The Summer Queen

by Joan D. Vinge

  He turned, looking for Ariele as he realized that she was no longer standing beside him.

  Tor touched his arm, pointing toward the music. He lifted his head, following her gesture, to find Ariele among the musicians; realized then that it was the sound of her father’s flute he heard. He had known she had a gift for music and mimicry, but he had not known that she played.

  The music, and his own surprise, held him captive for a long moment. When he turned back, he found the others were already drifting away, out of his reach, across the dance floor. Ananke lifted a hand in farewell, looking back, and then they were gone.

  Reede started on through the crowd, trying to make his way closer to the place where Ariele and the musicians were playing. He saw Merovy Bluestone again, standing beside the Queen. Moon’s arm was around her; the two women were motionless, listening, with the same astonishment and grief filling their faces. He remembered that Tammis had carried a flute; that probably he had played it, just as his sister had … just as Sparks Dawntreader had. He considered the strange patterns woven by heredity and environment, by love and grief; and he wished that he were drunker, or not so much so.

  “Kullervo,” a voice said. He looked up, and saw Gundhalinu, who had been standing at the Queen’s other side. Gundhalinu moved away from her, coming toward him.

  “Welcome back,” Reede said, without a smile. “To the land of the living.”

  Gundhalinu looked surprised at him, as if he had said something completely incomprehensible. But then he nodded, not smiling either. “Yes…” he said quietly. “Thank you. Thank you for your part in it.”

  Reede shrugged slightly. Seeing Gundhalinu up close at last, he was startled by the drawn weariness of the other man’s face, the way its lines had deepened—the marks that Gundhalinu’s ordeal in the Camps had left on him, that his sudden reprieve had not begun to erase. The stark black and silver uniform, the reflected light of badges and medals, the cruel curved spines of a trefoil among them, only echoed the hard disillusionment in Gundhalinu’s eyes. “Maybe it makes us even,” Reede said.

  Gundhalinu smiled then, barely; as if his mouth had almost forgotten how to form the expression.

  The Queen turned, hearing their voices behind her. Merovy had disappeared; Reede suspected that his presence was the reason. As the Queen moved toward him, stopping beside Gundhalinu, Reede was struck by the sight of them: They were like mirrors, each reflecting the other’s suffering, their separate ordeals that had only been manifestations of the same ordeal. He realized that he had not even been aware of how the Queen had changed, until this moment; he had been too preoccupied with his own sea-change. He wondered what they saw in his face.

  “I didn’t know she could play,” he said, looking away from them toward Ariele, who was still lost in the rapture of her music. He felt a sudden, unexpected yearning fill him, like the sweet, sorrowful gaiety of her song rising into the air.

  “Neither did I,” Gundhalinu murmured, a little sadly.

  “Neither did I.…” The Queen’s voice was an echo of the music’s joy and plangency. Gundhalinu put his arm around her, drawing her close.

  She looked up at him and nodded, as if he had spoken; as if there was no real need for words between them anymore. She looked at Reede again; her eyes were wells of memory. Reede stepped aside to let them pass. He watched as they made their way through the dwindling crowd, heading toward the stairway that he had come down. He watched them go out as he had watched them come in, completing the circle.

  He turned his back on the empty stairs, granting them their privacy; looking toward the music, and Ariele. He let his thoughts dissolve into the fluid melody, letting Reede Kullervo become lost in the crowd.

  * * *

  Moon led BZ along the quiet hall, up another stairway, through more corridors, hand in hand. He did not question her, following her with a yielding compliance—as if he were still a prisoner. She looked back at him, aching inside. She had thought she was leading him to her bedroom; but they went on, passing its door. BZ glanced at her in silent curiosity, but still asked her no questions.

  She had spent every day of the interminable weeks between the tribunal’s arrival and his return working from dawn until far into the night, pressed on all sides by the demands of renegotiating Tiamat’s relationship with the Hegemony and overseeing the city’s recovery from the storm’s disastrous passing. But every night, when she lay in her bed at last, alone, she had imagined him lying beside her: the sound of his breathing, his heartbeat; the warmth of his touch bringing her cold, grief-wracked body back to life.

  And yet here, now, when they were alone at last, she knew that it was not what she wanted, or needed. The first giddy rush of joy they had felt at the sight of one another had carried them gracefully, painlessly through the party’s public eye. But here in these empty halls, that bright, thoughtless moment of pleasure was fading, letting memory overtake her, letting in ghosts and shadows. And looking up at his shadowed, weary face, she knew that it was not what he needed, either, to be hurried into intimacy.

