Poor Folk Anthology

by Fyodor Dostoyevsky

  Meanwhile the daylight grew full and strong; and at last the prince lay down, as though overcome by despair, and laid his face against the white, motionless face of Rogojin. His tears flowed on to Rogojin's cheek, though he was perhaps not aware of them himself.

  At all events when, after many hours, the door was opened and people thronged in, they found the murderer unconscious and in a raging fever. The prince was sitting by him, motionless, and each time that the sick man gave a laugh, or a shout, he hastened to pass his own trembling hand over his companion's hair and cheeks, as though trying to soothe and quiet him. But alas I he understood nothing of what was said to him, and recognized none of those who surrounded him.

  If Schneider himself had arrived then and seen his former pupil and patient, remembering the prince's condition during the first year in Switzerland, he would have flung up his hands, despairingly, and cried, as he did then:

  "An idiot!"

  Chapter 12

  WHEN the widow hurried away to Pavlofsk, she went straight to Daria Alexeyevna's house, and telling all she knew, threw her into a state of great alarm. Both ladies decided to communicate at once with Lebedeff, who, as the friend and landlord of the prince, was also much agitated. Vera Lebedeff told all she knew, and by Lebedeff's advice it was decided that all three should go to Petersburg as quickly as possible, in order to avert "what might so easily happen."

  This is how it came about that at eleven o'clock next morning Rogojin's flat was opened by the police in the presence of Lebedeff, the two ladies, and Rogojin's own brother, who lived in the wing.

  The evidence of the porter went further than anything else towards the success of Lebedeff in gaining the assistance of the police. He declared that he had seen Rogojin return to the house last night, accompanied by a friend, and that both had gone upstairs very secretly and cautiously. After this there was no hesitation about breaking open the door, since it could not be got open in any other way.

  Rogojin suffered from brain fever for two months. When he recovered from the attack he was at once brought up on trial for murder.

  He gave full, satisfactory, and direct evidence on every point; and the prince's name was, thanks to this, not brought into the proceedings. Rogojin was very quiet during the progress of the trial. He did not contradict his clever and eloquent counsel, who argued that the brain fever, or inflammation of the brain, was the cause of the crime; clearly proving that this malady had existed long before the murder was perpetrated, and had been brought on by the sufferings of the accused.

  But Rogojin added no words of his own in confirmation of this view, and as before, he recounted with marvellous exactness the details of his crime. He was convicted, but with extenuating circumstances, and condemned to hard labour in Siberia for fifteen years. He heard his sentence grimly, silently, and thoughtfully. His colossal fortune, with the exception of the comparatively small portion wasted in the first wanton period of his inheritance, went to his brother, to the great satisfaction of the latter.

  The old lady, Rogojin's mother, is still alive, and remembers her favourite son Parfen sometimes, but not clearly. God spared her the knowledge of this dreadful calamity which had overtaken her house.

  Lebedeff, Keller, Gania, Ptitsin, and many other friends of ours continue to live as before. There is scarcely any change in them, so that there is no need to tell of their subsequent doings.

  Hippolyte died in great agitation, and rather sooner than he expected, about a fortnight after Nastasia Philpovna's death. Colia was much affected by these events, and drew nearer to his mother in heart and sympathy. Nina Alexandrovna is anxious, because he is "thoughtful beyond his years," but he will, we think, make a useful and active man.

  The prince's further fate was more or less decided by Colia, who selected, out of all the persons he had met during the last six or seven months, Evgenie Pavlovitch, as friend and confidant. To him he made over all that he knew as to the events above recorded, and as to the present condition of the prince. He was not far wrong in his choice. Evgenie Pavlovitch took the deepest interest in the fate of the unfortunate "idiot," and, thanks to his influence, the prince found himself once more with Dr. Schneider, in Switzerland.

  Evgenie Pavlovitch, who went abroad at this time, intending to live a long while on the continent, being, as he often said, quite superfluous in Russia, visits his sick friend at Schneider's every few months.

  But Dr. Schneider frowns ever more and more and shakes his head; he hints that the brain is fatally injured; he does not as yet declare that his patient is incurable, but he allows himself to express the gravest fears.

