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Delphi Complete Works of Sir Arthur Conan Doyle (Illustrated)

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by SIR ARTHUR CONAN DOYLE


  (Tuesday, August 16, 10 p.m. In the field.) By the light of a small photographic lamp.

  Fairies. Elsie sees a circle of fairies tripping round, hands joined, facing outwards. A figure appears in the centre of the ring, at the same time the fairies faced inwards.

  Goblins. A group of goblins came running towards us from the wood to within fifteen feet of us. They differ somewhat from the wood elves, having more the look of gnomes, though they are smaller, being about the size of small brownies.

  Fairy. Elsie sees a beautiful fairy quite near; it is nude, with golden hair, and is kneeling in the grass, looking this way with hands on knees, smiling at us. It has a very beautiful face, and is concentrating its gaze on me. This figure came within five feet of us, and, after being described, faded away.

  Elf. Elsie sees a kind of elf who seems to be going so fast that it blows his hair back; one can sense the wind round him, yet he is stationary, though he looks to be busily hurrying along.

  Goblins. Elsie sees a flight of little mannikins, imp-like in appearance, descending slantwise on to the grass. They form into two lines which cross each other as they come down. One line is coming vertically down, feet touching head, the other comes across them shoulder to shoulder. On reaching the ground they all run off in different directions, all serious, as if intent upon some business. The elves from the wood appear to be chiefly engaged in racing across the field, though no other purpose appears to be served by their speed or presence. Few of them pass near us without pulling up to stare. The elves seem to be the most curious of all the fairy creatures. Frances sees three and calls them goblins.

  Fairy. A blue fairy. A fairy with wings and general colouring of sea-blue and pale pink. The wings are webbed and marked in varying colours like those of a butterfly. The form is perfectly modelled and practically nude. A golden star shines in the hair. The fairy is a director, though not apparently with any band for the present.

  Fairy Band. There has suddenly arrived in the field a fairy director with a band of fairy people. Their arrival causes a bright radiance to shine in the field, visible to us sixty yards away. She is very autocratic and definite in her orders, holding unquestioned command. They spread themselves out into a gradually widening circle around her, and as they do so, a soft glow spreads out over the grass. They are actually vivifying and stimulating the growth in the field. This is a moving band which arrives in this field swinging high over the tree tops as if from a considerable distance. Inside a space of two minutes the circle has spread to approximately twelve feet wide and is wonderfully radiant with light. Each member of the band is connected to the leader by a thin stream of light. These streams are of different colour, though chiefly yellow, deepening to orange. They meet in the centre, merging in her aura, and there is a constant flow backwards and forwards among them. The form produced by this is something like an inverted fruit dish, with the central fairy as the stem, and the lines of light which flow in a graceful even curve forming the sides of the bowl. This party is in intense activity, as if it had much to do and little time in which to do it. The director is vivified and instructed from within herself, and appears to have her consciousness seated upon a more subtle plane than that upon which she is working.

  Fairy. Elsie sees a tall and stately fairy come across the field to a clump of harebells. It is carrying in its arms something which may be a baby fairy, wrapped in gauzy substance. It lays this in the clump of harebells and kneels down as though stroking something, and after a time fades away. We catch impressions of four-footed creatures being ridden by winged figures who are thin and bend over their mounts like jockeys. It is no known animal which they bestride, having a face something like that of a caterpillar.

  Amongst this fairy activity which appears all over the field, one glimpses an occasional gnome-like form walking with serious mien across the field, whilst the wood elves and other imp-like forms run about amongst their more seriously employed fairy kind. All three of us keep seeing weird creatures as of elemental essence.

  Elsie sees about a dozen fairies moving towards us in a crescent-shaped flight. As they drew near she remarked with ecstasy upon their perfect beauty of form — even while she did so they became as ugly as sin, as if to give the lie to her words. They all leered at her and disappeared. In this episode it may be that one contacts a phase of the antagonism and dislike which so many of the fairy creatures feel for humans at this stage of evolution.

  Frances saw seven wee fairies quite near [paragraph continues] — weird little figures-lying face downwards.

