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Delphi Complete Works of Sir Arthur Conan Doyle (Illustrated)

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by SIR ARTHUR CONAN DOYLE


  An inevitable remark on the part of those who are not able to detect trickery is to ask what elevating purpose can be furthered by phenomena such as those observed with the Davenports. The well-known author and sturdy Spiritualist, William Howitt, has given a good answer:

  Are these who play tricks and fling about instruments spirits from Heaven? Can God really send such? Yes, God sends them, to teach us this, if nothing more: that He has servants of all grades and tastes ready to do all kinds of work, and He has here sent what you call low and harlequin spirits to a low and very sensual age. Had He sent anything higher it would have gone right over the heads of their audiences. As it is, nine-tenths cannot take in what they see.

  It is a sad reflection that the Davenports-probably the greatest mediums of their kind that the world has ever seen-suffered throughout their lives from brutal opposition and even persecution. Many times they were in danger of their lives.

  One is forced to think that there could be no clearer evidence of the influence of the dark forces of evil than the prevailing hostility to all spiritual manifestations.

  Touching this aspect, Mr. Randall says*:

  * “Biography,” p. 82.

  There seems to be a sort of chronic dislike, almost hatred, in the minds of some persons toward any and everything spiritual. It seems as if it were a vapour floating, in the air-a kind of mental spore flowing through the spaces, and breathed in by the great multitude of humankind, which kindles a rankly poisonous fire in their hearts against all those whose mission it is to bring peace on earth and good will to men. The future men and women of the world will marvel greatly at those now living, when they shall, as they will, read that the Davenports, and all other mediums, were forced to encounter the most inveterate hostility; that they, and the writer among them, were compelled to endure horrors baffling description, for no other offence than trying to convince the multitude that they were not beasts that perish and leave no sign, but immortal, deathless, grave-surviving souls.

  Mediums ALONE are capable of DEMONSTRATING the fact of man’s continued existence after death; and yet (strange inconsistency of human nature) the very people who persecute these, their truest and best friends, and fairly hound them to premature death or despair, are the very ones who freely lavish all that wealth can give upon those whose office it is merely to GUESS at human immortality.

  In discussing the claims of various professional magicians to have exposed or imitated the Davenports, Sir Richard Burton said:

  I have spent a great part of my life in Oriental lands, and have seen their many magicians. Lately I have been permitted to see and be present at the performances of Messrs. Anderson and Tolmaque. The latter showed, as they profess, clever conjuring, but they do not even attempt what the Messrs. Davenport and Fay succeed in doing: for instance, the beautiful management of the musical instruments. Finally, I have read and listened to every explanation of the Davenport “tricks” hitherto placed before the English public, and, believe me, if anything would make me take that tremendous jump “from matter to spirit,” it is the utter and complete unreason of the reasons by which the “manifestations” are explained.

  It is to be remarked that the Davenports themselves, as contrasted with their friends and travelling companions, never claimed any preternatural origin for their results. The reason for this may have been that as an entertainment it was more piquant and less provocative when every member of the audience could form his own solution. Writing to the American conjurer Houdini, Ira Davenport said in his old age, “We never in public affirmed our belief in Spiritualism. That we regarded as no business of the public, nor did we offer our entertainment as the result of sleight-of-hand, or, on the other hand, as Spiritualism. We let our friends and foes settle that as best they could between themselves, but, unfortunately, we were often the victims of their disagreements.”

  Houdini further claimed that Davenport admitted that his results were normally effected, but Houdini has himself stuffed so many errors of fact into his book, “A Magician Among the Spirits,” and has shown such extraordinary bias on the whale question, that his statement carries no weight. The letter which he produces makes no such admission. A further statement quoted as being made by Ira Davenport is demonstrably false. It is that the instruments never left the cabinet. As a matter of fact, The Timer representative was severely struck in the face by a floating guitar, his brow being cut, and on several occasions when a light was struck instruments dropped all over the room. If Houdini has completely misunderstood this latter statement, it is not likely that he is very accurate upon the former (VIDE Appendix).