  And so she led him on through the halls and up the final spiral stair, leading him to her private room at the palace’s, and the city’s, peak. The night sky opened out around them, glowing with the fire of countless stars. The cool, blue-silver face of Tiamat’s single large moon was a luminous mystery rising over the sea.

  She heard BZ draw a breath of astonishment, as he saw what lay before and below him. “I had no idea this existed…” he whispered, and she did not know whether he meant this secret room, or a view of such beauty. She rested her head against his shoulder as they stood together, looking out; holding one another but perfectly still, forgetting their own existence.

  Something broke the water’s surface, far out on the placid dark-bright mirror of the sea: one silhouette and then another and another, stitching tracks of blackness across its shimmering surface; a reminder of all that lay hidden beneath its illusion of calm. “Are those mers?” he asked.

  “I think so,” she said softly. “I can’t be sure, at this distance.”

  He sighed. “I thought I’d never live to see this world again,” he said. “I thought I’d never see your face—” He looked away from the ocean, into her eyes; touched her face tentatively, with a work-scarred hand. “They tried to kill me…” he murmured, at last.

  “Who?” She would have held his gaze, but he looked out at the sea again.

  “The same ones who wanted to kill the mers.” His face hardened like a fist. “The same ones who were congratulating me on my return, and licking my boots downstairs tonight, probably. They didn’t have the influence—or the courage—to kill me outright. So they sent me to that place.…” He broke off. “And hoped time would take care of things. Except that you saved my life, again.” His expression eased, and he kissed her hair, a tender, passionless kiss.

  She did not answer, did not move, her body insensate and unresponsive: remembering how thin a membrane lay between life and death, remembering all the things that could not be changed, ever.

  “Moon…” He closed her in his arms in sudden compassion. “I’m sorry. I’m so sorry.…” And in his broken voice she heard the memory of sounds torn from her throat by her own mourning.

  She shook her head, feeling her flushed cheek brush the cool, impersonal cloth of his uniform jacket; feeling the armor of hard-edged medals he wore press into her back, her neck, as he held her. Feeling no comfort. “Mother of Us All,” she whispered, gazing out at the sea, “I would rather have died than have had my heart torn out of me.” She thought of Arienrhod then—of her bones rolled eternally in the dark depths of the sea—with pity and terror.

  He had no answer, this time; only went on holding her, until she began to feel the warmth of his body penetrate her skin like a soothing balm. “Look,” he said at last. “Those are mers. You can see it clearly now.” His arms still held her tightly; his voice insisted that she look.

  She raised her head, to see them, a
whole colony rejoicing in the night at the interface between worlds. Their lives were complete again, their reason for existence secure again; although she saw in the hidden forms of their abandoned motion, their courting dance, that in their timeless world, existence itself could be reason enough. They had far more in common with the sibyl mind than they had with the human servants who shared their spiritual bondage to it. She watched them appear and disappear, leaving the subtle patterns of their passing imprinted on her mind as they winked in and out of sight on the star-filled surface of the water. “I envy them…” she whispered. “They live without regret.”

  “Their lives will never again come to an unnatural end, because of us,” Gundhalinu murmured, against her hair. “And no human lives will ever again be unnaturally prolonged by their deaths. A balance has been restored.… Maybe now we can get on with our own lives. With our life together. We’ve lost so much time that we can never get back—”

  Moon closed her eyes, remembering an eternity where time’s arrow had lost its way, and pointed all ways at once. She opened them again, looking out at the sea and sky on fire with stars. She could not find the line where one ended and the other began; it was as if there were no separation, but instead a single continuum flowing from the depths of the sea into the depths of space. “‘Time will take care of things,’” she repeated softly, remembering his bitter words. “It has … it will. It owes that much to us.” She looked up at him again, seeing the night reflected in his dark eyes.

  He smiled at last and nodded, holding her, warming her. “I look forward,” he said, “to growing old with you.”

  TIAMAT: Prajua, Planetary Orbit

  “Gods,” Kedalion said, stretching his fingers until his knuckles cracked, as he leaned back in the command seat of the Prajna. “I’m still half afraid I’m going to wake up from this dream.” He looked over at Ananke. “Tell me I’m not dreaming.”

