Our Love Will Go the Way of the Salmon

by Cameron Pierce

  “Sway,” I said.

  “Come inside,” he said, heading toward his shack.

  “Where’d you learn to speak English?” I asked.

  “Where’d you learn to speak it?” he asked.

  “In the U S of fucking A,” I told him. He emanated this calm energy, so I guess that’s why I didn’t just kill him then. Or maybe I was still reeling from Larry’s death.

  He turned back to say something without breaking stride. “Come on. Dinner’s burning.”

  I followed him into the shack. Part of me expected his gook family to jump out and tie me up in a rice sack or something, but he didn’t have any family. It was only him, living alone on this fish farm.

  We ate dinner that night and after dinner we sat by a portable radio and listened to some dance music. He asked about my family and I told him I had none. I asked about his and he had none either.

  I don’t know who held whose hands first. All I know is I didn’t protest. Neither did he. The heart just does what it wants sometimes.

  The next morning, I woke early. I could’ve ducked out and headed into the jungle to find my people, but instead I hung around. We ate breakfast and then I helped him on the farm, feeding fish and netting fish and bleeding fish so they could be sold in the market. Once we had about a hundred pounds of fish in a sack, he heaved the sack over his shoulders.

  “If anyone comes by, just stay quiet,” he said.

  He marched away with his sack of fish to go sell at the market. If I went with him there’d be problems. Besides, I liked it there. I sat by one of the fish ponds and watched the big catfish swim lazily by. Sway, he called them. But it wasn’t pronounced or spelled that way.

  Swai. That’s what they were.

  That evening, he was hunched over the stove, cooking us a meal of catfish and rice. I sidled up behind him, singing, “Hey, good lookin’, what you got cookin’?” I put my hands on his hips and gently we swayed back and forth, like newlyweds.

  I don’t know how long life continued like that. All I know is, it’s the closest I’ll ever come to Eden.

  Then one day another platoon discovered the farm. They chucked dynamite in the pond and they killed those beautiful fish. He was returning from the market when they came. They intercepted him and placed a bullet in his head. I ran out of the house and they saw me and they asked, “Are you all right?” And even though I felt the rage and sadness of a thousand years, I told them I was fine. So they burned down the home of the catfish farmer.

  I never knew his name and he never knew mine, and I’ll never be closer to completion than I was so very long ago, and I’ll never forget the two of us swaying in his kitchen night after night, but from the darkness he delivered me, and that’s about as much as a man can do for another man.

  Hey, good lookin’, what you got cookin’?

  Swai, motherfucker.

  Swai.

  It’s the top of round three in a four round fight. You’ve never been knocked out before, but when a vicious uppercut connects with your chin, you wonder if you’re about to find out how it feels. Your mind fights for control of your body. Your knees wobble. Ten minutes ago, you saw Olympic gold. You saw yourself standing triumphant over the broken body of Vicki Alvarez. Now the fight isn’t even halfway to the finish and you’re seeing stars. How could you gas so early? Your cardio routine is insane. How can you get hit like this? You’ve fought Vicki before. You know firsthand she only has one deadly punch. How can you fail to hit her? You’ve studied her fights so much in recent weeks, her body is practically a celluloid extension of your own. Physically, you’re the superior. You’re faster, stronger, and pack more muscle. Mentally, though, Vicki is a beast. You realize your strength means shit against a cerebral fighter like Vicki, one so remarkable in her plan of attack. Every punch feels scripted, like she’s a goddamn playwright. Or a ventriloquist. She moves, you move, and she puts you right where she wants you. That’s how good she is. At the end of round two, you’re positive you can’t lose another round or the fight’s hers. Houston tells you to get inside and keep your jab in her face. It won’t earn you many points on the score card, but it’ll teach her to respect your space. Then you can set to work chiseling away at her. You nod, gasping for water. The bell to begin round three dings and suddenly you have a taste for blood. You feel stronger now than you did before the fight. You do what you always do when the cards are down. You let your pain be a fortress.

