Television's Marquee Moon (33 1/3)
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Richard Lloyd’s three solo albums through the mid-’80s tended toward bluesy riffs, and though his licks continued to be highly regarded, he didn’t quite carry Verlaine’s following. In the late ’80s and early ’90s he performed with power popster Matthew Sweet, an avowed Television fan. Fred Smith played on both Lloyd’s and Verlaine’s solo records. Billy Ficca drummed for the new wave band The Waitresses and rejoined Verlaine in 1992 for his seventh solo release. That same year Television reunited as well, releasing a third album that, though it contained solid songs and was well received critically, didn’t reach the heights of their original incarnation and couldn’t possibly live up to the legendary status and influence the first two records had attained. The band played festival dates in the wake of the reunion record, then took another hiatus, this one eight years long, before returning to the festival circuit at 2001’s All Tomorrow’s Parties. Over the next half dozen years the band made occasional appearances. In 2004 they played shows in New York with Patti Smith to mark the 30th anniversary of their first co-headline at Max’s. They even toyed with recording another album before Lloyd left the band for good in 2007, replaced by guitarist Jimmy Rip, who had long supported Verlaine’s solo recordings and live sets.
When CBGB’s closed in the fall of 2006 — Hilly Kristal unable or unwilling to renegotiate his lease and the back-rent he owed the non-profit Bowery Residents’ Coalition — New York’s media outlets and many fans mourned, even those who hadn’t been into the club in decades. Television received requisite nods as founders in most accounts of the club’s history, though unlike other early CB’s performers — David Byrne, Patti Smith — Verlaine kept his distance from the closing drama. Hilly planned to take the club to Las Vegas, even the urinals, but instead his 2007 death left his family scrapping with one another over inheritance and the club’s lucrative trademark logo.
Patti Smith headlined the club’s final shows. Standing out front, amidst crowds, reporters, and paparazzi, she snapped her own photo of the famous awning. “I’m sentimental,” she told the Times, blaming the closing on “the new prosperity of our city.” She encouraged kids to go somewhere else — anywhere — to start scenes of their own: “CBGB’s is a state of mind.”314 As part of her three-hour final set, which would culminate in her reading the names of CBGB’s dead over the last strains of her song “Elegie,” Smith performed songs that invoked her history with the space, including “We Three,” which she’d originally written about her, Verlaine, and Lanier, and which refers to the club in the opening lines. She read the lyrics to “Marquee Moon” with Lloyd backing her on guitar. Recalling her first Television show in April 1974, she saluted the band for its role in establishing the scene. She’d been recording new music with Tom Verlaine the night before, she said, then added with a smile that “he reluctantly sends his love.”
314 Sisario (2006).
Bibliography
Manuscript Holdings
Richard Hell Papers, Fales Library and Special Collections, New York University.
Web Sites
CBGB & OMFUG http://cbgb.com/
It’s All the Streets You Crossed Not So Long Ago http://streetsyoucrossed.blogspot.com/
Marc Miller’s 98 Bowery http://98bowery.com/
Richard Hell http://richardhell.com/
Richard Lloyd http://richardlloyd.com/
Rock’s Back Pages http://rocksbackpages.com/
This Ain’t the Summer of Love http://thisaintthesummeroflove.blogspot.com/
The Wonder http://www.thewonder.co.uk/
Online Publications
Bangs, Lester. “Who Are the Real Dictators?” unpublished, March 1976, posted at http://punkmagazine.com in 2000. Now available at http://www.jimdero.com/Bangs/Bangs%20Punk.htm
Dalton, David. “What Fresh Hell Is This?” Gadfly Online, 19 November 2001. http://www.gadflyonline.com/11-19-01/book-richardhell.html
“Endurance: The Richard Lloyd Interview,” Rock Town Hall, 16 May 2007. http://www.rocktownhall.com/blogs/index.php/endurance_the_richard_lloyd_interview
Fritscher, Jack. “Introduction” to “The Academy: Incarceration for Pleasure,” The Best of Drummer Magazine, at www.JackFritscher.com
Gross, Jason. “Richard Hell Interview.” Perfect Sound Forever, December 1997. http://www.furious.com/perfect/richardhell.html
Hell, Richard. “Favorite Music.” Perfect Sound Forever, 1997. http://www.furious.com/perfect/staff2.html#richardhell
Hoffmann, Kristian. Mumps History. http://www.kristianhoffman.com/mumps-history.htm.
