DR02 - Heaven's Prisoners

by James Lee Burke

  "Little bites for little people," she said.

  Alafair opened her mouth like a bird, her eyelashes blinking sleepily.

  "Why did you lie back there?" Annie said.

  "I'm not sure."

  "Dave…"

  "She's probably an illegal. Why make problems for the nuns?"

  "So what if she's an illegal?"

  "Because I don't trust government pencil pushers and paper shufflers, that's why."

  "I think I hear the voice of the New Orleans police department."

  "Annie, Immigration sends them back."

  "They wouldn't do that to a child, would they?"

  I didn't have an answer for her. But my father, who had been a fisherman, trapper, and derrickman all his life, and who couldn't read or write and spoke Cajun French and a form of English that was hardly a language, had an axiom for almost every situation. One of these would translate as "When in doubt, do nothing." In actuality he would say something like (in this case to a wealthy sugar planter who owned property next to us), "You didn't told me about your hog in my cane, no, so I didn't mean to hurt it when I pass the tractor on its head and had to eat it, me."

  I drove along the dirt road that led to my boat-and-bait business on the bayou. The rain began to fall lightly through the oak trees, dimpling the bayou, clicking on the lily pads that grew out from the bank. I could see the bream starting to feed along the edge of the lilies and the flooded canebrake.

  Up ahead, fishermen were bringing their boats back into my dock, and the two black men who worked for me were pulling the canvas awning out over the side porch of the bait house and clearing the beer bottles and paper barbecue plates off the wooden telephone spools that I used as tables.

  My house was a hundred yards from the bayou, in a grove of pecan trees. It was built of unpainted oak and cypress, with a tin-roofed gallery in front, a dirt yard, rabbit hutches, and a dilapidated barn in back, and a watermelon garden just beyond the edge of the pecan trees. Sometimes in a strong wind the pecans would ring like grapeshot on the gallery's tin roof.

  Alafair had fallen asleep across Annie's lap. When I carried her into the house she looked up at me once as though she were waking briefly from a dream, then she closed her eyes again. I put her to bed in the side room, turned on the window fan, and closed the door softly. I sat on the gallery and watched the rain fall on the bayou. The air smelled of trees, wet moss, flowers, and damp earth.

  "You want something to eat?" Annie said behind me.

  "Not now, thanks."

  "What are you doing out here?"

  "Nothing."

  "I guess that's why you keep looking down the road," she said.

  "The people in that plane don't fit."

  I felt her fingers on my shoulders.

  "I've got this problem, officer," she said. "My husband can't stop being a homicide detective. When I try to hit on him, his attention is always somewhere else. What's a girl to do?"

  "Take up with a guy like myself. I'm always willing to help out."

  "I don't know. You look so busy watching the rain."

  "It's one of the few things I do well."

  "You sure you have time, officer?" she said, and slipped her arms down my chest and pressed her breasts and stomach against me.

  I never had much luck at resisting her. She was truly beautiful to look at. We went into our bedroom, where the window fan hummed with a wet light, and she smiled at me while she undressed, then began singing, "Baby love, my baby love, oh how I need you, my baby love…"

  She sat on top of me, with her heavy breasts close to my face, put her fingers in my hair, and looked into my eyes with her gentle and loving face. Each time I pressed the back of her shoulders with my palms she kissed my mouth and tightened her thighs, and I saw the strawberry birthmark on her breast darken to a deep scarlet and I felt my heart begin to twist, my loins harden and ache, saw her face soften and grow small above me, then suddenly I felt something tear loose and melt inside me, like a large boulder breaking loose in a stream-bed and rolling away in the current.

  Then she lay close to me and closed my eyes with her fingers, and I felt the fan pulling the cool air across the sheets like the wind out on the Gulf in the smoky light of sunrise.

  It was late afternoon and still raining when I woke to the sound of the child's crying. It was as though my sleep were disturbed by the tip of an angel's wing. I walked barefoot into the bedroom, where Annie sat on the edge of the bed and held Alafair against her breast.

