The Manticore
Page 9
Sunday was always a great day. Dressing up, my hobby of ritual study, and a full week to go before another assault on my uncooperative colon! But there were wonderful weekdays, too.
Sometimes my grandfather took me and Netty to what was called "the farm" but was really his huge sugar-beet plantation and the big mill at the centre of it. The country around Deptford is very flat, alluvial soil. So flat, indeed, that often Netty took me to the railway station, which she elegantly called "the deepo" just before noon, so that I could have the thrill of seeing a plume of smoke rising far down the track as the approaching train left Darnley, seven miles away. As we drove along the road Grandfather would sometimes say, "Davey, I own everything on both sides of this road for as far as you can see. Did you know that?" And I always pretended I didn't know it and was amazed, because that was what he wanted. A mile or more before we reached the mill its sweet smell was apparent, and when we drew nearer we could hear its queer noise. It was an oddly inefficient noise – a rattly, clattering noise – because the machinery used for chopping the beets and pressing them and boiling down their sweetness was all huge and powerful, rather than subtle. Grandfather would take me through the mill, and explain all the processes, and get the important man who managed the gauge on the boiler to show me how that worked and how he tested the boiling every few minutes to see that its texture was right.
Best of all was a tiny railway, like a toy, that pulled little carloads of beets from distant fields, puffing and occasionally tooting in a deeply satisfying way as it bustled along. My grandfather owned a railway! And – oh, joy beyond all telling! – he would sometimes tell the engine-driver, whose name was Elmo Pickard, to take me on one of his jaunts into the fields, riding in the little engine! Whether Grandfather wanted to give me a rest, or whether he simply thought women had no place near engines, I don't know, but he never allowed Netty to go with me, and she sat at the mill, fretting that I would get dirty, for the two hours it took to make a round trip. The little engine burned wood, and the wood was covered in a fine layer of atomized sugar syrup, like everything else near the mill, so its combustion was dirty and deliciously smelly.
Elmo and I chuffed and rattled through the fields, flat as Holland, which seemed to be filled with dwarves, for most of the workers were Belgian immigrants who worked on their knees with sawed-off hoes. Elmo scorned them and had only a vague notion where they came from. "Not a bad fella, fer an Eye-talian!" was the best he would say of the big hulking Flemings, who talked (Eimo said they "jabbered") in a language that was in itself like the fibrous crunching of chopped beets. But there were English-speaking foremen here and there on the line, and from their conversation with Eimo I learned much that would not have done for Netty's ears. When we had filled all the trucks, we hurtled back to the mill, doing ten miles an hour at the very least, and I was allowed to pull the whistle to tell the mill, and the frantic Netty, that we were approaching.
There were other expeditions. Once or twice every summer Grandmother would say, "Do you want to go see the people down by the crick today?" I knew from her tone that no great enthusiasm would be welcome. The people down by the crick were my other grandparents, my mother's people, the Cruikshanks.
The Cruikshanks were poor. That was really all that was wrong with them. Ben Cruikshank was a self-employed carpenter, a small dour Scot, whose conversation was full of references to himself as "independent" and "self-respecting" and "owing nothing to no man." I realize now that he was talking at me, justifying himself for daring to be a grandfather without any money. I think the Cruikshanks were frightened of me because I was such a glossy little article and full of politeness which had a strong edge of sauce. Netty held them cheap; mere orphan though she was herself, she carried a commission from the great Doc Staunton. Well do I remember the day when my Cruikshank grandmother, who was making jam, offered me some of the frothy barm to eat as she skimmed it from the pot. "Davey isn't let eat off an iron spoon." said Netty, and I saw tears in the inferior grandmother's eyes as she meekly found a spoon of some whiter metal (certainly not silver) for her pernickety grandson. She must have mentioned it to Ben, because later in the day he took me into his workshop and showed me his tools and all the things they could do, while talking in a strain I did not understand, and often in a kind of English I could not easily follow. I know now that he was quoting Burns.
The rank is but the guinea stamp;
The man's the gowd for a' that -
he said, and in strange words I could not follow I nevertheless knew he was getting at Grandfather Staunton -
Ye see yon birkie, ca'd a lord
Wha struts and stares, and a' that:
Tho' thousands worship at his word,
He's but a coof for a' that,
For a' that, and a' that,
His riband, star and a' that,
The man of independent mind
He looks and laughs at a' that.
But I was a child, and I suppose I was a hateful child, for I snickered at the repetitions of "for a' that" and the Lowland speech because I was on Grandfather Staunton's side. And in justice I suppose it must be said that poor Ben overdid it; he was as self-assertive in his humility as the Stauntons were in their pride, and both came to the same thing; nobody had any real charity or desire to understand himself or me. He just wanted to be on top, to be best, and I was a prize to be won rather than a fellow-creature to be respected.
