The Dark World

by Henry Kuttner

  After that, I did not care. Many foresters would die. Let them. There would still be slaves aplenty for me when my hour came. And nothing could stop me now. The Norns fought with me; I could not fail…

  There was much activity within the Castle. Voices floated out to us in the still night air. Figures moved to and fro against the lights. Then great gates were flung open upon a burst of golden radiance and the outlines of many riders crowded against it. A procession was coming out.

  I heard chains clash musically, and I understood. This time the sacrifices rode chained to their mounts, so that no siren voices from the wood could lure them away. I shrugged. Let them go to their death, then. Llyr must be fed while he lasted. Better these than Ganelon, offered at the Golden Window. We saw them go off down the dark road, their chains ringing.

  That was Matholch – there on the tall horse. I knew his vulpine outlines, the lift of the cloak upon his shoulders. And I would have known him too because of the great start, quickly checked, that Lorryn made beside me. I heard the breath whistle through his nostrils, and his voice grated in my ear.

  "Remember! That is mine!"

  Edeyrn went by, tiny on her small mount, and a breath of chill seemed to me to sweep the darkness as she passed.

  Medea came!

  When I could no longer make out her outlines in the distance, when her white robe was no more than a shimmer and her scarlet cloak had melted into the dark, I turned to Lorryn, my mind spinning, my plans already chaotic with change. For a new compulsionn had come upon me, and I was not even trying to resist it.

  I had not seen a sacrifice in Caer Secaire. This was one of the blank places in my memory, and a dangerous blank. Until Ganelon remembered the Sabbat, until he watched Llyr accept the offerings through the Golden Window, he could not wholly trust himself to fight the Coven and Llyr. This was a gap that must be filled. And curiosity was suddenly very strong upon me. Curiosity – and could it be – the pull of Llyr?

  "Lorryn, wait for me here," I whispered in the darkness. "We've got to make sure they enter Caer Secaire, start the Sabbat. I don't want to attack until I'm sure. Wait for me." He stirred protestingly, but I was away before he could speak.

  I was out upon the road and running softly and silently after that processional winding toward the valley and the Mass of St. Secaire, which is the Black Mass. It seemed to me as I ran that the fragrance of Medea's perfume hung upon the air I breathed, and my throat choked with the passion of my hatred for her, and of my love.

  "She shall be the first to die," I promised myself in the dark…

  I watched the great iron doors of Caer Secaire swing shut upon the last of the procession. The Caer was dark inside. They went quietly in, one by one, and vanished into the deeper night within. The doors clanged resonantly after them.

  Some memory of Ganelon's, buried beneath the surface of conscious thought, urged me to the left, around the curve of the great wall. I followed the impulse obediently, moving almost like a sleep-walker toward a goal I did not know. Memory took me close under the looming rampart, made me lay my hands on its surface. There were heavy scrollings of pattern there, writhing like tendrils over the dark walls. My remembering fingers traced the curves, though my mind still wondered.

  Then the wall moved beneath my hands. The scroll-work had been a key of sorts, and a door sank open in the blackness before me. I went confidently forward, out of black night, through a black door into deeper blackness within. But my feet knew the way.

  A stairway rose beneath me in the dark. My feet had expected it and I did not stumble. It was very curious to move so blindly through this strange and dangerous place, not knowing where or why I moved, yet trusting my body to find the way. The stairs wound up and up.

  Llyr was here. I could feel his hungry presence like a pressure on the mind, but many times intensified because of the narrow spaces within these walls, as if he were a sound of thunder reverberating again and again from the enclosed spaces of the Caer. Something within me reverberated soundlessly in answer, a roar of exultation that I suppressed in quick revolt.

  Llyr and I were no longer linked by that ceremony of long ago. I repudiated it. I was not Llyr's Chosen now. But within me a sense I could not control quivered with ecstasy at the thought of those sacrifices who had fled blindly through the great doors of Caer Secaire. And I wondered if the Coven – if Medea – thought of me now, who had so nearly stood with the sacrifices last night.

