Landscape with Figures

by Richard Jefferies

  How happy the trees must be to hear the song of birds again in their branches! After the silence and the leaflessness, to have the birds back once more and to feel them busy at the nest-building; how glad to give them the moss and fibres and the crutch of the boughs to build in! Pleasant it is now to watch the sunlit clouds sailing onwards; it is like sitting by the sea. There is voyaging to and fro of birds; the strong wood-pigeon goes over – a long course in the air, from hill to distant copse; a blackbird starts from an ash, and, now inclining this way and now that, traverses the meadows to the thick corner hedge; finches go by, and the air is full of larks that sing without ceasing. The touch of the wind, the moisture of the dew, the sun-stained raindrop, have in them the magic force of life – a marvellous something that was not there before. Under it the narrow blade of grass comes up freshly green between the old white fibres the rook pulled; the sycamore bud swells and opens, and takes the eye instantly in the still dark wood; the starlings go to the hollow pollards; the lambs leap in the mead. You never know what a day may bring forth – what new thing will come next. Yesterday I saw the ploughman and his team, and the earth gleam smoothed behind the share; to-day a butterfly has gone past; the farm-folk are bringing home the fagots from the hedgerows; to-morrow there will be a merry, merry note in the ash copse, the chiffchaffs’ ringing call to arms, to arms, ye leaves! By-and-by a bennet, a bloom of the grass; in time to come the furrow, as it were, shall open, and the great buttercup of the waters will show a broad palm of gold. You never know what will come to the net of the eye next – a bud, a flower, a nest, a curled fern, or whether it will be in the woodland or by the meadow path, at the water’s side or on the dead dry heap of fagots. There is no settled succession, no fixed and formal order – always the unexpected; and you cannot say, ‘I will go and find this or that.’ The sowing of life in the spring-time is not in the set straight line of the drill, nor shall you find wild flowers by a foot measure. There are great woods without a lily of the valley; the nightingale does not sing everywhere. Nature has no arrangement, no plan, nothing judicious even; the walnut trees bring forth their tender buds, and the frost burns them – they have no mosaic of time to fit in, like a Roman tesselated pavement; nature is like a child, who will sing and shout though you may be never so deeply pondering in the study, and does not wait for the hour that suits your mind. You do not know what you may find each day; perhaps you may only pick up a fallen feather, but it is beautiful, every filament. Always beautiful! everything beautiful! And are these things new – the ploughman and his team, the lark’s song, the green leaf! Can they be new? Surely they have been of old time! They are, indeed, new – the only things that are so; the rest is old and grey, and a weariness.

  My Old Village

  First published in Longman’s Magazine, October 1887

  First collected in Field and Hedgerow, 1889

  ‘John Brown is dead,’ said an aged friend and visitor in answer to my inquiry for the strong labourer.

  ‘Is he really dead?’ I asked, for it seemed impossible.

  ‘He is. He came home from his work in the evening as usual, and seemed to catch his foot in the threshold and fell forward on the floor. When they picked him up he was dead.’

  I remember the doorway; a raised piece of wood ran across it, as is commonly the case in country cottages, such as one might easily catch one’s foot against if one did not notice it; but he knew that bit of wood well. The floor was of brick, hard to fall on and die. He must have come down over the crown of the hill, with his long slouching stride, as if his legs had been half pulled away from his body by his heavy boots in the furrows when a ploughboy. He must have turned up the steps in the bank to his cottage, and so, touching the threshold, ended. He is gone through the great doorway, and one pencil-mark is rubbed out. There used to be a large hearth in that room, a larger room than in most cottages; and when the fire was lit, and the light shone on the yellowish red brick beneath and the large rafters overhead, it was homely and pleasant. In summer the door was always wide open. Close by on the high bank there was a spot where the first wild violets came. You might look along miles of hedgerow, but there were never any until they had shown by John Brown’s.

  If a man’s work that he has done all the days of his life could be collected and piled up around him in visible shape, what a vast mound there would be beside some! If each act or stroke was represented, say by a brick, John Brown would have stood the day before his ending by the side of a monument as high as a pyramid. Then if in front of him could be placed the sum and product of his labour, the profit to himself, he could have held it in his clenched hand like a nut, and no one would have seen it. Our modern people think they train their sons to strength by football and rowing and jumping, and what are called athletic exercises; all of which it is the fashion now to preach as very noble, and likely to lead to the goodness of the race. Certainly feats are accomplished and records are beaten, but there is no real strength gained, no hardihood built up. Without hardihood it is of little avail to be able to jump an inch farther than somebody else. Hardihood is the true test, hardihood is the ideal, and not these caperings or ten minutes’ spurts.