  Evgenie takes this much to heart, and he has a heart, as is proved by the fact that he receives and even answers letters from Colia. But besides this, another trait in his character has become apparent, and as it is a good trait we will make haste to reveal it. After each visit to Schneider's establishment, Evgenie Pavlovitch writes another letter, besides that to Colia, giving the most minute particulars concerning the invalid's condition. In these letters is to be detected, and in each one more than the last, a growing feeling of friendship and sympathy.

  The individual who corresponds thus with Evgenie Pavlovitch, and who engages so much of his attention and respect, is Vera Lebedeff. We have never been able to discover clearly how such relations sprang up. Of course the root of them was in the events which we have already recorded, and which so filled Vera with grief on the prince's account that she fell seriously ill. But exactly how the acquaintance and friendship came about, we cannot say.

  We have spoken of these letters chiefly because in them is often to be found some news of the Epanchin family, and of Aglaya in particular. Evgenie Pavlovitch wrote of her from Paris, that after a short and sudden attachment to a certain Polish count, an exile, she had suddenly married him, quite against the wishes of her parents, though they had eventually given their consent through fear of a terrible scandal. Then, after a six months' silence, Evgenie Pavlovitch informed his correspondent, in a long letter, full of detail, that while paying his last visit to Dr. Schneider's establishment, he had there come across the whole Epanchin family (excepting the general, who had remained in St. Petersburg) and Prince S. The meeting was a strange one. They all received Evgenie Pavlovitch with effusive delight; Adelaida and Alexandra were deeply grateful to him for his "angelic kindness to the unhappy prince."

  Lizabetha Prokofievna, when she saw poor Muishkin, in his enfeebled and humiliated condition, had wept bitterly. Apparently all was forgiven him.

  Prince S. had made a few just and sensible remarks. It seemed to Evgenie Pavlovitch that there was not yet perfect harmony between Adelaida and her fiance, but he thought that in time the impulsive young girl would let herself be guided by his reason and experience. Besides, the recent events that had befallen her family had given Adelaida much to think about, especially the sad experiences of her younger sister. Within six months, everything that the family had dreaded from the marriage with the Polish count had come to pass. He turned out to be neither count nor exile—at least, in the political sense of the word—but had had to leave his native land owing to some rather dubious affair of the past. It was his noble patriotism, of which he made a great display, that had rendered him so interesting in Aglaya's eyes. She was so fascinated that, even before marrying him, she joined a committee that had been organized abroad to work for the restoration of Poland; and further, she visited the confessional of a celebrated Jesuit priest, who made an absolute fanatic of her. The supposed fortune of the count had dwindled to a mere nothing, although he had given almost irrefutable evidence of its existence to Lizabetha Prokofievna and Prince S.

  Besides this, before they had been married half a year, the count and his friend the priest managed to bring about a quarrel between Aglaya and her family, so that it was now several months since they had seen her. In a word, there was a great deal to say; but Mrs. Epanchin, and her daughters, and even Prince S., were still so much distressed by Aglaya's
latest infatuations and adventures, that they did hot care to talk of them, though they must have known that Evgenie knew much of the story already.

  Poor Lizabetha Prokofievna was most anxious to get home, and, according to Evgenie's account, she criticized everything foreign with much hostility.

  "They can't bake bread anywhere, decently; and they all freeze in their houses, during winter, like a lot of mice in a cellar. At all events, I've had a good Russian cry over this poor fellow," she added, pointing to the prince, who had not recognized her in the slightest degree. "So enough of this nonsense; it's time we faced the truth. All this continental life, all this Europe of yours, and all the trash about 'going abroad' is simply foolery, and it is mere foolery on our part to come. Remember what I say, my friend; you'll live to agree with me yourself."

  So spoke the good lady, almost angrily, as she took leave of Evgenie Pavlovitch.

  The Possessed (The Devils)

  Fyodor Mikhailovich Dostoyevsky

  (Translator: Constance Garnett)

  Published: 1872

  Table of Contents

  The Possessed (The Devils) Fyodor Mikhailovich Dostoyevsky

  Part 1 Chapter 1 Introductory

  Chapter 2 Prince Harry. Matchmaking.