  "She's all right now," Annie said. "It was just a bad dream, wasn't it? And dreams can't hurt you. We just brush them away and wash our face and then eat some ice cream and strawberries with Dave and Annie."

  The little girl held Annie's chest tightly and looked at me with her round, frightened eyes. Annie squeezed her and kissed the top of her head.

  "Dave, we just have to keep her," she said.

  Again I didn't answer her. I sat out on the gallery through the evening and watched the light turn purple on the bayou and listened to the cicadas and the rain dripping in the trees. At one time in my life, rain had always been the color of wet neon or Jim Beam whiskey. Now it just looked like rain. It smelled of sugarcane, of the cypress trees along the bayou, of the gold and scarlet four-o'clocks that opened in the cooling shadows. But as I watched the fireflies lighting in the pecan orchard, I could not deny that a thin tremolo was starting to vibrate inside me, the kind that used to leave me in after-hours bars with the rain streaking down the neon-lit window. I kept watching the dirt road, but it was empty. Around nine o'clock I saw some kids in a pirogue out on the bayou, gigging frogs. The headlamps of the children danced through the reeds and cattails, and I could hear their paddles chunking loudly in the water. An hour later I latched the screen, turned out the lights, and got in bed next to Annie. The little girl slept on the other side of her. In the moon's glow through the window I saw Annie smile without opening her eyes, then she laid her arm across my chest.

  He came early the next morning, when the sun was still misty and soft in the trees, even before the pools of rain had dried on the road, so that his government car splashed mud on a family of Negroes walking with cane poles toward my fishing dock. I walked into the kitchen where Annie and Alafair were just finishing their breakfast.

  "Why don't you take her down to the pond to feed the ducks?" I said.

  "I thought we'd go into town and buy her some clothes."

  "We can do that later. Here's some old bread. Go out the back door and walk through the trees."

  "What is it, Dave?"

  "Nothing. Just some minor bullshit. I'll tell you about it later. Come on, off you go."

  "I'd like to know when you first thought you could start talking to me like this."

  "Annie, I'm serious," I said.

  Her eyes flicked past me to the sound of the car driving across the pecan leaves in front. She picked up the cellophane bag of stale bread, took Alafair by the hand, and went out the back screen door through the trees toward the pond at the end of our property. She looked back once, and I could see the alarm in her face.

  The man got out of his gray U.S. government motor-pool car, with his seersucker coat over his shoulder. He was middle-aged, thick across the waist, and wore a bow tie. His black hair was combed across his partially bald head.

  I met him on the gallery. He said his name was Monroe, from the Immigration and Naturalization Service in New Orleans. While he talked, his eyes went past me into the gloom of the house.

  "I'd ask you in, but I'm on my way down to the dock," I said.

  "That's all right. I just need to ask you one or two things," he said. "Why didn't you all wait for the Coast Guard after you called in on the emergency channel?"

  "What for?"

  "Most people would want to hang around. For curiosity, if nothing else. How often do you see a plane go down?"

  "My wife gave them the position. They could see the oil and gas on the water. They didn't need us."<
br />
  "Huh," he said, and took a cigarette out of his shirt pocket. He rolled it back and forth between his fingers without lighting it and looked away at the pecan trees. The tobacco grains crackled dryly inside the paper. "I got a problem, though. A diver found a suitcase in there with a bunch of child's clothes in it. A little girl's, in fact. But there wasn't a kid in that plane. What's that suggest to you?"

  "I'm late for work, Mr. Monroe. Would you like to walk down to the dock with me?"

  "You don't like federal people too much, do you?"

  "I haven't known that many. Some of them are good guys, some of them aren't. I guess you tapped into my file."

  He shrugged.

  "Why do you think illegals would carry a child's clothing with them when they had no child? I'm talking about people that left the banana farm one step ahead of the National Guard shredding them into dog food. Or at least that's what they tell the press."

