The Modern Library In Search of Lost Time, Complete and Unabridged : 6-Book Bundle

by Marcel Proust

  Like certain strokes of fortune, there are strokes of misfortune that come too late, and do not assume the magnitude they would have had in our eyes a little earlier. One such was the misfortune that Andrée’s terrible revelation was to me. No doubt, even when a piece of bad news is bound to make us unhappy, it may happen that, in the involvement, the give and take of conversation, it will pass in front of us without stopping and, preoccupied as we are by all the things we have to say in reply, transformed into someone else by the desire to please our present interlocutors, protected for a few moments in this new context against the affections and the sufferings that we discarded upon entering it and will return to when the brief spell is broken, we do not have the time to take them in. However, if these affections and these sufferings are too predominant, we enter only distractedly into the zone of a new and momentary world, in which, too faithful to our sufferings, we are incapable of becoming other; and then the words that we hear said enter at once into relation with our heart, which has not been neutralised. But for some time past words that concerned Albertine, like a poison that has evaporated, had lost their toxic power. She was already too remote from me. As an afternoon stroller, seeing a misty crescent in the sky, thinks: “So that’s the vast moon,” I said to myself: “What, so that truth which I’ve sought for so long, which I’ve so dreaded, is nothing more than these few words uttered in the course of conversation, words to which one cannot even give one’s whole attention because one isn’t alone!” Besides, it took me at a serious disadvantage, as I had exhausted myself with Andrée. Really, I would have liked to have more strength to devote to a truth of such magnitude; it remained extraneous to me, but this was because I had not yet found a place for it in my heart. We would like the truth to be revealed to us by novel signs, not by a sentence, a sentence similar to those which we have constantly repeated to ourselves. The habit of thinking prevents us at times from experiencing reality, immunises us against it, makes it seem no more than another thought. There is no idea that does not carry in itself its possible refutation, no word that does not imply its opposite.

  In any case, if it was true, it was by this time the sort of useless truth about the life of a dead mistress that rises up from the depths and reveals itself when we can no longer have any use for it. Then, thinking doubtless of some other woman whom we now love and with regard to whom the same thing may occur (for to her whom we have forgotten we no longer give a thought), we lament. We say to ourselves: “If she were alive!” We say to ourselves: “If she who is alive could only understand all this and realise that when she is dead I shall know everything that she is hiding from me!” But it is a vicious circle. If I could have caused Albertine to live, I should at the same time have caused Andrée to reveal nothing. It is to some extent the same thing as the everlasting “You’ll see when I no longer love you,” which is so true and so absurd, since one would indeed elicit much if one no longer loved, but one would no longer be interested in eliciting it. In fact it is precisely the same thing. For if the woman you see again when you no longer love her then tells you all, it is because it is no longer she, or because it is no longer you: the person who loved has ceased to exist. There too death has passed by, and has made everything simple and pointless. I pursued these reflexions basing myself on the assumption that Andrée was truthful—which was possible—and had been prompted to sincerity with me precisely because she had now had relations with me, from that Saint-André-des-Champs side of her nature which Albertine too had shown me at the start. She was encouraged in this case by the fact that she was no longer afraid of Albertine, for the reality of other people survives their death for only a short time in our minds, and after a few years they are like those gods of obsolete religions whom one offends without fear because one has ceased to believe in their existence. But the fact that Andrée no longer believed in the reality of Albertine might mean that she no longer feared (any more than to betray a secret which she had promised not to reveal) to concoct a lie which retrospectively slandered her alleged accomplice. Had this absence of fear permitted her to reveal the truth at last in telling me all that, or else to concoct a lie, if, for some reason, she supposed me to be full of happiness and pride and wished to cause me pain? Perhaps she was irritated with me (an irritation that had been held in abeyance so long as she saw that I was miserable, disconsolate) because I had had relations with Albertine and she envied me, perhaps—supposing that I considered myself on that account more favoured than her—an advantage which she herself had never, perhaps, obtained, nor even sought. Thus it was that I had often heard her say how ill they were looking to people whose look of radiant health, and in particular their awareness of it, exasperated her, and add, in the hope of annoying them, that she herself was very well, a fact that she never ceased to proclaim when she was seriously ill until the day when, in the detachment of death, it no longer mattered to her that others should be well and should know that she herself was dying. But that day was still remote. Perhaps she was angry with me, for what reason I had no idea, as long ago she had been filled with rage against the young man so learned in sporting matters, so ignorant of everything else, whom we had met at Balbec, who since then had been living with Rachel, and on the subject of whom Andrée poured forth defamatory remarks, hoping to be sued for slander in order to be able to formulate discreditable accusations against his father the falseness of which he would be unable to prove. Quite possibly this rage against myself had simply revived, having doubtless ceased when she saw how miserable I was. For the very same people whom, her eyes flashing with rage, she had longed to disgrace, to kill, to send to prison, by false testimony if need be, had only to reveal themselves to be unhappy or humiliated, for her to cease to wish them any harm, and to be ready to overwhelm them with kindness. For she was not fundamentally wicked, and if her unapparent, slightly deeper nature was not the niceness which one assumed at first from her delicate attentions, but rather envy and pride, her third nature, deeper still, the true but not entirely realised nature, tended towards kindness and the love of her fellow-creatures. Only, like all those people who in a certain state desire a better one, but, knowing it only through desiring it, do not realise that the first condition is to break away from the former state—like neurasthenics or drug-addicts who are anxious to be cured, but at the same time not to be deprived of their neuroses or their drugs, or like those world-loving religious or artistic spirits who long for solitude but seek none the less to envisage it as not implying an absolute renunciation of their former existence—Andrée was prepared to love all her fellow-creatures, but on the condition that she should first of all have succeeded in not having to visualise them as triumphant, and to that end should have humiliated them in advance. She did not understand that one should love even the proud, and conquer their pride by love and not by an even more overweening pride. But the fact is that she was like those invalids who wish to be cured by the very means that prolong their disease, which they like and would cease at once to like if they renounced them. But people wish to learn to swim and at the same time to keep one foot on the ground.