  Remember, you chose this for survival. You never did this for the glory or the status or the money. No, you chose this so that the next time someone tried to mug your ass or hurt your baby sister, you could fight back. Survival. But something happened between then and now. You find yourself floating amidst bright lights and screaming blurs that are probably human faces but might be indications that one of your retinas has come detached. You’re gassed. It’ll require all your strength and more just to stay standing for the remainder of the fight. Besides, your opponent, Vicki Alvarez, has never been knocked down in her career. You’ve faced her once before. She beat you then. She’ll beat you now. The difference? If you lose here, your shot at the Olympics ends now and forever. You’re seventeen and will likely never get another shot. Those dreams of a gold medal, they’ll be gone. But is that really what you did this for? No, you think, as you keep swinging, dodging, bobbing and weaving. You’re dog tired, know she’s almost broken you, but you’re not sloppy. Your mechanics have never failed. Your heart, that’s another story.

  A year ago, you ran away from the foster home in Riverside, only to be returned when a knife wound landed you in the hospital. Some wannabe gangsters had tried to rob you and you lashed out. That was your first realization that your skills inside the ring would not always protect you outside of it.

  You were raw talent, fury, survival. Shit for brains and lazy, but that didn’t matter yet. You’d destroyed the competition in regional tournaments, placing no worse than third in your weight class since strapping on a pair of gloves at the age of thirteen, when you first walked into PAL and asked to fight, when you still lived in Bakersfield. You, a shy little girl living in a world of hurt. With the proper training regimen, you’d be unstoppable, a beast.

  It was in the foster home that you first began thinking seriously about the Olympics. If you qualified and went on to take the gold, not only could you claim Shelly as her legal guardian when you turned eighteen—which you’d be doing either way, regardless of results—you could give her a life outside Cottonwood and foster homes. Show her the good life. Buy a car, a home. Send her off to college. Be a real loving family together. You saw it crisp as a movie in your mind, you returning home every night, still sweaty from the gym, Shelly studying at the kitchen table. Maybe you’d order pizza and watch a movie together, or maybe you’d just chill.

  This fight, it’s in Denver. Maybe that’s why it feels like you fall a mile when you drop. All you know is, one moment you’re in the fight, gassed and still down on the cards but confident, keeping that jab in her face. Then the next thing you know you’re scraping your screaming bones off the canvas. You’re crying because you’re through with acting tough, with putting on a mean face. There will be no Olympics, and that means your dreams are finished.

  Yeah, she broke you.

  Houston ushers you into the locker room, where he makes you look him in the eye. “You fought like a warrior,” he says, “but sometimes warriors have to lose. Listen, you fought hard. There’s nothing more you can ask for.”

  “But what am I gonna do?” You’re sobbing, uncertain whether your words are comprehensible or buried in the briny mush of tears and snot, the bruises swelling your face.

  Houston hears you. He always does. “You’re gonna fight. You’re gonna find a job, enroll in community college, and continue to fight.”

  “I’m done fighting.”

  “You can do that too.”

  The next day, you fly back to Bakersfield.

  You stand with Houston in silence by the
conveyor belt in baggage claim. This is when the idea comes.

  “I want to visit Shelly tomorrow,” you say. Houston had arranged for you to stay in his home—a two bedroom bungalow where he lived with his wife and three kids—for two nights, a Friday and Saturday, following the fight. Everything will work out, if only he says yes.

  “I’ll think about it,” he says, which with him usually means yes.

  You spend the evening watching horror movies in the living room. Houston takes his family out for Mexican food, but you decline the invitation to join them. You cook a frozen pizza for dinner, but three bites in you turn flush and blasts of heat and white light glaze over you. Your stomach flips like the time you ate an entire roll of Dramamine and you rush to the bathroom, dodging punches from phantoms that look like Vicki Alvarez the whole way. You throw up in the sink and feel better.

  When Houston returns, he sits beside you on the couch and hands you the keys to his old Datsun pickup. “Be back by dark,” he says. “And just so you know, I’m proud of you. I’m proud of the way you fought.”

  You go to sleep and dream about your sister, the life you’ll soon have together.

  In the morning, you leave at daybreak.