  Now, the way they made the boy John Brown hardy was to let him roll about on the ground with naked legs and bare head from morn till night, from June till December, from January till June. The rain fell on his head, and he played in wet grass to his knees. Dry bread and a little lard was his chief food. He went to work while he was still a child. At half-past three in the morning he was on his way to the farm stables, there to help feed the cart-horses, which used to be done with great care very early in the morning. The carter’s whip used to sting his legs, and sometimes he felt the butt. At fifteen he was no taller than the sons of well-to-do people at eleven; he scarcely seemed to grow at all till he was eighteen or twenty, and even then very slowly, but at last became a tall big man. That slouching walk, with knees always bent, diminished his height to appearance; he really was the full size, and every inch of his frame had been slowly welded together by this ceaseless work, continual life in the open air, and coarse hard food. This is what makes a man hardy. This is what makes a man able to stand almost anything, and gives a power of endurance that can never be obtained by any amount of gymnastic training.

  I used to watch him mowing with amazement. Sometimes he would begin at half-past two in the morning, and continue till night. About eleven o’clock, which used to be the mowers’ noon, he took a rest on a couch of half-dried grass in the shade of the hedge. For the rest, it was mow, mow, mow for the long summer day.

  John Brown was dead: died in an instant at his cottage door. I could hardly credit it, so vivid was the memory of his strength. The gap of time since I had seen him last had made no impression on me; to me he was still in my mind the John Brown of the hayfield; there was nothing between then and his death.

  He used to catch us boys the bats in the stable, and tell us fearful tales of the ghosts he had seen; and bring the bread from the town in an old-fashioned wallet, half in front and half behind, long before the bakers’ carts began to come round in country places. One evening he came into the dairy carrying a yoke of milk, staggering, with tipsy gravity; he was quite sure he did not want any assistance, he could pour the milk into the pans. He tried, and fell at full length and bathed himself from head to foot. Of later days they say he worked in the town a good deal, and did not look so well or so happy as on the farm. In this cottage opposite the violet bank they had small-pox once, the only case I recollect in the hamlet – the old men used to say everybody had it when they were young; this was the only case in my time, and they recovered quickly without any loss, nor did the disease spread. A roomy well-built cottage like that, on dry ground, isolated, is the only hospital worthy of the name. People have a chance to get well in such places; they have very great difficulty in the huge buildings that are put up expressly for them. I have a Convalescent Home in my mind at the moment, a vast building. In these great bl
ocks what they call ventilation is a steady draught, and there is no ‘home’ about it. It is all walls and regulations and draughts, and altogether miserable. I would infinitely rather see any friend of mine in John Brown’s cottage. That terrible disease, however, seemed to quite spoil the violet bank opposite, and I never picked one there afterwards. There is something in disease so destructive, as it were, to flowers.

  The hundreds of times I saw the tall chimney of that cottage rise out of the hill-side as I came home at all hours of the day and night! the first chimney after a long journey, always comfortable to see, especially so in earlier days, when we had a kind of halting belief in John Brown’s ghosts, several of which were dotted along that road according to him. The ghosts die as we grow older, they die and their places are taken by real ghosts. I wish I had sent John Brown a pound or two when I was in good health; but one is selfish then, and puts off things till it is too late – a lame excuse verily. I can scarcely believe now that he is really dead, gone as you might casually pluck a hawthorn leaf from the hedge.

  The next cottage was a very marked one, for houses grow to their owners. The low thatched roof had rounded itself and stopped down to fit itself to Job’s shoulders; the walls had got short and thick to suit him, and they had a yellowish colour, like his complexion, as if chewing tobacco had stained his cheeks right through. Tobacco juice had likewise penetrated and tinted the wall. It was cut off as it seemed by a party-wall into one room, instead of which there were more rooms beyond which no one would have suspected. Job had a way of shaking hands with you with his right hand, while his left hand was casually doing something else in a detached sort of way. ‘Yes, sir,’ and ‘No, sir,’ and nodding to everything you said all so complaisant, but at the end of the bargain you generally found yourself a few shillings in some roundabout manner on the wrong side. Job had a lot of shut-up rooms in his house and in his character, which never seemed to be opened to daylight. The eaves hung over and beetled like his brows, and he had a forelock, a regular antique forelock, which he used to touch with the greatest humility. There was a long bough of an elm hanging over one gable just like the forelock. His face was a blank, like the broad end wall of the cottage, which had no window – at least you might think so until you looked up and discovered one little narrow slit, one narrow pane, and woke with a start to the idea that Job was always up there watching and listening. That was how he looked out of his one eye so intensely cunning, the other being a wall eye – that is, the world supposed so, as he kept it half shut, always between the lights; but whether it was really blind or not I cannot say. Job caught rats and rabbits and moles, and bought fagots or potatoes, fruit or rabbit-skins, or rusty iron: wonderful how he seemed to have command of money. It was done probably by buying and selling almost simultaneously, so that the cash passed really from one customer to another, and was never his at all. Also he worked as labourer, chiefly piece-work; also Mrs Job had a shop window about two feet square: snuff and tobacco, bread and cheese, immense big round jumbles and sugar, kept on the floor above, and reached down by hand, when wanted, through the opening for the ladder stairs. The front door – Job’s right hand – was always open in summer, and the flagstones of the floor chalked round their edges; a clean table, clean chairs, decent crockery, an old clock about an hour slow, a large hearth with a minute fire to boil the kettle without heating the room. Tea was usually at half-past three, and it is a fact that many well-to-do persons, as they came along the road hot and dusty, used to drop in and rest and take a cup – very little milk and much gossip. Two paths met just there, and people used to step in out of a storm of rain, a sort of thatched house club. Job was somehow on fair terms with nearly everybody, and that is a wonderful thing in a village, where everybody knows everybody’s business, and petty interests continually cross. The strangest fellow and the strangest way of life, and yet I do not believe a black mark was ever put against him; the shiftiness was all for nothing. It arose, no doubt, out of the constant and eager straining to gain a little advantage and make an extra penny. Had Job been a Jew he would have been rich. He was the exact counterpart of the London Jew dealer, set down in the midst of the country. Job should have been rich. Such immense dark brown jumbles, such cheek-distenders – never any French sweetmeats or chocolate or bonbons to equal these. I really think I could eat one now. The pennies and fourpenny bits – there were fourpenny bits in those days – that went behind that two-foot window, goodness! there was no end. Job used to chink them in a pint pot sometimes before the company, to give them an idea of his great hoards. He always tried to impress people with his wealth, and would talk of a fifty-pound contract as if it was nothing to him. Jumbles are eternal, if nothing else is. I thought then there was not such another shop as Job’s in the universe. I have found since that there is a Job shop in every village, and in every street in every town – that is to say, a window for jumbles and rubbish; and if you don’t know it, you may be quite sure your children do, and spend many a sly penny there. Be as rich as you may, and give them gilded sweetmeats at home, still they will slip round to the Job shop.

