Poor Folk Anthology

by Fyodor Dostoyevsky

  "Aïe! Damnation, these thoughts again! I must put it away!"

  He was dozing off; the feverish shiver had ceased, when suddenly something seemed to run over his arm and leg under the bedclothes. He started. "Ugh! hang it! I believe it's a mouse," he thought, "that's the veal I left on the table." He felt fearfully disinclined to pull off the blanket, get up, get cold, but all at once something unpleasant ran over his leg again. He pulled off the blanket and lighted the candle. Shaking with feverish chill he bent down to examine the bed: there was nothing. He shook the blanket and suddenly a mouse jumped out on the sheet. He tried to catch it, but the mouse ran to and fro in zigzags without leaving the bed, slipped between his fingers, ran over his hand and suddenly darted under the pillow. He threw down the pillow, but in one instant felt something leap on his chest and dart over his body and down his back under his shirt. He trembled nervously and woke up.

  The room was dark. He was lying on the bed and wrapped up in the blanket as before. The wind was howling under the window. "How disgusting," he thought with annoyance.

  He got up and sat on the edge of the bedstead with his back to the window. "It's better not to sleep at all," he decided. There was a cold damp draught from the window, however; without getting up he drew the blanket over him and wrapped himself in it. He was not thinking of anything and did not want to think. But one image rose after another, incoherent scraps of thought without beginning or end passed through his mind. He sank into drowsiness. Perhaps the cold, or the dampness, or the dark, or the wind that howled under the window and tossed the trees roused a sort of persistent craving for the fantastic. He kept dwelling on images of flowers, he fancied a charming flower garden, a bright, warm, almost hot day, a holiday—Trinity day. A fine, sumptuous country cottage in the English taste overgrown with fragrant flowers, with flower beds going round the house; the porch, wreathed in climbers, was surrounded with beds of roses. A light, cool staircase, carpeted with rich rugs, was decorated with rare plants in china pots. He noticed particularly in the windows nosegays of tender, white, heavily fragrant narcissus bending over their bright, green, thick long stalks. He was reluctant to move away from them, but he went up the stairs and came into a large, high drawing-room and again everywhere—at the windows, the doors on to the balcony, and on the balcony itself—were flowers. The floors were strewn with freshly-cut fragrant hay, the windows were open, a fresh, cool, light air came into the room. The birds were chirruping under the window, and in the middle of the room, on a table covered with a white satin shroud, stood a coffin. The coffin was covered with white silk and edged with a thick white frill; wreaths of flowers surrounded it on all sides. Among the flowers lay a girl in a white muslin dress, with her arms crossed and pressed on her bosom, as though carved out of marble. But her loose fair hair was wet; there was a wreath of roses on her head. The stern and already rigid profile of her face looked as though chiselled of marble too, and the smile on her pale lips was full of an immense unchildish misery and sorrowful appeal. Svidrigaïlov knew that girl; there was no holy image, no burning candle beside the coffin; no sound of prayers: the girl had drowned herself. She was only fourteen, but her heart was broken. And she had destroyed herself, crushed by an insult that had appalled and amazed that childish soul, had smirched that angel purity with unmerited disgrace and torn from her a last scream of despair, unheeded and brutally disregarded, on a dark night in the cold and wet while the wind howled… .

  Svidrigaïlov came to himself, got up from the bed and went to the window. He felt for the latch and opened it. The wind lashed furiously into the little room and stung his face and his chest, only covered with his shirt, as though with frost. Under the window there must have been something like a garden, and apparently a pleasure garden. There, too, probably there were tea-tables and singing in the daytime. Now drops of rain flew in at the window from the trees and bushes; it was dark as in a cellar, so that he could only just make out some dark blurs of objects. Svidrigaïlov, bending down with elbows on the window-sill, gazed for five minutes into the darkness; the boom of a cannon, followed by a second one, resounded in the darkness of the night. "Ah, the signal! The river is overflowing," he thought. "By morning it will be swirling down the street in the lower parts, flooding the basements and cellars. The cellar rats will swim out, and men will curse in the rain and wind as they drag their rubbish to their upper storeys. What time is it now?" And he had hardly thought it when, somewhere near, a clock on the wall, ticking away hurriedly, struck three.

