The Fictions of Bruno Schulz

by yao

  SANATORIUM UNDER THE SIGN OF THE HOURGLASS a trusted door, provided one were strong enough to suggest that such a door exists. Father's Last Escape It happened in the late and forlorn period of complete disruption, at the time of the liquidation of our business. The signboard had been removed from over our shop, the shutters were halfway down, and inside the shop my mother was conducting an unauthorized trade in remnants. Adela had gone to America, and it was said that the boat on which she had sailed had sunk and that all the passengers had lost their lives. We were unable to verify this rumour, but all trace of the girl was lost and we never heard of her again. A new age began — empty, sober, and joyless, like a sheet of white paper. A new servant girl, Genya, anaemic, pale, and boneless, mooned about the rooms. When one patted her on the back, she wriggled, stretched like a snake, or purred like a cat. She had a dull white complexion, and even the insides of her eyelids were white. She was so absent-minded that she sometimes made a white sauce from old letters and invoices: it was sickly and inedible. At that time, my father was definitely dead. He had been dying a number of times, always with some reservations that forced us to revise our attitude towards the fact of his death. This had its advantages. By dividing his death into instalments, Father had familiarized us with his demise. We became gradually indifferent to his returns — each one shorter, each one more pitiful. His features were already dispersed throughout the room in which he had lived, and were sprouting in it, creating at some points strange knots of likeness that were most expressive. The wallpaper began in certain places to initiate his habitual nervous tic; the flower designs arranged themselves into the doleful elements of his smile, symmetrical as the fossilized imprint of a trilobite. For a time, we gave a wide berth to his fur coat lined with polecat skins. The fur coat breathed. The panic of small animals sewn together and biting into one another passed through it in helpless currents and lost itself in the folds of the fur. Putting one's ear against it, one could hear the melodious purring unison of the animals' sleep. 298 299

  SANATORIUM UNDER THE SIGN OF THE HOURGLASS FATHER'S LAST ESCAPE In this well-tanned form, amid the faint smell of polecat, murder, and nightime matings, my father might have lasted for many years. But he did not last. One day, Mother returned home from town with a preoccupied face. `Look, Joseph,' she said, `what a lucky coincidence. I caught him on the stairs, jumping from step to step – and she lifted a handkerchief that covered something on a plate. I recognized him at once. The resemblance was striking, although now he was a crab or a large scorpion. Mother and I exchanged looks: in spite of the metamor- phosis, the resemblance was incredible. `Is he alive?' I asked. `Of course. I can hardly hold him,' Mother said. `Shall I place him on the floor?' She put the plate down, and leaning over him, we observed him closely. There was a hollow place between his numerous curved legs, which he was moving slightly. His uplifted pincers and feelers seemed to be listening. I tipped the plate, and Father moved cautiously and with a certain hesitation onto the floor. Upon touching the flat surface under him, he gave a sudden start with all of his legs, while his hard arthropod joints made a clacking sound. I barred his way. He hesi- tated, investigated the obstacle with his feelers, then lifted his pincers and turned aside. We let him run in his chosen direction, where there was no furniture to give him shelter. Running in wavy jerks on his many legs, he reached the wall and, before we could stop him, ran lightly up it, not pausing anywhere. I shuddered with instinctive revul- sion as I watched his progress up the wallpaper. Meanwhile, Father reached a small built-in kitchen cupboard, hung for a moment on its edge, testing the terrain with his pincers, and then crawled into it. He was discovering the apartment afresh from the new point of view of a crab; evidently, he perceived all objects by his sense of smell, for, in spite of careful checking, I could not find on him any organ of sight. He seemed to consider carefully the objects he encountered in his path, stopping and feeling them with his antennae, then embracing them with his pincers, as if to test them and make their acquaintance; after a time, he left them and continued on his run, pulling his abdomen behind him, lifted slightly from the floor. He acted the same way with the pieces of bread and meat that we threw on the floor for him, hoping he would eat them. He gave them a perfunctory examination and ran on, not recognizing that they were edible. Watching these patient surveys of the room, one could assume that he was obstinately and indefatigably looking for something. From time to time, he ran to a corner of the kitchen, crept under a barrel of water that was leaking and, upon reaching the puddle, seemed to drink. Sometimes he disappeared for days on end. He seemed to manage perfectly well without food, but this did not seem to affect his vitality. With mixed feelings of shame and repugnance, we concealed by day our secret fear that he might visit us in bed during the night. But this never occurred, although in the daytime he would wander all over the furniture. He particularly liked to stay in the spaces between the wardrobes and the wall. We could not discount certain manifestations of reason and even a sense of humour. For instance, Father never failed to appear in the dining room during mealtimes, although his participation in them was purely symbolic. If the dining-room door was by chance closed during dinner and he had been left in the next room, he scratched at the bottom of the door, running up and down along the crack, until we opened it for him. In time, he learned how to insert his pincers and legs under the door, and after some elaborate manoeuvres he finally succeeded in insinuating his body through it sideways into the dining room. This seemed to give him pleasure. He would then stop under the table, lying quite still, his abdomen slightly pulsating. What the meaning of these rhythmic pulsations was, we could not imagine. They seemed obscene and malicious, but at the same time expressed a rather gross and lustful satisfaction. Our dog, Nimrod, would approach him slowly and, without conviction, sniff at him cautiously, sneeze, and turn away indifferently, not having reached any conclusions. Meanwhile, the demoralization in our household was increasing. Genya slept all day long, her slim body bonelessly undulating with her deep breaths. We often found in the soup reels of cotton, which she had thrown in unthinkingly with the vegetables. Our shop was open non-stop, day and night. A continuous sale took place amid complicated bargainings and discussions. To crown it all, Uncle Charles came to stay. He was strangely depressed and silent. He declared with a sigh that 300 301