  Chapter 3 The Sins of Others

  Chapter 4 The Cripple

  Chapter 5 The Subtle Serpent

  Part 2 Chapter 1 Night

  Chapter 2 Night (continued)

  Chapter 3 The Duel

  Chapter 4 All in Expectation

  Chapter 5 On the Eve of the Fete

  Chapter 6 Pyotr Stepanovitch Is Busy

  Chapter 7 A Meeting

  Chapter 8 Ivan the Tsarevitch

  Chapter 9 A Raid at Stefan Tromifovitch's

  Chapter 10 Filibusters. A Fatal Morning.

  Part 3 Chapter 1 The Fete: First Part

  Chapter 2 The End of the Fete

  Chapter 3 A Romance Ended

  Chapter 4 The Last Resolution

  Chapter 5 A Wanderer

  Chapter 6 A Busy Night

  Chapter 7 Stefan Trofimovitch's Last Wandering

  Chapter 8 Conclusion

  Part 1

  Chapter 1 Introductory

  SOME DETAILS OF THE BIOGRAPHY OF THAT HIGHLY RESPECTED GENTLEMAN STEFAN TEOFIMOVITCH VERHOVENSKY.

  IN UNDERTAKING to describe the recent and strange incidents in our town, till lately wrapped in uneventful obscurity, I find' myself forced in absence of literary skill to begin my story rather far back, that is to say, with certain biographical details concerning that talented and highly-esteemed gentleman, Stepan Trofimovitch Verhovensky. I trust that these details may at least serve as an introduction, while my projected story itself will come later.

  I will say at once that Stepan Trofimovitch had always filled a particular role among us, that of the progressive patriot, so to say, and he was passionately fond of playing the partso much so that I really believe he could not have existed without it. Not that I would put him on a level with an actor at a theatre, God forbid, for I really have a respect for him. This may all have been the effect of habit, or rather, more exactly of a generous propensity he had from his earliest years for indulging in an agreeable day-dream in which he figured as a picturesque public character. He fondly loved, for instance, his position as a "persecuted" man and, so to speak, an "exile." There is a sort of traditional glamour about those two little words that fascinated him once for all and, exalting him gradually in his own opinion, raised him in the course of years to a lofty pedestal very gratifying to vanity. In an English satire of the last century, Gulliver, returning from the land of the Lilliputians where the people were only three or four inches high, had grown so accustomed to consider himself a giant among them, that as he walked along the streets of London he could not help crying out to carriages and passers-by to be careful and get out of his way for fear he should crush them, imagining that they were little and he was still a giant. He was laughed at and abused for it, and rough coachmen even lashed at the giant with their whips. But was that just? What may not be done by habit? Habit had brought Stepan Trofimovitch almost to the same position, but in a more innocent and inoffensive form, if one may use such expressions, for he was a most excellent man.

  I am even inclined to suppose that towards the end he had been entirely forgotten everywhere; but still it cannot be said that his name had never been known. It is beyond question that he had at one time belonged to a certain distinguished constellation of celebrated leaders of the last generation, and at one timethough only for the briefest momenthis name was pronounced by many hasty persons of that day almost as though it were on a level with the names of Tchaadaev, of Byelinsky. of Granovsky, and of Herzen, who had only just begun to write abroad. But Stepan Trofimovitch's activity ceased almost at the moment it began, owing, so to say, to a "vortex of combined circumstances." And would you believe it? It turned out afterwards that there had been no "vortex" and even no "circumstances," at least in that connection. I only learned the other day to my intense amazement, though on the most unimpeachable authority, that Stepan Trofimovitch had lived among us in our province not as an "exile" as we were accustomed to believe, and had never even been under police supervision at all. Such is the force of imagination! All his life he sincerely believed that in certain spheres he was a constant cause of apprehension, that every step he took was watched and noted, and that each one of the three governors who succeeded one another during twenty years in our province came with special and uneasy ideas concerning him, which had, by higher powers, been impressed upon each before everything else, on receiving the appointment. Had anyone assured the honest man on the most irrefutable grounds that he had nothing to be afraid of, he would certainly have been offended. Yet Stepan Trofimovitch was a most intelligent and gifted man, even, so to say, a man of science, though indeed, in science … well, in fact he had not done such great things in science. I believe indeed he had done nothing at all. But that's very often the case, of course, with men of science among us in Russia.