Kristal, Hilly, “The History of CBGB & OMFUG.” http://www.cbgb.com/history1.htm
Kugel, Barry, Interview with Tom Verlaine, originally in Big Star, May 1977, available online at http://ffanzeen.blogspot.com/2010/06/talkin-with-televisions-tom-verlaine-at.html (Posted in June 2010)
Lloyd, Richard. “Ask Richard.” http://www.richardlloyd.com/solute.htm
— email to Leo Casey, 20 October 2007, posted to Marquee Moon Discussion List on 22 October 2007.
Rader, Jim. “Close-Up: A Fan’s Notes on the Early Years,” Perfect Sound Forever, February 2009. http://www.furious.com/perfect/televisionearly.html
“Richard Lloyd, Man on the Marquee Moon,” Rock Town Hall, 20 April 2009. http://www.rocktownhall.com/blogs/index.php/richard-lloyd-man-on/
Swirsky, Bryan. “Richard Hell — Exclusive Interview,” TrakMarx, 12 (December 2003). http://www.trakmarx.com/2003_05/
Veillette, Eric. “Perfect Sound Forever online magazine presents Richard Lloyd” Perfect Sound Forever, November 2000. http://www.furious.com/perfect/richardlloyd.html
Books
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Bockris, Victor and Roberta Bayley. Patti Smith: An Unauthorized Biography (New York: Simon and Schuster, 1999).
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Cagle, Van M. Reconstructing Pop/Subculture: Art, Rock, and Andy Warhol (Thousand Oaks, CA: Sage,1995).
Christgau, Robert. Rock Albums of the ’70s (New York: Da Capo, 1991).
Chrome, Cheetah. Cheetah Chrome: A Dead Boy’s Tale: From the Front Lines of Punk Rock (Minneapolis: Voyageur, 2010).
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DeLillo, Don. Great Jones Street (Boston: Houghton Mifflin, 1973).
DeRogatis, Jim. Let It Blurt: The Life & Times of Lester Bangs (New York: 2000).
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Fletcher, Tony. All Hopped Up and Ready to Go: Music from the Streets of New York, 1927–77 (New York: W.W. Norton, 2009).
Gavin, James. Intimate Nights: The Golden Age of New York Cabaret (New York: Back Stage, 2006).
Gendron, Bernard. Between Montmarte and the Mudd Club: Popular Music and the Avant-Garde (Chicago: University of Chicago Press, 2002).
Gimarc, George. Punk Diary: The Ultimate Trainspotter’s Guide to Underground Rock, 1970–1982 (San Francisco: Backbeat, 2005).
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Gorman, Paul. In Their Own Write: Adventures in the Music Press (London: Sanctuary, 2001).
Gray, Timothy. Urban Pastoral: Natural Currents in the New York School (Iowa City: University of Iowa Press, 2010).
Grunenberg, Christoph, and Jonathan Harris, Summer of Love: Psychedelic Art, Social Crisis, and Counterculture in the 1960s (Liverpool: Liverpool University Press, 2005).
Harry, Debbie, Chris Stein, and Victor Bockris, Making Tracks: The Rise of Blond
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—The Voidoid (Hove, UK: Codex, 1996).
Heylin, Clinton. Babylon’s Burning: From Punk to Grunge (New York: Canongate, 2007).
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Kane, Daniel. All Poets Welcome: The Lower East Side Poetry Scene in the 1960s (Berkeley: University of California Press, 2003).
Kent, Nick. Apathy for the Devil: A Seventies Memoir (New York: Faber & Faber, 2010).
