Forever Loved (The Forever Series)

by Roy, Deanna

  I could feel him hot and hard against my back and pressed into his body. We had never gotten far in a shower when we were young, either afraid of being caught when I lived at home, or later, in our own apartment, refraining due to my girth from the baby, and my clumsiness. But this, I could see how it could work.

  One of his hands slid along my belly and down below, toying with the folds. My knees started to waver, but his other arm came around my waist, holding me solidly against him. He found the little nub he was searching for, and began to work it in lazy circles. I reached out to steady myself against the tile wall as the world tilted.

  The water splattered against my skin, heightening everything. He spread me wider, probing more deeply, and a mewling sound squeezed out of my throat. The steam rose off my body, and he moved faster, pressing his hips into my back with every stroke of his fingers. I felt a dam threatening to burst and leaned forward, wanting more of him, all of him.

  I wasn’t sure what to do about the height difference when he lifted my thigh to prop one foot on the side of the tub. I understood now, bending over. He braced my other foot with his so I wouldn’t slip, then guided himself into me. He was shockingly hot, waiting on the edge as I wasn’t as slippery as he was used to, but then he was in, thick and throbbing.

  I had to keep my eyes open or I lost all sense of space, up and down, just skin, water, steam, and the pressure of his body both behind and inside me. His rhythm was steady, easy, and languorous as he moved with strength and power, holding me up, keeping us balanced, and still, easing his fingers against the bud.

  I wanted it harder, faster, not sure I could take it without collapsing but needing to try. I pressed my palm into the tile, bracing myself so I could push into him, two opposite forces, crashing together, again and again.

  My thigh was starting to quiver, so he picked up the rhythm, his fingers fluttering with practiced intent. His breath sped up, puffing against my ear, and that confirmation that he was feeling it too charged through me in a flash. The muscles tightened around his fingers and the pleasure began to spread, first in small ripples, then blasting out. I let out a small cry, and Gavin worked faster, easing his fingers away, holding my hips, and then he was over the top, groaning into my hair, and the shattering of reality began to fall in sparkles, like the water glittering in the spray.

  We breathed together for a moment, unwilling to break apart. He wrapped both arms around my waist, his cheek on my back. I remembered feeling in that moment that we had gotten everything back, all of it, all of us, and because of that, baby Finn was not really lost. As long as Gavin and I were together, the pieces of Finn we carried were able to connect, and even the passage of time would not diminish the strength of those memories.

  In the hospital shower, I felt like I was on fire, and that the steam came not from the spray, but the heat of my body. I wanted to be well, to be with Gavin, hold on to him, hold him tightly to me as he went through this mess with that woman. She would not trick him, or take him, or cause him guilt or pain or grief.

  I would not let him fall.

  ~*´♥`*~

  A volunteer in a bright white dress came for me a few hours later. “I hear you’re going to do some art!” she said, rolling a wheelchair up beside my bed.

  I’d traded the hospital gown for my mother’s velour sweatpants and flowered T-shirt, wishing I’d told Gavin to get me some clothes during one of his rides over. She had tiny feet, so I still had the nubby socks, but I was getting out of the room, and that was good enough for me.

  “I didn’t know I was getting chauffeured,” I said.

  “This is a high-class operation,” the woman said. “I understand you need this, though.” She passed me a blue surgical mask.

  “Really?”

  “You can’t run around collecting everyone’s germs.”

  I tucked the elastic behind my ears, already wanting to stay back. But I had to ask Tina about the test, and this was the best way to make sure my parents weren’t around.

  They waved as we rolled out. “Go shopping!” I called back. “Have some fun!” And give me some time to myself again, I thought, as we trundled down the hallway. They were definitely a devoted pair. I tried to imagine sitting in a hospital all day for my child, then remembered, I had. For seven terrible days.

  The very idea that I’d forgotten this brought my exuberance of being out of the room to a crash. It probably felt the same as the times someone would ask my mom how many children she had. When she popped out “Just the one,” too quickly, she often cried afterward, as if neglecting to mention all the babies she had lost was some great failure, a disloyalty that struck her heart.

  Because of our town’s size, this rarely happened near home. Everyone knew her history. But I particularly remembered a trip to the Grand Canyon, standing on the edge of a flat rock and looking over the massive crater in the earth. Another family had come up, four unruly boys, and the father had asked my dad to take a picture of his brood.

  The woman had been friendly enough, thanking us. “What I’d give to only have one again!” she exclaimed, snatching at the littlest son, who seemed determined to slide off the rock to a ledge a few feet below. “Take my advice and don’t have any more!”

  My mom managed a weak “I won’t,” but after they were gone, she’d sat on a bench and cried for ten minutes, which seemed like forever when I was just six. I didn’t know then what had set her off, and my dad waited beside her, an arm over her shoulder, looking out over the canyon like the gash in the earth was minuscule compared to the hole in their lives.

  But I got it now, the wheelchair whirring along the waxed floor, passing people in various stages of distress, nurses, families, patients on beds moving through the corridors for MRIs or brain scans or EKGs. The full force of Gavin’s surgery hit me again. I might never be given the chance to express my number of children, including or excluding Finn based on the situation. My belly might stay empty for the rest of my days.