  "Aha! It will be light in an hour! Why wait? I'll go out at once straight to the park. I'll choose a great bush there drenched with rain, so that as soon as one's shoulder touches it, millions of drops drip on one's head."

  He moved away from the window, shut it, lighted the candle, put on his waistcoat, his overcoat and his hat and went out, carrying the candle, into the passage to look for the ragged attendant who would be asleep somewhere in the midst of candle-ends and all sorts of rubbish, to pay him for the room and leave the hotel. "It's the best minute; I couldn't choose a better."

  He walked for some time through a long narrow corridor without finding anyone and was just going to call out, when suddenly in a dark corner between an old cupboard and the door he caught sight of a strange object which seemed to be alive. He bent down with the candle and saw a little girl, not more than five years old, shivering and crying, with her clothes as wet as a soaking house-flannel. She did not seem afraid of Svidrigaïlov, but looked at him with blank amazement out of her big black eyes. Now and then she sobbed as children do when they have been crying a long time, but are beginning to be comforted. The child's face was pale and tired, she was numb with cold. "How can she have come here? She must have hidden here and not slept all night." He began questioning her. The child suddenly becoming animated, chattered away in her baby language, something about "mammy" and that "mammy would beat her," and about some cup that she had "bwoken." The child chattered on without stopping. He could only guess from what she said that she was a neglected child, whose mother, probably a drunken cook, in the service of the hotel, whipped and frightened her; that the child had broken a cup of her mother's and was so frightened that she had run away the evening before, had hidden for a long while somewhere outside in the rain, at last had made her way in here, hidden behind the cupboard and spent the night there, crying and trembling from the damp, the darkness and the fear that she would be badly beaten for it. He took her in his arms, went back to his room, sat her on the bed, and began undressing her. The torn shoes which she had on her stockingless feet were as wet as if they had been standing in a puddle all night. When he had undressed her, he put her on the bed, covered her up and wrapped her in the blanket from her head downwards. She fell asleep at once. Then he sank into dreary musing again.

  "What folly to trouble myself," he decided suddenly with an oppressive feeling of annoyance. "What idiocy!" In vexation he took up the candle to go and look for the ragged attendant again and make haste to go away. "Damn the child!" he thought as he opened the door, but he turned again to see whether the child was asleep. He raised the blanket carefully. The child was sleeping soundly, she had got warm under the blanket, and her pale cheeks were flushed. But strange to say that flush seemed brighter and coarser than the rosy cheeks of childhood. "It's a flush of fever," thought Svidrigaïlov. It was like the flush from drinking, as though she had been given a full glass to drink. Her crimson lips were hot and glowing; but what was this? He suddenly fancied that her long black eyelashes were quivering, as though the lids were opening and a sly crafty eye peeped out with an unchildlike wink, as though the little girl were not asleep, but pretending. Yes, it was so. Her lips parted in a smile. The corners of her mouth quivered, as though she were trying to control them. But now she quite gave up all effort, now it was a grin, a broad grin; there was something shameless, provocative in that quite unchildish face; it was depravity, it was the face of a harlot, the shameless face of a French harlot. Now both eye
s opened wide; they turned a glowing, shameless glance upon him; they laughed, invited him… . There was something infinitely hideous and shocking in that laugh, in those eyes, in such nastiness in the face of a child. "What, at five years old?" Svidrigaïlov muttered in genuine horror. "What does it mean?" And now she turned to him, her little face all aglow, holding out her arms… . "Accursed child!" Svidrigaïlov cried, raising his hand to strike her, but at that moment he woke up.

  He was in the same bed, still wrapped in the blanket. The candle had not been lighted, and daylight was streaming in at the windows.

