77 Shadow Street

by Dean Koontz

  Julian Sanchez

  Crossing into the dining room, Julian knew at once that it, too, must be unfurnished. For one thing, the area carpet was missing, and for another, his footsteps on the limestone floor resonated off the walls differently from how they would have sounded in a furnished space.

  The voices he’d heard a moment earlier were silent now. He stood listening. In the same way that he could discern the positions of the furnishings around him by what was a kind of psychic radar, he could also to a pretty reliable degree intuit the presence of others. Even a person who stood at ease still produced telltale sounds—shifting weight from foot to foot, breathing shallowly, licking lips, sucking a bit of food from between teeth, the rustle of clothes, the tick of a wristwatch—but except for the small noises that he himself made, this room sounded deserted.

  Julian had not been blind since birth. He’d lost his vision at the age of eleven, when retinoblastoma required the removal of both his eyes. Consequently, he had more than a decade of visual memories stored away, which allowed him to construct mental images and whole scenes—including colors—from clues to his environment provided by his other four senses. When he cruised his apartment, his mind’s eye saw every room in vivid detail even though he’d never actually seen any corner of the place.

  The inexplicable change that had recently occurred, however, left him unable to visualize his new surroundings. The perception of vacancy, the dirt and debris, the rankness of mold and mildew and other unidentifiable malodors so fundamentally altered these rooms that he was almost as unable to picture them as would have been a man blind from birth and without visual memories.

  When Julian stepped warily into his living room, the muttering voices rose once more. They were speaking in a foreign language that he couldn’t identify. Previously they had an urgency, as if they were delivering a warning. Now they remained urgent but began to sound quarrelsome. Julian imagined a dozen people, perhaps more, and their voices issued from all sides, as though he must be encircled by some conclave that had come there specifically to study him, analyze him. Judge him.

  “Who’s there?” he asked. “Who are you? What do you want?”

  At the same time that the voices seemed to press close to him, they lacked the clarity of intimate speech, and he could imagine as easily that these were utterances carried to him from other rooms, through an intervening wall or door.

  Moving to where he thought the center of the living room should be, finding no furniture in his way, Julian spoke louder than before: “Where are you? What do you want?”

  In his first year or two of blindness, he had felt vulnerable and had worried unduly about the many things that might happen to him because of his disability. But you couldn’t spend your life expecting a calamitous fall or an assault at any moment; fear soon exhausts itself. After forty years of successful sightless living, he felt not invulnerable but safe enough, and he came to believe the worst that would ever happen to him had already happened when he was eleven.

  Suddenly his scalp prickled and the back of his neck went cold as fear proved to be as on-call as ever it had been. The quarrelsome nature of the voices darkened into threatening tones, and again he felt that they were shockingly near, the speakers close enough to touch. When he reached out, he found that he had shuffled out of the center of the room without realizing it, for he touched a wall.

  The plaster vibrated in time with the speech waves of the angry chorus, as if the voices came from within the wall.

  Sally Hollander

  Free of all emotions, she was still lying on her kitchen floor, disconnected images from a fading identity blooming in the mostly lightless and drowned landscape of her mind. She seemed to be looking up from the bottom of a pond, through water toward a night sky, and the images were formed from fat drops of light falling like fitful rain, each drop spreading into colors and scenes as it struck and melded with the surface of the pond; and every scene shimmered for a moment like reverse paintings on glass, before bleeding away into darkness. Faces that she knew but to which she could no longer affix names, places she recognized but was unable to identify, moments out of a lost time that might have been an hour or a week or ten years in the past floated one after another across this drowning pool, colorful at first but then in black-and-white and shades of gray.

  As she seemed to sink into the silt and the scum of her final resting place, as the now colorless moments of a fading consciousness grew ever dimmer, a sudden excruciatingly tender yearning overcame her, a keen nostalgia for what she could not remember, for what she felt slipping away from her forever, and there came also a piercing love for light, for life, for sounds and scents and tastes and sights and textures whether rough or smooth. These fervent feelings swelled until she seemed sure to burst with them—but then they passed.

  She felt no further emotion. All grew dark in her, without want or meaning, and after a while she developed one desire but one only: to kill. She was not she anymore, she was a creature now without a past or gender, transformed by the sleek gray attacker into one of its kind, with one name only: Pogromite. It rose. It moved. It sought.

  Bailey Hawks

  From the threshold of Silas Kinsley’s bathroom, Bailey watched the serpentine organisms throb with something Kirby Ignis said was “like peristalsis.” In the flashlight beam, as those pulsations occurred more rapidly, the clusters of bell-shaped mushrooms became active as well. The puckered formation at the crown of each, which Bailey had likened to the mouths of drawstring purses, began to open and to peel back from the caps, whereupon those growths looked less like mushrooms than like engorged phalluses straining through their foreskins toward passionate release.

  Simultaneously Bailey and Kirby recognized the implications of this unveiling. Bailey said, “Get back,” Kirby said, “It’s sporing,” and they retreated quickly from the bathroom threshold, across the bedroom, to the open door, where they paused to see if the thing might be peeling itself off the walls to follow them. It either didn’t possess the power of locomotion or was not in a mood to hunt them down, because it neither slithered nor crawled out of the dimly lighted bathroom.

