Poor Folk Anthology

by Fyodor Dostoyevsky

  "I don't quite like it," replied the prince.

  "Oh, but it is absolutely necessary for me," Gania entreated. "Believe me, if it were not so, I would not ask you; how else am I to get it to her? It is most important, dreadfully important!"

  Gania was evidently much alarmed at the idea that the prince would not consent to take his note, and he looked at him now with an expression of absolute entreaty.

  "Well, I will take it then."

  "But mind, nobody is to see!" cried the delighted Gania "And of course I may rely on your word of honour, eh?"

  "I won't show it to anyone," said the prince.

  "The letter is not sealed—" continued Gania, and paused in confusion.

  "Oh, I won't read it," said the prince, quite simply.

  He took up the portrait, and went out of the room.

  Gania, left alone, clutched his head with his hands.

  "One word from her," he said, "one word from her, and I may yet be free."

  He could not settle himself to his papers again, for agitation and excitement, but began walking up and down the room from corner to corner.

  The prince walked along, musing. He did not like his commission, and disliked the idea of Gania sending a note to Aglaya at all; but when he was two rooms distant from the drawing-room, where they all were, he stopped a though recalling something; went to the window, nearer the light, and began to examine the portrait in his hand.

  He longed to solve the mystery of something in the face Nastasia Philipovna, something which had struck him as he looked at the portrait for the first time; the impression had not left him. It was partly the fact of her marvellous beauty that struck him, and partly something else. There was a suggestion of immense pride and disdain in the face almost of hatred, and at the same time something confiding and very full of simplicity. The contrast aroused a deep sympathy in his heart as he looked at the lovely face. The blinding loveliness of it was almost intolerable, this pale thin face with its flaming eyes; it was a strange beauty.

  The prince gazed at it for a minute or two, then glanced around him, and hurriedly raised the portrait to his lips. When, a minute after, he reached the drawing-room door, his face was quite composed. But just as he reached the door he met Aglaya coming out alone.

  "Gavrila Ardalionovitch begged me to give you this," he said, handing her the note.

  Aglaya stopped, took the letter, and gazed strangely into the prince's eyes. There was no confusion in her face; a little surprise, perhaps, but that was all. By her look she seemed merely to challenge the prince to an explanation as to how he and Gania happened to be connected in this matter. But her expression was perfectly cool and quiet, and even condescending.

  So they stood for a moment or two, confronting one another. At length a faint smile passed over her face, and she passed by him without a word.

  Mrs. Epanchin examined the portrait of Nastasia Philipovna for some little while, holding it critically at arm's length.

  "Yes, she is pretty," she said at last, "even very pretty. I have seen her twice, but only at a distance. So you admire this kind of beauty, do you?" she asked the prince, suddenly.

  "Yes, I do—this kind."

  "Do you mean especially this kind?"

  "Yes, especially this kind."

  "Why?"

  "There is much suffering in this face," murmured the prince, more as though talking to himself than answering the question.

  "I think you are wandering a little, prince," Mrs. Epanchin decided, after a lengthened survey of his face; and she tossed the portrait on to the table, haughtily.

  Alexandra took it, and Adelaida came up, and both the girls examined the photograph. Just then Aglaya entered the room.

  "What a power!" cried Adelaida suddenly, as she earnestly examined the portrait over her sister's shoulder.

  "Whom? What power?" asked her mother, crossly.

  "Such beauty is real power," said Adelaida. "With such beauty as that one might overthrow the world." She returned to her easel thoughtfully.

  Aglaya merely glanced at the portrait—frowned, and put out her underlip; then went and sat down on the sofa with folded hands. Mrs. Epanchin rang the bell.

  "Ask Gavrila Ardalionovitch to step this way," said she to the man who answered.

  "Mamma!" cried Alexandra, significantly.