  "I've had nightmare all night!" He got up angrily, feeling utterly shattered; his bones ached. There was a thick mist outside and he could see nothing. It was nearly five. He had overslept himself! He got up, put on his still damp jacket and overcoat. Feeling the revolver in his pocket, he took it out and then he sat down, took a notebook out of his pocket and in the most conspicuous place on the title page wrote a few lines in large letters. Reading them over, he sank into thought with his elbows on the table. The revolver and the notebook lay beside him. Some flies woke up and settled on the untouched veal, which was still on the table. He stared at them and at last with his free right hand began trying to catch one. He tried till he was tired, but could not catch it. At last, realising that he was engaged in this interesting pursuit, he started, got up and walked resolutely out of the room. A minute later he was in the street.

  A thick milky mist hung over the town. Svidrigaïlov walked along the slippery dirty wooden pavement towards the Little Neva. He was picturing the waters of the Little Neva swollen in the night, Petrovsky Island, the wet paths, the wet grass, the wet trees and bushes and at last the bush… . He began ill-humouredly staring at the houses, trying to think of something else. There was not a cabman or a passer-by in the street. The bright yellow, wooden, little houses looked dirty and dejected with their closed shutters. The cold and damp penetrated his whole body and he began to shiver. From time to time he came across shop signs and read each carefully. At last he reached the end of the wooden pavement and came to a big stone house. A dirty, shivering dog crossed his path with its tail between its legs. A man in a greatcoat lay face downwards; dead drunk, across the pavement. He looked at him and went on. A high tower stood up on the left. "Bah!" he shouted, "here is a place. Why should it be Petrovsky? It will be in the presence of an official witness anyway… ."

  He almost smiled at this new thought and turned into the street where there was the big house with the tower. At the great closed gates of the house, a little man stood with his shoulder leaning against them, wrapped in a grey soldier's coat, with a copper Achilles helmet on his head. He cast a drowsy and indifferent glance at Svidrigaïlov. His face wore that perpetual look of peevish dejection, which is so sourly printed on all faces of Jewish race without exception. They both, Svidrigaïlov and Achilles, stared at each other for a few minutes without speaking. At last it struck Achilles as irregular for a man not drunk to be standing three steps from him, staring and not saying a word.

  "What do you want here?" he said, without moving or changing his position.

  "Nothing, brother, good morning," answered Svidrigaïlov.

  "This isn't the place."

  "I am going to foreign parts, brother."

  "To foreign parts?"

  "To America."

  "America."

  Svidrigaïlov took out the revolver and cocked it. Achilles raised his eyebrows.

  "I say, this is not the place for such jokes!"

  "Why shouldn't it be the place?"

  "Because it isn't."

  "Well, brother, I don't mind that. It's a good place. When you are asked, you just say he was going, he said, to America."

  He put the revolver to his right temple.

  "You can't do it here, it's not the place," cried Achilles, rousing himself, his eyes growing bigger and bigger.

  Svidrigaïlov pulled the trigger.

  Chapter 7

  The same day, about seven o'clock in the evening, Raskolnikov was on his way to his mother's and sister's lodging—the lodging in Bakaleyev's house which Razumihin had found for them. The stairs went up from the street. Raskolnikov walked with lagging steps, as though still hesitating whether to go or not. But nothing would have turned him back: his decision was taken.

  "Besides, it doesn't matter, they still know nothing," he thought, "and they are used to thinking of me as eccentric."

  He was appallingly dressed: his clothes torn and dirty, soaked with a night's rain. His face was almost distorted from fatigue, exposure, the inward conflict that had lasted for twenty-four hours. He had spent all the previous night alone, God knows where. But anyway he had reached a decision.

  He knocked at the door which was opened by his mother. Dounia was not at home. Even the servant happened to be out. At first Pulcheria Alexandrovna was speechless with joy and surprise; then she took him by the hand and drew him into the room.

  "Here you are!" she began, faltering with joy. "Don't be angry with me, Rodya, for welcoming you so foolishly with tears: I am laughing not crying. Did you think I was crying? No, I am delighted, but I've got into such a stupid habit of shedding tears. I've been like that ever since your father's death. I cry for anything. Sit down, dear boy, you must be tired; I see you are. Ah, how muddy you are."

  "I was in the rain yesterday, mother… ." Raskolnikov began.