  In the public hallway, outside the apartment, Bailey closed the door and wished that he could lock it or had a chair with which to brace it shut. The empty chambers of the Pendleton, evidently stripped bare long ago for reasons unknowable, were not likely to provide them with hammers and nails or with any other tools they might use to seal off rooms either to contain the things in them or to create a refuge into which nothing deadly could intrude.

  Tom Tran

  Pulsing with a bleak and sour inner light, the thing was like some massive mutant tuber that had grown underground, in radioactive soil, developing many spongy lobes of malignant flesh, initially feeding on minerals in the ground but then on insects and worms, incorporating their DNA into its structure, eventually extruding that segmented wormlike part of it, sprouting legs and nasty pincers and a pair of horny mandibles with which to bite and rend. Maybe it was some alien life form, fallen to Earth in a seed pod, in a meteorite, self-aware from the start. Or maybe it gradually became self-aware as it lived below the surface like a trapdoor spider, pulling down unwary rats and rabbits and dogs and maybe even children, especially children, its lair a mass grave, feeding on them, gaining from their DNA a series of increasingly sophisticated brain designs, and at last burrowing to the surface with God alone knew what purpose.

  It squealed again in that angry-child, tortured-child voice. And there was no way to read accurately its intention in its three radiant silvery eyes, though Tom saw in them the same hunger that he heard in the keening voice.

  The beast’s asymmetrical structure and its weird hodgepodge of features, seemingly derived from multiple species, suggested that it must be semifunctional at best, clumsy by nature, awkward in action. He considered rushing toward it, dodging past it, off the path and through the tangled plants and away to the east gate. He was a boy again and as fast as a high
land wind, for fear had returned him to the helplessness of childhood when he had compensated for his size and weakness by being fleet and clever and inexhaustible. Before Tom could move, however, the thing jittered forward, hissing and venting, closing from thirty feet to fifteen, quicker than a scuttling crab. But there it halted, studying him as if he might be as strange a sight to it as it was to him.

  He didn’t hear the deadbolt retract behind him, didn’t hear the door open. He cried out in alarm when something seized him by the arm, less inclined to believe that he had any chance of being saved than that at his back was something no less freakish and no less vicious than the monster on the footpath. The rapid mortar fire of his heart whump-whumped so loud in his ears that he barely heard Padmini Bahrati say, “Quick! Inside!” But he did hear her, turned toward her, plunged inside and past her.

  Padmini slammed the heavy door and with the thumb-turn shot home the deadbolt.

  When Tom Tran whipped around to face the courtyard again, he was inexpressibly grateful that those French doors were made of bronze instead of wood, for this prince of Hell was right there. Up close it looked less like spongy tubers than like a salmagundi of exposed organs and entrails, like a thing turned inside out, all its bulbous parts slick with a thin milky fluid glistening in the yellow light that passed through the panes from the hallway.

  The silver eyes were fixed on him, and the mandibles worked as if the creature were imagining the taste of him, and now he thought that the darker shapes within its semitranslucent body, those opaque lumps, might be smaller creatures it had devoured, all of them lying whole in its gut, like the limb-tangled bodies in the mass grave near Nha Trang. This was the very kind of thing that might have come to life—or the animated antithesis of life—deeply buried in the human compost and jungle mast of Nha Trang, Vietnam, never having been born but instead having become aware in the darkness and the decay and the heat that decay produced, the horror of Nha Trang given a suitably symbolic form. At last it had come for Tran Van Lung, known here as Tom Tran, now forty-five, who as a boy of ten had seen that open-air abattoir, the machine-gunned thousands of women, men, and children in the natural cavity of a pond long drained of water, not yet plowed over with a thick blanket of earth. With his father, he had quickly walked one curve of the rim of that obscene hole and safely away among the trees before authorities returned with the bulldozer that they had been too impatient to provide before the killing started. Behind him and his father, the jungle surrounding the grave had stood eerily silent in deep green witness.

  “It’s not even trying to get in,” Padmini said.

  Tom expected the creature to throw itself against the doors, but it did not. Neither did it shatter a pane of glass with its pincers.

  “Why isn’t it trying?” Padmini asked.

  The thing turned away from the door and retreated along the winding footpath.

  “It must not be Nha Trang, after all,” Tom decided.

  “What?”

  “Nha Trang will never stop wanting me.”

  Although the intensity of his fear declined as his racing heart beat less frantically, a chill pierced him with the suddenness of a dagger of ice falling from a high eave, and he shivered violently.

  Dr. Kirby Ignis

  Déjà vu didn’t describe the sensation. Kirby didn’t feel as if he had been here before, in these circumstances, in this Pendleton of the future. Yet as extraordinary as these events were, they did not seem utterly alien and incomprehensible to him. He had been surprised by the things he’d seen but, curiously, not shocked. In spite of the bizarre and radical changes this world had undergone, it was somehow familiar to him, or if not familiar, then potentially explainable. He could not explain it yet, but he sensed an understanding growing in him, a coral reef of theory slowly accreting, still unconscious but certain eventually to rise into view. The apparent chaos might be only apparent, a logical historic cause and a rational order just waiting to be revealed.