  (In the Glen, 18th, 2 p.m.) Frances sees a fairy as big as herself, clothed in tights and a garment scalloped round the hips; the whole is tight-fitting and flesh-coloured; she has very large wings which she opens above her head; then she raises her arms from her side up above her head and waves them gracefully in the air. She has a very beautiful face with an expression as if inviting Frances into Fairyland. Her hair is apparently bobbed and her wings are transparent.

  Golden Fairy. One specially beautiful one has a body clothed in iridescent shimmering golden light. She has tall wings, each of which is almost divided into upper and lower portions. The lower portion, which is smaller than the upper, appears to be elongated to a point like the wings of certain butterflies. She, too, is moving her arms and fluttering her wings. I can only describe her as a golden wonder. She smiles and clearly sees us. She places her finger on her lips. She remains watching us with smiling countenance in amongst the leaves and branches of the willow. She is not objectively visible on the physical plane. She points with her right hand, moving it in a circle round her feet, and I see a number, perhaps six or seven, cherubs (winged faces); these appear to be held in shape by some invisible will. She has cast a fairy spell over me completely subjugating the mental principle — leaves me staring wild-eyed in amongst the leaves and flowers.

  An elf-like creature runs up the slanting branch of the willow from the ground where the fairy stands. He is not a very pleasant visitor — I should describe him as distinctly low class.

  CHAPTER VI

  INDEPENDENT EVIDENCE FOR FAIRIES

  By a curious coincidence, if it be indeed a coincidence, at the moment when the evidence for the actual existence of fairies was brought to my notice, I had just finished an article dealing with the subject, in which I gave particulars of a number of cases where such creatures were said to have been seen, and showed how very strong were the reasons for supposing that some such forms of life exist. I now reproduce this article, and I add to it another chapter containing fresh evidence which reached me after the publication of the photographs in the Strand Magazine.

  We are accustomed to the idea of amphibious creatures who may dwell unseen and unknown in the depths of the waters, and then some day be spied sunning themselves upon a sandbank, whence they slip into the unseen once more. If such appearances were rare, and if it should so happen that some saw them more clearly than others, then a very pretty controversy would arise, for the sceptics would say, with -every show of reason, “Our experience is that only land creatures live on the land, and we utterly refuse to believe in things which slip in and out of the water; if you will demonstrate them to us we — will begin to consider the question.” Faced by so reasonable an opposition, the others could only mutter that they had seen them with their own eyes, but that they could not command their movements. The sceptics would hold the field.

  Something of the sort may exist in our psychic arrangements. One can well imagine that there is a dividing line, like the water edge, this line dependiing upon what we vaguely call a higher rate of vibrations. Taking the vibration theory as a working hypothesis, one could conceive that by raising or lowering the rate the creatures could move from one side to the other of this line of material visibility, as the tortoise moves from the water to the land, returning for refuge to invisibility as the reptile scuttles back to the surf. This, of course, is supposition, but intelligent supposition based on the available evidence is th
e pioneer of science, and it may be that the actual solution will be found in this direction. I am alluding now, not to spirit return, where seventy years of close observation has given us some sort of certain and definite laws, but rather to those fairy and phantom phenomena which have been endorsed by so many ages, and still even in these material days seem to break into some lives in the most unexpected fashion.

  Victorian science would have left the world hard and clean and bare, like a landscape in the moon; but this science is in truth but a little light in the darkness, and outside that limited circle of definite knowledge we see the loom and shadow of gigantic and fantastic possibilities around us, throwing themselves continually across our consciousness in such ways that it is difficult to ignore them.

  There is much curious evidence of varying

  value concerning these borderland forms, which come or go either in fact or imagination — the latter most frequently, no doubt. And yet there remains a residue which, by all human standards, should point to occasional fact. Lest I should be too diffuse, I limit myself in this essay to the fairies, and passing all the age-long tradition, which is so universal and consistent, come down to some modern instances which make one feel that this world is very much more complex than we had imagined, and that there may be upon its surface some very strange neighbours who will open up inconceivable lines of science for our posterity, especially if it should be made easier for them, by sympathy or other help, to emerge from the deep and manifest upon the margin.