  "I shall just say two words to him, that's all," said her mother, silencing all objection by her manner; she was evidently seriously put out. "You see, prince, it is all secrets with us, just now—all secrets. It seems to be the etiquette of the house, for some reason or, other. Stupid nonsense, and in a matter which ought to be approached with all candour and open-heartedness. There is a marriage being talked of, and I don't like this marriage—"

  "Mamma, what are you saying?" said Alexandra again, hurriedly.

  "Well, what, my dear girl? As if you can possibly like it yourself? The heart is the great thing, and the rest is all rubbish—though one must have sense as well. Perhaps sense is really the great thing. Don't smile like that, Aglaya. I don't contradict myself. A fool with a heart and no brains is just as unhappy as a fool with brains and no heart. I am one and you are the other, and therefore both of us suffer, both of us are unhappy."

  "Why are you so unhappy, mother?" asked Adelaida, who alone of all the company seemed to have preserved her good temper and spirits up to now.

  "In the first place, because of my carefully brought-up daughters," said Mrs. Epanchin, cuttingly; "and as that is the best reason I can give you we need not bother about any other at present. Enough of words, now! We shall see how both of you (I don't count Aglaya) will manage your business, and whether you, most revered Alexandra Ivanovna, will be happy with your fine mate."

  "Ah!" she added, as Gania suddenly entered the room, "here's another marrying subject. How do you do?" she continued, in response to Gania's bow; but she did not invite him to sit down. "You are going to be married?"

  "Married? how—what marriage?" murmured Gania, overwhelmed with confusion.

  "Are you about to take a wife? I ask,—if you prefer that expression."

  "No, no I-I—no!" said Gania, bringing out his lie with a tell-tale blush of shame. He glanced keenly at Aglaya, who was sitting some way off, and dropped his eyes immediately.

  Aglaya gazed coldly, intently, and composedly at him, without taking her eyes off his face, and watched his confusion.

  "No? You say no, do you?" continued the pitiless Mrs. General. "Very well, I shall remember that you told me this Wednesday morning, in answer to my question, that you are not going to be married. What day is it, Wednesday, isn't it?"

  "Yes, I think so!" said Adelaida.

  "You never know the day of the week; what's the day of the month?"

  "Twenty-seventh!" said Gania.

  "Twenty-seventh; very well. Good-bye now; you have a good deal to do, I'm sure, and I must dress and go out. Take your portrait. Give my respects to your unfortunate mother, Nina Alexandrovna. Au revoir, dear prince, come in and see us often, do; and I shall tell old Princess Bielokonski about you. I shall go and see her on purpose. And listen, my dear boy, I feel sure that God has sent you to Petersburg from Switzerland on purpose for me. Maybe you will have other things to do, besides, but you are sent chiefly for my sake, I feel sure of it. God sent you to me! Au revoir! Alexandra, come with me, my dear."

  Mrs. Epanchin left the room.

  Gania—confused, annoyed, furious—took up his portrait, and turned to the prince with a nasty smile on his face.

  "Prince," he said, "I am just going home. If you have not changed your mind as to living with us, perhaps you would like to come with me. You don't know the address, I believe?"

  "Wait a minute, prince," said Aglaya, suddenly rising from her seat, "do write something in my album first, will you? Father says you are a most talented caligraphist; I'll bring you my book in a minute." She left the room.

  "Well, au revoir, prince," said Adelaida, "I must be going too." She p
ressed the prince's hand warmly, and gave him a friendly smile as she left the room. She did not so much as look at Gania.

  "This is your doing, prince," said Gania, turning on the latter so soon as the others were all out of the room. "This is your doing, sir! YOU have been telling them that I am going to be married!" He said this in a hurried whisper, his eyes flashing with rage and his face ablaze. "You shameless tattler!"

  "I assure you, you are under a delusion," said the prince, calmly and politely. "I did not even know that you were to be married."

  "You heard me talking about it, the general and me. You heard me say that everything was to be settled today at Nastasia Philipovna's, and you went and blurted it out here. You lie if you deny it. Who else could have told them Devil take it, sir, who could have told them except yourself? Didn't the old woman as good as hint as much to me?"

  "If she hinted to you who told her you must know best, of course; but I never said a word about it."