  It may be urged, and has been urged, by Spiritualists as well as by sceptics that such mountebank psychic exhibitions are undignified and unworthy. There are many of us who think so, and yet there are many others who would echo these words of Mr. P. B. Randall:

  The fault lies not with the immortals, but in us; for, as is the demand, so is the supply. If we cannot be reached in one way, we must be, and are, reached in another; and the wisdom of the eternal world gives the blind race just as much as it can bear and no more. If we are intellectual babes, we must put up with mental pap till our digestive capacities warrant and demand stronger food; and, if people can best be convinced of immortality by spiritual pranks and antics, the ends resorted to justify the means. The sight of a spectral arm in an audience of three thousand persons will appeal to more hearts, make a deeper impression, and convert more people to a belief in their hereafter, in ten minutes, than a whole regiment of preachers, no matter how eloquent, could in five years.

  CHAPTER XI

  THE RESEARCHES OF SIR WILLIAM CROOKES (1870-1874)

  The research into the phenomena of Spiritualism by Sir William Crookes-or Professor Crookes, as he then was-during the years from 1870 to 1874 is one of the outstanding incidents in the history of the movement. It is notable on account of the high scientific standing of the inquirer, the stern and yet just spirit in which the inquiry was conducted, the extraordinary results, and the uncompromising declaration of faith which followed them. It has been a favourite device of the opponents of the movement to attribute some physical weakness or growing senility to each fresh witness to psychic truth, but none can deny that these researches were carried out by a man at the very zenith of his mental development, and that the famous career which followed was a sufficient proof of his intellectual stability. It is to be remarked that the result was to prove the integrity not only of the medium Florence Cook with whom the more sensational results were obtained, but also that of D. D. Home and of Miss Kate Fox, who were also severely tested.

  Sir William Crookes, who was born in 1832 and died in 1919, was pre-eminent in the world of science.

  Elected a Fellow of the Royal Society in 1863, he received from this body in 1875 a Royal Gold Medal for his various chemical and physical researches, the Davy Medal in 1888, and the Sir Joseph Copley Medal in 1904. He was knighted by Queen Victoria in 1897, and was awarded the Order of Merit in 1910. He occupied the position of President at different tunes of the Royal Society, the Chemical Society, the Institution of Electrical Engineers, the British Association, and the Society for Psychical Research. His discovery of the new chemical element which he named “Thallium,” his inventions of the radiometer, the spinthariscope, and the “Crookes’ tube,” only represent a slight part of his great research. He founded in 1859 the CHEMICAL NEWS, which he edited, and in 1864 he became editor of the QUARTERLY JOURNAL OF SCIENCE. In 1880 the French Academy of Sciences awarded him a gold medal and a prize of 3,000 francs in recognition of his important work.

  Crookes confesses that he began his investigations into psychical phenomena believing that the whole matter might prove to be a trick. His scientific brethren held the same view, and were delighted at the course he had adopted. Profound satisfaction was expressed because the subject was to be investigated by a man so thoroughly qualified. They had little doubt that what were considered to be the sham pretensions of Spir
itualism would now be exposed. One writer said, “If men like Mr. Crookes grapple with the subjectÉ we shall soon know how much to believe.” Dr. (afterwards Professor) Balfour Stewart, in a communication to Nature, commended the boldness and honesty which had led Mr. Crookes to take this step. Crookes himself took the view that it was the duty of scientists to make such investigation. He writes: “It argues ill for the boasted freedom of opinion among scientific men that they have so long refused to institute a scientific investigation into the existence and nature of facts asserted by so many competent and credible witnesses, and which they are freely invited to examine when and where they please. For my own part, I too much value the pursuit of truth, and the discovery of any new fact in Nature, to avoid inquiry because it appears to clash with prevailing opinions.” In this spirit he began his inquiry.