Killen, Andreas. 1973 Nervous Breakdown: Watergate, Warhol, and the Birth of Post-Sixties America (New York: Bloomsbury USA, 2006).
Kozak, Roman. This Ain’t No Disco: The Story of CBGB (Boston: Faber & Faber, 1988).
Lawrence, Tim. Hold On to Your Dreams: Arthur Russell and the Downtown Music Scene, 1973–1992 (Durham: Duke University Press, 2009).
Leigh, Mickey, with Legs McNeil. I Slept with Joey Ramone (New York: Touchstone, 2009).
Marcus, Greil. Like a Rolling Stone: Bob Dylan at the Crossroads (New York: PublicAffairs, 2005).
McNeil, Legs, and Gillian McCain. Please Kill Me: The Uncensored Oral History of Punk (New York: Grove, 1996).
Mele, Christopher. Selling the Lower East Side: Culture, Real Estate, and Resistance in New York City (Minneapolis: University of Minnesota Press, 2000).
Meltzer, Richard. A Whore Just Like the Rest (New York: Da Capo, 2000).
Mitchell, Tim. Sonic Transmission: Television, Tom Verlaine, Richard Hell (London: Glitter, 2006). Chapter 12 is missing from the print volume but is available at http://www.timmitchell.org.uk/Sonic%202.html
Nobakht, David. Suicide: No Compromise (London: SAF, 2005).
Patell, Cyrus R. K. and Bryan Waterman, eds. The Cambridge Companion to the Literature of New York (New York: Cambridge University Press, 2010).
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Ramone, Dee Dee, Lobotomy: Surviving the Ramones (New York: Da Capo, 2000).
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Sarig, Roni. The Secret History of Rock (New York: Billboard, 1998).
Savage, Jon. The England’s Dreaming Tapes (Minneapolis: University of Minnesota Press, 2010).
Shelton, Robert. No Direction Home: The Life and Music of Bob Dylan (New York: Hal Leonard, 1986).
Smith, Patti. Just Kids (New York: Ecco, 2010).
Valentine, Gary. New York Rocker (New York: Da Capo, 2006 [2002]).
Zukin, Sharon. Loft Living: Culture and Capital in Urban Change (Baltimore: Johns Hopkins University Press, 1982).
Articles, Chapters, and Reviews
“Androgyny in Rock: A Short Introduction,” Creem, August 1973.
Baker, Robb. “The Honkies and the Gay Menace,” SoHo Weekly News, 29 May 1975.
—“Off Off and Away,” After Dark, September 1974.
Bangs, Lester. “Lou Reed: A Deaf Mute in a Telephone Booth,” Let It Rock, November 1973.
—“Marquee Moon — Television (Elektra),” Circus, 14 April 1977.
—“Patti Smith: Horses,” Creem, February 1976.
Bell, Max. “Tom Foolery: Tom Verlaine,” The Face, July 1984.
Betrock, Alan. “Good-bye Liverpool, Hello Oblivion?” SoHo Weekly News, 22 May 1975a.
—“Know Your New York Bands: Television,” SoHo Weekly News, 3 April 1975b.
—“New Wave Hangs Ten,” New York Rocker, July/August 1977.
—“Television at CBGB,” SoHo Weekly News, 23 January 1975c.
—“Television 1974–1978,” New York Rocker, September 1978.
Black, Bill. “The Ramones,” Sounds, 12 January 1985.
“Bowie Knife,” The Advocate, 14 November 1995: 107.
Bradshaw, Melissa. “Performing Greenwich Village Bohemianism,” in Patell and Waterman (eds.), The Cambridge Companion to the Literature of New York (New York: Cambridge University Press, 2010), 146–159.
Buckley, Tom. “New Supper Club in Greenwich Village Swims against the Tide,” New York Times, 23 February 1973.
Charlesworth, Chris. “Blue Oyster Cult: Cult Heroes,” Melody Maker, 16 February 1974.
—“CBGBs, Max’s etc.: Underground Overground,” Melody Maker, 27 November 1976.