  We passed through the hub, and I knew that on my old floor, the bereavement rooms were above me. On this hall, however, we were clearly in some pediatric ward. The walls were colorful, and the art framed on the wall was bright with happy images of circuses, animals, and girls in sequined costumes performing tricks on a trapeze.

  The doors were all closed, however, so I didn’t see any of the small patients. We turned toward an atrium and then into a wide room lined with windows. Tina stood at a table, coaxing a couple smooth-headed children to wash their brushes. She’d apparently given up on the nice clothes like the sweater and skirt from before. Now she wore splattered jeans and a black cotton shirt.

  “You can come back for these when they are dry,” she said. She hung a wet image of the sun crying red tears on a line with several other paintings. “If you forget, I’ll bring them by your room tonight.”

  One of the children had an oxygen mask and moved a rolling cart around the room with ease. I tried to imagine being the parent of one of these small patients with long-term illnesses and lost childhoods, and found that maybe in the hierarchy of parental grief, I had actually been spared.

  “We’re just finishing up with the short-stack set,” Tina said. “Come on in.”

  A couple nurses in monkey scrubs appeared in the door. “Ready?” one of them asked the girl with the mask.

  “I want to stay here with Tina,” she whined.

  “I’ll see you tomorrow,” Tina said. “And maybe we can use some clay.”

  The girl clutched Tina’s leg, and I witnessed, just for a split second, how this affected her. I saw the same mental image, the figure of her own child, who would never perform such a simple act of attachment.

  The volunteer rolled me up to the table. “Someone will be back for you,” she said. “Have a good time.”

  “Thank you.”

  Tina extricated herself from the girl, who was led away by the nurse. She began to pick up the various cups of gray water.

  “They love you alrea
dy,” I said.

  She dumped the water in a little silver sink and rinsed out the cups. “The kid classes are okay. The grown-up ones are…interesting.”

  “I didn’t realize you’d be doing kids too.”

  “I knew. That’s where the art room is, anyway. Nothing like this on the other floors.” She pulled a handful of paper towels from the dispenser and began drying off the table.

  The room had emptied. “Am I your only patient?”

  “I doubt it. Yesterday I had Albert and Clementine. I’m pretty sure they aren’t getting out anytime soon.” She glanced at the clock. “They were about five minutes late yesterday too. I think it’s meds time, so they have to wait.”

  I wanted to ask more about them, but figured she had some confidentiality clause anyway. “Are you liking it here?”

  She tweaked her two pigtails, tightening them against her head. “The kids are fun, though messy. Their program is new. Sabrina hadn’t had time for them. There are lots of kids. They could easily fill my day.”

  “Is it hard?”

  She tugged an antibacterial wipe from a container and sat in a chair opposite me to scrub down the table. “A little. I swear I see Peanut in every one. I mean, I know he couldn’t have lived. He was way too small. But he would have had a lot of problems. He could have ended up someplace like this.”

  “Finn too. Even if he had the heart surgery, it would have been an uphill battle. They have to do three increasingly difficult repairs as they grow.”

  “Makes me realize how hard some parents have it.” She closed up the paint palettes and stacked them in the center of the table. “I’m not sure which is harder. Having them die right away, or having them for months or years and then having to let them go.”

  “It’s all hard.”

  I didn’t know how much more time we’d have alone, or if we’d get any time after, so I decided to plunge right in with my question. “So, have you learned your way around yet?”

  She shrugged. “Somewhat. I get the overall lay of the land. There’s too many people to meet to know them all.”

  “What department would handle doing a paternity test?”

  Her hands stilled on the plastic paint boxes. “Who’s asking?”

  “I am. For Gavin.”

  Her pale eyebrows shot up. “What’s going on?”

  I stood up from the wheelchair so I could walk over to the windows. “He says there’s this girl who claims her kid is his.” I turned back around and leaned on the counter that lined the wall. “He just wants to clear his name.”

  “You don’t have to go to a hospital. I think there are outfits that do it anywhere.”

  “But I’m here. And I can’t get out right now to be with him.”

  “You mean, to see her. And the kid.”

  I fingered a stack of art paper, straightening the corners. “I want to see her, yes.”

  “And the kid. To torture yourself.”

  “Maybe.”

  She walked over next to me and picked up a piece of the paper. “Your first assignment in art therapy is to draw a picture of how you think this meeting will go.”

  I frowned at the paper. “You realize I can’t draw.”

  “Do what you can.”

  “Will you find a way to do the test?”

  “I will ask around. I’m sure someone here does it.”

  I accepted the sheet of manila stock, heavy and textured. “Thank you.”

  A man in pale blue scrubs, beefy and no-nonsense, led an elderly man and a middle-aged, slightly hunched woman into the room.

  “Hello, Albert and Clementine,” Tina said. “Come in.”

  Albert looked over the room, tall and lean, almost skeletal in gray flannel pants and a soft blue checked shirt. His face was grizzled, dotted with patchy bits of gray beard, and his eyes were sunken, pale, and bewildered, as if he had no idea how he had come to this place.