  As regards the young sportsman, the Verdurins’ nephew, whom I had met during my two visits to Balbec, it may be recounted here, incidentally and prematurely, that, some time after Andrée’s visit, the account of which will be resumed in a moment, certain events occurred which caused a great sensation. First of all, this young man (perhaps in memory of Albertine with whom I did not then know that he had been in love) became engaged to Andrée and married her, to the despair of Rachel, of which he took no notice. Andrée no longer said then (that is to say some months after the visit of which I have been speaking) that he was a wretch, and I realised later on that she had said so only because she was madly in love with him and felt that he did not want her. But another fact made an even greater impression. This young man produced certain sketches for the theatre, with settings and costumes designed by himself, which effected in contemporary art a revolution at least equa
l to that brought about by the Russian ballet. In fact, the best-qualified critics regarded his works as being of cardinal importance, almost works of genius, and indeed I agree with them, confirming thus, to my own astonishment, the opinion long held by Rachel. The people who had known him at Balbec, intent only on seeing whether the cut of the clothes of the men with whom he associated was elegant or not, spending all his time at baccarat, at the races, on the golf-course or on the polo-ground, who knew that at school he had always been a dunce and had even been expelled from the lycée (to annoy his parents, he had gone to live for two months in the smart brothel in which M. de Charlus had hoped to surprise Morel), thought that perhaps his productions were the work of Andrée, who was prepared out of love to allow him all the glory, or that more probably he was paying, out of his huge personal fortune at which his excesses had barely nibbled, some inspired but needy professional to create them (this kind of wealthy society, unpolished by contact with the aristocracy and having no idea of what constitutes an artist—who to them is either an actor whom they engage to recite monologues at their daughter’s engagement party, handing him his fee discreetly there and then in another room, or a painter to whom they make her sit once she is married, before the children come and when she is still at her best—are apt to believe that all the society people who write, compose or paint have their work done for them and pay to obtain a reputation as a creative artist as other men pay to secure a seat in Parliament). But all this was untrue, and this young man was indeed the author of those admirable works. When I learned this, I found myself torn between a number of different suppositions. Either he had indeed been for long years the “thickhead” that he appeared to be, and some physiological cataclysm had awakened the dormant genius in him, like a Sleeping Beauty; or else at the time of his turbulent schooldays, of his failures to matriculate, of his heavy gambling losses at Balbec, of his reluctance to get into the little “tram” with his aunt Verdurin’s faithful because of their hideous clothes, he was already a man of genius, distracted perhaps from his genius, which he had left in abeyance in the effervescence of juvenile passions; or again, already a conscious man of genius, and at the bottom of his class only because, while the master was spouting platitudes about Cicero, he himself was reading Rimbaud or Goethe. True, there were no grounds for any such hypothesis when I met him at Balbec, where his interests seemed to me to be centred exclusively on turning out a smart carriage and pair and mixing cocktails. But even this is not an irrefutable objection. He may have been extremely vain—something that is not incompatible with genius—and have sought to shine in the manner which he knew was best calculated to dazzle in the world in which he lived, that is to say, not by showing a profound knowledge of Elective Affinities, but far rather a knowledge of how to drive four-in-hand. Moreover, I am not at all sure that later on, when he had become the creator of those fine and original works, he would have cared greatly, outside the theatres in which he was known, to greet anyone who was not in evening dress, like the “faithful” in their earlier manner, which would be a proof in him not of stupidity but of vanity, and indeed of a certain practical sense, a certain perceptiveness in adapting his vanity to the mentality of the imbeciles whose esteem he valued and in whose eyes a dinner-jacket might perhaps shine with greater brilliance than the gaze of a thinker. Who can say whether, seen from without, some man of talent, or even a man devoid of talent but a lover of the things of the mind, myself for instance, would not have appeared, to anyone who met him at Rivebelle, in the hotel at Balbec, or on the esplanade, the most perfect and pretentious fool? Not to mention that for Octave matters of art must have been something so intimate, inhabiting the most secret recesses of his being, that doubtless it would never have occurred to him to speak of them, as Saint-Loup, for instance, would have done, Saint-Loup for whom the arts had all the glamour that horses and carriages had for Octave. And then he may have had a passion for gambling, and it is said that he retained it. But all the same, if the piety which brought to light the unknown work of Vinteuil emerged from the murky environment of Montjouvain, I was no less struck by the thought that what were perhaps the most extraordinary masterpieces of our day had emerged not from the concours general, from a model, academic education in the manner of the Broglie family, but from the frequentation of paddocks and fashionable bars. In any case, in those days at Balbec, the reasons which made me anxious to know him, and which made Albertine and her friends anxious that I should not know him, were equally extraneous to his merit, and could only have illustrated the eternal misunderstanding between an “intellectual” (represented in this instance by myself) and society (represented by the little band) with regard to a social personality (the young golfer). I had no inkling of his talent, and his prestige in my eyes—like that of Mme Blatin long ago—had been that of being, whatever they might say, the friend of my girlfriends, and more one of their band than myself. On the other hand, Albertine and Andrée, symbolising in this respect the incapacity of society people to bring a sound judgment to bear upon the things of the mind and their propensity to attach themselves in that connexion to false appearances, not only thought me almost idiotic because I took an interest in such an imbecile, but were astonished above all that, golfer for golfer, my choice should have fallen upon the poorest player of them all. If, for instance, I had chosen to make friends with young Gilbert de Belloeuvre, apart from golf he was a boy who had a certain amount of conversation, who had almost succeeded in the concours general and was an agreeable versifier (as a matter of fact he was the stupidest of them all). Or again, if my object had been to “make a study for a book,” Guy Saumoy, who was completely insane, who had abducted two girls, was at least a singular type who might “interest” me. These two might have been allowed me, but the other, what attraction could I find in him? He was the epitome of the “great lout,” of the “thickhead.”