  It was a pretty cottage, well backed with trees and bushes, with a south-east mixture of sunlight and shade, and little touches that cannot be suggested by writing. Job had not got the Semitic instinct of keeping. The art of acquisition he possessed to some extent, that was his right hand; but somehow the half-crowns slipped away through his unstable left hand, and fortune was a greasy pole to him. His left hand was too cunning for him, it wanted to manage things too cleverly. If it had only had the Semitic grip, digging the nails into the flesh to hold tight each separate coin, he would have been village rich. The great secret is the keeping. Finding is by no means keeping. Job did not flourish in his old days; the people changed round about. Job is gone, and I think every one of that cottage is either dead or moved. Empty.

  The next cottage was the water-bailiff’s, who looked after the great pond or ‘broad’. There were one or two old boats, and he used to leave the oars leaning against a wall at the side of the house. These oars looked like fragments of a wreck, broken and irregular. The right-hand scull was heavy, as if made of ironwood, the blade broad and spoon-shaped, so as to have a most powerful grip of the water. The left-hand scull was light and slender, with a narrow blade like a marrow scoop; so when you had the punt, you had to pull very hard with your left hand and gently with the right to get the forces equal. The punt had a list of its own, and no matter how you rowed, it would still make leeway. Those who did not know its character were perpetually trying to get this crooked wake straight, and consequently went round and round exactly like the whirligig beetle. Those who knew used to let the leeway proceed a good way and then alter it, so as to act in the other direction like an elongated zigzag. These sculls the old fellow would bring you as if they were great treasures, and watch you off in the punt as if he was parting with his dearest. At that date it was no little matter to coax him round to unchain his vessel. You had to take an interest in the garden, in the baits, and the weather, and be very humble; then perhaps he would tell you he did not want it for the trimmers, or the withy, or the flags, and you might have it for an hour as far as he could see; ‘did not think my lord’s steward would come over that morning; of course, if he did you must come in’, and so on; and if the stars were propitious, by-and-by the punt was got afloat. These sculls were tilted up against the wall, and as you innocently went to take one, Wauw! – a dirty little ill-tempered mongrel poodle rolled himself like a ball to your heels and snapped his teeth – Wauw! At the bark, out rushed the old lady, his housekeeper, shouting in the shrillest key to the dog to lie still, and to you that the bailiff would be there in a minute. At the sound of her shrewish ‘yang-yang’ down came the old man from the bank, and so one dog fetched out the lot. The three were exactly alike somehow. Beside these diamond sculls he had a big gun, with which he used to shoot the kingfishers that came for the little fish; the number he slaughtered was very great; he persecuted the
m as Domitian did the flies: he declared that a kingfisher would carry off a fish heavier than itself. Also he shot rooks, once now and then strange wild fowl with this monstrous iron pipe, and something happened with this gun one evening which was witnessed, and after that the old fellow was very benevolent, and the punt was free to one or two who knew all about it. There is an old story about the stick that would not beat the dog, and the dog would not bite the pig, and so on; and so I am quite sure that ill-natured cur could never have lived with that ‘yang-yang’ shrew, nor could any one else but he have turned the gear of the hatch, nor have endured the dog and the woman, and the constant miasma from the stagnant waters. No one else could have shot anything with that cumbrous weapon, and no one else could row that punt straight. He used to row it quite straight, to the amazement of a wondering world, and somehow supplied the motive force – the stick – which kept all these things going. He is gone, and, I think, the housekeeper too, and the house has had several occupants since, who have stamped down the old ghosts and thrust them out of doors.