  My feet paused upon the stairs. I could see nothing, but I knew that before me was a wall carved with scroll-patterns. My hands found it, traced the raised designs. A section of darkness slid sidewise and I was leaning upon a wide ledge, looking down, very far down.

  Caer Secaire was like a mighty grove of columns whose capitals soared up and up into infinite darkness. Somewhere above, too high for me to see its source, a light was beginning to glow. My heart paused when I saw it, for I knew that light – mat golden radiance from a Golden Window.

  Memory came fitfully back to me. The Window of Llyr. The Window of Sacrifice. I could not see it, but my mind's eye remembered its glow. In Caer Llyr that Window's substance shone eternally, and Llyr Himself lolled behind it – far behind it – forever. But in Caer Secaire and in the other temples of sacrifice that had once dotted the Dark World, there were replicas of the Window which glowed only when Llyr came bodilessly through the dark to take his due.

  Above us, hovering and hungry, Llyr was dawning now in that golden radiance, like a sun in the night time of the temple. Where the Window of Secaire was located, how it was shaped, I still could not remember. But something in me knew that golden light and shivered in response as I watched its brilliance strengthen through the columns of the temple.

  Far below me I saw the Coven standing, tiny figures foreshortened to wedges of colored cloak – green-robed Matholch, yellow-robed Edeyrn, red Medea. Behind them stood a circle of guardsmen. Before them, as I watched, the last of the chosen slaves moved blindly away among the columns. I could not see where they were going, but in essence I knew. The Window was yawning for its sacrifices, and somehow they must make their way to it.

  As the light broadened, I saw that before the Coven stood a great cup-shaped altar, black on a black dais. Above it a lipped spout hung. My eyes traced the course of the trough which ended in the spout, and I saw now that there was a winding, descending curve, dark against that growing light, which came down in a great sweep from the mysterious heights overhead, stretching from – the Window? – to the cupped altar. A stir deep within me told me what that trough was for. I leaned upon the sill, shaking with an anticipation that was half for myself and half for Him, who hovered above us in the sun-like dawning of golden light.

  Thinly from below me rose a chant. I knew Medea's voice, clear and silver, a thread of sound in the dimness and the silence. It rose like incense, quivering among the mighty, topless columns of Secaire.

  A tenseness of waiting grew and grew in the dim air of the temple. The figures below me stood motionless, heads lifted, watching the dawning light. Medea's voice chanted on and on.

  Time paused there in the columned grove of Secaire, while Llyr hovered above us waiting for her prey.

  Then a thin and terrible cry rang out from the heights overhead. One scream. The light shot out blindingly in a great burst of exultation, like a voiceless answering cry from Llyr Himself. Medea's chant rose to a piercing climax and paused.

  There was a stir among the columns; something moved along that curve of trough. My eyes sought the altar and the lipped spout above it.

  The Coven was rigid, a cluster of frozen figures, waiting.

  Blood began to drip from the spout.

  I do not know how long I hung there on the ledge, my eyes riveted to the altar. I do not know how many times I heard a cry ring out from above, how many times Medea's chant rose to a hungry climax as the light burst forth in a glory overhead and blood gushed into the great cup of the altar. I was deaf and blind to everything but
this. I was half with Llyr at his Golden Window, shaken with ecstasy as he took his sacrifices, and half with the Coven below, glorying in their share of the ceremony of the Sabbat.

  But I know I waited too long.

  What saved me I do not know now. Some voice of the ego crying unheard in my mind that this was time dangerously spent, that I must be elsewhere before the Sabbat ended, that Lorryn and his men waited endlessly while I hung here battening like a glutton upon Llyr's feast.

  Reluctantly awareness returned to my mind. With an infinite effort I pulled myself back from the brink of that Golden Window and stood reeling in the darkness, but in my own body again, not hovering mindlessly with Llyr in the heights above. The Coven was still tense below me, gripped in the ecstasy of the sacrifice. But for how long I could not be sure. Perhaps for the rest of the night; perhaps for only an hour. I must hurry, if hurrying were not already futile. There was no way to know.