  "No, no," Pulcheria Alexandrovna hurriedly interrupted, "you thought I was going to cross-question you in the womanish way I used to; don't be anxious, I understand, I understand it all: now I've learned the ways here and truly I see for myself that they are better. I've made up my mind once for all: how could I understand your plans and expect you to give an account of them? God knows what concerns and plans you may have, or what ideas you are hatching; so it's not for me to keep nudging your elbow, asking you what you are thinking about? But, my goodness! why am I running to and fro as though I were crazy … ? I am reading your article in the magazine for the third time, Rodya. Dmitri Prokofitch brought it to me. Directly I saw it I cried out to myself: 'There, foolish one,' I thought, 'that's what he is busy about; that's the solution of the mystery! Learned people are always like that. He may have some new ideas in his head just now; he is thinking them over and I worry him and upset him.' I read it, my dear, and of course there was a great deal I did not understand; but that's only natural—how should I?"

  "Show me, mother."

  Raskolnikov took the magazine and glanced at his article. Incongruous as it was with his mood and his circumstances, he felt that strange and bitter sweet sensation that every author experiences the first time he sees himself in print; besides, he was only twenty-three. It lasted only a moment. After reading a few lines he frowned and his heart throbbed with anguish. He recalled all the inward conflict of the preceding months. He flung the article on the table with disgust and anger.

  "But, however foolish I may be, Rodya, I can see for myself that you will very soon be one of the leading—if not the leading man—in the world of Russian thought. And they dared to think you were mad! You don't know, but they really thought that. Ah, the despicable creatures, how could they understand genius! And Dounia, Dounia was all but believing it—what do you say to that? Your father sent twice to magazines—the first time poems (I've got the manuscript and will show you) and the second time a whole novel (I begged him to let me copy it out) and how we prayed that they should be taken—they weren't! I was breaking my heart, Rodya, six or seven days ago over your food and your clothes and the way you are living. But now I see again how foolish I was, for you can attain any position you like by your intellect and talent. No doubt you don't care about that for the present and you are occupied with much more important matters… ."

  "Dounia's not at home, mother?"

  "No, Rodya. I often don't see her; she leaves me alone. Dmitri Prokofitch comes to see me, it's so good of him, and he always talks about you. He loves you and respects you, my dea
r. I don't say that Dounia is very wanting in consideration. I am not complaining. She has her ways and I have mine; she seems to have got some secrets of late and I never have any secrets from you two. Of course, I am sure that Dounia has far too much sense, and besides she loves you and me … but I don't know what it will all lead to. You've made me so happy by coming now, Rodya, but she has missed you by going out; when she comes in I'll tell her: 'Your brother came in while you were out. Where have you been all this time?' You mustn't spoil me, Rodya, you know; come when you can, but if you can't, it doesn't matter, I can wait. I shall know, anyway, that you are fond of me, that will be enough for me. I shall read what you write, I shall hear about you from everyone, and sometimes you'll come yourself to see me. What could be better? Here you've come now to comfort your mother, I see that."

  Here Pulcheria Alexandrovna began to cry.

  "Here I am again! Don't mind my foolishness. My goodness, why am I sitting here?" she cried, jumping up. "There is coffee and I don't offer you any. Ah, that's the selfishness of old age. I'll get it at once!"

  "Mother, don't trouble, I am going at once. I haven't come for that. Please listen to me."

  Pulcheria Alexandrovna went up to him timidly.

  "Mother, whatever happens, whatever you hear about me, whatever you are told about me, will you always love me as you do now?" he asked suddenly from the fullness of his heart, as though not thinking of his words and not weighing them.

  "Rodya, Rodya, what is the matter? How can you ask me such a question? Why, who will tell me anything about you? Besides, I shouldn't believe anyone, I should refuse to listen."

  "I've come to assure you that I've always loved you and I am glad that we are alone, even glad Dounia is out," he went on with the same impulse. "I have come to tell you that though you will be unhappy, you must believe that your son loves you now more than himself, and that all you thought about me, that I was cruel and didn't care about you, was all a mistake. I shall never cease to love you… . Well, that's enough: I thought I must do this and begin with this… ."