God, I've seen the gross self-assertion of the rich in its most sickening forms, but I swear the orgulous self-esteem of the deserving poor is every bit as bad! Still, I wish I could apologize to Ben and his wife now. I behaved very, very badly, and it's no good saying that I was only a child. So far as I understood, and with the weapons I had at hand, I hurt them and behaved badly toward them. The people down by the crick…
(Here I found I was weeping and could not go on.)
It was at this point Dr. von Haller moved into a realm that was new in our relationship. She talked quite a long time about the Shadow, that side of oneself to which so many real but rarely admitted parts of one's personality must be assigned. My bad behaviour toward the Cruikshanks was certainly a reality, however much my Staunton grandparents might have allowed it to grow. If I had been a more loving child, I would not have behaved so. Lovingness had not been greatly encouraged in me; but had it shown itself as present for encouragement? Slowly, as we talked, a new concept of Staunton-as-Son-of-a-Bitch emerged, and for a few days he gave me the shivers. But there he was. He had to be faced, not only in this, but in a thousand instances, for if he were not understood, none of his good qualities could be redeemed.
Had he good qualities? Certainly. Was he not unusually observant, for a child, of social differences and other people's moods? At a time when so many children move through life without much awareness of anything but themselves and their wants, did he not see beyond, to what other people were and wanted? This was not just infant Machiavellianism; it was sensitivity.
I had never thought of myself as sensitive. Touchy, certainly, and resentful of slights. But were all the slights unreal? And were my antennae always used for negative purposes? Well, perhaps not. Sensitivity worked both in sunlight and shadow.
MYSELF: And I presume the notion is to make the sensitivity always work in a positive way.
DR. VON HALLER: If you manage that, you will be a very uncommon person. We are not working to banish your Shadow, you see, but only to understand it, and thereby to work a little more closely with it. To banish your Shadow would be of no psychological service to you. Can you imagine a man without a Shadow? Do you know Chamisso's story of Peter Schlemihl? No? He sold his shadow to the Devil, and he was miserable ever after. No, no; your Shadow is one of the things that keeps you in balance. But you must recognize him, you know, your Shadow. He is not such a terrible fellow if you know him. He is not lovable; he is quite ugly. But accepting this ugly creature is needful if you are really looking for psychological wholeness. When we were talking ear
lier I said I thought you saw yourself to some extent in the role of Sydney Carton, the gifted, misunderstood, drunken lawyer. These literary figures, you know, provide us with an excellent shorthand for talking about aspects of ourselves, and we all encompass several of them. You are aware of Sydney; now we are getting to know Mr. Hyde. Only he isn't Dr. Jekyll's gaudy monster, who trampled a child; he is just a proud little boy who hurt some humble people, and knew it and enjoyed it. You are the successor to that little boy. Shall we have some more about him?
Very well. I could pity the boy, but that would be a falsification because the boy never pitied himself. I was a little princeling in Deptford, and I liked it very much. Netty stood between me and everyone else. I didn't play with the other boys in the village because they weren't clean. Probably they did not wash often enough under their foreskins. Netty was very strong on that. I was bathed every day, and I dreaded Netty's assault, the culmination of the bath, when I stood up and she stripped back my foreskin and washed under it with soap. It tickled and it stang and I somehow felt it to be ignominious, but she never tired of saying, "If you're not clean under there, you're not clean anyplace; you let yourself get dirty under there, and you'll get an awful disease. I've seen it thousands of times." Not being clean in this special sense was as bad as spitting. I was not allowed to spit, which was a great deprivation in a village filled with accomplished spitters. But it was possible, Netty warned, to spit your brains out. Indeed, I remember seeing an old man in the village named Cece Athelstan, who was quite a well-known character; he had the staggering, high-stepping gait of a man well advanced in syphilis, but Netty assured me that he was certainly a victim of unchecked spitting.
My greatest moment as the young princeling of Deptford was certainly when I appeared as the Groom in a Tom Thumb Wedding at the United Church.
It was in late August, when I was eight years old, and it was an adjunct of the Fall Fair. This was a great Deptford occasion, and in addition to all the agricultural exhibits, the Indians from the nearby reservation offered handiwork for sale – fans, bead-work, sweet-grass boxes, carved walking-canes, and so forth – and there was a little collection of carnival games, including one called Hit the Nigger in the Eye! where, for twenty-five cents, you could throw three baseballs at a black man who stuck his head through a canvas and defied you to hit him. My grandfather bought three balls for me, and I threw one short, one wide, and one right over the canvas, to the noisy derision of some low boys who were watching and at whom the black man – obviously a subversive type – kept winking as I made a fool of myself. But I pitied their ignorance and despised them, because I knew that when night fell I would be the star of the Fair.