  So I went back in the darkness, down the unseen stairs, and out of the dark, unseen door, and back along the road to Coven Castle, my mind still reeling with remembered ecstasy, the glow of the Window still before my dazzled eyes, and the scarlet runnel above the altar, and the thin, sweet chanting of Medea louder in my ears than the sound of my own feet upon the road…

  The red moon was far down the sky when I came back to Lorryn, still crouching beside the castle wall and half mad with impatience. There was an eager stir among the unseen soldiers as I came running down the road, a forward surge as if they had waited to the very limit of endurance and would attack now whether I gave the word or no.

  I waved to Lorryn while I was still twenty feet away. I was careless now of the Castle guardsmen. Let them see me. Let them hear.

  "Give the signal!" I shouted to Lorryn. "Attack!"

  I saw him start up beside the road, and the moonlight glinted upon the silver horn he lifted to his lips. Its blare of signal notes ripped the night to tatters. It ripped away the last of my lethargy too.

  I heard the long yell that swept the forest as the woodsmen surged forward to the attack, and my own voice roared unbidden in reply, an ecstasy of battle-hunger that matched the ecstasy I had just shared with Llyr.

  The rattle of rifle-fire drowned out our voices. The first explosions of grenades shook the Castle, outlining the outer walls in livid detail. There were shouts from within, wild trumpetings of signal horns, the cries of confused guardsmen, leaderless and afraid. But I knew they would rally. They had been trained well enough by Matholch and by myself. And they had weapons that could give the woodsmen a stiff fight.

  When they recovered from this panic there would be much blood spilled around the outer walls.

  I did not wait to see it. The first explosions had breached the barriers close beside me, and I scrambled recklessly through the gap, careless of the rifle fire that spattered against the stones. The Norns were with me tonight. I bore a charmed life, and I knew I could not fail.

  Somewhere above me in the besieged towers Ghast Rhymi sat wrapped in his chill indifference, aloof as a god above the struggle around Coven Castle. I had a rendezvous with Ghast Rhymi, though he did not know it yet.

  I plunged into the gateway of the Castle, heedless of the milling guards. They did not know me in the darkness and the confusion, but they knew by my tunic I was not a forester, and they let me shoulder them aside.

  Three steps at a time, I ran up the great stairway.

  XII. Harp of Satan

  CASTLE OF THE COVEN! How strange it looked to me as I went striding through its halls. Familiar, yet curiously unknown, as though I saw it through the veil of Edward Bond's transplanted memories.

  So long as I went rapidly, I seemed to know the way. But if I hesitated, my conscious mind took over control, and that mind was still clouded with artificial memories, so that I became confused in the halls and corridors which were familiar to me when I did not think directly of them.

  It was as if whatever I focused on sharply receded into unfamiliarity while everything else remained clear, until I thought of it.

  I strode down hallways arched overhead and paved underfoot in bright, intricate mosaics that told legendary tales half-familiar to me. I walked upon centaurs and satyrs whose very faces were well known to the Ganelon half of my mind, while the Edward Bond half wondered in vain whether such people had really lived in this distorted world of mutations.

  This double mind at times was a source of strength to me, and at others a source of devouring weakness. Just now I hoped fervently that I might meet no delays for once I lost this rushing thread of memory which was leading me toward Ghast Rhymi, I might never find it again. Any interruption might be fatal to my plans.

  Ghast Rhymi, my memories told me, would be somewhere in the highest tower of the castle. There too would be the treasure-room where the Mask and Wand lay hidden, and hidden deeper in the serene, untouchable thoughts of Ghast Rhymi, lay the secret of Llyr's vulnerability.

  These three things I must have, and the getting would not be easy. For I knew – without clearly remembering how or by what – that the treasure-room was guarded by Ghast Rhymi. The Coven would not have left open to all comers that secret place where the things that could end them lay hidden.

  Even I, even Ganelon, had a secret thing locked in that treasury. For no Covenanter, no warlock, no sorceress can deal in the dark powers without creating, himself, the one instrument that can destroy him. That is the Law.