  To return to Andrée’s visit, after the disclosure that she had just made to me of her relations with Albertine, she added that the main reason for which Albertine had left me was concern about what her friends of the little band, and other people as well, might think of her living like that with a young man to whom she was not married: “Of course I know it was in your mother’s house. But that makes no difference. You can’t imagine what that sort of girls’ community is like, what they conceal from one another, how they dread one another’s opinion of them. I’ve seen some of them being terribly severe with young men simply because they knew their friends and they were afraid that certain things might be repeated, and then I’ve happened by chance to see those very same girls in a totally different light, much to their chagrin.”

  A few months earlier, this knowledge which Andrée appeared to possess of the motives that swayed the girls of the little band would have seemed to me the most precious thing in the world. What she said was perhaps sufficient to explain why Albertine, who had given herself to me afterwards in Paris, had refused to do so at Balbec where I was constantly meeting her friends, a fact which I had absurdly supposed to be so advantageous for being on better terms with her. Perhaps indeed it was because she had seen signs of my confiding in Andrée, or because I had rashly told the latter that she was coming to spend the night at the Grand Hotel, that Albertine, who an hour earlier was perhaps ready to let me enjoy certain favours as though that were the simplest thing in the world, had abruptly changed her mind and threatened to ring the bell. But then, she must have been accommodating to lots of others. This thought rekindled my jealousy and I told Andrée that there was something that I wished to ask her.

  “You did those things in your grandmother’s empty apartment?”

  “Oh, no, never, we’d have been disturbed.”

  “Why, I thought … it seemed to me …”

  “Besides, Albertine chiefly liked doing it in the country.”

  “Oh! where?”

  “Originally, when she hadn’t time to go very far, we used to go to the Buttes-Chaumont. She knew a house there. Or else
we would lie under the trees, there’s never anyone about. In the grotto of the Petit Trianon, too.”

  “There, you see; how am I to believe you? You swore to me, not a year ago, that you’d never done anything at the Buttes-Chaumont.”