A Tom Thumb Wedding is a mock nuptial ceremony in which all the participants are children, and the delight of it is its miniature quality. The Ladies' Aid of the United Church had arranged one of these things to take place in the tent where, during the day, they had served meals to the fair-goers, and it was intended to offer a refined alternative to the coarse pleasures of the carnival shows. At half-past seven everything was ready. Quite a large audience was assembled, consisting chiefly of ladies who were congratulating themselves on having minds above sword-swallowing and the pickled foetuses of two-headed babies. The tent was hot, and the light from the red, white, and blue bulbs was wavering and rather sickly. At the appropriate moment the boy who played the part of the minister and my best man and I stepped forward to await the Bride.
This was a little girl who had been given the part for her virtue in Sunday School rather than for outward attractions, and although her name was Myrtle she was known to her contemporaries as Toad Wilson. A melodeon played the Wedding Chorus from Lohengrin and Toad, supported by six other little girls, walked toward us as slowly as she could, producing an effect rather of reluctance than ceremony.
Toad was dressed fit to kill in a wedding outfit over which her mother and nobody knows how many others had laboured for weeks; her figure was bunchy, but she lacked nothing in satin and lace, and was oppressed by her wreath and veil. She should have been the centre of attention, but my grandmother and Netty had taken care of that.
I was a figure of extraordinary elegance, for my grandmother had kept old Mrs. Clements, the local dressmaker, busy for a month. I wore black satin trousers, a tail-coat made of velvet, and a sash, or cummerbund, of red silk. With a satin shirt and a large flowing red bow tie I was a rich, if rather droopy, sight. Everybody agreed that a silk hat was what was wanted to crown my finery, but of course there was none of the right size; however, in one of the local stores, my grandmother had unearthed a bowler hat of a type fashionable perhaps in 1900, for it had a narrow flat brim and a very high crown, as if it might have been made for a man with a pointed skull. It fitted, when plenty of cotton wool had been pressed under the inner band. I wore this until the Bride approached, at which moment I swept it off and held it over my heart. This was my own idea, and I think it shows some histrionic flair, because it kept Toad from unfairly monopolizing everybody's attention.
The ceremony was intended to be funny, and the parson was the clown of the evening. He had many things to say that were in a script some member of the Ladies' Aid must have kept since the heyday of Josh Billings – because these Tom Thumb Weddings were already old-fashioned in the thirties. "Do you, Myrtle, promise to get up early and serve a hot breakfast every day in the week?" was one of his great lines, and Toad piped up solemnly, "I do." And I recall that I had to promise not to chew tobacco in the house, or use my wife's best scissors to cut Stovepipe wire.
All, however, led up to the culminating moment when I kissed the Bride. This had been carefully rehearsed, and it was meant to bring down the house, for I was to be so pressing, and kiss the Bride so often, that the parson, after feigning horror, had to part us. Sure-fire comedy, for it had just that spice of sanctified lewdness that the Ladies' Aid loved, the innocence of children giving it a special savour. But here again I had an improvement; I disliked being laughed at as a child, and I felt that being kissed by me was a serious matter and far too good for such a pie-face as Toad Wilson. I had been to the movies a few times, as a great treat, and had seen kissers of international renown at work. So I went along with the foolish ideas of the Ladies' Aid at rehearsals, but when the great moment arrived at the performance, I threw my hat to one side, knelt gracefully, and lifted Toad's unready paw to my lips. Then I rose, seized her around her nail-keg waist, and pressed a long and burning kiss upon her mouth, bending her backward at the same time as much as her thicky-thumpy body would allow. This, I thought, would show Deptford what romance could be in the hands of a master.
The effect was all I could have hoped. There were oohs and ahs, some of delight, some of disapproval. As Toad and I walked down the aisle to wheezy Mendelssohn it was I, and not the Bride, who held all eyes. Best of all, I heard one woman murmur, with implications that I did not then understand, "That young one is Boy Staunton's son, all right." Toad showed a tendency to shine up to me afterward, when we were having ice-cream and cake at the Ladies' Aid expense, but I was cold. When I have squeezed my orange, I throw it away; that was my attitude at the time.
Netty was not pleased. "I suppose you thought you were pretty smart, carrying on like that," was her comment as I was going to bed, and this led to high words and tears. My grandmother thought I was overwrought by public performance, but my chief sensation was disappointment because nobody seemed to understand how remarkable I truly was.
(It was not easy work, this dredging up what could be recovered of my childish past and displying it before another person. Quite a different thing from realizing, as everybody does, that at some far-off time they have not behaved well. It was at this period that I had a dream, or a vision between waking and sleeping one night, that I was once again on that pier and was wiping filth and oil from the face of a drowned figure; but as I worked I saw that it was not my father, but a child who lay there, and that the child was myself.)
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