  There are secrets behind it which I may not speak of, but the common one is clear. All Earth's folklore is rife with the same legend. Powerful men and women must focus their power in an object detached from themselves.

  The myth of the external soul is common to all Earth races, but the reason for it lies deep in the lore of the Dark World. This much I can say – that there must be a balance in all things. For every negative, a positive. We of the Coven could not build up our power without creating a corresponding weakness somewhere, somehow, and we must hide that weakness so cunningly that no enemy could find it.

  Not even the Coven knew wherein my own secret lay. I knew Medea's, and I knew Edeyrn's only partially, and as for Matholch – well, against him I needed only my own Covenanter strength. Ghast Rhymi did not matter. He would not bother to fight.

  But Llyr? Ah!

  Somewhere the Sword lay hidden, and he who could find and use it in that unknown way for which it was fashioned, he held the existence of Llyr in his own hand. But there was danger. For as Llyr's power in the Dark World was beyond imagination, so too must be that balancing power hidden in the Sword. Even to go near it might be fatally dangerous. To hold it in the hand – well, hold it I must, and there was no profit in thinking about danger.

  I went up and up, on and on.

  I could not hear the sounds of battle. But I knew that at the gate the Coven guards and slaves were fighting and falling, as Lorryn's men, too, were falling. I had warned Lorryn that none must break through his lines to warn those at Caer Secaire. I knew that he would follow that order, despite his anxiety to come to grips with Matholch. For the rest, there was one in the Castle who could, without stirring, send a message to Medea. One person!

  He had not sent that message. I knew that as I thrust through the white curtain and came out into the tower room. The little chamber was semicircular, walls, floor and ceiling were ivory pale. The casement windows were shut, but Ghast Rhymi had never needed sight to send out his vision.

  He sat there, an old, old man, relaxed amid the cushions of his seat, snowy hair and beard falling in curled ringlets that blended with his white, plain robe. His hands lay upon the chair-arms, pale as wax, so transparent that I could almost trace the course of the thinned blood that stirred so feebly in those old veins.

  Wick and wax had burned down. The flame of life flickered softly, and a wind might send that flame into eternal darkness. So sat the Ancient of Days, his blind blue gaze not seeing me, but turned upon inward things.

  Ganelon's memories flooded back. Ganelon ha
d learned much from Ghast Rhymi. Even then, the Covenanter had been old. Now the tides of time had worn him, as the tides of the sea wear a stone till nothing is left but a thin shell, translucent as clouded glass.

  Within Ghast Rhymi I could see the life-fires dwindling, sunk to embers, almost ash.

  He did not see me. Not easily can Ghast Rhymi be drawn back from the deeps where his thoughts move.

  I spoke to him, but he did not answer.

  I went past him then, warily, toward the wall that divided the tower-top into two halves. There was no sign of a door, but I knew the combination. I moved my palms in an intricate pattern on the cool surface, and a gap widened before me.

  I crossed the threshold.

  Here were kept the holy things of the Coven.

  I looked upon that treasure-vault with new eyes, clearer because of Edward Bond's memories. That lens, burning with dull amber lights there in its hollowed place in the wall – I had never wondered much about it before. It killed. But memories of Earth-science told me why. It was not magic, but an instantaneous drainage of the electrical energy of the brain. And that conical black device – that, killed, too. It could shake a man to pieces, by shuttling his life-force back and forth so rapidly between artificial cathode and anode that living flesh could not stand the strain. Alternating current, with variations!

  But these weapons did not interest me now. I sought other loot. There was no death-traps to beware of, for none but the Coven knew the way to enter this treasure-room, or its location, or even that it existed, save in legends. And no slave or guard would have dared to enter Ghast Rhymi's tower.

  My gaze passed over a sword, but not the one I needed; a burnished shield; a harp, set with an intricate array of manual controls. I knew that harp. Earth has legends of it – the harp of Orpheus, that could bring back the dead from Hades. Human hands could not play it. But I was not quite ready for the harp, yet.