  "Did you give my note? Is there an answer?" interrupted Gania, impatiently.

  But at this moment Aglaya came back, and the prince had no time to reply.

  "There, prince," said she, "there's my album. Now choose a page and write me something, will you? There's a pen, a new one; do you mind a steel one? I have heard that you caligraphists don't like steel pens."

  Conversing with the prince, Aglaya did not even seem to notice that Gania was in the room. But while the prince was getting his pen ready, finding a page, and making his preparations to write, Gania came up to the fireplace where Aglaya was standing, to the right of the prince, and in trembling, broken accents said, almost in her ear:

  "One word, just one word from you, and I'm saved."

  The prince turned sharply round and looked at both of them. Gania's face was full of real despair; he seemed to have said the words almost unconsciously and on the impulse of the moment.

  Aglaya gazed at him for some seconds with precisely the same composure and calm astonishment as she had shown a little while before, when the prince handed her the note, and it appeared that this calm surprise and seemingly absolute incomprehension of what was said to her, were more terribly overwhelming to Gania than even the most plainly expressed disdain would have been.

  "What shall I write?" asked the prince.

  "I'll dictate to you," said Aglaya, coming up to the table. "Now then, are you ready? Write, 'I never condescend to bargain!' Now put your name and the date. Let me see it."

  The prince handed her the album.

  "Capital! How beautifully you have written it! Thanks so much. Au revoir, prince. Wait a minute,"; she added, "I want to give you something for a keepsake. Come with me this way, will you?"

  The prince followed her. Arrived at the dining-room, she stopped.

  "Read this," she said, handing him Gania's note.

  The prince took it from her hand, but gazed at her in bewilderment.

  "Oh! I KNOW you haven't read it, and that you could never be that man's accomplice. Read it, I wish you to read it."

  The letter had evidently been written in a hurry:

  "My fate is to be decided today" (it ran), "you know how. This day I must give my word irrevocably. I have no right to ask your help, and I dare not allow myself to indulge in any hopes; but once you said just one word, and that word lighted up the night of my life, and became the beacon of my days. Say one more such word, and save me from utter ruin. Only tell me, 'break off the whole thing!' and I will do so this very day. Oh! what can it cost you to say just this one word? In doing so you will but be giving me a sign of your sympathy for me, and of your pity; only this, only this; nothing more, NOTHING. I dare not indulge in any hope, because I am unworthy of it. But if you say but this word, I will take up my cross again with joy, and return once more to my battle with poverty. I shall meet the storm and be glad of it; I shall rise up with renewed strength.

  "Send me back then this one word of sympathy, only sympathy, I swear to you; and oh! do not be angry with the audacity of despair, with the drowning man who has dared to make this last effort to save himself from perishing beneath the waters.

  "G.L."

  "This man assures me," said Aglaya, scornfully, when the prince had finished reading the letter, "that the words 'break off everything' do not commit me to anything whatever; and himself gives me a written guarantee to that effect, in this letter. Observe how ingenuously he underlines certain words, and how crudely he glosses over his hidden thoughts. He must know that if he 'broke off everything,' FIRST, by himself, and without telling me a word about it or having the slightest hope on my account, that in that case I should perhaps be able to change my opinion of him, and even accept his—friendship. He must know that, but his soul is such a wretched thing. He knows it and cannot make up his mind; he knows it and yet asks for guarantees. He cannot bring himself to TRUST, he wants me to give him hopes of myself before he lets go of his hundred thousand roubles. As to the 'former word' which he declares 'lighted up the night of his life,' he is simply an impudent liar; I merely pitied him once. But he is audacious and shameless. He immediately began to hope, at that very moment. I saw it. He has tried to catch me ever since; he is still fishing for me. Well, enough of this. Take the letter and give it back to him, as soon as you have left our house; not before, of course."

  "And what shall I tell him by way of answer?"

  "Nothing—of course! That's the best answer. Is it the case that you are going to live in his house?"

  "Yes, your father kindly recommended me to him."