  You stop for coffee at McDonald’s but as you’re sitting in line at the drive-thru you decide you don’t need it, and when your turn comes up to place an order, you say, “I don’t want anything.”

  The drive-thru employee fails to understand and repeats: “Welcome to McDonald’s. May I take your order?”

  “I said I don’t want anything, bitch.”

  “Excuse me?”

  You slam your fists against the steering wheel, screaming, “I don’t want anything! I don’t want anything!” But there’s two cars waiting for their orders in front of you, so you say, “Okay, gimme a hash brown.”

  You’re in tears as you pay for your lone hash brown. The cashier looks at you strangely, but you don’t care.

  You toss the hash brown out the window as you hit the freeway on-ramp.

  Eighty-five miles-per-hour puts you in Visalia before eight in the morning.

  You should have called ahead to let Shelly’s foster home know you’re coming, but when you arrive, they don’t hassle you about it. After all, you’re her sister and you drove all this way. They give Shelly leave for the day as long as you return her by six o’clock. Enough time to get far away from this place.

  Shelly is surprised to see you. At first she looks delighted, then a nervous expression crosses her face. You give her the biggest hug of your life, not because you miss her, but to silence her.

  She doesn’t ask about your recent bout. She never asks about your life. You’re sisters and you mean the world to each other, but that doesn’t mean she has to give a rat’s ass about what you do. The bond between you stems from a common, anguished history. Yours is a love forged by the endurance of pain, not mutual interests or talking about your problems.

  “So where’re we going for lunch?” she asks in the car.

  “North of here,” you say. “Way north.”

  That’s when Shelly finally gets it. “We’re not coming back, are we?” she says.

  “No, we’re not.”

  You hit the highway to the coast, the one James Dean died on, slicing through arid mountains and cow pastures.

  Shelly shrugs off your attempts at small talk. You attempt to turn on the radio but remember it’s broken. The silence should be comforting. Instead it hurts your heart.

  Maybe you’re not paying attention. Maybe you are. All you know is one moment the clouds open up and light spills down in white rays that stab into the ground like swords of angels and the next, a car in the oncoming lane cuts into your lane, attempting to pass another car. The gap is too narrow. They’ll never make it, and that means neither will you.

  “Hold on!” It’s your voice and you turn the wheel, sharp and to the right, hitting the hard dirt at the edge of the road and then overcorrecting, back onto the highway, but the truck’s tires catch on the lip of the road and the truck jerks hard to the right, through a barbwire fence, tumbling end over end.

  The truck rolls once.

  The truck rolls twice.

  The roof caves in.

  The windows shatter.

  The truck stops right-side up in a field and the sun pours down so thick, you can feel the warmth rolling down your forehead like honey.

  A cow stares at you with one big eye.

  It turns its head and you see its other eye is missing.

  The one-eyed cow can’t see you now.

  You think that’s kind of funny.

  You laugh a little at the one-eyed cow.

  You laugh like you and Shelly are children again, back home, in that one year when everything was good.

  “Shelly,” you say, “look at that cow.”

  Shelly sits there, silent.

  “Yeah, okay, you be a little bitch and ignore me,” you say.

  She sits still beside you as your laughter turns to shrieks, as a white sword from above stabs you in the mouth and the sword is held by a fifty-foot-tall Vicki Alvarez. There’re people walking through the field, shambling toward the truck, and for a moment you panic. You think they’re here to eat your brains, but all they do is ask you questions. Are you all right? Does anything hurt? Can you move? And you want to tell them that you are not all right, that everything hurts, has always hurt, and that’s what you’re doing. Moving. Getting on with what’s become of you.

  “I love you,” you say, and you hope that Shelly is listening as men and women in uniforms pry off the door and lift you out of the skeleton of the truck and lay you down on a stretcher. And you want to ask what that black bag is for, the one they put Shelly in, but what you want most of all is to know that she heard you, you want her to know how much you love her. Maybe it’s a trick of the light raining down from heaven, but you’re pretty sure her lips beneath the black bag mouth the words, “I love you too.”