  "I don't know."

  "Your wife told the Coast Guard you were going to dive that wreck. Are you going to tell me you only saw three people down there?"

  I looked back at him.

  "What do you mean, three?" I said.

  "The pilot was a priest named Melancon, from Lafayette. We've been watching him for a while. We think the two women were from El Salvador. At least that's where the priest had been flying them out from before."

  "What about the guy in the pink shirt?"

  His face became perplexed, his eyes muddy with confusion.

  "What are you talking about?" he said.

  "I damn near tore the shirt off him. He was in the back. His neck was broken and he had a tattoo over one nipple."

  He was shaking his head. He lit his cigarette and blew smoke out into the dappled sunlight.

  "You're either a good storyteller or you see things nobody else knows about," he said.

  "Are you calling me a liar?" I asked quietly.

  "I won't play word games with you, Mr. Robicheaux."

  "It seems to me that's just what you're doing."

  "You're right, I did get feedback on your file before I came down here. You have an amazing record."

  "How's that?"

  "You blew away three or four people, one of whom was a government witness. That's real hardball, all right. You want me to come back out with a warrant?"

  "I don't think I'm going to see you for a while. You dumped the wheelbarrow on its side, podna. Your people are into something they haven't let you in on yet."

  I saw his eyes darken.

  "I'd tend to my own business if I was you," he said.

  "There's something I didn't tell you. The UPI in New Orleans called me last night. I told them there were four dead people in that plane. I hope you guys aren't going to tell people I can't count."

  "You don't need to worry about what we do. Just keep your own act clean, and we'll get along fine."

  "I think you've been talking to wetbacks for too long. I think you should give some thought to your words before you say things to people."

  He dropped his cigarette on the ground, pressed it out with his shoe, and smiled to himself as he got in his car. He started his engine. A shaft of sunlight cut across his face.

  "Well, you've made my day," he said. "I always like to be reassured that I'm on the right side of the fence."

  "One other thing. When you drove in here, you splashed mud on some people. Try to be more careful when you leave."

  "Anything you say," he said, and smiled up at me, then accelerated slowly down my lane.

  Very cool, Robicheaux, I thought. There's nothing like rattling the screens on the baboon cage. But what should you do in a situation like that? Most government employees aren't bad guys; they're just unimaginative, they feel comfortable in a world of predictable rules, and they rarely question authority. But if you run up against the nasty ones and they sense fear in you, they'll try to dismantle you one piece at a time.

  I went down to the dock, put fresh ice in the beer and pop coolers, seined out the dead shiners from the bait tanks, started the fire in the split oil drum that I used for a barbecue pit on the side porch, oiled and seasoned the twenty-five pounds of chickens and pork chops that I would grill and sell at lunchtime, and then fixed myself a big glass of Dr. Pepper filled with shaved ice, mint leaves, and cherries, and sat at a table under the porch awning and watched some Negroes fishing under a cypress on the opposite bank of the bayou. They wore straw hats and sat on wood stools close together with their cane poles motionless over the lily pads. I had never understood why black people always fished together in close groups, or why they refused to move from one spot to another, even when the fish weren't biting; but I also knew that if they didn't catch anything, no one else would, either. One of the cork bobbers started to tremble on the surface, then slide along the edge of the lily pads, then draw away toward the bottom; a little boy jerked his cane up, and a big sunfish exploded through the water, its gills and stomach painted with fire. The boy held it with one hand, worked the hook out of its mouth, then dipped his other hand into the water and lifted out a shaved willow branch dripping with bluegill and goggle-eye perch. I watched him thread the sharpened tip of the branch through the sunfish's gill and out its mouth, then replace it in the water. But watching that scene out of my own youth, living that moment with yesterday's people, wouldn't take my mind off that ugly scar of smoke across the sky at Southwest Pass or a woman who would hold a child up into a pocket of air while her own lungs filled with water and gasoline.