  He came back from abroad and was brilliant in the capacity of lecturer at the university, towards the end of the forties. He only had time to deliver a few lectures, I believe they were about the Arabs; he maintained, too, a brilliant thesis on the political and Hanseatic importance of the German town Hanau, of which there was promise in the epoch between 1413 and 1428, and on the special and obscure reasons why that promise was never fulfilled. This dissertation was a cruel and skilful thrust at the Slavophils of the day, and at once made him numerous and irreconcilable enemies among them. Later onafter he had lost his post as lecturer, howeverhe published (by way of revenge, so to say, and to show them what a man they had lost) in a progressive monthly review, which translated Dickens and advocated the views of George Sand, the beginning of a very profound investigation into the causes, I believe, of the extraordinary moral nobility of certain knights at a certain epoch or something of that nature.

  Some lofty and exceptionally noble idea was maintained in it, anyway. It was said afterwards that the continuation was hurriedly forbidden and even that the progressive review had to suffer for having printed the first part. That may very well have been so, for what was not possible in those days? Though, in this case, it is more likely that there was nothing of the kind, and that the author himself was too lazy to conclude his essay. He cut short his lectures on the Arabs because, somehow and by some one (probably one of his reactionary enemies) a letter had been seized giving an account of certain circumstances, in consequence of which some one had demanded an explanation from him. I don't know whether the story is true, but it was asserted that at the same time there was discovered in Petersburg a vast, unnatural, and illegal conspiracy of thirty people which almost shook society to its foundations. It was said that they were positively on the point of translating Fourier. As though of design a poem of Stepan Trofimovitch's was seized in Moscow at that very time, though it had been written six years before in Berlin in his
earliest youth, and manuscript copies had been passed round a circle consisting of two poetical amateurs and one student. This poem is lying now on my table. No longer ago than last year I received a recent copy in his own handwriting from Stepan Trofimovitch himself, signed by him, and bound in a splendid red leather binding. It is not without poetic merit, however, and even a certain talent. It's strange, but in those days (or to be more exact, in the thirties) people were constantly composing in that style. I find it difficult to describe the subject, for I really do not understand it. It is some sort of an allegory in lyrical-dramatic form, recalling the second part of Faust. The scene opens with a chorus of women, followed by a chorus of men, then a chorus of incorporeal powers of some sort, and at the end of all a chorus of spirits not yet living but very eager to come to life. All these choruses sing about something very indefinite, for the most part about somebody's curse, but with a tinge of the higher humour. But the scene is suddenly changed. There begins a sort of "festival of life" at which even insects sing, a tortoise comes on the scene with certain sacramental Latin words, and even, if I remember aright, a mineral sings about something that is a quite inanimate object. In fact, they all sing continually, or if they converse, it is simply to abuse one another vaguely, but again with a tinge of higher meaning. At last the scene is changed again; a wilderness appears, and among the rocks there wanders a civilized young man who picks and sucks certain herbs. Asked by a fairy why he sucks these herbs, he answers that, conscious of a superfluity of life in himself, he seeks forgetfulness, and finds it in the juice of these herbs, but that his great desire is to lose his reason at once (a desire possibly superfluous). Then a youth of indescribable beauty rides in on a black steed, and an immense multitude of all nations follow him. The youth represents death, for whom all the peoples are yearning. And finally, in the last scene we are suddenly shown the Tower of Babel, and certain athletes at last finish building it with a song of new hope, and when at length they complete the topmost pinnacle, the lord (of Olympia, let us say) takes flight in a comic fashion, and man, grasping the situation and seizing his place, at once begins a new life with new insight into things. Well, this poem was thought at that time to be dangerous. Last year I proposed to Stepan Trofimovitch to publish it, on the ground of its perfect harmlessness nowadays, but he declined the suggestion with evident dissatisfaction. My view of its complete harmlessness evidently displeased him, and I even ascribe to it a certain coldness on his part, which lasted two whole months.