  It should be stated, however, that though Professor Crookes was sternly critical as to the physical phenomena, already he had had acquaintance with the mental phenomena, and would appear to have accepted them. Possibly this sympathetic spiritual attitude may have aided him in obtaining his remarkable results, for it cannot be too often repeated-because it is too often forgotten-that psychic research of the best sort is really “psychic,” and depends upon spiritual conditions. It is not the bumptious self-opinionated man, sitting with a ludicrous want of proportion as a judge upon spiritual matters, who attains results; but it is he who appreciates that the strict use of reason and observation is not incompatible with humility of mind, and that courteous gentleness of demeanour which makes for harmony and sympathy between the inquirer and his subject.

  Crookes’s less material inquiries seem to have begun in the summer of 1869. In July of that year he had sittings with the well-known medium, Mrs. Marshall, and in December with another famous medium, J. J. Morse. In July, 1869, D. D. Home who had been giving seances in St. Petersburg, returned to London with a letter of introduction to Crookes from Professor Butlerof.

  An interesting fact emerges from a private diary kept by Crookes during his voyage to Spain in December, 1870, with the Eclipse Expedition. Under the date December 31, he writes:*

  * “Life of Sir William Crookes.” By E. E. Fournier d’Albe, 1923.

  I cannot help reverting in thought to this time last year. Nelly (his wife) and I were then sitting together in communion with dear departed friends, and as twelve o’clock struck they wished us many happy New Years. I feel that they are looking on now, and as space is no obstacle to them, they are, I believe, looking over my dear Nelly at the same time. Over us both I know there is one whom we all-spirits as well as mortals-bow down to as Father and Master, and it is my humble prayer to Him-the Great Good as the mandarin calls Him-that He will continue His merciful protection to Nelly and me and our dear little familyÉ. May He also allow us to continue to receive spiritual communications from my brother who passed over the boundary when in a ship at sea more than three years ago.

  He further adds New Year loving greetings to his wife and children, and concludes:

  And when the earthly years have ended may we continue to spend still happier ones in the spirit land, glimpses of which I am occasionally getting.

  Miss Florence Cook, with whom Crookes undertook his classical series of experiments, was a young girl of fifteen who was asserted to possess strong psychic powers, taking the rare shape of complete materialisation. It would appear to have been a family characteristic, for her sister, Miss Kate Cook, was not less famous. There had been some squabble with an alleged exposure in which a Mr. Volckman had taken sides against Miss Cook, and in her desire for vindication she placed herself entirely under the protection of Mrs. Crookes, declaring that her husband might make any experiments upon her powers under his own conditions, and asking for no reward save that he should clear her character as a medium by giving his exact conclusions to the world. Fortunately, she was dealing with a man of unswerving intellectual honesty. We have had experience in these latter days of mediums giving themselves up in the same unreserved way to scientific investigation and being betrayed by the investigators, who had not the moral courage to admit those results which would have entailed their own public acceptance of the spiritual interpretation.

  Professor Crookes published a full account of his methods in the QUARTERLY JOURNAL OF SCIENCE, of which he was then editor. In his house at Mornington Road a small study opened into the chemical laboratory, a door with a curtain separating the two rooms. Miss Cook lay entranced upon a couch in the inner room. In the outer in subdued light sat Crookes, with such other observers as he invited. At the end of a period which varied from twenty minutes to an hour the materialised figure was built up from the ectoplasm of the medium. The existence of this substance and its method of production were unknown at that date, but subsequent research has thrown much light upon it, an account of which has been embodied in the chapter on ectoplasm. The actual effect was that the curtain was opened, and there emerged into the laboratory a female who was usually as different from the medium as two people could be. This apparition, which could move, talk, and act in all ways as an independent entity, is known by the name which she herself claimed as her own, “Katie King.”

  The natural explanation of the sceptic is that the two women were really the same woman, and that Katie was a clever impersonation of Florence. The objector could strengthen his case by the observation made not only by Crookes but by Miss Marryat and others, that there were times when Katie was very like Florence.