  Every summer my father and I would make the drive to the ghost town of Lundy near the Nevada border to fish the lake there. We’d wake early and get doughnuts at 7-11 and drive and every five miles my father would turn to me and say, “You gonna catch a Lundy lunker?”

  I’d say, “Yeah, I’m gonna catch a Lundy lunker.”

  Or I’d say, “No,” and he’d say, “What?” Then I’d say, “I’m gonna catch two Lundy lunkers,” and he’d chuckle and we’d high-five.

  But year after year of trips through the Sierra Nevada mountain range, passing the great and desolate Mono Lake—the biggest salt lake west of Mormon country—my father and I never made it to Lundy Lake.

  Every time without fail, fifteen miles past Mono Lake, he’d turn off at the fishing resort on June Lake. “We’ll stay here tonight,” he’d say. “Wake up early and drive up to Lundy.”

  I’d nod and say yeah, that seems like a good idea. It would inevitably be getting dark and if we stopped off at June Lake, at least we could fish the evening bite. The next morning I’d wake up so damn excited to catch a Lundy lunker, but then my father would say, “I hear the bite here is pretty good this morning.” So we’d go out on June Lake and catch trout as fast as we could cast out. Trout after trout after trout after trout after trout after trout after trout after trout after trout after trout after trout after trout after trout. That’s how we did it at June Lake and who were we to deny these beautiful, willing fish? They weren’t no Lundy lunkers, though.

  And then one year when I was getting older and our annual trip was coming up, I got to looking at a map of Mono County and I couldn’t believe what the map showed me. The distance between June Lake and Lundy was only twenty-five miles. We stopped twenty-five miles short of our destination every summer from the time I had to be strapped in a car seat all the way to the time my father let me take the wheel. Twenty-five miles.

  Twenty-five miles.

  I never asked him why we stopped short. Don’t think he’d have an answer if I did ask.


  You may say, “Well of course you stopped short. The bite was on at June Lake.”

  This is what I say to that: You weren’t in the car with my father all those years. You didn’t grow up your whole life hearing about those Lundy lunkers.

  You see, Lundy lunkers are no ordinary trout. They come in incredible varieties and in sizes you just wouldn’t believe. For six, seven hours on the drive up north, my father recounted the half dozen or so types of trout in Lundy Lake. Oh how those Lundy lunkers made my mouth water and my heart go all fluttery like this girl Raimi did. They made me break out in a sweat. I loved them. I dreamed of them. Some of them I was scared of but I coveted them all the same. So now, on the occasion of my father’s birthday, I present to you a list of every trout he told me we might catch, if we fished Lundy Lake, which we never did, and may never do now.

  A Complete Catalog of the Lundy Lunkers,

  According to Kelly Dean

  Alligator Trout: A predatory hybrid of alligator gar and brown trout. Mature alligator trout average four to five feet in length. They are the deadliest of all trout in the world. Stray cats are a pretty surefire bait to catch them.

  Dolphin Trout: Invented in 1972 to celebrate the Miami Dolphins’ undefeated season, dolphin trout are native to Florida. They were stocked in Lundy Lake in 1984 to control the rampant alligator trout population. They are extremely intelligent and have bottle noses. Friendly too. Some you can even pet.

  Howling Trout: The howling trout only comes out on full moons, when guess what, it howls at the moon. The howling trout is scary as shit. The unlucky men who’ve caught one have all died of fright or gotten mauled to death. Either way, all encounters with the howling trout end in death. The howling trout is the reason I slept at the foot of my father’s bed most nights throughout my childhood.

  Cherry Blossom Trout: No one has ever successfully caught a cherry blossom trout. That’s because once they’re hooked, they make a final, lemming-like leap (only out of the water instead of into it) and explode into a hot pink mess. Their skin is coated in petals, not scales. The mating season of the cherry blossom trout is one of the undisputed wonders of the world. They mate in clear, shallow water and when you look down into that water, you will see a forest of cherry trees all in blossom, except they’re fish, not trees. The cherry blossom trout originated in the coastal rivers of Japan. Eventually some of them traveled across the Pacific to start a new life in Lundy, California, where the wives of gold miners used to admire their beauty.