  That afternoon I drove into New Iberia and bought a copy of the Times-Picayune. The wire service story said that the bodies of three people, including that of a Catholic priest, had been removed from the plane. The source of the story was St. Mary Parish sheriff's office. Which meant the sheriff's office had been told that three bodies were recovered, or that only three had been brought into the parish coroner's office.

  It was hot and bright the next morning when I cut the engine off Southwest Pass and splashed the anchor overboard. The waves slapped under the bow as I put on my flippers and air tank, which I had refilled earlier in the morning. I hitched on a weight belt, went over the side, and swam down in a stream of bubbles to the wreck, which still lay upside down on the sloping edge of the trench. The water was a cloudy green from the rains, but I could see detail within a foot of my face mask. I came down on the tail section and worked my way forward toward the cabin. The hole that had gushed black smoke across the sky was jagged and sharp under my hands. The metal was twisted outward, in the same way that an artillery round would exit from iron plate.

  All the doors were open forward, and the cabin was picked clean. At least almost. The torn pink shirt of the tattooed man undulated gently against the floor in the groundswell. One of the cloth loops was caught in the floor fastening for the safety strap harness. I jerked the shirt loose, wadded it into a tight ball, and swam back up to the yellow-green light on the surface.

  I had long ago learned to be thankful for small favors. I had also learned not to be impetuous or careless with their use. I laid the shirt out on the deck and weighted the sleeves and collar and tails with fishing sinkers. It didn't take long for the shirt to dry in the wind and against the hot boards of the deck; the cloth was stiff and salty to the touch.

  I found a plastic minnow bag in my tackle box, took the shirt back to the pilothouse out of the wind, and began cutting away the pockets with my single-blade Puma knife, which had the edge of a barber's razor. I picked out a pencil stub, tobacco grains, sodden kitchen matches, a small comb, strings of lint, and finally a swizzle stick.

  A wooden swizzle stick in a tiny sanitary wrapper. A swizzle stick that I knew had letters printed on it because the purple ink had run into the paper wrapper like a smeared kiss.

  * * *

  2

  IT WAS MIDAFTERNOON the next day when I parked my pickup truck on Decatur Street by Jackson Square in New Orleans. I had coffee and beignets in the Café du Monde, then walked on into th
e square and sat on an iron bench under the banana trees not far from St. Louis Cathedral. It was still a little early to find the girl who I hoped would be in Smiling Jack's, so I sat in the warm shade and watched the Negro street musicians playing their bottleneck guitars in the lee of the church, and the sidewalk artists sketching portraits of tourists in Pirates Alley. I had always loved the French Quarter. Many people in New Orleans complained that it was filled with winos, burnt-out dopers, hookers, black street hustlers, and sexual degenerates. What they said was true, but I didn't care. The Quarter had always been like that. Jean Lafitte and his gang of cutthroats had operated out of old New Orleans and so had James Bowie, who was an illegal slave trader when he wasn't slicing people apart with his murderous knife. Actually, I thought the hookers and drunks, the thieves and pimps probably had more precedent and claim to the Quarter than the rest of us did.

  The old Creole buildings and narrow streets never changed. Palm fronds and banana trees hung over the stone walls and iron gates of the courtyards; it was always shady under the scrolled colonnades that extended over the sidewalks, and the small grocery stores with their wood-bladed fans always smelled of cheese, sausage, ground coffee, and crates of peaches and plums. The brick of the buildings was worn and cool and smooth to the touch, the flagstones in the alleys troughed and etched from the rainwater that sluiced off the roofs and balconies overhead. Sometimes you looked through the scrolled iron door of a brick walkway and saw a courtyard in the interior of a building ablaze with sunlight and purple wisteria and climbing yellow roses, and when the wind was right you could smell the river, the damp brick walls, a fountain dripping into a stagnant well, the sour odor of spilled wine, the ivy that rooted in the mortar like the claws of a lizard, the four-o'clocks blooming in the shade, and a green garden of spearmint erupting against a sunlit stucco wall.