  Herein lies one of the mysteries of materialisation which call for careful consideration rather than sneers. The author, sitting with Miss Besinnet, the famous American medium, has remarked the same thing, the psychic faces beginning when the power was weak by resembling those of the medium, and later becoming utterly unlike. Some speculators have imagined that the etheric form of the medium, her spiritual body, has been liberated by the trance, and is the basis upon which the other manifesting entities build up their own simulacra. However that may be, the fact has to be admitted; and it is paralleled by Direct Voice phenomena, where the voice often resembles that of the medium at first and then takes an entirely different tone, or divides into two voices speaking at the same time.

  However, the student has certainly the right to claim that Florence Cook and Katie King were the same individual until convincing evidence is laid before him that this is impossible. Such evidence Professor Crookes is very careful to give.

  The points of difference which he observed between Miss Cook and Katie are thus described:

  Katie’s height varies; in my house I have seen her six inches taller than Miss Cook. Last night, with bare feet and not tip-toeing, she was four and a half inches taller than Miss Cook. Katie’s neck was bare last night; the skin was perfectly smooth both to touch and sight, whilst on Miss Cook’s neck is a large blister, which under similar circumstances is distinctly visible and rough to the touch. Katie’s ears are unpierced, whilst Miss Cook habitually wears ear-rings. Katie’s complexion is very fair, while that of Miss Cook is very dark. Katie’s fingers are much longer than Miss Cook’s, and her face is also larger. In manners and ways of expression there are also many decided differences.

  In a later contribution, he adds:

  Having seen so much of Katie lately, when she has been illuminated by the electric light, I am enabled to add to the points of difference between her and her medium which I mentioned in a former article. I have the most absolute certainty that Miss Cook and Katie are two separate individuals so far as their bodies are concerned. Several little marks on Miss Cook’s face are absent on Katie’s. Miss Cook’s hair is so dark a brown as almost to appear black; a lock of Katie’s, which is now before me, and which she allowed me to cut from her luxuriant tresses, having first traced it up to the scalp and satisfied myself that it actually grew there, is a rich golden auburn.

  On one evening I timed Katie’s pulse. It beat steadily at 75, whilst Miss Cook’s pulse a little time after was going at its usual rate of 90. On a
pplying my ear to Katie’s chest, I could hear a heart beating rhythmically inside, and pulsating even more steadily than did Miss Cook’s heart when she allowed me to try a similar experiment after the seance. Tested in the same way, Katie’s lungs were found to be sounder than her medium’s, for at the time I tried my experiment Miss Cook was under medical treatment for a severe cough.

  Crookes took forty-four photographs of Katie King by the aid of electric light. Writing in THE SPIRITUALIST (1874, p. 270), he describes the methods he adopted:

  During the week before Katie took her departure, she gave seances at my house almost nightly, to enable me to photograph her by artificial light. Five complete sets of photographic apparatus were accordingly fitted up for the purpose, consisting of five cameras, one of the whole-plate size, one half-plate, one quarter-plate, and two binocular stereoscopic cameras, which were all brought to bear upon Katie at the same time on each occasion on which she stood for her portrait. Five sensitizing and fixing baths were used, and plenty of plates were cleaned ready for use in advance, so that there might be no hitch or delay during the photographing operations, which were performed by myself, aided by one assistant.

  My library was used as a dark cabinet. It has folding doors opening into the laboratory; one of these doors was taken off its hinges, and a curtain suspended in its place to enable Katie to pass in and out easily. Those of our friends who were present were seated in the laboratory facing the curtain, and the cameras were placed a little behind them, ready to photograph Katie when she came outside, and to photograph anything also inside the cabinet, whenever the curtain was withdrawn for the purpose. Each evening there were three or four exposures of plates in the five cameras, giving at least fifteen separate pictures at each seance; some of these were spoilt in the developing, and some in regulating the amount of light. Altogether I have forty-four negatives, some inferior, some indifferent, and some excellent.

 

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