  He and Bailey left the women and children with one gun and one flashlight, in the Cupp apartment. The encounter with the sporing colony of fungi in Kinsley’s bathroom proved that moments would arise when a quick response was essential to survival, but the larger the search team, the less agile it could be.

  They accessed the south wing of the third floor through the Cupps’ back entrance. The high-mounted TV in the corner where the short and long hallways met didn’t pulse with blue light. The screen was shattered. A colony of glowing fungi lived in the shallow tube, indicating that this monitor hadn’t worked in a long time.

  To their left the elevator doors stood open, the stainless-steel interior burnished by blue light. To Kirby Ignis, the unoccupied car seemed to be an invitation to go for a ride. Considering Winny’s experience and Kirby’s own encounter with the blood-spattered butler who came out of the north elevator from 1935, shortly before the leap to this future occurred, he would prefer the stairs for the duration.

  The top floor of Gary Dai’s two-story apartment was immediately to their right, opposite the south elevator. The door had been broken down. It lay just beyond the threshold, cracked and sheathed in undisturbed dust; the hinges in the jamb were bent, torn halfway out of the wood. Back in 2011, Gary was in Singapore, so the leap would not have brought him with them to this Pendleton.

  Nevertheless, they ventured into the upper floor of 3-B, where the radiant fungi were as prevalent as elsewhere, and Bailey called out—“Is anyone here?”—repeatedly as they moved from the foyer into the living room. The words echoed through other rooms and down the internal apartment stairs to the lower floor of the unit, but no one replied.

  Beyond the west windows lay the plain of hypnotically swaying luminous grass and the circular stands of craggy black trees down-lit by the moon but also up-lit by the glowing meadow. The disturbing but undeniable allure of this future world was different from the beauty of the world now past, not just in the nature of its landscapes but in its fundamental quality.

  Beauty is truth, truth beauty: Philosophers for ages had said that beauty was proof of design by a higher power, because living things could function just as well if they were ugly; if animals—including humans—were merely meat machines and if plants were merely machines of cellulose and chlorophyll produced by blind and mindless Nature, and if landscapes were sculpted by geological processes inspired by no Great Engineer, there wasn’t any reason for them to be appealing to the eye, which seemed to mean beauty must be a grace, a gift to the world.

  Kirby wasn’t interested enough to have an opinion regarding the theory of a link between beauty and the divine in the world he had left. But it seemed to him, as he gazed out of Gary Dai’s windows, that what pleased the eye in this world was not good and true but evil and deceptive. What made this vista alluring was not genuine harmony, which it somehow lacked, but its mystery and the sense that anything might be out there, that anything might happen, which had great appeal to the savage aspect of the human heart, which in the old world had to be repressed in the interest of civilization. Here no civilization existed, only the heart of darkness, bewitching in its immensity, charming because it promised raw brutal power, because it promised the freedom of madness, because it promised death without meaning.

  From here the rhythmic swaying of the luminous meadow seemed to offer a mystical experience, but Kirby suspected that any walk he took there would be short and marked by exquisite cruelty.

  In spite of his grandfatherly demeanor, he was a curmudgeon who found humankind—not every individual but as a species—to be largely foolish in the extreme, selfish and greedy and envious. Most were in love with power, with violence, users and despoilers. Kirby often thought the world would be a better place if dogs were the creatures of highest intelligence who lived in it. He didn’t miss the vanished city, because even the best of cities were beautiful only from a distance, squalid to one degree or another when experienced up close. However, this was a world without cities, without men, and no doubt without
dogs and other innocent creatures, not a world returned to the condition of Eden, but a world polluted and perverted.

  “I don’t think we need to explore every room,” Bailey said. “If anyone were here, they’d respond. Whatever we find during a search is going to be one kind of funhouse pop-up or another, and we don’t need to put ourselves at risk just for the thrill of it.”

  When they came out of Gary Dai’s apartment, the open elevator car remained empty, but murmuring voices in a foreign language issued from it—or more likely from the shaft in which it was suspended. They sounded just as Bailey had described them: portentous, urgent, ominous. In the world of the past, language was an exclusively human tool, but Kirby suspected that these voices were not those of people.

  When they turned the corner into the long south hallway, a blue screen pulsed at the farther end, though no computer-simulated voice raised an alarm.

  On the left were two apartments, the first belonging to Mac and Shelly Reeves. Kirby had little time to listen to radio, but the few occasions on which he’d heard the Reeveses’ show, it was amusing.

  The door stood open. The first two rooms were like the desolate spaces they’d seen elsewhere. Nobody answered Bailey’s call.

  “They might’ve been out to the theater or dinner when the leap occurred,” Kirby said.

  “For their sake, let’s hope so.”

  As they approached the door to 3-H, Fielding Udell’s apartment, the blue screen spoke: “Two adult males. Aboveground. Third floor. South hallway. Exterminate. Exterminate.”

  Inspired by Mickey Dime, Bailey shot the screen.

  “Some kind of security system?” Kirby wondered.

  “Seems like it.”

  “Why would an abandoned building need one?”