  "Then look out for him, I warn you! He won't forgive you easily, for taking back the letter."

  Aglaya pressed the prince's hand and left the room. Her face was serious and frowning; she did not even smile as she nodded good-bye to him at the door.

  "I'll just get my parcel and we'll go," said the prince to Gania, as he re-entered the drawing-room. Gania stamped his foot with impatience. His face looked dark and gloomy with rage.

  At last they left the house behind them, the prince carrying his bundle.

  "The answer—quick—the answer!" said Gania, the instant they were outside. "What did she say? Did you give the letter?" The prince silently held out the note. Gania was struck motionless with amazement.

  "How, what? my letter?" he cried. "He never delivered it! I might have guessed it, oh! curse him! Of course she did not understand what I meant, naturally! Why-why-WHY didn't you give her the note, you—"

  "Excuse me; I was able to deliver it almost immediately after receiving your commission, and I gave it, too, just as you asked me to. It has come into my hands now because Aglaya Ivanovna has just returned it to me."

  "How? When?"

  "As soon as I finished writing in her album for her, and when she asked me to come out of the room with her (you heard?), we went into the dining-room, and she gave me your letter to read, and then told me to return it."

  "To READ?" cried Gania, almost at the top of his voice; "to READ, and you read it?"

  And again he stood like a log in the middle of the pavement; so amazed that his mouth remained open after the last word had left it.

  "Yes, I have just read it."

  "And she gave it you to read herself—HERSELF?"

  "Yes, herself; and you may believe me when I tell you that I would not have read it for anything without her permission."

  Gania was silent for a minute or two, as though thinking out some problem. Suddenly he cried:

  "It's impossible, she cannot have given it to you to read! You are lying. You read it yourself!"

  "I am telling you the truth," said the prince in his former composed tone of voice; "and believe me, I am extremely sorry that the circumstance should have made such an unpleasant impression upon you!"

  "But, you wretched man, at least she must have said something? There must be SOME answer from her!"

  "Yes, of course, she did say something!"

  "Out with it then, damn it! Out with it at once!" and Gania stamped his f
oot twice on the pavement.

  "As soon as I had finished reading it, she told me that you were fishing for her; that you wished to compromise her so far as to receive some hopes from her, trusting to which hopes you might break with the prospect of receiving a hundred thousand roubles. She said that if you had done this without bargaining with her, if you had broken with the money prospects without trying to force a guarantee out of her first, she might have been your friend. That's all, I think. Oh no, when I asked her what I was to say, as I took the letter, she replied that 'no answer is the best answer.' I think that was it. Forgive me if I do not use her exact expressions. I tell you the sense as I understood it myself."

  Ungovernable rage and madness took entire possession of Gania, and his fury burst out without the least attempt at restraint.

  "Oh! that's it, is it!" he yelled. "She throws my letters out of the window, does she! Oh! and she does not condescend to bargain, while I DO, eh? We shall see, we shall see! I shall pay her out for this."

  He twisted himself about with rage, and grew paler and paler; he shook his fist. So the pair walked along a few steps. Gania did not stand on ceremony with the prince; he behaved just as though he were alone in his room. He clearly counted the latter as a nonentity. But suddenly he seemed to have an idea, and recollected himself.

  "But how was it?" he asked, "how was it that you (idiot that you are)," he added to himself, "were so very confidential a couple of hours after your first meeting with these people? How was that, eh?"

  Up to this moment jealousy had not been one of his torments; now it suddenly gnawed at his heart.

  "That is a thing I cannot undertake to explain," replied the prince. Gania looked at him with angry contempt.

  "Oh! I suppose the present she wished to make to you, when she took you into the dining-room, was her confidence, eh?"

  "I suppose that was it; I cannot explain it otherwise?"

  "But why, WHY? Devil take it, what did you do in there? Why did they fancy you? Look here, can't you remember exactly what you said to them, from the very beginning? Can't you remember?"

  "Oh, we talked of a great many things. When first I went in we began to speak of Switzerland."