Christgau, Robert. “Avant-Punk: A Cult Explodes … and a Movement Is Born,” Village Voice, 24 October 1977.
—“Bette Midler: The Art of Compassion,” Newsday, August 1972.
—“Pazz & Joppers Dig Pistols — What Else Is New?” Village Voice, 23 January 1978a.
—“Television Don’t Play by Numbers,” Village Voice, 22 March 1976.
—“Television’s Principles,” Village Voice, 19 June 1978b.
Demorest, Stephen. “Another Television Broadside: Tom Verlaine: Genius in Fragments,” Sounds, 8 April 1978.
—“Television: More Than Just a Boob Tube,” Creem, May 1977.
Dery, Mark. “The 6 String Alchemy of Richard Lloyd,” Guitar Player, January 1988.
Dove, Ian. “On the Trail of a New York Sound,” Billboard, 14 December 1974.
Elliott, George. “TV: Cool Reception,” Crawdaddy!, January 1977.
Emerson, Ken. “Television Takes to the Air,” Village Voice, 14 March 1977.
Feigenbaum, Josh. “R&R&B&CW,” SoHo Weekly News, 25 April 1974.
Fields, Danny. “Interview with Mickey Ruskin,” Andy Warhol’s Interview, April 1973.
—“The SoHo Weekly News Columns: Punk’s First Press,” in Scott Schinder (ed.) Rolling Stone’s Alt-Rock-a-Rama (New York: Delta, 1996).
Fricke, David, “Interview with Patti Smith (1996),” in Jann Wenner (ed.) The Rolling Stone Interviews (New York: Back Bay, 2007).
Gerstenzang, Peter. “Hendrix on His Mind,” New York Times, 27 February 2009.
Gholson, Craig. “Richard Lloyd: Life, Love, and Electra/Asylum [sic],” New York Rocker, September 1976.
Goldman, Vivian. “To Hell & Back,” Sounds, 8 October 1977.
Green, Penny. “I No Longer Need People to Cloak Me [Patti Smith interview],” Andy Warhol’s Interview, October 1973.
Harron, Mary. “Pop Art/Art Pop: The Warhol Connection,” Melody Maker, 16 February 1980.
Hastead, Nick. “Punk’s Founding Father: Richard Hell,” The Independent [London], 19 August 2005.
Hell, Richard. “The Autobiography of Richard Hell,” Brooklyn Rail, October 2007.
—“I Is Another,” New York Times [Sunday Book Review], 15 October 2008.
—“‘I Was Robbed!’ Or, How I Invented Punk Rock,” NME, 4 May 1980.
—“My First Television Set (1974),” in Hot and Cold (New York: powerHouse, 2001), 39–40.
Hermes, Will. “Punk Reunion New York,” Spin, October 2007: 83–4.
Hibbert, Tom. “The Bowery Beat: CBGBs and All That,” The History of Rock, 1982.
Hickey, Dave. “Martin on Ramones: Now That’s Freedom,” Village Voice, 21 February 1977.
—“Prime Time: Television,” The History of Rock, 1983.
—“Television: One Big Happy Family …,” Q, October 1992.
Holmstrom, John. “Jayne County: ‘CBGBs was a bit scary!’” Punk, Fall 2007.
Jones, Allan. “Television,” Melody Maker, 18 June 1977.
Joseph, Branden. “‘My Mind Split Open’: Andy Warhol’s Exploding Plastic Inevitable,” Grey Room (summer 2002): 80–107.
Kane, Daniel, “From Poetry to Punk in the East Village,” in Patell and Waterman (eds.), The Cambridge Companion to the Literature of New York (New York: Cambridge University Press, 2010), 189–201.
Kaprow, Allan. “‘Happenings’ in the New York Scene,” Art News 60:3 (May 1961): 36–9, 58–62.
Kendall, Paul. “Four Guys with a Passion,” ZigZag, June 1977.
Kent, Nick. “Blue Oyster Cult/Black Oak Arkansas,” NME, 2 March
1974a.