  Albert moved to sit in one of the chairs, but Clementine punched him in the arm. “That’s mine.” She plunked into the chair, bending tight over the surface of the table. Her hair was long and wild, solid gray from her scalp to the line that marked her last dye job, a deep brown. I wondered what had happened to them both. They both seemed shadows of some other person, the brighter, healthier self they once were.

  Albert moved on to one of the other seats. The chairs weren’t child-sized, but they were small, so when he folded his tall frame into one, his knees bumped against the table.

  “This is Corabelle,” Tina said. “She’s joining us today.”

  Clementine didn’t look up, snatching at the stack of paper and grabbing two colored pencils, orange and purple. She immediately began scrawling fervently across the page. When I tried to look at her work, she covered it with her arm, eyeing me with suspicion. I looked away.

  “What are we doing today, teach?” Albert asked.

  Tina passed him a piece of paper. “Yesterday we drew an image of something from our childhood. Today I’d like you to show me a place you’ve been that struck you as interesting. You can use the colored pencils again like yesterday,” she cast a quick glance at Clementine, “or you can use watercolors.”

  Albert considered his choices. When he reached for the palette of paints, Tina hurried to the sink to fill a cup with water. As she shut off the faucet, Albert was already poking the still-damp colors with his brush. “Don’t work worth a damn,” he said, making a brown trail across the page.

  “Get it wet,” Tina said. “Here you go.” She set the cup in front of him.

  I didn’t realize how much his hands were shaking until he aimed his brush for the cup, missed it completely, then knocked it over. I quickly lifted my page as the water trailed across the table.

  “I’ll get it!” Tina hopped up again, snatching a handful of paper towels. She sopped up the water, and Albert covered his eyes with his trembling fingers. “I’m sorry, miss. So sorry.”

  “It’s okay,” Tina said. “You should have seen the disaster after the little tykes came through.”

  He stared at his hands, quivering like flags in the wind. “I once had powerful hands,” he said.

  “You still do,” Tina said. “Remember what I told you. Work within your limitation, and set your expectation outside of it.”

  Albert stared at the page and the wavering line dissecting it. He stabbed at the water cup again, now holding only a fraction at the bottom, and dipped it in the blue. He closed his eyes a moment, as if willing his hand to still, and then the most remarkable thing happened. His hand still shook, but even so, the brush moved across the page with rapid skill, quickly sketching out an incredibly detailed and realistic ruin of a medieval castle.

  I was just wondering why it was blue when he mixed the brush into the gray and began to add shadows and texture. I realized the color was a reflection of the time of day. I looked up at Tina, flabbergasted at the haunting image springing from his page. She watched him too, a small smile crossing her lips, and I knew, really knew, that she was doing the right thing being here. This man needed her. Maybe he was already an artist, maybe he had Parkinson’s or some other illness, and this led him to being here. She was going to show him the way.

  She tapped the table above my blank paper. “You haven’t started your assignment,” she whispered.

  Next to the amazing painting that was already filling Albert’s page, I felt horribly self-conscious sketching out an image of Gavin, myself, then another woman and a small boy standing by a counter. I sheepishly wrote the words “Testing Clinic” in a rectangle over our heads to signify the location.

  As Tina folded her arms to show I wasn’t through yet, assuming a teacher pose that must come naturally to those who were meant for it, I began filling in details. A receptionist, folders on the desk. A little picture showing a happy family like most people had in their workspaces.

  Clementine slammed her pencils to the table. “Done,” she said, pushing her paper at Tina, a series of alternating color blocks, like
a chessboard. “Can I go back now?”

  “You know we have to talk about our work,” Tina said. “Would you like to sculpt while Albert and Corabelle finish theirs?”

  Clementine scowled at the table. Tina turned to the long line of counters and pulled out a tub of clay. I focused back on my paper. I didn’t know what else to do to it. I colored in the other woman’s pink skirt, making it a bit longer since I’d spitefully made it so short. I ignored the small figure on the end and focused on turning my dress into one I had worn to the homecoming dance our senior year, before we knew Finn was coming, when our future still spread before us as something simple and easy.

  I began to sketch in Gavin’s outfit from that night, gray pants and a blue shirt. I knew it well, as that was one of our last images together before I got pregnant, posed in front of an arch of balloons. We’d missed prom and hadn’t gotten a wedding. That year was such a blur of SATs and studying, then the pregnancy, and moving to our little place. As I filled in the color, I refused to let my memory touch on the harder days, after Finn’s birth. I switched instead to an image of this other woman, pushing alone in a hospital, having a baby with no father. At least for that part, I was surrounded by love and support.

  The boy was three, Gavin had said. How had she gone so long without designating someone as the dad? So many questions. I pushed too hard on the pencil and the tip snapped off, leaving a tiny hole in the page. I set it down. “I think I’m done,” I told Tina.

  Albert had also finished, dabbing the brush in the gray water, trying to rinse it out.

  “I’ll take that,” Tina said, moving the cup to the sink.

  Clementine punched at her clay, flattening it out on the table. Her banging fists sent vibrations through the surface. The three of us watched her a moment, intent on her work, until she realized she had our attention and frowned, covering the pink oval with her arms. “What?” she asked.