that filled half the church—“or you women march in their support”—a similar gaze to the upturned faces of the wives—“as you have been known to do, walk the line of the law very carefully. The times are not good. The sedition laws that came with the war are not fine-grained as to whether a person is the Kaiser in disguise or a Bolshevik with a bomb under his coattails or an honest miner seeking honest pay. Some of you had a taste of that last time, when I had to go down to the jail and bail you out for the hitherto unknown crime of ‘unlawful assembly.’ ” Reaching in over his glasses, he pinched the bridge of his nose as if to shut off that memory. “The church coffer is no longer sufficient for bail,” the words came slowly now, “nor can we keep contributing to legal defense funds. This time around, it will all be up to your union. You can help its cause and your own by being mindful of that pernicious statute until wiser heads can change it. Otherwise, Butte’s finest, to call them that”—it was well known that Butte policemen were Irish, and not the Dublin Gulch ore-shoveling type—“will pick you off like ripe apples. For now,” his voice rose, “render therefore unto Caesar the things which are Caesar’s.”

  I squirmed at that. I perfectly well knew it to be a biblical parable, but it was not Caesar up there in the Hennessy Building, pulling strings attached to the police department.

  The minister took off his spectacles, folded them, and seemed to shake his head at himself. “Let us return to the singing.”

  As we walked out after the service, Grace pursed a look at me as if to see what I thought. “My Arthur used to say there are those who make a scarecrow of the law.” I thought it best not to say Arthur had read some Shakespeare along the way. Directly ahead of us, Hoop and Griff were stumping along, sleeve cuffs flying as they dissected the sermon. Watching them, Grace said soberly: “The union is going to have its hands full, isn’t it.”

  THERE WAS NO KNOWING how these things come about, but somehow that Sunday spate of Welsh sermonizing and song rinsed away the window men. The way was clear, to and from the library, the next day and the next and those after that, and while I habitually peeked over my shoulder for figures lurking half a block behind, they were notable only for their absence. It was as I indeed hoped, I could tell myself: the goons or their bosses saw me for what I was, a glorified library clerk sauntering meek and mild to church, and were wasting no further time on me.

  Which was a lucky thing, because I was falling in love with the Butte Public Library. Walking up to it each fresh morning, its Gothic turret like the drawbridge tower into the castle, I warmed to the treasures within those softly gray granite walls. Sandison standing there at the top of the steps counting us off as if checking his herd came to seem patriarchal rather than high-handed. The staff softened toward me—with the exception of Miss Runyon—as I picked up stray tasks that they wanted to dodge. The nooks and crannies and grandiosities of the old building intrigued me, like an ancient mansion labyrinth leading back to Gutenberg’s printing press and the start of everything, and always, always, there were the lovely classic books tucked away here and there for stolen snatches of reading. Down any aisle, Stendhal or Blake or Wharton or Cather or Shakespeare or Homer or any of the Russians waited to share words with me, their classic sentences in richly inked typefaces as if rising from the paper. I suppose the best way to say it is that the library’s book collection, courtesy of that snowtopped figure with the Triple S initials, was the kind I would have had myself if I were rich.

  In short, work of this sort fit me from head to toe. I could even put up with sharing office space with Sandison, as his chain-lightning moods kept a person alert. The old saying had his name on it: he may have been hard to get along with, but harder to get along without.

  The library ran on one principle: Samuel S. Sandison was next to God. Whether above or below, opinions varied. His style of administration was as effective as it was unpredictable. For hours on end he would stay holed up in the office, apparently oblivious to anything happening elsewhere in the building. Then without warning he would barge out of his lair and prowl from floor to floor, wearing the expression of a man who took pleasure in kicking puppies. The result was an amazing library: the staff was on its toes every second, and its offerings were, of course, first-rate. I have to say, the man responsible for all this was not exactly an officemate easy on the nerves. The only mirth Sandison showed was when he spotted a bargain book in some catalogue of rarities and he would let out a “Heh!” and smile beneath his wreath of beard. Mostly, being around him was like having the Grand Inquisitor grading one’s homework.

  “Goldsmith,” he characteristically would snap over his shoulder from wher
e he was enthroned in his desk chair, and I had mere seconds to figure out whether he meant for me to trot across town to the dealer in fine metals or commence a conversation about the poet of England’s peasantry.

  Guessing, I recited: “ ‘Ill fares the land, to hastening ills a prey / Where wealth accumulates, and men decay.’ Rather daring for his day, wouldn’t you say, Sandy?”

  “Romantic twaddle about how nice it was to live in huts, I’d call those elegies of his.”

  “That’s too dry a reading of him,” I protested. “He had a wicked wit. Who else would have said of Garrick that onstage he was wonderfully simple and natural, it was only when he was off that he was acting?”

  That brought a snort. “Doesn’t mean old Goldilocks could tell a hoe from a hole in the ground. Robert Louis Stevenson, now, he knew his stuff about how life really is.” And with that, Oliver Goldsmith, or whomever, would be consigned to the vast second rank and remain unbought.

  “Morgan?” The dubious drawl that met me this particular day told me I was in for another assignment of the Sandison sort. “You started something with those music stands. Now Miss Runyon claims she can’t function unless she has a corkboard on a tripod to pin pictures on for the kids’ story hour. Go down there and see what you can rig up.”

  As I was passing his desk, he looked askance at me over one of the catalogues of rare books that were perpetually open in front of him. “Oxford flannel?”

  “Serge.” I brushed a bit of lint off the new blue suit. “Like it?”

 

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