  after his recent unfortunate experiences he had decided to change his way of life and devote himself to the study of languages. He never went out but remained locked in the most remote room — from which Genya had removed all the carpets and curtains, as she did not approve of our visitor. There he spent his time, reading old price lists. Several times he tried viciously to step on Father. Screaming with horror, we told him to stop it. Afterwards he only smiled wryly to himself, while Father, not realizing the danger he had been in, hung around and studied some spots on the floor. My father, quick and mobile as long as he was on his feet, shared with all crustaceans the characteristic that when turned on his back he became largely immobile. It was sad and pitiful to see him desper- ately moving all his limbs and rotating helplessly around his own axis. We could hardly force ourselves to look at the conspicuous, almost shameless mechanism of his anatomy, completely exposed under the bare articulated belly. At such moments, Uncle Charles could hardly restrain himself from stamping on Father. We ran to his rescue with some object at hand, which he caught tightly with his pincers, quickly regaining his normal position; then at once he started a lightning, zigzag run at double speed, as if wanting to obliterate the memory of his unsightly fall. I must force myself to report truthfully the unbelievable deed, from which my memory recoils even now. To this day I cannot understand how we became the conscious perpetrators of it. A strange fatality must have been driving us to it; for fate does not evade consciousness or will but engulfs them in its mechanism, so that we are able to admit and accept, as in a hypnotic trance, things that under normal circumstances would fill us with horror. Shaken badly, I asked my mother in despair, again and
again, ` How could you have done it? If it were Genya who had done it — but you yourself?' Mother cried, wrung her hands, and could find no answer. Had she thought that Father would be better off? Had she seen in that act the only solution to a hopeless situation, or did she do it out of inconceivable thoughtlessness and frivolity? Fate has a thousand wiles when it chooses to impose on us its incomprehensible whims. A temporary blackout, a moment of inattention or blindness, is enough to insinuate an act between the Scylla and Charybdis of decision. Afterwards, with hindsight, we may endlessly ponder that act, explain our motives, try to discover our true intentions; but the act remains irrevocable. When Father was brought in on a dish, we came to our senses and understood fully what had happened. He lay large and swollen from the boiling, pale grey and jellified. We sat in silence, dumbfounded. Only Uncle Charles lifted his fork towards the dish, but at once he put it down uncertainly, looking at us askance. Mother ordered it to be taken to the sitting room. It stood there aftenvards on a table covered with a velvet cloth, next to the album of family photographs and a musical cigarette box. Avoided by us all, it just stood there. But my father's earthly wanderings were not yet at an end, and the next instalment — the extension of the store beyond permissible limits — is the most painful of all. Why didn't he give up, why didn ' t he admit that he was beaten when there was every reason to do so and when even Fate could go no farther in utterly confounding him? After several weeks of immobility in the sitting room, he somehow rallied and seemed to be slowly recovering. One morning, we found the plate empty. One leg lay on the edge of the dish, in some congealed tomato sauce and aspic that bore the traces of his escape. Although boiled and shedding his legs on the way, with his remaining strength he had dragged himself somewhere to begin a homeless wandering, and we never saw him again. 303 SANATORIUM UNDER THE SIGN OF THE HOURGLASS FATHER'S LAST ESCAPE 302

  Table of Contents

  Part 1

  Part 2

  Part 3

  Part 4

  Part 5

  Part 6

  Part 7

  Part 8

  Part 9

  Part 10

  Part 11