  Taking a large number of cases which lie before me, there are two points which are common to nearly all of them. One is that children claim to see these creatures far more frequently than adults. This may possibly come from greater sensitiveness of apprehension, or it may depend upon these little entities having less fear of molestation from the children. The other is, that more cases are recorded in which they have been seen in the still, shimmering hours of a very hot day than at any other time. “The action of the sun upon the brain,” says the sceptic. Possibly — and also possibly not. If it were a question of raising the slower vibrations of our surroundings one could imagine that still, silent heat would be the very condition which might favour such a change. What is the mirage of the desert? What is that scene of hills and lakes which a whole caravan can see while it faces in a direction where for a thousand miles of desert there is neither hill nor lake, nor any cloud or moisture to produce refraction? I can ask the question, but I do not venture to give an answer. It is clearly a phenomenon which is not to be confused with the erect or often inverted image which is seen in a land of clouds and of moisture.

  If the confidence of children can be gained and they are led to speak freely, it is surprising how many claim to have seen fairies. My younger family consists of two little boys and one small girl, very truthful children, each of whom tells with detail the exact circumstances and appearance of the creature. To each it happened only once, and in each case it was a single little figure, twice in the garden, once in the nursery. Inquiry among friends shows that many children have had the same experience, but they close up at once when met by ridicule and incredulity. Sometimes the shapes are unlike those which they would have gathered from picture-books. “Fairies are like nuts and moss,” says one child in Lady Glenconner’s charming study of family life. My own children differ in the height of the creatures, which may well vary, but in their dress they are certainly not unlike the conventional idea, which, after all, may also be the true one.

  There are many people who have a recollection of these experiences of their youth, and try afterwards to explain them away on material grounds which do not seem adequate or reasonable. Thus in his excellent book on folk-lore, the Rev. S. Baring-Gould gives us a personal experience which illustrates

  A VIEW OF THE BECK IN 1921

  THE TWO GIRLS NEAR THE SPOT WHERE THE LEAPING FAIRY WAS TAKEN IN 1920

  several of the points already mentioned. “In the year 1838,” he says, “when I was a small boy of four years old, we were driving to Montpelier on a hot summer day over the long straight road that traverses a pebble-and-rubble-strewn plain, on which grows nothing save a few aromatic herbs. I was sitting on the box with my father when, to my great surprise, I saw legions of dwarfs of about two feet high running along beside the horses; some sat laughing on the pole, some were scrambling up the harness to get on the backs of the horses. I remarked to my father what I saw, when he abruptly stopped the carriage and put me inside beside my mother, where, the conveyance being closed, I was out of the sun. The effect was that, little by little, the host of imps diminished in number till they disappeared altogether.”

  Here, certainly, the advocates of sunstroke have a strong, though by no means a final, case. Mr. Baring-Gould’s next illustration is a sounder one.

  “When my wife was a girl of fifteen,” he says, “she was walking down a lane in Yorkshire, between green hedges, when she saw seated in one of the privet hedges a little green man, perfectly well made, who looked at her with his beady black eyes. He was about a foot or fifteen inches high. She was so frightened that she ran home. She remembers that it was a summer day.”

  A girl of fifteen is old enough to be a good witness, and her flight and the clear detail of her memory point to a real experience. Again we have the suggestion of a hot day.

  Baring-Gould has yet a third case. “One day a son of mine,” he says, “was sent into the garden to pick pea-pods for the cook to shell for dinner. Presently he rushed into the house as white as chalk to say that while he was thus engaged, and standing between the rows of peas, he saw a little man wearing a red cap, a green jacket, and brown knee-breeches, whose face was old and wan, and who had a grey beard and eyes as black and hard as sloes. He stared so intently at the boy that the latter took to his heels.”

  Here, again, the pea-pods show that it was summer, and probably in the heat of the day. Once again the detail is very exact and corresponds closely, as I shall presently show, to some independent accounts. Mr. Baring-Gould is inclined to put all these down to the heat conjuring up the familiar pictures of fairy books, but some further evidence may cause the reader to doubt this explanation.