  Ananke smiled. “You’re not dreaming. Unless I’m having the same one.” She shrugged, stroking the quoll’s bulbous nose as she studied the readouts on the control room wall. “Drive systems, check. Cargo, check. Life support systems, check. Clearances are all in, and departure window has not changed. We’re free, Kedalion. We’re really free to go.” She settled comfortably into the copilot’s seat, dropping the quoll into its nesting box, secured underneath the instrument panel in front of her.

  “Ready to leave Tiamat space?” Kedalion spoke the ritual question, looking up at her again from his own boards.

  “Ready,” she answered, without hesitation.

  Kedalion glanced back over his shoulder. “Ready, Dawntreader?”

  Sparks Dawntreader looked up at him, and nodded his bandage-wrapped head imperceptibly. But his eyes still searched the display screens, still clinging to the final view of his homeworld passing by, grandly, thousands of kilometers below them. “Am I doing the right thing, Niburu?” he murmured.

  “I don’t know,” Kedalion said. “But you’re doing a good thing.… Are you ready?” he asked again, after a moment. At his touch the image on the screens became a field of stars.

  Dawntreader drew a deep breath. “I’m ready,” he said, and this time he was looking at the future. He smiled, lifting a hand in a gesture that might have been meant as reassurance, or only as a farewell.

  Kedalion settled back into his seat. He spoke to the port orbiting far below; spoke to the ship’s computer, activating the departure sequence.

  And then, in the sublime grip of anticipation, he waited, while the Prajna came alive around him, and fell away into the night.

  Books by Joan D. Vinge

  THE SNOW-QUEEN CYCLE

  The Snow Queen

  World’s End

  *The Summer Queen

  *Tangled Up in Blue

  THE CAT NOVELS

  *+Psion

  *Catspaw

  *+Dreamfall

  *+Heaven Chronicles

  *Phoenix in the Ashes (story collection)

  Eyes of Amber (story collection)

  The Random House Book of Greek Myths

  *denotes a Tor book

  +forthcoming

  PRAISE FOR THE SUMMER QUEEN

  “Fast-paced and inventive … a satisfying sequel … you’ll be well entertained.”

  —The Detroit News

  “A blockbuster saga … It has romance and intrigue, scope and sweep and grandeur, pain and glory, plots that span millennia.”

  —Analog

  “Vinge weaves a complex web of tangled love affairs, secret cabals, political intrigue, and high adventure centering around a unique woman and her visionary gift. The breadth and richness of The Summer Queen invite comparison with Frank Herbert’s Dune and Isaac Asimov’s Foundation Trilogy. A masterpiece of world-building.”

  —Library Journal (starred review)

  “A very satisfying and entertaining sequel, a big, intricate novel with a pleasing tangle of plots and characters.”

  —St. Louis Post-Dispatch

  ABOUT THE AUTHOR

  Joan D. Vinge has been described as “one of the reigning queens of science fiction” and is renowned for creating lyrical human dramas in fascinatingly complex feature settings. She has won two Hugo Awards, one for her novel The Snow Queen. Vinge is the author of World’s End, Tangled Up in Blue, and The Summer Queen, sequels to The Snow Queen. Her series about the character Cat includes Psion, a prequel in which the character is introduced, and Dreamfall, which Publishers Weekly called a “richly detailed and suspenseful sequel to Catspaw.” She has also written the bestselling Return of the Jedi Storybook and other film adaptations, as well as The Random House Book of Greek Myths. Ms. Vinge is currently working on LadySmith, a novel set during the Bronze Age in Western Europe. She lives in Madison, Wisconsin.

  This is a work of fiction. All the characters and events portrayed in this novel are either fictitious or are used fictitiously.

  THE SUMMER QUEEN

  Copyright © 1991 by Joan D. Vinge

  All rights reserved.

  Originally published by Warner Books, Inc., in 1991

  Edited by James Frenkel

  The author thanks the publishers for permission to reprint lines from “The Waste Land,” “The Love Song of J. Alfred Prufrock,” and “Gerontion” by T. S. Eliot. These were published in The Waste Land and Other Poems by Harcourt Brace in the United States, and in Collected Poems 1909–1962 by T. S. Eliot, by Faber and Faber Ltd. in England. Reproduced by permission of Faber and Faber Ltd.

  A Tor Book

  Published by Tom Doherty Associates, LLC

  175 Fifth Avenue

  New York, NY 10010

  www.tor.com

  Tor® is a registered trademark of Tom Doherty Associates, LLC.

  ISBN 0-765-30446-5

  First Tor Edition: May 2003

  eISBN 9781466842847

  First eBook edition: March 2013