  Let us compare with these stories the very direct evidence of Mrs. Violet Tweedale, whose courage in making public the result of her own remarkable psychic faculties should meet with recognition from every student of the subject. Our descendants will hardly realise the difficulty which now exists of getting first-hand evidence with names attached, for they will have outgrown the state when the cry of “fake” and “fraud” and “dupe” is raised at once against any observer, however honourable and moderate, by people who know little or nothing of the subject. Mrs. Tweedale says:

  “I had a wonderful little experience some five years ago which proved to me the existence of fairies. One summer afternoon I was walking alone along the avenue of Lupton [paragraph continues] House, Devonshire. It was an absolutely still day — not a leaf moving, and all Nature seemed to sleep in the hot sunshine. A few yards in front of me my eye was attracted by the violent movements of a single long blade-like leaf of a wild iris. This leaf was swinging and bending energetically, while the rest of the plant was motionless. Expecting to see a field-mouse astride it, I stepped very softly up to it. What was my delight to see a tiny green man. He was about five inches long, and was swinging back-downwards. His tiny green feet, which appeared to be green-booted, were crossed over the leaf, and his hands, raised behind his head, also held the blade. I had a vision of a merry little face and something red in the form of a cap on the Lead. For a full minute he remained in view, swinging on the leaf. Then he vanished. Since then I have several times seen a single leaf moving violently while the rest of the plant remained motionless, but I have never again been able to see the cause of the movement.”

  Here the dress of the fairy, green jacket and red cap, is exactly the same as was described independently by Baring-Gould’s son, and again we have the elements of heat and stillness. It may b
e fairly answered that many artists have drawn the fairies in such a dress, and that the colours may in this way have been impressed upon the minds of both observers. In the bending iris we have something objective, however, which cannot easily be explained away as a cerebral hallucination, and the whole incident seems to me an impressive piece of evidence.

  A lady with whom I have corresponded, Mrs. H., who is engaged in organizing work of the most responsible kind, has had an experience which resembles that of Mrs. Tweedale. “My only sight of a fairy,” she says, “was in a large wood in West Sussex, about nine years ago. He was a little creature about half a foot high, dressed in leaves. The remarkable thing about his face was that no soul looked through his eyes. He was playing about in long grass and flowers in an open space.” Once again summer is indicated. The length and colour of the creature correspond with Mrs. Tweedale’s account, while the lack of soul in the eyes may be compared with the “hard” eyes described by young Baring-Gould.

  One of the most gifted clairvoyants in England was the late Mr. Turvey, of Bournemouth, whose book, The Beginnings of Seership, should be in the library of every student. Mr. Lonsdale, of Bournemouth, is also a well-known sensitive. The latter has given me the following account of an incident which he observed some years ago in the presence of Mr. Turvey.

  “I was sitting,” says Mr. Lonsdale, “in his company in his garden at Branksome Park. We sat in a hut which had an open front looking on to the lawn. We had been perfectly quiet for some time, neither talking nor moving, as was often our habit. Suddenly I was conscious of a movement on the edge of the lawn, which on that side went up to a grove of pine trees. Looking closely, I saw several little figures dressed in brown peering through the bushes. They remained quiet for a few minutes and then disappeared. In a few seconds a dozen or more small people, about two feet in height, in bright clothes and with radiant faces, ran on to the lawn, dancing hither and thither. I glanced at Turvey to see if he saw anything, and whispered, ‘Do you see them?’ He nodded. These fairies played about, gradually approaching the hut. One little fellow, bolder than the others, came to a croquet hoop close to the hut and, using the hoop as a horizontal bar, turned round and round it, much to our amusement. Some of the others watched him, while others danced about, not in any set dance, but seemingly moving in sheer joy. This continued for four or five minutes, when suddenly, evidently in response to some signal or warning from those dressed in brown, who had remained at the edge of the lawn, they all ran into the wood. Just then a maid appeared coming from the house with tea. Never was tea so unwelcome, as evidently its appearance was the cause of the disappearance of our little visitors.” Mr. Lonsdale adds, “I have seen fairies several times in the New Forest, but never so clearly as this.” Here also the scene is laid in the heat of a summer day, and the division of the fairies into two different sorts

 

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